Exclusive: Songwriter Sues Over B.o.B’s#### Single “Airplanes”

(AllHipHop News) A songwriter has filed a lawsuit against a production duo who claimed sole responsibility for producing B.o.B.’s#### single “Airplanes.”

Christine Dominguez filed a lawsuit against Jeremy Dussolliet (Kinetics) and Tim Sommers (One Love), who produce under the name Kinetics & One Love.

The lawsuit, which was filed January 23 in United States District Court of New York, claims that Dominguez co-wrote the smash single, but received no credit and was cut out of all royalties.

According to the lawsuit, in September of 2008, Kinetics & One Love asked Dominguez to create a melody and other musical contributions for two unfinished recordings called “Airplanes.”

Dominguez claims that Kinetics & One Love e-mailed her an unfinished version of the track and she recorded her contributions to the sound recordings.

The lawsuit claims that Dominguez created the melody and the chorus for “Airplanes,” including background vocals, countermelodies and other contributions.

“In a transparent effort to keep all the credit and earnings for themselves despite Dominguez’ substantial contribution to the joint work, defendants omitted her from the listing as the author of “Airplanes” on the 2010 release and elsewhere. Nor have defendants accounted to Dominguez for revenues derived, either from the 2010 release, or any other source.”

Dominguez claims that the pair thanked her and gave her credit for her contribution to the song on an obscure, 2009 CD Kinetics & One Love: Fading Back to Normal, which contained an alternate version of the song.

In 2010, the producers authorized the release of two versions of “Airplanes,” which was on B.o.B.’s#### album B.o.B. Presents The Adventures of Bobby Ray.

A remixed version of the track also featured superstar rapper Eminem.

The lawsuit claims that the Dominguez and Kinetics & One Love could not reach an agreement regarding her appropriate share of the revenues, as joint authors of the song.

Dominguez is suing for unfair competition, unjust enrichment, copyright infringement, and failure to account for revenues derived from sampling or other use of the song.

Dominguez is seeking revenues derived from CDs, digital sales, ringtones, ringbacks and other sources of potential income from “Airplanes.”

B.o.B. is not named in the lawsuit, just the producers.

Check out the lawsuit below:

Hip-Hop Band ¡MAYDAY! Prepare For Release Of Strange Music Debut, “Take Me To Your Leader”

(AllHipHop News) Following the recent announcement that Strange Music group ¡MAYDAY! would be hitting the road with Tech N9ne and Machine Gun Kelly on the 90 shows in 99 days “Hostile Takeover Tour“, they have also revealed information regarding their new album, Take Me To Your Leader.

The Hip-Hop band, which hails from Miami, is gearing up for the March 27th release of their first album under Tech N9ne’s Strange Music imprint. ¡MAYDAY!, one of the more unique groups to break out within the genre in quite a while, is comprised of members Wrekonize, Plex Luthor, Gianni Cash, L.T. Hopkins, and NonMS.

Artists like Tech N9ne, Murs, Ace Hood, Dead Prez, Krizz Kaliko, and more are slated to appear on Take Me To Your Leader.

Along with a date and album title being announced, the group has also dropped a new single, “Death March,” as well as a teaser for the album which you can see below.

DMX Rushed To Hospital With Food Poisoning

(AllHipHop News) Hip-Hop star DMX was rushed to the hospital with food poisoning last night (January 25).

TMZ.com reports that the rapper boarding a plane from Miami, en route to Charlotte, North Carolina, last night and became violently ill.

When the plane landed in Charlotte, DMX hopped in a limo and was rushed to Gastonia Memorial Hospital, just outside of Charlotte.

The rapper spent four hours in the emergency room receiving treatment, before he was sent home.

DMX told TMZ.com that he had eaten some bad shrimp in Miami, just before leaving his baby’s mother’s house.

He is expected to make a full recovery.

DD172 Co-Founder McKenzie Eddy Releases Video For “Windmills” Featuring GLC

You may not recognize her name, yet, but you will. McKenzie Eddy is the co-founder, alongside music mogul Dame Dash and Raquel Horn, of the media collective known as DD172.

Not only did she help found the creative conglomerate, Eddy is also the president of BluRoc records, a label that released the last two albums from producer Ski Beatz, as well as 2009’s critically acclaimed Blackroc project which featured rappers Ludacris, Curren$y, Mos Def, and Jim Jones, along with singer Nicole Wray and more, collaborating with Grammy Award-winning duo The Black Keys.

Eddy, who is “not just a businesswoman, but also a musician by night,” has been steadily putting out music videos since the Summer 2011 release of her third album, Young Platinum. The album boasted appearances from such artists as Murs, GLC, Cam’ron, Vado, and a slew of others.

In her latest music video, “Windmills” which features GLC, the duo stroll through Chicago during some downtime from a past tour.

Check out the Evan Brockett directed video for McKenzie Eddy’s “Windmills” below:

Exclusive – Dice Raw’s Time Travel: From Child Prodigy to Rootsology

Dice Raw is an enigma. He’s got that rare quality of showing brilliance, while staying just zany enough to retain his personable human qualities. In conversation, he keeps you on your toes – intriguing and funny, then serious and informative in the next instant. You never know what you’ll get, but you’ll likely never forget being around him.

Philadelphia’s Dice Raw is a rapper, a singer/songwriter, a storyteller, a comedian, and one of the long-standing affiliates of the legendary Roots Crew. Along with band founders Black Thought and ?uestlove, the lyrical machete-spitting Dice has helped to create a classic sound that has taken the bunch far beyond their harsh streets of Philadelphia. You can still hear it on cerebral, melody-laced songs like “Lighthouse” – that familiar flow and voice inflection at the end of lines that lets you know it’s a Dice Raw/Roots song.

But, if you examine closely, Dice Raw’s journey along with the band has been somewhat mysterious to onlookers over the years. Where does he fit in? Is he a real member of the band? Does he rotate freely off and on the Roots roster when the spirit moves him? With such a world-class association, why is he – as he puts it – “The Greatest Rapper Never?”

To understand the funny and personable, but seemingly music-obsessed, Dice Raw, one must travel back with him to the early 1990s, when his life was moving much faster than other kids his age. As he tells it, a series of meetings and mutual associates (including Bell Biv Devoe?) led him to The Roots, but his creativity and agile flow has kept him there over the years. AllHipHop.com braved the cold this past weekend to travel to Philadelphia’s legendary Larry Gold Studios (where The Roots, Jill Scott, Dice Raw, and other big-name Philly artists have all recorded) to hear Dice Raw’s fascinating coming-of-age tale:

Shot/edited by Dave Jacobs

Our interview with Dice Raw is just getting started, Check back for part two, where he slices and dices The Roots’ undun album competition!

Social Media Madness: Trick or Tweet

I don’t think it’s a secret that in the last five to 10 years, social media has opened up access to celebrities and media personalities like never before. MySpace allowed us the amazing ability to “speak” to our favorites and actually get replies back! How gratifying it was the first time you sent someone that you truly enjoyed a message, and they responded!

 The trend continued on through Facebook to a degree, but especially through Twitter. Twitter has allowed for celebs to be open and vulnerable with their fans in a way that they have never been previously. This should be a great thing for us all right? I thought so, too, but not so fast.

Apparently, there is a price that celebs are paying for this access. I’m not talking about the clowns who tattoo food on their faces after a drunken weekend binge, or who marry hookers from an after party only to get it annulled two weeks later. They kind of have what they get coming to them for living foolishly in the public eye. I mean people that are not guilty of doing anything more than living their lives and minding their own business, only to find this new access to them a problem.

There is a phenomenon going on in social media and it needs to be addressed. This practice of calling legends within Hip-Hop/R&B out and berating them publicly, in order to gain some type of notoriety for one’s own self is beyond disrespectful…it is, in fact, foolish.

If you are on Twitter, and you start tweeting foul names and terms to someone who has actually done something to earn respect among their followers, just to gain more followers for yourself, then you should probably spend some quality time on a couch with a therapist, figuring out where you are going wrong in life. 

Class is something that a lot of people think they have, but sadly, they do not. Attacking people and calling them a “has been” or “irrelevant” only proves to those who encounter the “social media thugs” that they are classless, tacky, and flat-out thirsty for attention. If these people want “fame,” they should do something worthy of applause. Maliciously ambushing someone who has already done something to make people cheer for them, does not qualify anyone for a virtual pat on the back. Actually, it deserves the opposite. 

With that said, people need to quit rewarding these cowardly idiots with their follows, cyber friendships, or whatever else you are able to give a total stranger that is “thuggin” from behind a computer screen. This makes you complicit in the act, and possibly just as corny in the end. There should be no reward for going out of your way to make someone else feel bad about being themselves. Giving those people your vote of confidence won’t make you any more popular or desirable. It just means you co-sign trashy behavior. 

And while we are on the subject of popularity, let me be clear about one thing. If you are out of high school, and you are maligning someone with a famous name in order to fix that thing within you that is still sad because you were not a “cool kid” in school, again, I  recommend calling a great therapist or Maury because there is help out there for folks like you.

However, dissing someone who has contributed to society in some way, will not and does not make you cool. It won’t take you back to try outs and make you quarterback or head cheerleader. All it does is make you look like a virtual cornball that is dying for someone, anyone to notice your existence. I implore you, find something else to get attention, and leave those who have done something positive alone to enjoy the praise they have actually earned.

I normally wouldn’t call out names, but I have recently seen someone who I find to be one of the kindest souls I have ever had the blessing of knowing being called out in this horrifying way, and it was simply the last straw for me, as it upsets me to no end. Anyone who has seen the A Tribe Called Quest documentary, Beats Rhymes & Life: The Travels Of A Tribe Called Quest, has had the distinct pleasure of getting to know more about ATCQ member, Jarobi White, via the film.

In the documentary, the viewer is able to see what kind of genuine person Jarobi is. This is observed through his friendships he has maintained for over 20 years within his group. I can honestly say that Jarobi is that same kind of person off the big screen. He makes me laugh harder than my asthma can stand on most occasions, and is so humble that he will probably kill me for writing his name in this editorial in the first place! 

But that aside, I think it’s time to stand up to the grown up versions of cyber bullying. I realize that people give up certain rights to their anonymity when they are in the public eye, but sometimes enough is enough. And, when people target personalities for their own selfish gain, it needs to be called out. No one should be penalized for trying to keep us all entertained! Show people the respect they deserve and have earned.

Good manners are free, and being polite costs you nothing. It’s something we need a lot more of.

Skyyhook is CEO/FOUNDER/General Manager of Skyyhook Radio and a contributor for AllHipHop.com. Follow her on Twitter (@SkyyhookRadio).

Mixtape Review: Kirko Bangz’ “The Progression 2: A Young Texas Playa”

Rating: 7/10

Kirko Bangz is the type of artist that some people may not truly appreciate until hindsight becomes a factor. The young rapper with the heavy Texas influence may sound like a poor man’s Drake to the casual listener; he relies on Autotune heavily, and he’s not exactly the best singer you’ll hear this year. However, there’s something authentic about his style that cannot be ignored.

With acts like A$AP Rocky and the aforementioned Drake biting the formula that’s made Texas stand out, it’s refreshing to hear someone from the new generation of artists attempt to snatch it back. With his ability to craft songs, write hooks, and mold potent melodies (evidenced by the two singles he helmed that broke into heavy radio rotation, “What Yo Name Iz” in early 2011, and currently “Drank In My Cup”), Bangz has the growing fan-base to eventually make the leap. With his latest mixtape, The Progression 2, he plans to do just that.

That Texas presence is felt throughout the entire project; from the slow beats to the screw effect, Bangz uses all of them heavily, but doesn’t overdo it (which has been an issue with others that “bite” the style). “Knowmtalmbout” features Paul Wall and is by far one of the standout songs, due to how perfectly it encompasses the feel of TP2. There are other notable tracks as well; “Ugly B**ches” has Bangz almost scolding himself for the “mistakes” he’s made with unattractive females, “Play Me” has that “Houstatlantavegas” feel (but more raw), and his “Drank In My Cup” single still sounds solid enough to be placed on an album somewhere soon.

Bangz isn’t the most lyrical rapper you’ll hear, but he’s perfectly comfortable behind a microphone. Although he’s not content heavy, there are several instances where his lyrics pack more of a punch due to the conversational style he takes within the verse. It may not be “Lupe Fiasco” lyrical, but it more than gets the point across, with the best example being present all throughout “Trill Young N*gga,” most notably the last verse:

“I couldn’t wait to meet these famous people /
But now I feel like them people be the lamest people /
They be fightin’ for reality and fighting reality /
The shows, and ho*s wear gold without a salary /
I guess it’s all good, everything is all good /
Private school n*ggas get the pass to act all hood /
 N*ggas never seen or passed through our hood /
But they can act like it? Sh** it’s all good… /

The project is a mix of original songs and re-imagined (remixed) tracks, from Drake’s “Crew Love” (“The Crew”) to DJ Khaled’s “I’m On One” (“Say Hello”). For the most part, Bangz does a good job of making them his own while blending his original music through the playlist. The result is an almost-seamless mixtape that isn’t for everyone, but hogs its Southern lane with a type of quality that could easily place Kirko Bangz in the category with new up-and-comers. As long as he continues with his progression (no pun intended) and shows that he’s more than radio-friendly, he could get there much sooner than later.