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How “The Miseducation of Lauryn Hill” Album Changed My Life

The Miseducation of Lauryn HillIt’s hard to believe that Lauryn Hill’s groundbreaking, hip hop-soul album “The Miseducation of Lauryn Hill” was released 17 years ago! Ms. Hill turned 40 today – happy birthday genius! I write this, reflecting on her musical offering “The Miseducation” which cemented her as one of hip hop and soul music’s most prolific artists. She became a leader in the music industry as a woman who took the helm of her career and created a masterpiece – her way! This essay pays tribute to Ms. Hill and how her award-winning album, changed my life.

“The Miseducation of Lauryn Hill” album was released in August of 1998. I had turned 23 in early August of 1998. I was in the midst of a deep depression and it seemed nothing could bring me out of it. The previous years had been a whirlwind: I graduated from college, I moved back to St. Louis and got a job. I entered a graduate degree program, had a relationship, took yoga, tai chi and African dance class each week and still managed to spend time with my family. I had so much on my plate, I barely left any quiet time for myself and I never took a “break” as some young people do right before or immediately after college. I was burning myself out already. I previously had my own apartment, but had now chose to move back in with my mother to save money. I had also just ended my relationship and was in quite a funk about it. My daily schedule consisted of going to work, attending graduate classes at night and then coming home to hibernate. I still did yoga, went for bike rides and walked in the parks for exercise, but I did it alone. I had become joyless. I no longer wanted anyone else’s company because I didn’t feel like talking about what happened with my relationship or any other changes going on in my life. My mother tried to cheer me up, but I generally kept to myself. Her hugs and periodic talks with me, gave me some comfort but I was still in a dark place. I didn’t want to be in St. Louis anymore. I felt like there wasn’t a soul in my hometown who I could relate to or connect with. Many of my close friends were back East, where I attended college in the DMV area. It was at this time, in 1998, that I felt I was the sister from another planet. All I cared about was saving money, keeping my strict vegan diet, praying and getting to where I needed to be. But I didn’t really know where I needed to be and I was frustrated.

I watched the Oprah Show when I could in the afternoons, trying to glean pearls of wisdom and inspiration from Oprah and her guests to make myself feel better. I started taking a B-stress complex vitamin and it helped my depression lift. I began to read books by Deepak Chopra and Louise Hay which helped me create affirmations and use aromatherapy oils to help me sleep at night. I started painting and making my own stationary. I started making collages that I later realized were vision boards – using words and images of where I wanted my life to be. I was trying to pull myself out of the depression, but it was tough. I felt like a failure because I had to give up my apartment and move back home. I also felt like a failure because a relationship with someone I cared about had ended. For the first time in my young life, I had hit a sort of rock bottom where I questioned, “Who am I?” and “Why am I so unhappy?”

I was in graduate school and planning to transfer to a University out of state, I just didn’t know where yet. Constantly going in circles about whether I would leave St. Louis and what my next move might be, I was plagued by constant worry. My mother came to me with an idea after seeing me mope around the house for far too long. I was low on money so I couldn’t buy any new music for myself, something that I really loved and my mother knew it. One evening, she said “Let’s get out of the house.” We drove to a local record store to browse. She told me, “Look around and pick out any CD you want – my treat.” I was very excited to say the least. I was a big fan of The Fugees when they first came out and I had seen them in concert. Lauryn’s voice was so powerful as a female emcee. The fact that she was an artist from New Jersey, who held her own with male hip hop artists, much like Queen Latifah or MC Lyte, really impressed me. Her solo CD had just come out and I immediately chose it out of a stack of CDs while my mother and I browsed.

That night I went home, I put Lauryn’s CD on repeat. I remember hearing on radio when Lauryn became pregnant. It was such a shock to some media, DJs and fans who assumed Lauryn was a “good girl” who would never get pregnant out of wedlock. People were so judgmental about Lauryn’s personal life and it was ridiculous – forgetting that she was human. And this is what was revealed to me while listening to “The Miseducation of Lauryn Hill.” Lauryn was human, a young woman who had experienced life’s ups and downs despite her beauty, intelligence, fame and talent. If Lauryn could come through some dark days in her young life, why couldn’t I?

I had been writing poetry for a few years, but I rarely shared it with anyone. When I started listening to Hill’s solo album, her words, the music and the spirit behind the album gave me the energy to write more. Lauryn sang and rapped about women’s self-esteem, self-worth, being heartbroken, the love of her life – her son, the community and finding her true self. I could relate to all of this times 10! I may not have had a child, but I understood heartbreak, desiring to know your purpose and holding on to your self- esteem and self-value as a woman, at all costs. I put Lauryn Hill’s album on repeat while studying, writing and even while sleeping. Her words of love, empowerment, advice to women “don’t be a hard rock when you really are a gem,” and tales of healing from heartbreak soothed me. I was inspired that Lauryn took the helm of her career by creating this album, and that it seemed her best work was indeed created after her own experiences of personal turmoil and pain. I realized that this is something I needed to do: take control of my life, stop wallowing in my pain, become the woman I had been envisioning and embrace the artist’s path so I could share my creativity with the world. My mother and I heard that members of The Last Poets were going to be in town at a venue so we went to see them. I later found out that the venue was run by Dahveed Nelson, a legendary poet and founding member of The Last Poets. I read my poetry at this venue in St. Louis and it was an amazing experience.

Listening to Lauryn’s album, watching her throughout the year grace magazine covers and receive awards for her album, gave me the courage to pursue an artist’s life. Within a month of listening to Hill’s album, I decided to move back to the East Coast where I was born. It took me nine months to save money and plan, but with my mind made up, I drove out to the East Coast from St. Louis and I didn’t look back. I moved to my birthplace of Brooklyn and became a member of the writing and performance arts community in New York City. I began to submit my poetry to magazines and journals, and read my poetry at various venues. When I looked at Lauryn Hill, a talented, beautiful woman who had scars from relationships and the pressures of the societal expectations of women, I saw myself and the trials I had overcome. Through Lauryn, I learned that “good girls” make mistakes too, and that no genuine artist creates without first experiencing some level of pain. I was able to take my pain and transform it into art as a part of my life purpose, something that I still do. Thank you Lauryn Hill for reminding us all that you are “only human” and that our humanity and purpose is what connects us all.

What were you doing when “The Miseducation of Lauryn Hill” was released?

Written by @DuEwaWorld.

Kelis Reveals She’s Pregnant At AfroPunk Festival

Kelis is pregnant with her second child.

The eccentric singer already has one son with rap king Nas, but now young Knight will have a sibling.

The singer performed a melody of songs over the weekend at the the Brooklyn-based AfroPunk festival.

She also celebrated her 35th birthday on Friday.

Below are some of the social media posts from Kelis’ show Saturday night.
https://instagram.com/p/6tglLfo_wz
https://instagram.com/p/6tgnVCOeMV

View this post on Instagram

A post shared by .dominodiXon (@dominodixon)

The D.O.C.’s Voice Has Returned

The D.O.C. was a key component in the movie “Straight Outta Compton” and now the Dallas-bred MC has another key moment in his life.

His voice has returned closer to his original form when he was one of the hottest rappers out in the 80’s and 90’s.

The Doc conducted an interview Sirius XM’s “From The Press Box to Press Row Show,” where he revealed his status.

“About a year and a half ago, my voice started coming back on its own. If I concentrate, I can speak with a natural voice again,” said The D.O.C.

D.O.C.,born Tracy Lynn Curry, said the moment happened when he spent time in jail.

The Doc was represented as the catalyst for he and Dr. Dre to leave Ruthless Records for Death Row with Suge Knight.

“That accident was a pivotal point in Hip-Hop,” said Curry. “Everything changed that night.”

Listen to the interview below.

Here’s an interview with The D.O.C. talking about losing his voice.

Rizzoo Rizzoo Ft. Sauce Walka & Danny Brown – “Stiff Arm”

Rizzoo Rizzoo of the The Sauce Factory fires up a new joint dubbed “Stiff Arm” and featuring Sauce Walka (one half of the Twinz) and Detroit’s Danny Brown. Rizzoo and Sauce work regularly but add in some Danny Brown and who knows what can happen. Rizzoo Rizzoo’s itzHotSauce is out now.

[VIDEO] Wiz Khalifa Claims Harassment By Police, Posts Video

The details are scant, but it appears that rapper Wiz Khalifa had a violent encounter with police. The rapper posted a video and described a first-person account of the incident.

The rapper said, “3 cops yell stop resisting. Only thing to do is let em know. I’m not resisting, I’m doin what I want.”

The video, dated Saturday August 22, garnered thousands of views almost as soon as it was posted.

There has been no further comment from Wiz and another image of the Pittsburgh native was posted shortly after the video.

See the video below:

https://instagram.com/p/6tLvg8ndp9/

Joey B – “Wrong Time” Ft. Trev Rich & Red Pages

Joey B (of Masstapeace) teams up with fellow Massachusetts representative Red Pages and Denver, Colorados Trev Rich to bring you a very notable lead single, ‘Wrong Time’, off Joey’s forthcoming album ‘Closure’. ‘Wrong Time’ see’s both emcee’s reflecting on past relationships that appear to have dwindled years earlier potentially for the better of all parties involved. Red Pages delivers an amazing vocal performance on a chorus that is sure to be stuck in your head for days to come.

French Montana Trashes 50 Cent-Literally!

I thought all was good and well with French and 50 Cent. I mean, I thought there was at least some kind of peace treaty. Looks like some recent vodka wars have sparked things up. Some may say this ain’t shot fired, but I am saying it is.

I can’t WAIT for 50 to see this!

 

Did The D.O.C. Get His Voice Back!?!

You better believe there is a God if you know like I know! This rumor seems to be true, but peep it! If you don’t know, prepare to know…but you know the movie “Straight Outta Compton,” right? In the movie, they depict The D.O.C. as a side, but influential figure in the history of N.W.A. Well, the Doc had a car crash and his throat was crushed and damaged. His voice was forever changed – or so we thought. But, lets backtrack. The D.O.C. had a DOPE album in No One Can Do It Better. Even Jay Z named dropped the Texas G! So he was one of the best in 1989!!!! Listen to the album and then the rumor will commence.

The Doc has allegedly, reportedly and rumored to have gotten his voice BACK! And it is in his own WORDS…PEEP the tweet!:
D.O.C.

THIS IS THE BEST NEWS OF THE DECADE!

Oh and look what popped out of the Twitter feed. Ghostwriting for Snoop and the late MC Breed? OK!

Screen Shot 2015-08-22 at 4.42.37 PM

Is there an Unsung in the works?

Screen Shot 2015-08-22 at 4.42.04 PM

Wendell Pierce New Orleans Actor Signs On Master P Bio Film

Master P has made another major move in casting his 2016 anticipated release of his biopic The King of The South. He recently obtained Queen Latifah for his movie last week. Here is an AllHipHop.com exclusive staement:

Wendell Pierce, New Orleans Native, superstar actor has signed on to play
the young Percy Miller grandfather in The King of The South bio film. Wendell Pierece has an amazing resume starting in The Wire, Malcolm X, Selma, and Ray just to name a few. With the addition of Wendell Piece and Queen Latifah King of The South fans are excited for the new Master P bio film. Moviegoers are on the Internet praising the theatrical release of the most influential hip hop business pioneer. #KOSMOVIE is highly anticipated, a new trending topic on Twitter and Facebook. Fans will be in for a real treat, as this rags to riches Master P real life story, the true definition to the American dream, written by top Hollywood writers Parde Bridget, Wayne Conley and Percy Miller. The recreation of young Percy Miller’s life and the rise of the Ice Cream Man, No Limit empire, how one man with his last $500, turn down a million dollar record contract to go on to sell over 75 million records on his own independent label.Unlike other artists, Master P owned the masters of his music, he created grass-root marketing techniques in selling his product, becoming a marketing genius. Even though he was raised in the murder capital, Calliope Projects of New Orleans, Louisiana, not only did he have street smarts but he had book smarts, he studied business at the University of Houston. He opened a mom and pop record store where he became an expert on the marketing and retail perspective. He later turned his No Limit record store into No Limit Records, the label. At a time when the music industry was run by corporate White America, Master P broke the color barrier by showing the industry that a Black man could be more than just an entertainer. While most artists were looking for record deals, the Ice Cream Man was creating his own avenue in the hip hop world by negotiating an unprecedented distribution deal where he was able to sign other artists and build other business entities, all while being one of the top hip hop artists in the world. Master P proved that with determination and perseverance, you could be successful without changing who you are. While most music company presidents and ceos dressed up in suit and ties, Master P‘s attire was made up of baseball caps and sneakers, but his business sense and ability to negotiate deals made him comparable to some of the elite Wall Street executives.

For more information, go to www.KingofTheSouthMovie.com

10 Reasons Why You Need To Experience Afropunk Fest: Present By The Odd Side

One year ago, we took a trip through New York City to cover Afropunk Fest. The music festival, located at the Commodore Barry Park in Brooklyn, was something very unique compared to the several festivals we have covered. Armed with innovative street style, the love of music and open minds, concert-goers were able to come together and show a completely different side of culture for Blacks in this country. Along with an ever-growing yearly line-up that features superstars that represent it’s culture, the experience itself makes Afropunk a gem in NYC. One year later, the festival is expanding internationally. There was an inaugural festival in Paris as well as another that will happen in Atlanta on October 3rd.

There are several reasons why Afropunk is a one of coolest festivals during the summer, and we’re here to give you some dope reasons why you need to experience this weekend. Here are 10 reasons why you need to experience Afropunk Fest:

1. Afropunk’s yearly lineups are unique to it’s culture

Every year, Afropunk has supplied a lineup featuring artists that help empower the culture. From Danny Brown to Bad Brains, the festival always showcase a diverse group of music artists with similar attributes. There’s only one place you will find D’Angelo, Shabbazz Palaces, and HO9909 all in one place. This year, the lineup is far more stacked, including artists Lauryn Hill, Kaytranada, Kelis, Goldlink, and a hell of a lot more.tumblr_inline_nr4keegpzB1r1sixa_500

2. There’s some really good Hip Hop acts.

They might not be superstars like Rick Ross or Drake, but several rappers that come to Afropunk are great additions to the festival. Don’t think these are your normal rap acts either, you end up hearing diverse sounds and seeing some beautifully insane moments here. Afropunk is the type of place where many have seen hip hop performances ranging from Jean Grae to Das Racist. It is also the type of place where you see moments like this happen:

Afropunk

3.  The DJ’s are sick!

Along with a diverse lineup of artists comes a diverse list of DJs at Afropunk. The Gold Stage is where most of these destructive disk jockeys kill the turntables. From Samba, to Reggae, to Trap music, your ears will explore new terrains and will get you moving along with the other hundreds of people grooving. There’s nothing like a group of people getting more energized throughout one DJ’s set, no matter what genre of music it is. Once you get done with a sick performance, this is the place to be for breaks.

Clip from A-Ra

4. There are some legendary acts there

As said before, Afropunk brings in legendary musicians that help fire the culture. Every year there seems to be a incredibly extraordinary artist headlining the festival. Last year it was D’Angelo, the year before it was Chuck D and Questlove, the list goes on. The bigger this fest gets, the more innovative the headliners are. Really! Who would expect Grace Jones and Lenny Kravitz to have performances this year?

D' Angelo and the Vanguard at Afropunk 2014

5. There’s nothing but love here.

One major thing about this festival is that there are no barriers between festival goers. One of the most important things about Afropunk is that there is no type of hate promote on the grounds. They even have a couple banners to prove it. That means no homophobia, racism, “fatphobia”, you name it. None of that is allowed here, and it keeps the interactions fans positive.  You might just make a couple of friends in a mosh pit made to some band you never heard of.

6. Soulection will make an appearance this year (Lakim x Goldlink)

One of fastest growing music collectives online happens to be Soulection. From Sango to Esta, there’s a long list of artists that have contributed to bring an all new sound to modern music. Although Soulection won’t be as deep as they normally are in NYC, Lakim and Goldlink will be killing different stages for the squad. We’ve already encountered both artists in DC last month, so we already have high expectations for these two performances.

https://soundcloud.com/lakim/butterfly

7. Don’t sleep on the rock bands

There might be some dope hip hop artists at this festival, but don’t shy away from the bands that perform there either. They provide some of the most energetic performances at Afropunk. There are some really good acts that come here every year too, like TV on the Radio or Bad Brains. The rock bands are truly one of the factors that make the festival full of life.

8. The street style here is dope

Looking at people’s clothes may not be the amped reason to go to Afropunk, but it definitely is a nice addition to the experience. The urban terrain gives several fans the opportunity to show out during the weekend. You might not find this many people with unique outfits in one place until next year. We anticipate it being even more cooler this year. There have been several publications that have mentioned Afropunk about the diverse street style alone.

9. Afropunk showcases a ton of art. 

Along with the music, street style, and DJ’ing, Afropunk also showcases some dope art. Most of it is located at one spot on festival grounds, but you still come across some extremely dope images while you travel from stage to stage.

 

Photo from streetartnyc.org
Photo from streetartnyc.org
Captured By Vance Brinkley
AfroPunk Fest 2014

10. Afropunk tries to take on social issues

Many people may be familiar with Afropunk because of its musical acts, innovative street style from festival goers, and the culture. However, this festival tries to also promote the importance giving festival goers knowledge about modern issues in our society. You’ll find a ton of different booths at Activism Row in the entrance of Commodore Barry Park. Not many festivals attempt to inspire people to actually stay informed about what problems are going on outside of them.

We will be at Afropunk once again this year to cover some the festivities. Keep it locked at AllHipHop for performances, street style, interviews, and much more.

Tyrique Shahmir – “’96 Master P” [P###. RMUR]

East Tennessee native Tyrique Shahmir drops off his latest record “96 Master P” which combines a southern 90’s sound with the mind state of an ambitious kid growing up in East Tennessee. On this record Tyrique has a conversation with his younger self in hopes of correcting adolescent tendencies that have corrupted so many young lives. RMUR composed this retro-sounding beat that leaves one reminiscing of beepers, tall tees & obnoxious amounts of denim.

FRESH HEAT – Dave East – “Fucc The Police” (P### By Tha Jerm)

Adrian Swish Presents: On the Set: Crips & Bloods, a Crips and Bloods unity effort. Amidst some of the highest violence numbers in recent years, we head to the East Coast to get the perspective of Harlem, New York. On the track rapper Dave East’s gives his version of survival in his neighborhood dealing with the overwhelming police activity. This new record called “Fucc The Police” and was produced by Tha Jerm.

Arrested Development’s Lead Singer Speech Shares Deep Thoughts On “Straight Outta Compton”

“I applaud Ice Cube, Gary F Gray & Dr. Dre because they know how to tell a great story! The accurate portrayal of a Hip Hop producer’s heart…. wanting to make something special…well done. The vicious sharks that swim in music industry waters…greatly exposed. The acting, promotion and soundtrack… superb! In a country where excellence in black film on the big screen isn’t seen enough, it’s proudly exhibited here.

But from the perspective of the ancestors, they got some explaining to do. Centuries of struggle by our men, women and children who were thoroughly desolate with only one hope. The hope that through their perseverance, future generations would have it better than they did. Many died for that very reason.
That’s the African-American legacy.

It was just two weeks ago, we all were discussing how soiled America still is from the horrors of slavery and the following systematic racism.

Blacks for hundreds of years purposely portrayed in every advertisement, news article, play, TV show and movie as dangerous, vile, uncaring, simple, roguish brutes, with intelligence a tad higher than a monkey. Year after year, decade after decade, century after century… And here we are today – as white trigger happy cops shoot blacks. It doesn’t matter if they’re unarmed, cuz in the minds of so many, blacks are always armed with centuries of dangerous propaganda. And a lie can run around the world twice before truth can get her shoes on!

And in comes Hollywood pushing yet ANOTHER movie with that same ole narrative… “Straight Outta Compton!” With the convenient subtitle – “The worlds most dangerous group.”

Is that literal or it’s figurative? None of them came from the most dangerous of street life but Easy E. right? I often hear that they’re dangerous because of Cube’s defiant lyrics & fierce determination to speak “truth” to power. Ummm, that sounds honorable.

But I’m sure I can come up with a few more suggestions more appropriate than NWA. The Black Panthers for instance might be better suited for such an honor. With fierce determination they defied an entire system at risk of their very lives! They REALLY fought for justice and most paid the ultimate price. An epic bio pic that shows how these brave young men and women organized change for all races and genders, showing true devotion mixed with legal prowess… that’s a film suggestion! And can I get a witness that NWA’s “F** the Police” is only the prevailing anti-police brutality anthem BECAUSE the music industry championed it. It didn’t take the FBI long at all to see that NWA was ultimately a harmless group because their other songs & political savvy was thoroughly misguided and non-directional. As opposed to the earlier & less popular “F** the Pigs” that the Black Panthers often shouted as they persevered through police harassment as actual freedom fighters, not as drug dealers and pretend thugs. Historically there were activists that started as thugs but TRANSFORMED into purposeful revolutionaries.

I’ve heard some say, the title “most dangerous” is as far as MUSICAL groups are concerned…. Ummm wouldn’t PUBLIC ENEMY better fit that definition? But see a movie like that would simply be too dangerous, it might cause people to do more than ooo and aaah over the financial success of a music producer & rapper who made nice movies and headphones. It might cause REAL change.

NWA may be the most dangerous, but not because they fought against a racist and oppressive system… but because they were effective ambassadors of that very system! I like to call it white supremacy on wax! Who else could have done such a great job at spreading the age old message that blacks are morally sub-human? Many things white supremacists say about blacks is what NWA confirms in their most popular songs. And yes, in 2015 Twitter is going nuts praising the film and much of the hiphop world is bowing down to NWA as heroes in the genre. But I applaud a good number of blacks that “don’t believe the hype”!

Bio pics about rap artists are few and far between, but take notice to WHICH rap movies Hollywood green lights for major motion picture release? And have you ever thought about WHY these particular movies?

Biggie’s Notorious, Eminem’s 8 Mile, 50 Cent’s Get Rich or Die Trying and NWA’s Straight Outta Compton! Most of which come straight outta Jimmy Iovine’s & Dre’s storehouse of thuggery, and celebrate the “American Dream” thru gritty accounts of drug deals, crack addicted communities, strip clubs, friends that deceive each other and gun battles gone wrong. And then the inevitable transformation from rags to riches. As they live happily ever after (in their death though). Oh yeah, Biggie was about right, that if you’re black…you’re nobody til somebody kills you!

To quote Public Enemy… “Burn Hollywood Burn!” They’re pretty much about money and judging by this past weekends ticket sales… THEY’RE WINNING! Stay tuned for a Tupac, Ice T and whomever else da cap fits bio pic for us all to swoon over!

Feed us our illusions, Hollywood has no skin in the game, it’s just money to them. But don’t we as blacks literally have skin in the game?

It’s our SKIN that signals brainwashed cops to pull us over just because we didn’t use a turn signal. Or blow our brains out for trying to start our car while being questioned. Or get choked to death, spines snapped, or just walking home wearing a hoodie.

BUT SOMEBODY BLACK KEEPS PROUDLY DELIVERING THESE MOVIES TO HOLLYWOOD.

There’s gotta be a point where we WEIGH the pains we feel from years of being mis-represented against the joy we feel seeing another black thug soliloquy on the big screen! The pain lasts for years, the joy last 2 and a half hours. You do the math.

There’s gotta be a breaking point when we make a critical decision. Directionless expression or real freedom? I know, I know… no one screams when Scorsese does a gangster film, why pick on rappers? Because Jewish people aren’t making these movies WHILE simultaneously getting shot down in the streets by their own kind, arrested in astronomical rates and their rappers literally getting assassinated like they were in a Middle East war zone!

When is enough… ENOUGH!?

Consciousness didn’t start with NWA, J. Cole, Kendrick Lamar’s “To Pimp a Butterfly”, nor ‪#‎blacklivesmatter‬.

It’s been in full effect since slavery and we must keep our eyes on the prize to reach the finish line!
On the big screen, these rappers are portrayed as bigger than life heroes and even somehow “freedom fighters”! But TRUE heroes like Julian Bond, Garvey, Harriet & Parks deserve a bio pic, because they served US all! But would we support it?

It NEVER was enough to have a conscious song or two on an otherwise “white supremacist” gangsta record. It’s not enough to have things “go in cycles”… (people say that to me all the time about music)
It’s about standing on the shoulders of those that stood before us until we get out from the ditch that hides our humanity!

Our values are so backwards that fathers, mothers, educators, intellectuals & activists don’t fill today’s memes and murals. Instead it’s Tupac, Biggie, NWA and maybe a Jay-Z. The murals you see painted in the ghettos, (I’ve even seen em in the outskirts of Africa!) Memes of these rappers floating around on the Internet and interviews at the end of albums with their “prophetic” words. 3D holograms of them in front of wooing crowds. Supposed martyrs packaged and shrink wrapped in a CD. “Heroes” of the people – celebrated, applauded, jailed and assassinated, with a level of admiration that you’d think they died because of political resistance or activism, but no. It’s simply a petty beef or a record executive hungry for more money.

We have so lost our way, that we celebrate their temporary success – in lieu of our own lasting success.

Behind the riches of every Ice Cube, Dr. Dre, Easy E. or Suge Knight are quiet little Jewish & White guys in polo shirts that are even richer than them.

They play golf and listen to Bach while they count their money. Meanwhile we wallow in these decadent, century old stereotypical, blaxploitation flicks and albums, their kids fly in private jets and vacation in Belize. Our kids suffer just walking to school.

Yes, Straight Outta Compton is very good and yes, these men have immense talent, but Italian mafioso refused to sell crack to their own communities. They insisted on separating their families from their illegal business.

We sell this “crack music” to our little kids and we infest the whole world with it!
It is NOT just entertainment. We are getting killed in real life. We influence Africa, South America and everywhere there’s poor people that need inspiration. It has never been simple entertainment and it has far out reached the block…. it’s racist propaganda. And it hurts the soul of humanity!

And by the way ITS NOT HONEST, it’s not what we see in the hood. It’s an embellishment of it, it’s “reality” on steroids, it’s someones story on performance enhancers! And the things that destroy these communities has become a Satanic virus, packaged and shipped out to every other community to infect those that were previously healthy.

That’s my problem with NWA – not the music (it’s brilliant) NWA endorsed the worse traits of the hood, promoted these traits and to justify their lust for fame they revised their purpose claiming it’s a noble freedom of speech movement.

And many have bought that revisionist history, poured it in our glasses & ummm that kool aid taste sweet! White supremacy is happy, blacks got our thug heroes and the world keeps on turning.
So, sit and eat your popcorn, sip a Coke, enjoy a well-deserved break from lifes stress.
I know I did. I also know I made Ice Cube, Dr. Dre Gary Gray and a host of white dudes a bit richer! I’m alright with that. May God bless em.

But even as I’m entertained by the film, I know that unless we change our dynamics and moral infrastructure as black people, WE really are the entertainment. The silly blacks that can’t realize the difference between an Arnold Schwarzenegger fiction and a propaganda missile aimed at the very demise of our freedom, dignity and culture.

GIL scott was right….The revolution will not be televised it will be screened in a theater near you.
Two thumbs up.”
(Source)

2 Chainz – “If I Didn’t Rap”

After a Trapavelli tape and pop-up shop, 2 Chainz unleases the visuals from his video for “If I Didn’t Rap.” Filmed in a crazy polarized and photo negative look. The track talks about what Chainz would be doing if he didn’t rap as he glides through MIA with a clean whip. Def a dope video with the crazy filter.

Silas Blak – “The Letter”

Continuing #BlakFriday with powerful rhymes and aggressive energy, Silas Blak brings us “The Letter” produced by Reese with cuts by Able One. This track will appear on #BlakFriday: The Mixtape Vol 2, coming in September via Cabin Games.

Ghetto – “Ain’t Even Illegal” ft. Smoke DZA & REKS (DJ Concept Remix)

If you burn and you live in this hemisphere then its the perfect time to spark one up and get down with this song. This is a perfect sunny day, warm breeze track. Lawtown representative Ghetto’s standout track “Ain’t Even Illegal” gets a new coat of blunted paint courtesy of Long Island’s, DJ Concept. His approach ditches the grimy, albeit dope, aesthetic of Lee Bannon’s original, and opts for flourishing strings, and an old-school R&B guitar line to bolster the track. It all blends perfectly with the rhymes supplied by Ghetto, Smoke DZA, and R.E.K.S., who throw middle-fingers at sheisty cops, and show love to only the finest green. Listen to the “Ain’t Even Illegal” remix via the link below and watch out for #CSDE when it drops Oct. 20, 2015.

AllHipHop & DJ Hustle Presents: Hustle Nation Vol. 32

Our own Celebrity Host & DJ, DJ Hustle is on the turntables giving you Hustle Nation 32. DJ Hustle is blending and mixing the hottest new music in hip hop on AllHipHop.com. Listen to DJ Hustle as he is slapping the hits from the streets. Weekly mixes will be posted for your weekly enjoyment. Let DJ Hustle know what you want the hear on Twitter or Instagram.

Tracklist:
1) Kid Ink ft R. Kelly – Dolo
2) Lil Dicky ft Fetty Wap & Rich Homie Quan – Save Dat Money
3) Chief Keef – Missing You
4) Dr Dre ft Eminem , Candice Pillay & Anderson – Medicine Man
5) Drake – Right Hand
6) Foxy Brown ft Dru Hill – Big Bad Momma
7) House Party – My Squad
8) Puffy Daddy & The Family ft Pharrell – Finna Get Loose
9) Emcee N.I.C.E ft Suhnan Machete – Tonight Phantom Trap Remix

Dr. Dre Apologizes To Women He Hurt

Dr. Dre hopes to in some way right his wrongs in a new statement where he apologizes to the women that he “has hurt.”

“Twenty-five years ago I was a young man drinking too much and in over my head with no real structure in my life. However, none of this is an excuse for what I did. I’ve been married for 19 years and every day I’m working to be a better man for my family, seeking guidance along the way. I’m doing everything I can so I never resemble that man again. I apologize to the women I’ve hurt. I deeply regret what I did and know that it has forever impacted all of our lives.”

The statement, from the New York Times, comes as mounting protest commentary come after the success of “Straight Outta Compton,” a movie that has been a smash hit at the box office.

It also fails to mention the highly publicized beating of Dee Barnes, a rapper turned journalist. Also, his ex Michel’le has publicly claimed he abused her.