I am sure you saw the story by now, that R. Kelly has a daughter that has opted to become a boy. So, she is now a he named Jay. Jay has lightly reached out to R. Kelly, mostly through the media. I’m quite sure he needs some money to make that sex change official. Anyway, the word on the street is that Kellz has written off poor Jay and will not speak to him. Other seems to think he’s in denial, rooted in a recent interview. With Chi-Town’s WGCI, Kelly said, “You don’t really want to open it up by saying my daughter is becoming my son. Don’t even give the blogs that kind of credit. You know what I’m saying? Real talk.” Some people claim Jay is R. Kelly’s Karma coming home to roost, I don’t. I just think its a sign of times changing.
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Hip-Hop, a compelling entity with an indifferent attitude, permeates the global zeitgeist. Many skilled MCs have attempted to gain its attention. Some frails succeed while other linguistic-savants languish; the journey is the reward. Welding an compromised approach, Georgia native, Rittz, exerts his cache of credible experiences and talent to invigorate his art.
Challenged to defy his age, and manifest his dreams, the rapid-fire-MC is destined to continue to prove to Strange Music and to himself that his words are priceless. In this conversation with Rittz, the resolute MC give his unblemished opinion on everything from his experiences in New York to his cultivation of new music.
(AllHipHop Features) A lot of times American music fans are so consumed with artists from the homeland and neighboring countries that huge acts from overseas often go unnoticed. One such superstar entertainer is South Africa’s Lira.
Already a platinum selling performer on the African continent, Lira is basically a brand new act to listeners in the States. The Afro-Soul singer is now looking to change that dynamic with her first U.S. album release. Rise Again is a 13-track, multi-language compilation of songs that made the Johannesburg native a star back home.
With a list of accomplishments that include maintaining the largest Facebook following of any South African musician, a BET Award nomination for Best International Act in 2012, and performing for former South African president Nelson Mandela’s 92nd birthday celebration, Lira’s chances of making a mark in the U.S. seem like a sure bet.
Get familiar with Lira in AllHipHop.com’s exclusive interview.
When did you know you wanted to be a singer?
I think I was about 19. I had been singing for a while, but deciding to do it for a career – I was about 21. I worked as an accountant for two years. I was in college from 17-19, and I used to write music and perform as a hobby up until then.
When I turned 21, I had been working as an accountant for a corporation, and I just felt unfilled by being in that environment. I made a conscious decision at that time to quit my job and decided to pursue music full-time. That was 11 years ago.
When you made that decision to jump into music were you ever apprehensive about taking that step?
Yeah, it was very scary. My parents said, “Well, you have an education to fall back on.” I was young, and I think when you’re young you’re open to do something that could be seen as reckless. When you’re older I don’t think you’re willing to be so brave.
I had all kinds of thoughts. I was a little fearful, but somehow it was the timing that allowed me the chance to pursue something that I found fulfilling rather than being in an office all day. So I just went for it.
This is the first album you’re releasing in America. Why did you decide to revisit songs from your South African catalogue for this project?
The reason I wanted to come to the States is because I had a lot of interest on social media from my American fans. It made sense to come to the States with music my fans were familiar with and also introduce the music to a new audience.
I remember there was an American artist that came to South Africa, and she had never been here before. She came here and sang songs that no one knew, and it became a terrible concert. That made me realize sometimes fans fall in love with certain songs, and that’s what they want to hear.
So this album for me is an introduction of songs people are familiar with before I move on to new material. It’s also a great reflection of my career over the last two years. It’s almost like the American market is catching up to two years worth of work on one album.
What would you say is the difference between breaking into the industry in South Africa as compared to here in America?
Firstly, we’re one little territory. We’re the equivalent of one state in the States. There’s just so many more people [in America], so the market is saturated. And you guys basically only play you’re own music. You’d be surprised how the African continent plays a lot more American and European music than their own which is incredibly frustrating.
I think one of the most difficult things is logistics. We flew 17 hours to get here. Bringing our whole crew here, everything is incredibly costly. Luckily, I’m in a position to sustain that. We’re going to take it slowly from the ground up.
You included songs on your album that are not performed in English. What inspired that decision?
That’s who I am. That’s the one thing no one can copy. Most importantly, there’s beauty in our languages. I tried to write them in a way that – for lack of a better word – is palatable to a foreign ear. I tried to do that, but also express the uniqueness of where I come from – a little taste of who I am. For me, that’s always been very important, and people like to sing along which is incredibly refreshing.
You performed the song “(Something Inside) So Strong” a few years back for Nelson Mandela. Was that the connection for why you added that track to Rise Again?
It’s such a positive song. It celebrates human resilience. I found people always commenting on it. It’s one of the most lauded songs I have. Frankly, it was impossible to ignore. With my connection to Nelson Mandela and carrying on his legacy, I had to include that song.
When you performed for Mr. Mandela did you get the chance to speak with him?
No, he had already fallen quite ill. I did pass up a few opportunities to chat with him. I felt like some people would just use him as an object they could take a picture with. I didn’t like that. I was sure not to do that. He was old and weary at that time, so I chose to just honor the man and leave it at that.
How has your tour here in America been so far?
It’s been so incredible. We don’t do tours like the Americans do, so we allowed ourselves that experience. We’re in this cool tour bus with a DVD player, X-Box, and Wi-Fi. It’s fun.
Of course great auras from all the venues. I come from the perspective of being a huge artist back home, and I come here and play tiny, little rooms with a few people. A lot of them in the room don’t even know who I am.
There’s something incredibly humbling about that, and there’s something exciting about that. Just coming here is almost the same as it was 11 years ago. There’s something refreshing about going back to how it was in the beginning. It’s bit of trip, but I also find it incredibly fulfilling. I’m able to connect with people on an intimate level again. I really appreciate that.
I don’t think too many people get the opportunity to feel like they’re a new artist more than once.
Yeah, especially after you reach the pinnacle of your career and then go back there. I get to be human again. There’s a magic in that space. There’s a hunger I’d almost forgotten, so it’s really special.
I’ve read that you are referred to as the “Beyonce of Africa.”
They say that because of the kind of shows and large-scale productions we put on. There’s no other artists that does it quite like we do, so they dubbed me the “Beyonce of Africa” as a result. But that’s like the only similarity.
Are there any particular American artists out now that you’re a fan of?
Actually, there’s quite a few. Like I said, there’s so much American music making its way to South Africa. Even the not-so-famous artists here in America will do very well on the African continent. I come here and people are sort of struggling artists, but they’re huge in South Africa. It’s crazy. [laughs]
I’m really into Frank Ocean. He’s really refreshing. I love when an artist creates something unique. I’ve always love John Legend, and I’ve always wanted to collaborate with him. I’ve always loved Lauryn Hill too. When she came out with her first album, she didn’t conform. That’s so encouraging.
I hate to follow trends. I just want to have creative freedom. Even though she hasn’t done anything in a while, I’ll always be a big fan of her. And of course, John Mayer. I love John Mayer.
You mentioned Frank Ocean. Is he really popular in South Africa?
We love him. We really love him. I wish he’d come through to South Africa. South Africans will find the off beat artists. The Top 40 artists – sure we like them, but not as much as the ones that are indie. Those guys do so well. You’d be amazed at how artists like Kenny Lattimore are so huge in South Africa – Anthony Hamilton, Dwele, Bilal. Frank Ocean is actually the hottest person right now. I don’t know if he knows that. If he came to South Africa he would literally fill up an arena.
You’ve done some acting in the past. Any interest in doing some work here in Hollywood?
That would be amazing. Acting was a totally different ball game, but I actually enjoy it. It’s another form of art that I’d love to do. It would be epic to do something in Hollywood. My sister Rethabile is a budding actress, and I see how difficult it is for artists in America. I don’t know those struggles, because I’m popular back home so roles come to me. It was would be interesting to do something as a new artist.
You have a song called “Feel Good.” What were the last three things that made you feel good?
Good food, warmth – I love sunshine, and random conversation with strangers.
Lira is currently touring the United States. For more information about her tour dates visit her website misslira.com or download the free Lira mobile app.
Nah, I’m playing, but Tyrese did spark this rumor for me personally. Then, I did a bit of searching and realized its all over the place, in the news. But it seems like The LA Lakers are looking to get LeBron James on their team. LeBron recently – after taking that massive L to the Spurs – opted out of his contract with the Heat. He’s now a free agent. I’m hearing the Lakers want to bring Carmelo and James to the West Coast with Kobe so they can be unbeatable. What do you think of this turn of events?
I find it funny. I’m thinking somehow LeBron finds a way to stay in Miami.
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Steebie has a few problems on his hand at the moment. At the beginning of June he was arrested for allegdely owing more than $1 million in child support to his ex-girlfriend. He was released on $25,000 bail, but it looks like there’s more trouble headed his way.
NYDailyNews reports,
“Jordan, 42, a cast member on VH1’s “Love & Hip Hop: Atlanta,” must undergo pretrial drug treatment, a judge ruled Monday after prosecutors said he tested positive for marijuana and cocaine.”
Rick James said it best, cocaine is a hell of a drug.
As the couple kicks off their ‘On the Run’ tour today in Miami, Bey and Jay have decided to amp up the security to protect their family.
According to ContactMusic,
“The team will include 16 personal bodyguards on 24 hour watch and a 40-man security support group which will be increased on performance days by 21 specialist bouncers, 300 crowd security staff and a further 50 trained team members to stop potential stage stormers.
Venues including the famous Rose Bowl in Los Angeles have also increased their own security personnel to protect Beyoncé, 32, Jaz Z, 44, and their young daughter from potential ”stalkers and kidnappers”. ”They will not stop short of covering every aspect of their security, from crazed fans to potential stalkers and the unthinkable – kidnappers. Their security needs are like a military operation.”
That’s cool and all, but just in case, can this small army stop Solange from delivering another beatdown?
(AllHipHop News) Ab-Soul is 27 years old, so he grew up during the rise of online social media. During his interview on Power 105.1’s The Breakfast Club he explains how two of the biggest social media platforms of the last ten years helped him become a rapper and land one of the most popular video models in Hip Hop.
According to Soul, he began sharpening his lyrical darts in a place where people tended to use their time to find dates:
I started rapping on Blackplanet, really trying to get into it. [Angela Yee- Black planet? I thought that’s where people go to hook up?] Right, that’s where people went to hook up, but we were up there rapping, seriously. Typing. I know it still goes on to this day. It was so crazy. N*ggas use different HTMLs and colors with their sh*t. Fonts, italics with the words you rhyming with. It was so tight. That’s where I honed my skills, for sure.
Rumors began spreading that TDE’s Black Lip Pastor was dating Yaris Sanchez when Soul brought her out during one of his shows back in November 2012. Soul explains that after the popular model began placing pictures of Soul’s music on her personal Instagram account, she initiated the courtship and sent him a message to his personal Twitter account. What was Ab-Soul’s response according to Yaris?
He was quite smooth. He was like ‘I hear you’re quite the star. Text me some time.’ I was like, ‘who am I talking to? Am I talking to my uncle?
(AllHipHop News) A month after Troy Ave was revealed as one of the members of XXL’s 2014 Freshman Class, Game discredited all the rappers in that class on “Bigger Than Me”. Yesterday (June 23rd), Troy Ave became the first member of the 2014 class to speak out publicly about Game’s diss.
In an interview with DJ Absolut, Troy described Game’s diss to the 2014 XXL Freshman Cover artists as “shenanigans”. Before admitting he did not hear the record himself, he did surmise Game’s premise from what he gathered from “hearsay”:
It was really hearsay but it was something to the effect of the class is soft and they’re not Weezy. He came in with Young Jeezy and stuff like that. It sounds like shenanigans to me. I haven’t really heard it so I cant speak on it fully until I hear the record and see what he talking ’bout. It aint affecting nothing that I’m doing over here for this New York City and this East Coast environment that I got on fire.
Troy recently released a remix to his single “Your Style” featuring Puff Daddy, Ma$e and T.I. Later in the interview he makes a comparison between the support T.I. has given to his young career to a rap veteran he’s been compared to more than anyone can count:
It kind of got the feel when 50 had to go with Eminem and Dr. Dre to get put on. Know what I mean?