(AllHipHop News) Super producer Mike Will Made It made it abundantly clear that Future’s upcoming album will be packed with star studded features. In a recent interview, the Atlanta producer spoke on Future’s Honest album as well as his own solo debut Established in 1989 Part 3.
Speaking with Rolling Stone, the prolific producer let the cat out the bag on a few of the features on Honest
We have some good collaborations on there like Nicki Minaj, Drake, Kanye West, Pharrell, Pusha T. It’s a real dope album and it should be eventful when it comes out.
Future’s Honest was originally slated to be released on November, 26, 2013, but was pushed back. Future went to his personal Twitter account to announce he will be revealing more details from the album in the upcoming week:
I’m releasing the cover & date for honest next week.Freebandz
In addition to revealing that he is working on Mariah Carey’s upcoming album The Art of Letting Go and an as-of-yet untitled album from P. Diddy, Mike says his own debut album Established in 1989 Part 3 will be a hit factory. Comparing it to the yearly NOW! series that compiles the year’s top hits, Mike says his debut album will be as star studded as Future’s Honest:
I’ve been working with Kendrick, Nicki, Future, Rick Ross, Drake, everybody. I’m trying to figure out what songs make the cut. My album has to be the 10 hottest songs. It has to be like the Now CD. It’s going to be called Established in 1989 Part 3 because I drew up three other mixtapes earlier, Part 1, Part 2, Part 2.5.
(AllHipHop News) “People confuse Macklemore and Ryan Lewis with their audience,” says Talib Kweli. While speaking with DJ Whoo Kid, the New York emcee addressed the perception of Mack and Lewis as pop stars as compared to Hip Hop stars.
“When you hear people dissing them, they’re really dissing their audience,” adds Kweli, “They paid their dues in a big way. Of course being white helps, but their audience don’t know about Hip Hop.”
The former Black Star member also addresses Macklemore’s song “White Privilege.” Kweli names the track as one of his favorites by the Seattle rapper.
“[It’s] interesting to hear a white man’s perspective on his privilege,” says Kweli.
Kweli released his sixth solo album Gravitas in December. The project features appearances by Big K.R.I.T., Gary Clark, Jr., RES, Black Thought, Rah Digga, The Underachievers, and Raekwon.
Watch Talib Kweli talk about Macklemore, Gravitas, working with Jay Z, the Illuminati, Hip Hop autobiographies, Kanye West, and more in the video below.
(AllHipHop News) Los Angeles emcee Game is willingly to jump in the ring to face off against Trayvon Martin killer George Zimmerman. According to TMZ, the Jesus Piece creator has accepted a challenge to box Zimmerman in a celebrity boxing match being promoted by Damon Feldman.
“I will beat the f**k out of him,” Game said about the possibility of trading blows with Zimmerman. “I would not be boxing for me. I’d be boxing for the legacy of Trayvon Martin and for his family.”
The veteran rapper and reality show star goes on to say he would take pleasure in fighting Zimmerman and wants to show him disputes can be settled without using a firearm.
The public has seen some of The Game’s hand skills in the past. In 2012, video of Game engaged in a physical altercation with 40 Glocc hit the net.
(AllHipHop News) Hip Hop is headed over to Manchester, England this summer for the 2014 edition of The Parklife Weekender. Acts scheduled for the festival include headliner Snoop Dogg and an exclusive U.K. performance by Kendrick Lamar. Pusha T, Public Enemy, Flying Lotus, Danny Brown, and numerous rock and EDM performers are part of the line-up as well. More acts will be announced in the future.
(AllHipHop News) After finding success as a reality show, the Black Ink Crew is now expanding its brand to include print media as well. The Harlem-based collective of tattoo artists recently launched their own nationwide magazine.
The Black Ink monthly went on sale January 26th. Black Ink owner Ceaser Emanuel also serves as the publication’s managing editor.
“This publication is something that the entire Black Ink Crew is proud of. We’ve already received a lot of anticipation and support and we’re using this opportunity to expand beyond the urban market and into every stream of media,” states Emanuel. “We are also excited to reveal the magazine’s shocking exclusives and creative photography.”
Even with the new endeavor, Emanuel and the rest of the crew are not done with television just yet. Black Ink Crew will return for a third season this summer on VH1.
(AllHipHop News) Rapper Big Pooh is best well-known as the former member of the North Carolina rap group Little Brother. Besides dropping critically acclaimed albums like The Minstrel Show with Phonte and 9th Wonder, Pooh has also created several projects as a solo act.
The emcee recently announced his next two projects will be released through the indie label Mello Music Group. The first of those albums will be produced entirely by Nottz (Busta Rhymes, Blu). The second EP will use production by Mello’s roster of producers.
Pooh has already contributed his skills to the Mello team in the past. In 2009, he appeared on the track “Endure” with Georgia Anne Muldrow and MED. He also worked with Oddisee and Black Milk for “Drugs Outside.” More recently, Pooh provided a verse for “Juk” off Mello Music Group’s Mandala Vol. 2, Today’s Mathematics compilation album.
And then, fans realized that Diplo actually confirmed it by favoriting the tweet. I found that to be hilarious. He knew what he was doing. Either that he would start something or give the fans what they wanted.
Meanwhile, Azealia finds herself stuck on Universal begging for a release. SMH.
AND, she has the gall to proclaim herself the best female rapper.
I'm the best female in hip-hop. Sorry, not sorry. I'm better than most of you n##### too. Real Talk.
They just won’t leave Bow Wow alone, will they? Bow Wow was just out in Hollywood chillin’ doing some stuntin’. (Do people still say stuntin’ like that?) Anyway, he was doing his thang in a white Ferrari. He gets his friend to hop out and take a picture of him pulling up to valet… Then, the internet and the company he rented the car from go in on Bow Weezy.
I don’t know why, but that’s just how they do you these days. There’s no shame in RENTING a Ferrari. I guess people may have thought Bow Wow was lying or just doing too much on Instagram. But it went even crazier when the rental company put him on blast in THEIR Instagram. Sheeesh!
(AllHipHop Features) “Sometimes I be feeling like don’t nobody love me,” is the opening line of the title track to Quelle Chris’ latest solo project Ghost At The Finish Line. Despite releasing several projects in the last few years that were well-received by music critics and a core fan base, Quelle has not attained the level of attention that is probably deserving of a producer/emcee of his talent.
Understandably, the Detroit native acknowledges that lack of recognition is something that crosses his mind, but Quelle believes his artistic voice is of the highest caliber regardless.
“Yeah, it bothers me. I can’t say it doesn’t bother me, but at the same time I’m good. I’m going to keep moving up. That’s all I can do,” says Quelle. “I’m always going to have something good waiting when people are ready. I get respect from a lot of these cats. I know what I got is great, so I’m just chilling.”
Ghost At The Finish Line was seen as great by many listeners. The self-reflective tone of tracks like “Loop Dreams” reveal Quelle’s passionate desire to achieve success at this rap thing, while humorous songs like “Super F**k” display he still doesn’t take himself too seriously. It all comes together for what the emcee calls “conversationalist music.”
“[My music’s] more an exchange between two people. Rather than feeling you’re just getting a song, you actually feel like you’re in the moment of the music,” explains Quelle.
As 2013’s Ghost still gathers steam, Quelle is also helping build momentum for his new team at Mello Music Group; the label home to Oddisee, Apollo Brown, L’Orange & Stik Figa, Has-Lo, and Dudley Perkins.
The collective just released their compilation albums Mandala Vol. 1, Polysonic Flow and Mandala Vol. 2, Today’s Mathematic. Vol 1 includes the Quelle-produced instrumental track “Euclidian Geometry,” his solo rap track “Going Swell,” and his appearance on the posse cuts “Money Shot” and “Supreme Codeine.”
“I wanted to be with something that I could grow with. It’s not somewhere I feel pressured about how I make my music or what I want to make,” Quelle states about his reasoning for signing with Mello. “I can be free to make whatever I want, but at the same time we’re growing together. That and all the billions of dollars I be making.”
As a collective of “underground artists,” Quelle and the rest of Mello Music Group are viewed as residing on the opposite end of the Hip Hop spectrum to the rappers who live comfortably on corporate radio. Even though Quelle may be considered more reflective of the essence of a true emcee, he has no problem calling out self-aggrandizing rap artists. He is also a target of his own comedic shots. A prime example is his cut “Rappin’ Ass” featuring Denmark Vessey.
“Denmark wrote the song initially. He got the beat from [House] Shoes, wrote the song, and sent it to me. I was like I got to get in on this,” Quelle says. “There is st that cats do that’s a little suspect, but at the same time there’s a lot of st that either I do or have done. I’m a rappin’ ass na too, so you can’t make fun of other nas if you can’t really point out s**t in yourself. We’re kind of talking about ourselves. We’re rappin’ass n****as.”
Quelle has opinions about the direction of Hip Hop in general as well. According to the Crown Nation affiliate, the culture is becoming a victim of its own popularity, but like other musical art forms, Hip Hop will survive some of the absurdity that has consumed it in his eyes.
“When a medium becomes really popular, people just start [trying to] out doing each other, and then you reach some sort of pinnacle of ridiculousness,” says Quelle. “Then somebody comes out with something that kind of topples it – that’s building it up from the bottom again. You see that happen within a lot of genres.”
Though he has a vision of where Hip Hop is headed, Quelle Chris is mostly concerned with crafting the best quality products for himself, his Mello Music Group brethren, and the other outside artists he collaborates with. If his genre-bending “conversationalist music” is never appreciated by the greater society, Quelle ultimately seems content with just creating work that illustrates who he is an artist.
“If I make something that’s extremely deep-rooted Hip Hop, Jazz, electronic st, something that’s a little bit more silly where I’m not trying to be extra lyrical, or whatever the fk I want to do, you can say whatever. It’s not going to make any difference to me. What I’m doing is working for me.”
Zendaya dropped a new visual for her hit single “My Baby” on Monday, produced by Bobby Brackins and Nic-Nac.
The video, directed by Stephen Garnett, features the 17-year-old beautyplayfully singing into the camera while showing off her fun fashion sense with several sexy outfit changes.
Zendaya’s “My Baby” track, which also got the Hip-Hop treatment from Ty Dolla $ign, Bobby Brackins and Iamsu!, is from her self-titled debut album now available on iTunes.
Word is, Kim Kardashian is being pressured to feature her daughter, North West, on Keeping up With the Kardashians because the show’s ratings are plummeting. According to Radar Online, Kim thinks her daughter is ready to join the family business but Kanye has forbidden it thus far, even if it means the end of the show.
Ryan Seacrest, who produces the Kardashian reality shows for E!, is said to have personally reached out to Kim and asked her to consider allowing North on the show for limited periods of time.
“Kim really wants to put North on the show…” Radar’s source explains. “Viewers and fans of the show want to see Kim interact with her daughter, and how she is as a mother.”
“Kim has always been an open book with her fans,” the source continues, “but once Kanye came on the scene, that all changed. Kanye shuts Kim down whenever she brings it up.”
The source says that Kanye, on the flipside, thinks that reality TV is tacky and doesn’t want North on
display. Kim is said to have persuaded Kanye to allow their wedding to be televised as a compromise but her charm might not work when it comes to the baby.
Sometimes, a cover song will hit so hard that people forget it was done before, like the incomparable Whitney Houston’s top selling single of all time “I Will Always Love You.” For Bronx native, singer/song-writer, Levina Lye the art of her song covers are rooted in her soul. When the cover of The Weeknd’s single “Wicked Games” was banned in Germany and from mobile devices, #teamlevinalye unleashed it on the world’s largest social network , Facebook. The steamy girl on girl video featuring Playboy Live’s Honey Lynn has reached over 130,000 Facebook members and continues to be well received by industry executives and the general public. Conquering heartfelt renditions of hits by chart busters like Rhianna, Adele and The Weekend, coupled with provocatively vulnerable videos this burgeoning songstress has captured audiences with her ability to make popular music her own.
The 22-year-old Puerto Rican/African American beauty attended Catholic school in New York when her parents uprooted from the Bronx and the tranquility of life upstate is where she nurtured her natural ability and discovered her love for poetry and music. Music gave way to an artistry that would help her get in tune with the emotions of transitioning from adolescence to womanhood grappling with loneliness, fear, hope and peace. With her upcoming EP “Pieces of Me” Levina Lye gives you the most intimate pieces of her life through her music and the feelings are paramount in every delicately maneuvered octave scaled by the vocalist. The single “Fade Away” is currently available and Levina Lye has a conversation about all the pieces of her.
AllHipHop: How old were you when you started writing?
Levina Lye: I actually started writing poems at 15 and when I turned 16 I was like oh shoot I can write songs.
As a singer/songwriter why did you decide to start remaking cover songs to release?
Initially, I did put out original music but no one would really give me the time of day because my former management didn’t really know how to market it. My new project manager and me then sat down and said how can we make people know who I am in a way that’s familiar to them. So we decided to do covers and I started picking cover songs that pertained directly to what I was going through or feeling so that’s why they came out so passionate. They’re other peoples songs, but it’s the way I felt.
What I loved about the Rihanna song was your passion and vulnerability gave it a different feel from Rihanna’s rendition of “Love the Way You Lie”. How do you develop your interpretation to make it your own?
I really focus on the lyrics. I really focus on the words they wanted portrayed because sometimes artists don’t really write for themselves so it’s harder to try to tap into that emotion. I truly understood what that artist meant so it was easier for me to just go in and say boom bam, this is mine now. This is Rihanna’s song but this is my version of it and sometimes people like the rendition better than the original.
With respect to The Weeknd’s cover of “Wicked Games,” I read about how important it is to you that people live their truths and in that video, your truth is told in your performance to a female lover. What made you choose todo the video in that way?
Well I really like the song and the message of the song. I truthfully didn’t want to take anything away from what The Weeknd was saying. I thought how can I switch this in a way that I can do it because he was talking about a girl. I said let’s have a girl in the video. Let’s truly show what this song is really about because beyond all the sex appeal and all that stuff there really was a deeper message. The message is about how people use things like sex, drugs and alcohol to escape which kind of ties into my single “Fade Away”. I guess I’m just a deep thinker, everything I do there’s a message behind it if you really pay attention. There’s more than just sex, drugs and pretty girls.
So when we hear your own music, who will we find out you really are?
I’m human and by that I mean I go through hurt and pain. I have my struggles. People have to sit down with me and help me understand things sometimes and all that good stuff. My music speaks a lot about who I am. My EP “Pieces of Me” will pretty much define me.
Tell me about the single “Fade Away”.
“Fade Away” is about any type of escape that anyone uses. Life is hard and sometimes you do need that drink after work or that friend’s shoulder to cry on, or something else. That is what “Fade Away” is about. It’s a feel good song for whatever you do to make yourself feel better.
How did you get into music at this level?
I met Be N Original, my wonderful project manager, who changed my life. He’s definitely someone who has been on my team and in my corner from day one and without him my team wouldn’t be a team.
To be so young you seem wise beyond your years what or whom do you attribute that?
Well, I pay attention to life. I pay attention to the things other people go through and I watch the struggle from that. There’s always room to grow from watching other people even though it’s sad, it’s still a learning experience.
In the current landscape of female entertainers what do you look to contribute to the world of music?
I feel like I’m going to be one of those artists who helps bring back the true essence of music and what it means to feel. When you sit down and listen to a body of work and actually think and dwell on it and tap in to some type of emotion that hasn’t been tapped into for a while, that’s really what I want to do is be a person to inspire for the better.