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Snoop, Mike Epps Team For Innovative “Imagine That!” Comedy Tour

(AllHipHop.com) Snoop Dogg will merge the genres of Hip-Hop and Comedy this April when Snoop Dogg and Mike Epps team for the limited run tour, “Imagine That!”

The pair will link in selected markets and combines their stage show with a story about two night-club performers who end up arrested and have to find their way out of prison. “This is an incredible opportunity to combine our similar, but different worlds of entertainment together on stage for the first time,” Epps told AllHipHop.com in a statement.

The innovative tour will kick off April 27th at Harrah’s Rincon Casino in San Diego, followed by a date Saturday May 1st at the Fantasy Springs Resort & Casino in Indio, California.

“We’ve worked together in the past on some projects and knew that our audiences would love to see us bring Hip-Hop music and Hip-Hop comedy together on stage,” Snoop Dogg stated.

Epps’ next appearance will be in the Warner Bros. film Lottery Ticket, which also stars Ice Cube, Bow Wow and Brandon T. Jackson.

Snoop’s next release is entitled More Malice: Deluxe Album and Movie on March 23rd, a deluxe release of his album Malice N Wonderland.

The re-release will include a never-before-seen mini-movie titled Malice N Wonderland The Movie.

Ja Rule Starring In ‘I’m In Love With A Church Girl’

(AllHipHop News) Queens, New York rapper Ja Rule has signed on the star opposite former 3LW/Cheetah Girl member Adrienne Bailon in the upcoming movie I’m In Love With A Church Girl.The movie is being produced by independent movie company Reverence Gospel Media and directed by Steve Race.

Ja Rule will play a big time drug dealer who has turned his life around, but still associates with his former colleagues and friends.

He meets the girl of his dreams and has to choose between returning to his old way of life or continuing down a legitimate path. The movie is the latest film for Ja Rule, who has starred in movies like Shall We Dance, The Fast and the Furious and Scary Movie 3.

Filming on I’m In Love With A Church Girl is set to begin on May 10 in San Jose, California.

Big Tigger Goes From BET To Blac Label Clothing

You may know him best as the former host of BET‘s Rap City and 106 & Park. Or perhaps as the music director and host of CBS Radio’s WPGC “Afternoon Drive”, resident DJ at Washington Wizards’ games, and avid philanthropist. Well Big Tigger is rocking yet another hat – a fashionable one at that. He is the brand new Senior Vice President of Marketing for the hit urban brand Blac Label. The brand launched in 2002 with a focus on elaborate graphic tees, eventually including a mix of military-inspired woven shirts, denim, sneakers as well as collections for women and kids. Kiki brings you a sneak peek at brand new Blac Label gear, while finding out how Big Tig juggles his many hats and more – check it out: DrJays.com: How and when did your position with Blac Label come about? Big Tigger: November 2009 – JW and I (the boss and a good friend of mine), had a casual conversation about building the already successful brand. We agreed to have me assist in the future marketing direction of the brand. DrJays.com’s Boss Lady with Big TiggerDrJays.com: Did you have any prior experience in the fashion industry? Big Tigger: Other than wearing a variety of brands and being involved as a spokesperson/partial owner of Pure Players, not really. DrJays.com: Describe a typical day in the life of the SVP of Marketing for Blac Label. Big Tigger: No such thing as a typical day, since it is one of many responsibilities on my plate right now. Lots and lots of networking, internet research, grassroots research, and meetings galore.  DrJays.com: With the many hats you wear, as a DJ, on air personality and now SVP of Marketing for a clothing brand, how do you manage to juggle it all? Big Tigger: Who knows? Things have to get done and done properly. If I feel one is suffering or I am failing to meet my expectations in one are or another, I will either double my effort or delete one of them. DrJays.com: What else are you working on currently (or in the near future)? Big Tigger: I have a new TV show coming to the CW network in April called Direct Access with Big Tigger. It will start locally in the DMV on DC50 and hopefully branch out nationally. DrJays.com: Any exciting news or collaborations in the works with Blac Label? Big Tigger: We have a a variety of hot things in development, most importantly the reconstruction of our website BlacLabelPremium.com. We are almost done with it, and it is currently up and functioning at about 85% capacity. Look forward to A LOT more content, contests, and other initiatives originating from our site! Brand new Blac Label gear – coming soon to DrJays.com DrJays.com: Can you give our readers three style tips for this upcoming spring season? Big Tigger: Stay true to yourself and style, fellas stop wearing skinny jeans, and rock Blac Label all the time! See the latest in Blac Label on DrJays.com, and stay tuned for more fresh gear from the brand!

Dramatics Hip-Hop Friendly Lead Singer Dead At 58

(AllHipHop News) Ron Banks, the legendary lead singer of soul group The Dramatics has died at the age of 58.

The Dramatics are best known for their string of R&B hits starting in 1971 with their smash single “Whatcha See Is Whatcha Get,” a #3 hit single for Stax/Volt Records.

They followed with the #1 R&B classic “In the Rain,” which topped the charts for four weeks in 1972.

Other songs like “Get Up and Get Down” “Hey You! Get Off My Mountain,” “And I Panicked” and “The Devil Is Dope” were all popular releases by the group.

The Dramatics placed seven hits in the Top 10 between 1970 and 1980.

That year, they hit the Top 10 again with the single “Welcome Back Home,” before Ron Banks broke off for a solo career in 1980.Hip-Hop artists have extensively sampled The Dramatics catalog and their song “Get Up and Get Down” was prominently featured in the movie Dead Presidents.

Rappers like NWA, Gangstarr, Coolio, Ice Cube, 40 Thieves and Ghostface Killah have sampled or collaborated with Banks and/or The Dramatics.Snoop Dogg was perhaps The Dramatics biggest supporter, featuring the group on his 1993 Hip-Hop song “It’s A Doggy Dogg World.”

“Dr. Dre was getting ready to sample us,” Bank said prior to his death. “Snoop said, ‘No. This is my first album. Them cats still around, man.’ I didn’t even know what a Snoop Doggy Dogg was.”

The Dramatics were touring about seven months out of the year when Banks died.

Banks is survived by a wife and six children.

Xzibit: From Zero To Life In 60 Seconds

Xzibit has been a staple in on the West coast Hip-Hop’s

landscape since he hit the scene even though he was born in Detroit, and lived

for a time in New Mexico. Since his 1996 debut At the Speed of Life X to the Z has been speeding along with 40

Dayz and 40 Nightz, the platinum-selling Restless, Weapons of Mass Destruction, and his last album,

2006’s Full Circle.

Nevertheless, with all of his Hip-Hop accolades, he’s most

widely recognized around the world as Mr. Pimp My Ride. While there aren’t many

that want to see X’s return to reality TV, his core fans are certainly

clamoring over his return to rhyme. MMX is the new album and he’s also plucked a new management

team, Stampede Management. AllHipHop recently crashed a video shoot,

produced by Skee.TV and breakout director, Matt Alonzo, for his upcoming

videos, “Hurt Locker” and “Phenom” to see what the new decade brings

Xzibit.

AllHipHop.com: It’s

been eight years since I last interviewed you. You were about to release Man

Vs. Machine. I was re-reading our interview and your head was in a

place of determination like you had something to prove and I got a glimpse of

that with the scene you just shot. Tell me what’s your state of mind going into

this latest project.

Xzibit: My state of

mind right now as far as the determination, that’s still the same. I think as

long as I’m breathing I’m always gonna have the same drive and as long as I can

physically keep up with my drive I think I’ll be in good shape. But my life has

taken a few different turns since 2002 and you know a lot of things have

happened that were unexpected, you know? The movies, television was something

that I never thought about it was different time back then but music is the

best way I can communicate and I feel like if I can make all of them work than

more power to me.

AllHipHop.com: I

admit although I’m not mad at you as an emcee I think I like you as an actor

because I’m usually surprised when I see you in a role, you play some different

characters?

Xzibit: Yeah, I like

to keep ‘em guessing. I’ think one of the best things to ever happen to me and

my career was underestimation. You give me enough lee-way and I take a mile not

an inch. But I like when people don’t expect me to do things because when I do

it, its looked at on the value of my performance and that’s all I want to be

judged on.

AllHipHop.com: You

had already kinda established your self as a rapper and then MTV comes along

with “Pimp My Ride,” how did that change the game for you?

Xzibit: I mean it

was so unexpected, no body knew “Pimp My Ride” was gonna do what it did. I’m

still amazed by the demographic that show reached, in how many countries and

how many people identify with that show.

AllHipHop.com: I

think we both know Hip-Hop can be pretty critical, do you think doing that show

took some of your Hip-Hop cred away?Xzibit: To a degree,

but I believe that different people are held to different standards and I

appreciate that. I come from a street based introduction to the game and that’s

how I carry myself. This is where I come from but because I come from an urban

or whatever environment you want to say is street, doesn’t mean I can’t

translate it to being a human being and be able to articulate myself. And be a

common man and be able to identify with the masses, so it doesn’t matter to me

when people say, “Oh he’s not this because he’s not doing that,” ya know? I

don’t know anybody on this earth who doesn’t want to change or do better.

AllHipHop.com: Can

you really be a “common man” and be a public figure?

Xzibit: Yes you can,

because I’ve been through real life scenarios. I’ve been humbled greatly from a

time where I thought everything was great and on top of the world when really I

was [actually] neglecting and not taking care of what was really supposed to be

important. So a lot of things have changed around and made me grow up as a man,

as a father and that’s what its all about. Knowing who I am.

AllHipHop.com: So

what is your new music telling us about who you are right now?

Xzibit: Right now it

just feels good to be making music period, the energy from that initial start

off is what your hearing now but the album is consistent with my other albums

in that I always give a lot of myself and its very personal. Very insightful

[but] it’s not just a bunch of party records although it has that energy to it.

I know I have to be competitive. The album is called MMX which is

the Roman numeral for 2010 and it’s a very timely album for me because its been

a couple years since I’ve put out a studio album.

AllHipHop.com: Its

not an easy transition going from the old way of doing things to the new landscape

of Hip-Hop especially when you take a break from it, do you find its tougher to

find your footing?

Xzibit: No I think

its great because it gives the power back to the artist, the middle man is

essentially cut out of the way and I like that. I like the power being put back

in the hands of the artist, now its up to us to be more active our careers and

take advantage of all the free publicity and media and take advantage of the

way people spread music.

AllHipHop.com: What

have been some of your biggest lessons along your journey?

Xzibit: Wow. That

life is short.

AllHipHop.com:

Absolutely, I was sorry to hear about the loss of your baby and even as I

re-read our past interview you spoke so highly of your oldest son and how you

attribute all that you do to him and for him so I would imagine that was one of

your humbling lessons you mentioned before, correct?

Xzibit: Yes.

Definitely the passing of Xavier was something that was unnatural for me and my

family. It’s never a good thing to lose someone, but for a parent to bury a

child that’s just not a natural occurrence.

AllHipHop.com: That

was a horrible for time especially for you and King-T who had also lost his

daughter around the same time.

Xzibit: Yes, it was

around the same time me, Tela could identify and Dr. Dre had just lost his son

at the same time too may they rest in peace, it was tough.

AllHipHop.com: Is

that what made you take some time away?

Xzibit: It was a

combination of things. You know I’ve been making music for over a decade so I

felt like it was ok for me to take some time out for my family and make sure

everybody was alright and take some time for myself. And gather my thoughts and

not come out here all scatter brained and say something that can be perceived

incorrectly or say something out of anger or spite or just plain not being in

the right state of mind.

AllHipHop.com:

Speaking of the past decade that you’ve been rapping, when you started it

wasn’t just Xzibit.

Xzibit: It was

Xzibit A, and I used to rap on KUNM. It was a college radio station in

Albuquerque, New Mexico and all they used to do was play instrumentals and let

people rap and that’s what I did.

AllHipHop.com:

That’s funny, but I was thinking of a time when it was you and Rass Kass and

Saafir or even the Likwit Crew. How are you with everyone now?

Xzibit: Me and Rass

are still very close. I talk to Saafir all the time too, we’re still very

close.

AllHipHop.com:

Saafir was so dope.

Xzibit: Saafir is

still dope although I haven’t heard any music from him in awhile but we talk on

the phone a lot, I’m still cool with all of the people I’ve made music with and

made moves with.

AllHipHop.com: The

Alkaholiks?

Xzibit: Yea we

speak, that’s important to me. We don’t speak often but we speak.

AllHipHop.com: Do

you think there was a time when things were at their peak that you changed as a

person?

Xzibit: Oh yeah!

Come on, man. I was 25 when I made my first million dollars. I was rapping

since I was 13 years old and had Dr. Dre produce my record, and I was on the

radio every 5 minutes. I was on 50 records and “B#### Please” was playing all

over. We were on tour and I was riding a low-rider across the stage, ni**as was

taking pictures and I had my own two buses, cell phones, man. Of course I was a

d**khead, ya know what I’m saying?  You believe the world is your oyster and you are cracking!

AllHipHop.com: So

what was your reality check?

Xzibit: First of all,

when you’re on top of the world and you feel like success is happening and

you’re doing well there’s always something that brings you back down to earth. And

that thing for me was my family and a lot of things happening with my father’s

health and money can’t help you when you sitting in the hospital. And things

are tough and you got people in your face asking for pictures and you just

crash like, “Come on, man, this is not the place or the time, I need this time

for my people.” And also just doing Pimp My Ride and really [I just] wanted to

do my music, it all happened so fast.

AllHipHop.com: when

you approach music do you approach it conceptually at first or is it built

around the music.

Xzibit: Nope when I

approach music is totally different then when I used to approach it on my other

albums its a whole new formula a whole new format. Musically the way i write is

the same because sometimes i write with a beat w/o a beat but I always writ it

on paper. I’m not one of these new fangled rappers who don’t have to write sh*t

down or put it in their blackberry I’m old school. Whats gonna happen in the

Hip-hop Hall of Fame when rappers have to put their blackberry’s in because

they never wrote stuff down on paper (laughs) I want lyric sheets.

AllHipHop.com: What

about producers, do you pick specific producers to tell a particular story?

Xzibit: Nope, you

don’t need a name. You need a beat.

Hip-Hop Rumors: Pics Of Waka Flocka After The Fight

DISCLAIMER:

All content within this section is

pure rumor and generally have no factual info outside of what the

streets have whispered in our ear. Read on.WAKA FLOCK FLICKS

I was not too sure if Waka had actually gotten punched. But, here are the pictures of him with a shiner. Still, I was told that Waka was really cool with people so we won’t be too hard on him.

They said he was distant that night and even seemed a bit out of it.

Click here for bigger versions of these pics.

Oh yea, shout out to Amber Lyricz – a female emcee. Click here to hear her!

WAKA FLOCKA, WE

LOVE YOU!!!

They keep us talking, but if we stop talking about

them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].

Rodney ‘Darkchild’ Jerkins –“R&B is on its Way Back!”

The true definition of a super producer,

Rodney ‘Darkchild’ Jerkins is the man behind some of the biggest

R&B songs of the last decade. Having produced hit singles for the

likes of Michael and Janet Jackson, Destiny’s Child, Jennifer Lopez,

Mary J. Blige, Brandy and The Pussycat Dolls to name just a few, the

industry veteran can boast more production credits and a far more impressive

resume than his mere 32 years would suggest. With his latest effort,

pop sensation Lady Gaga’s new Beyoncé-assisted single ‘Telephone,’

already climbing up the charts ahead of its official release, he seems

to be starting this decade with just as much promise as he did the last.

      Having

spoken with Darkchild as he was putting the finishing touches on ‘Telephone’ 

for Gaga, who he praises for her “character” and writing abilities,

his incredible knowledge of the music industry and love of creative

experimentalism became immediately clear. It really is no wonder why

this year seems destined to mark yet another chapter in his already

impressive success story. “R&B is on its way back,” proclaims

Jerkins passionately, his excitement clearly fueled by the plethora

of the pioneering projects that he is currently working on. The genre

is certainly taking a new direction and Darkchild’s musically diverse

productions will undoubtedly play a major role in its development.

      When

asked what he has learned from his experience working as a producer over

the past 15 years in the industry, he explains that he has learnt the

importance of creating well-rounded productions. “I learned that at

the end of the day the one thing that matters is the song,” he

elaborates. “It’s not about a beat. We have a lot of beats and it’s

easy to go in there and make a beat, especially now because of the technology.” 

After all, as he quite correctly points out “beats don’t sell, songs

do.” Darkchild has dedicated his career so far to attempting to make

“real songs and songs that have to stand the test of time.” In fact,

rewind the clock back about ten years and it becomes immediately clear

exactly why some of his productions have become R&B classics. Jerkins

was already establishing himself as an innovative and experimental young

producer but few realized just how much of a mark he would leave on

the industry over the coming decade.

      In

1999, inspired by music he had heard in a club while working with the

Spice Girls in Europe, he created Destiny’s Child’s international

cross-over breakthrough hit. ‘Say My Name’ incorporated traditional

R&B elements with the syncopated beats of 2-Step Garage, popularized

in the UK at the turn of the millennium by artists like Artful Dodger

and Craig David. After the group initially expressed their dislike of

the original erratic, 104bpm 2-Step beat, Darkchild returned to the

lab to rework the track but insisted on staying true to his original

concept, at least to an extent. “The day that I fixed the song, I

listened to it and was like ‘they were right, that beat is whack!

What am I doing? What was I thinking?’” he recalls. “Then I changed

it and flipped it into 72bpm, created a whole new track and it became

a smash.”

      ‘Say

My Name’ soon went from being a cut that very nearly didn’t make

the final tracklist for The Writing’s

on the Wall to arguably the quintessential Destiny’s Child anthem,

even winning two Grammy awards in 2001. It has since been described

by Beyoncé as an “amazing, timeless R&B record” and “one

of the best songs we ever had.” Jerkins explains fondly that the track

is his “favorite still out of everything because what I’d say to

any producer or songwriter is never give up on something that you believe

in. If I hadn’t have listened to myself I wouldn’t have won a Grammy

for that song.”

      A

pioneer in the use of concept songs in modern R&B, Jerkins understands

the importance of telling a story and maintaining a plotline within

his songs, an art that sadly seems to be on a decline in the urban music

industry today. He also feels that there are not enough of these collaborative

‘event records,’ as there is not enough competition in the scene

at the moment. “It’s only one artist emerging every year, like last

year was Lil Wayne’s year and this year is going to be Drake’s year.

It’s not enough!” he explains passionately. “There should be no

reason why Beyoncé is competing with Beyoncé.” He then reflects

with a hint of nostalgia, “What happened to the day when you had Run

DMC and LL Cool J, two artists running it at the same time?”

      Interestingly,

Darkchild was actually the man behind probably the most-successful ‘event

record’ in R&B history. A co-production between himself and

Dallas Austin, ‘The Boy Is Mine’ pitted R&B stars Brandy and

Monica against one another in a fictitious love triangle, exploiting

media assumptions of a rivalry between the two artists. The concept,

which seemed to capture the imagination of a whole generation, ensured

that the 1998 release was a great commercial and critical success. “We

need more of that with this generation now,” Jerkins suggests, before

adding, “It has to mean something though. If you’re going to have

a [release] with two people on the same record, then there needs to

be an event.” As he then adds, even Beyoncé and Shakira weren’t

quite able to achieve that with their 2007 collaboration ‘Beautiful

Liar.’ “It didn’t mean anything; it was just a record that they

both just jumped on,” he explains. “Two big, iconic stars jumping

on a song and it wasn’t a crazy smash, it wasn’t a concept that

everyone was like ‘whoa!’”

      According

to Darkchild, the Hip-Hop scene could also benefit greatly from more

collaborative event records, especially with the beef-culture in the

game today. “Think of all the Hip-Hop artists that are going at it,

they’re beefing, you know? You’ve got 50 Cent and Fat Joe; they’re

just beefing back and forth, back and forth,” he elaborates. “Get

on a record together and do it, then we’d really be able to tell who

wins.” He also feels that many features on Hip-Hop records tend to

lack any real meaning and therefore fail to enhance the song. “To

have somebody just rap on someone’s album as a feature is just pointless

to me,” he adds. “If you’re going to do that then make the best

of it. That’s all I’m saying, make it into something special.”

Making sure that he practices what he is preaching, Darkchild did confirm

that he currently has one in the pipeline himself, stating “I’m

working on Janet Jackson’s album and I’m planning on creating an

event record. We’re working on something right now.”

      The

project is just one of many that Jerkins is currently working on, having

to maintain a balance between his productions and developing his venture

Darkchild Records. “I think if you have a production company, the

next level should be your own record company,” he explains, displaying

his signature ambition and entrepreneurial nature. “If you can run

a successful production company, you should be able to take some of

what you’ve learned from that and turn it to a record company.”

Darkchild is currently doing just that but is taking his time to develop

it properly rather than rushing into anything. “I’m in no rush to

just sign a bunch of artists tomorrow. I want to make sure I get the

right artists,” he elaborates, before adding that his priority artist

Verse Simmonds is “the right artist for me.” 

      Jerkins

passionately describes Verse as a “triple threat,” explaining that

he was first attracted to his songwriting abilities and his unique sound.

Having grown up in the Virgin Islands, Simmonds describes his signature

blend of traditional R&B with a Caribbean flavor as ‘Island B.’

His infectious new single ‘America,’ – a Darkchild production featuring

Pitbull – is the lead single from his forthcoming debut album Stories

of a Bachelor, which is scheduled for release this summer on Darkchild/Interscope.

With Verse’s Island B sound beginning to make some waves in the industry,

2010 should prove a busy year for Jerkins and Darkchild Records. “I’m

constantly working. I’m in the studio almost every day with different

artists. I’m just trying to stay focused on all of the music that

I’m working on,” he explains. “I’m just focused. I want my 2010

to be a great year.”

      With

everything he has already achieved, you would think that Darkchild would

be content with his success in R&B so far. He reveals, however,

that he “won’t be happy until [he has] a chart-topping Hip-Hop record.”

When asked about his thoughts on the scene today, he answers “I like

where it’s at, but I think it’s going to have to go back to real

Hip-Hop, you know like Nas, the Illmatic

album. When it gets back to that place, I think people will be excited

again.” In fact he also expresses his desire to work with the Queens

veteran. “I think I would want to work with Nas if I could. I like

Lil Wayne too; I’m a fan of Lil Wayne.” He then jokes, “It doesn’t

matter because once I do one; they’re all going to come anyway.”

So, is a chart-topping Darkchild Hip-Hop production really on the horizon?

Jerkins believes it may well be; “I want it!” he exclaims before

adding an open invitation to the genre’s finest.  “Any Hip-Hop

people, I’m here and ready for a number one, so you need to get at

me! I can almost taste it.” 

Eight Teens Shot After Waka Flocka Concert; Police Say Rappers May Have Incited Violence

(AllHipHop News) Eight teenagers were shot after a performance by Atlanta rapper Waka Flocka Flames late Friday evening (March 5) in Gary, Indiana.

Waka Flocka Flames performed at the World of Skates skating rink. During the event, a fight broke out, prompting security to order all patrons to leave the venue. As 200 teens waited in the parking lot, a gunman or gunmen opened fire on 200 teenagers who were waiting for their rides.

“Our kids are kids. “They’re teenagers that came to a venue and saw a rapper perform and then went home. As far as I’m concerned, my kids have nothing to do with what was going on,” World of Skates manager James Sisson told the Post-Tribune.

The wounded teens were taken to St. Catherine Hospital, Methodist Hospitals and Saint Margaret Mercy in Hammond, Ind, where they were treated for non-life threatening wounds.

Police accused Waka Flocka’s hype man of inciting the crowd by pitting the “East side” against the “West side,” which may have started the fight Police Cmdr. Michael Mallett told the Post-Tribune. “The kids have separated themselves into east and west sides,” Mallet said. “They’ve been doing it for many years now, but it’s gotten worse, especially when you have entertainers making references to East Side vs. West Side. The youth in our community have taken it to heart.” No arrests have been made as of press time.

Hip-Hop Rumors: D’Angelo Gets Arrested For Blow Attempt, Bone Thugs Arrested? Waka Flocka Show Shot Up!

DISCLAIMER:

 

All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.

D’ANGELO GETS BUSTED

Damn D! It’s like this, huh? As us fan await his return, the police have another thing in mind. D’Angelo was arrested for soliciting a police woman for prostitution. According to reports, D was driving his struck and offered an undercover $40 for a blow. D’s  not hurting for money, but he may be hurting for something else. Dude was driving an ill Range Rover and had $12,000 in it when he was arrested. They say the thought it was a prostitute. EH, there is something strange about this. D’Angelo should still be good with the ladies. He was arrested Saturday at about 2:30 am.PULL IT TOGETHER, BRO! WE NEED THE MUSIC, NOT THIS!

GURU’S NEPHEW IS ON THE LIST

Peep this. I got it sent from the AHH staff. This Guru situation is getting reallllllly real. I am going to give you the abridged version, since I am sure this will be in the news. Apparently, Guru’s nephew came to NYC to go on the livefromheadqcourterz radio show. Well, you know about Justin Elam-Ruff…the dude that made the video about Guru. ANYWAY, he gets escorted to see Guru, his uncle…basically he bumrushes the hospital. And according to the, livefromheadqcourterz blog, Guru IS still in a coma…not sure if that’s confirmed. Why? There are two lists at the hospital, they say. One list is for approved guests and the second lists is for guests that MAY NOT see Guru. Guess what list Justin was on. That’s right…the second list.

Here is Statik Selektah on the situation.

 

BONE THUGS ARRESTED?

I heard there was a “Welcome Home Show” for Bone-Thugs-N-Harmony the other day. They reportedly came home to Cleveland to the peoples’ delight…and the cops. When they got there, it seemed that some gangs were being active and a fight broke out. Police pepper sprayed everybody, I was told. It appeared to a source of mine that Wish Bone was in handcuffs and possibly arrested. While Layzie Bone looked on it appeared they sprayed them too. I am hearing that a rapper that used to be cool Layzie Bone and his Mo Thugs Records now has a beef. The concert never went down, from what I understand. So, this is where it goes, eh? Wackness upon wackness!

WAKA FLOCKA’S SHOW GETS FLAMED UP

Jeez! I know Wocka Flocka is crunk, but this is crazy. Eight teenagers were straight up shot at a concert for Mr. Flocka. The police are blaming Waka’s hypeman for making two warring sides of Gary, Indiana fight each others. Waka never even hit the stage. Kids ranging from age 14 to age 18 were shot. Hmmmmmm….maybe some of them should not have been allowed to go to this event in the first place. Step your parenting game up. But person that did the shooting was outside the venue and had a rifle. Nobody was killed, thankfully.

EPIC FAIL OF THE DAY

Look at these shoes! LOL! They look like something Lady Gaga would wear.

D’ANGELO, WE LOVE YOU!!!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].