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Chamillionaire: Why The Mixtape Messiah Just Stopped

Over the past decade the mixtape

game has taken major leaps and bounds. With the internet playing a key

role in free distribution artists like Lil’ Wayne have been able to

keep a constant buzz in our ears by the click of a mouse. No stranger

to this game is Hakeem Seriki better known as “King Koopa” Chamillionaire.

Releasing mixtapes since the dawn of the internet-hop age providing  the base for two major release, a grammy, and five million in ringtone

sales. Simply said, Chamillionaire has found a foundation through the

tape.

In 2004 King Koopa released

the monumental Mixtape Messiah

ushering in over 100,000 downloads establishing himself as a top prospect

in the mixtape ring and budding a legendary series. Now, in 2009 Chamillionaire

is ready to put the series to rest with the latest and final installment

Mixtape Messiah 7. AllHipHop.com caught up with the Houston bred

rapper to pick apart the brain of a mixtape messiah and forecast the

future for all things Chamillitary.

AllHipHop.com: It’s

only been a short while since the final disk of Mixtape Messiah 7

dropped. How has the response been being that there was such a large

backing from your fans for the final installment?

Chamillionaire: Oh man the response has been really

crazy man. The responses have been filling up all my messages and all

my accounts from MySpace to everything. I know it’s having a big impact

on a lot of my fans because I’m seeing people having it and bootleggin’

it to CD and they’re trying to get me to sign it and everything, that

doesn’t happen. I kind of knew what I was doing when I dropped it

and I knew my fans would really like it because I really wanted to go

out with a bang. Overall, the majority of people are saying that they

loved it, they’re thanking me, and they don’t want to see it go

and all that type of stuff. But I’m done, it’s a wrap.

AllHipHop.com: It

is a wrap, the final installment. What do you want your fans to

look back on when they think about the Mixtape Messiah series?

Chamillionaire:

I think it would be the level of quality and the amount of material

that I tried to put out. I started off [the series] with a three disc

you know what I mean, so it shows that I tried to come in with a lot

of content and a lot of material. A lot of times this is what people

are basing my career off of because to them these are like albums because

I’ve been doing these so long. Without the mixtapes then you just

have albums, so with this [series] they can say, “Well Cham doesn’t

drop that many albums but at least he drops a lot of mixtapes.” So

with that we’re gonna be releasing a lot of music but I plan to replace

them with real music instead of jacking everybody’s beats [for the

mixtapes]. I can’t do everything I want to do with these songs. I

hope they just remember the quality and how much I gave them. I think

I went and did a lot more than most average artists do. I did in stores,

I did parties, I did concerts, and everything off these mixtapes. A

lot of artists don’t even do that.

AllHipHop.com: Now

that we have an understanding of what you want the fans to remember

what will you remember? What did you take out of the series, was it

a learning experience in some way?

Chamillionaire:

I think it was more of a learning experience for me man. The mixtapes

are like training for me and that’s how I always will know what my

fans are gonna like. I’ve been putting out mixtapes for so long that

when I put them out I can kind of gauge and know where everyone starts

gravitating towards certain records on the tape. That’s really what

it was all about, just trying to learn about my fans and see what they

like. So that’s why I can go into a major label and argue with them

about a single and be like, “Yo, they’re not gonna like this.”

I feel like I know them now because I’ve been doing this for so long

so I can guage what they like. The argument is that these majors will

try to make me a change for a different kind of fan and that’s where

the problem comes in. If you’ve been working on this one face for

these fans for a long time and then people tell you to forget about

this fan and go get these other fans then there’s a problem. Majors

tend to tell artists that a lot and I’m not really down with that.

So now it’s just focusing on making more music for all fans. Simple

as that, I just want it to be dope and have everyone appreciate it.

AllHipHop.com: Speaking

of label pressure were you ever a victim where execs wanted to take

the Mixtape Messiah series to a major release level simply because of

the success it was having?

Chamillionaire:

Nah, I mean there’s sometimes little issues because of the things

popping up on iTunes but you always have the majors trying to shut stuff

down. I never really cared, when I do the mixtapes I have a “there’s

nothing you can do about it” attitude. There’s nothing that they

did that pressured me to stop releasing. It’s just kind of like, I’ve

been doing this for ten years man and I feel like I’ve done everything

I could possibly do with the mixtapes. If I jump into another mixtape

tomorrow how much more is that gonna do for me? What is that gonna do?

It’s time to move on and do something else.

AllHipHop.com: Why

do you think everything as a whole was so successful?

Chamillionaire:

I think it was just a certain rebelliousness man, it was against the

grain. When I first came in with the mixtape circuit I did something

that was rebellious. Even when “Ridin’ Dirty” came out that was

rebellious. It wasn’t like pick your hot artist and pick your hot

producer. It was Krayzie Bone [producing] and it fit and it was rebellious

and I think people a lot of the time want stuff like that. When I came

into the mixtapes I was always like, “F a major label,” when everyone

else was tryna get signed to a major label. Then I ended up getting

signed to one (laughs).

AllHipHop.com: A

lot of fans see your stronger body of work in your mixtapes rather than

the albums. Are you okay with that?

Chamillionaire:

If I was then I’d probably still be doing the mixtapes [still]. I

know what I’m capable of so let me take 100% of my time and take that

towards making sure my albums and that stuff that I’m releasing in

stores is up to par. That way a fan is not always being like, “your

mixtapes are dope but your albums aren’t.” Nah dope is dope. I can

be dope in any form so that’s what I’m doing. If I spend 85% of

my time in the studio for this many years doing mixtapes and then I

spend 15% doing real songs which do you think I’m gonna be better

at? So now it’s about taking 100% of my time and using that towards

real songs. That way I’m playing on the same battlefield that everyone

else is on.

AllHipHop.com: Can

we separate Chamillionaire the mixtape messiah from Chamillionaire on

the album tip?

Chamillionaire:

That’s what I’m trying to do, merge them into one person. There

definitely separate and two different things but the mixtape game is

a different hustle. I can’t be mad because the average fan that’s

watching they don’t know. At the end of the day whatever happens they

blame it on the person’s name that’s on the CD, they don’t know

the politics these rappers go through. Labels are trying to change people,

they send you songs that you don’t fit on, and try to force you to

get on them telling you that its good for you, and then they start cutting

budgets if you don’t listen. The business part really messes up the

creative part. I always say that majors don’t care. They just care

about business and making money, not creativity. From artists you always

complain about that because you want the creative part to be perfect

when that product goes into the marketplace because you want it to be

you. The people at the labels feel safe behind the walls because they

don’t have to take the bullet so they’ll try to tell you what’s

hot and if it doesn’t work they’re gonna blame it on you anyways.

AllHipHop.com: You’ve

gained a lot of fans and turned a lot of heads with the series to the

point where people feel you are on a whole new tip –

Chamillionaire:

Yeah, but see that’s exactly why I’m doing this. The people that

are saying that are the people that don’t get to hear them. I can

only push those are far as I can push them, they go as far as they do

and they don’t go to the rest of the world. So no I’m trying to

make material that still sounds super good like that but just making

it bigger. So now I’m doing a new brand called Major Pain and when

this next release comes out it will be called an authorized leak CD.

So basically it will be real songs with real beats but it will be put

together how I put together my mixtapes. It might have scratching in

there it might have gun shots it might have everything but it won’t

have the same thought as a Mixtape Messiah tape. It will have

new thoughts and new fresh thoughts and it will be everywhere so people

can get it. An international fan can get it, an east coast fan can get

it, you know what I mean? This is not some major label thing with an

A&R and a budget but it’ll be in the stores and be distributed.

I’ll drop them once every three months and then the release where

I really focus on the best quality will drop every six months and those

will drop in between each major album.

AllHipHop.com: With

that much content on the ready a lot of people must be wondering what’s

up with the third album and when a release date will surface. Any details?

Chamillionaire:

The third album will be dropping fourth quarter. It’s not a problem

for me because I’ve always been the content guy. I’m not doing what

everybody else is doing, you know everbodys partying and what not but

me I’m just about the music. You open my drive right now and you’ll

see about 400 songs in there right now. I don’t think they’re wack

songs either, I think it’s just a lot of material in there. If something’s

wack I won’t keep it I’ll delete it and if not I’ll keep it. So

when it comes to making content I’m good but when it comes to the

major system it’s just slow. It’s not the artist moving slow it’s

the major system because they’ll only drop an album once every year,

like how many mixtapes have I dropped in the past year. It’s crazy,

we move way faster then them. So now if I’m not doing a mixtape imagine

how fast I’ll be coming with [original] songs.

AllHipHop.com: Even though it

may not seem like a long time ago, you came up in a different era of

Hip-Hop back in 2006 with your first major release, The Sound of

Revenge. Do you ever

feel you’re being played out of the game because of the topics in

Hip-Hop that are becoming relevant and popular in 2009? (i.e. Kid Cudi)

Chamillionaire:

Yeah, I know what you mean. But nah I definitely don’t feel that way.

You know why I don’t? Because I’m like a true chameleon man. That’s

what this whole thing is about now. The only way that I would get played

out is if I was doing the same old same old with all these people coming

out with these new sounds. There’s nobody that sounded like these

new dudes four years ago, you know what I’m saying? So now that this

new sound is becoming popular it’s all about reinventing yourself.

If you can reinvent yourself then you can stay fresh and relevant.

Hip-Hop Rumors:Why 50 Cent Got Pushed Back? Snoop Caught? Amy Winehouse On That White?

DISCLAIMER:

All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.

THE DAILY TWO SENSE

 

The rumors are pretty light again today. I thought a day off would somehow create more rumors. But, that is not the case. So, there is still plenty interesting stuff in the section today…but not as much typical rumor talk.

 

THE REAL REASON 50 CENT’S CD GOT PUSHED BACK!

 

I got a pretty good rumor here. I am sure that you heard that 50 Cent’s BISD has been pushed back to November. BUT, its not the reason you think. I heard that 50 Cent recently took a trip to Canada to audition for the role of B.A. Baracus in the new A-Team. The interesting part of this is that The Game has been supposedly confirmed as the new role that Mr. T once held. I WONDER if 50 made a power move like he is known to do. Nevertheless, this apparently would affect the release date of the album. It is all a bunch of rumors so…we’ll see!

 

ASHANTI AND NELLY SPLIT?

 

I don’t know if you heard this one, but I am hearing that Nelly and Ashanti may have broken up over the weekend. Apparently, this happened recently and no reason has been given thus far. Still, they have been an item for over four years and it seemed like they were moving closer to marriage than away from it. I wonder if that footage in the strip club, where Pac Man Jones passed those stacks had anything to do with it.

 

OMARION REQUESTED TO BE DROPPED FROM YOUNG MONEY

 

This popped up last week on AllHipHop, but here is the statement.

 

“I asked to be released from the label to pursue other opportunities that were recently presented to me. Because of our relationship, Lil’ Wayne had no issue with us ending our business relationship and released me from the label. Lil’ Wayne and I have nothing but love for each other, there is no beef.”

 

Riiiiiiiiiiiiight!

 

SNOOP CAUGHT CHEATING!?!

 

I don’t even know if Snoop’s wife cares about this. She once said, “He’s mine, you might have had him once, but I got him all the time.” Anyway, recently I was reading Bossip and I saw that Snoop was caught out there with some fly skimmy girl. This happened at the VIP room in St. Tropez on August 21, 2009. Man, you cannot escape these paps! They will see you and catch you!

 

 

ANY WINEHOUSE IS BACK ON COKE?

 

Aw, this is just tragic. The word on the street is that Amy Winehouse is back to doing coke full time, like hardcore. There is no real reason why other than she is. Friends close have tried to suggest that Amy is doing well and she is getting better but she is not according to those behind the scenes. Recent images have shown her with a “mystery” white substance under her nose. Nobody has confirmed what that substance is but it doesn’t take a genius.

 

EMINEM DID NOT DIE

 

This is a pretty old rumor (last week) that I didn’t feel the need to mention, but since I am still getting emails about it, I’ll debunk it. Eminem is still with us in the land of the living. In fact, I heard that he is preparing to release his Relapse 2 somewhere between November or December. Perhaps he and 50 Cent can work something out. Still no word on Dre’s Detoxification. I thought it would come out this year, but apparently that is not the case. SMH…this is heartbreaking. Hopefully, Jay-Z, 50 or Em will bring the heat.

 

RANDOM QUOTE OF THE DAY

 

Beyonce talks about having kids to Zwierciadto Polish 09:

 

“Yes, in 10 years! For the moment, there are still so many things I need to accomplish. I still want to win an Oscar but kids, I dunno.You don’t have to lose everything just to please the other person because it’s just as important that you’re happy.”

 

SIGNS THE WORLD IS COMING TO AN END

 

I don’t know what got into this so-called judo master, but he allegedly stomped a mentally handicapped person to death in this video. Very sad. The slain man even gave up at the end…and dude still stomped on his head. By the way, this happened in the mid-80’s. The “master” is an ex-marine and they are now looking for the big man for murder. You cannot escape the internets.

 

 

Here is the full story on this matter from youtube.

 

This video was recorded on Dec 13, 84 at 7 P.M. The victim came to teach, not to fight. The student of Mr. Blythe is Willie J. Dennis. Both are ex-Marines.

Mr. Dennis kicks at the victim’s groin area, the victim strikes back, not to fight, but to tell Mr. Dennis to not do that. The student continues to taunt and attack, so the victim had to defend himself. Mr. Dennis is knocked to the ground, and there things get more serious.

 

The instructor, Mr. Blythe, did nothing to stop the fight.

 

So he could be held just as accountable. If this young man died, and I think he did, the student and Mr. Blythe need to be arrested and the victim needs to have justice.

 

The blood of this young man is on their hands and the hands of those in the room that did nothing to intervene.

The disregard for human life is shown clearly by the actions of the student and instructor.

 

Supposedly Mr. Blythe has ‘friends’ with Virginia police. And so nothing ever happened. If this is true, it escapes me how such people can be traitors to this nation ( if they hid this, they are), and go on wearing the badge.

 

It is my hope that true police officers will do their job to see that this young man has justice. He came not to harm, but to teach. It is said he was mentally retarded, but to me the instructor and student are the one’s mentally retarded. Please, let’s be a voice for this young man.

 

ILLSEED’S QUICKIES

 

They are saying that Jamie Foxx released nude pics of himself for publicity purposes. I didn’t even know this happened.

 

The bodyguard for Jay-Z and Beyonce caught a case over some paps in Croatia, but those charges have been dropped. Apparently, the paps were using racial slurs at them and he reacted as such.

 

Miss Mouth will return tomorrow.

 

Kara DioGuardi is American Idol’s new judge.

 

EPIC FAIL OF THE DAY!

 Sorry, Guys and Girls…skinny jeans are a health hazard! See the video and save your private parts.

 

 

EPIC WIN OF THE DAY!

 

The iGun! You have to love this…you just have to love it!

 

 

NEW DANCE ALERT! DO THE CHRIS TUCKER!

 

Oh boy! If anybody reading this does a song/dance call “the illseed” I promise to put you on either AllHipHop or illseed.com depending on how many submissions I get. When you do it, send it to [email protected]. In the meantime, check out the latest dance.

 

 

Shout out to Pretty Tony!

 

JACK THRILLER INTERVIEWS MICHAEL JACKSON

 

This is pure SMH.

 

 

RICK AND RUSSELL!

 

Now this is a very interesting look. Rick Rubin and Russell Simmons are talking about Jay-Z. Rick is so different than back in the day,

 

 Anybody remember how Rick was with the Beastie Boys back in the day? I heard he was a wild and crazy dude as the “fourth Beastie Boy.”

 

For more, go to illseed.com. Or just follow me at http://twitter.com/illseed

50 CENT, EM, DRE, WE LOVE YOU!!!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].

Man, Woman Shot After Fabolous Concert In PA

Police in Allentown, Pennsylvania are investigating a shooting that left two people injured, after a concert featuring Fabolous.

 

Fabolous was in town to promote his latest album/movie Loso’s Way. The rapper performed without incident inside the Crocodile Rock Café in downtown Allentown.

 

Around 2:30 AM this morning (August 23), gunfire erupted in the parking lot, injuring a man and a woman.

 

Both victims were transported to Lehigh Valley Hospital-Cedar Crest. Their conditions were not immediately available.

 

Investigators are still seeking a motive for the shooting and are currently seeking to identify the perpetrators.

 

In 2006, at least four fans were injured at Crocodile Rock, after rapper Juelz Santana canceled a scheduled appearance.

Sunday Selection: Omarion ft/Lil Wayne – “I Get It In”

Sunday Selection Omarion ft/Lil Wayne – “I Get It In”

What’s up everybody! Hope all is well. If you haven’t heard the latest, rumors have been flying around all week about singer Omarion’s alleged departure from Young Money Entertainment. Is he with still rolling with Weezy and Company? Is he dropped? Or did he leave on his own? Those are the questions that have been posed, but whatever the circumstances are in the midst of it all a track titled “I Get It In” has surfaced. And as much as I love a good ole’ duet, this one with Omarion and Lil Wayne doesn’t have me jumping for joy. Its not anything earth shattering or something I expect to be a big hit, just sounds like Omarion was trying replicate a sound that’s popular amongst today’s artists to blend in with his new crew. Now the last time I checked Omarion was a singer, but on this track it sounds more like he’s trying to rap then sing. Omarion stay in your lane homiee! I know your trying to fit in with what everybody else is currently sounding like, but uh…I would much rather hear an up tempo R&B joint that shows your vocal range with Lil Wayne on it than whatever this song is. But hey, sometimes artists like to do something different and take a risk. Do you! I ain’t mad at that but I just think you might have wasted Lil Wayne’s guest spot because this song will probably never do much. You’re not the first R&B artist to have Lil’ Wayne on your track and it not turn out to be a hit or will you be the last. In the end it just shows that everything Wayne touches doesn’t always turn into gold. Omarion we haven’t heard much from you in a long time, and I must admit there’s room for you out here in the game, but make your return something we’re going to enjoy and appreciate. Don’t fall victim to following the trends. Well everybody you know how I’m feeling about this new joint. Tell me how you feel! Thanks for taking time out to read what I had to say. Until next week check out this week’s Sunday Selection – “I Get It In.”

Nia Beckwith is a Senior Writer for allhiphop.com. She can be reached at [email protected]. You can also follow her at twitter.com/niabchicago.

Knockout Nation: Malignaggi Robbed? Jones-Hopkins Confrontation! Williams-Pavlik Off?! d**k Tiger

Diaz Wins Controversial Decision Over Malignaggi

Hometown fighter Juan Diaz (35-2, 17 KOs) won a competitive albeit controversial decision on Saturday (August 22) against a fired up Paulie Malignaggi (26-3, 5 KOs).

 

With neither man having knockout power, both fighters had to perfectly execute their gameplans. For Diaz, it was a fight of continuous pressure and letting loose quick, combination hooks on the inside. For Malignaggi, the Brooklynite had to dance, and keep the nicknamed “Baby Bull” at bay with the jab while occasionally firing the straight right.

 

In the first round, Paulie was nearly flawless in constantly snapping back Diaz’s head with his jab. With his legs fresh, Paulie didn’t stay inside long and kept his opponent’s offense to a minimum. Still, Malignaggi suffered an early cut over his left eye.

 

But in the second, Diaz adjusted and began to punish Paulie on the inside to the body. Malignaggi’s inside game is weak, and he could do little but try to roll with the punches when Diaz would begin his assaults. In a reversal of the first, Malignaggi was able to cut Diaz over his left eye.

 

 

The middle rounds were nip and tuck, with neither fighter letting the other get more than a round of control. When Paulie boxed and kept moving, he kept Diaz off balance and unable to get set to throw punches.

 

When Diaz cornered him or Malignaggi attempted to rest, Diaz ripped him with hook combinations. Additionally, when Malignaggi got lazy and left his jab out there, Diaz would rattle him with a counter hook.

 

From the eighth through the eleventh, Malignaggi appeared to take control by regaining his legs and working the jab. Diaz kept coming forward, but his legs were slower and Malignaggi was able to stifle his offense with a hard, sturdy jab.  Diaz’s issues were mounting, as an accidental headbutt now opened up a second cut over Diaz’s left eye.

In the final round, Diaz went into high gear and pressured Malignaggi. This time, Diaz was able to get inside and score hooks to the body and head. Malignaggi was still working the jab, but he was less accurate than Diaz who landed the cleaner, harder punches.

 

Scorecards for the bout read a shocking 118-110, 116-112, and 115-113 all for Diaz.

 

Malignaggi was understandably furious, and conducted a memorable post-fight interview and press conference.

 

 

 

 

 

On the undercard, middleweight prospect Danny Jacobs (18-0, 15 KOs) won a clear decision over veteran Ishe Smith (21-4, 9 KOs). And Robert Guerrero (25-1-1, 17 KOs) took a tough decision over Malcolm Klassen (25-5-2, 15 KOs) to win the IBF super featherweight title.

 

Roy Jones and Hopkins Face Off on the Radio

The 10 year battle of words between Bernard Hopkins and Roy Jones added another chapter when both legends called into Calvin Murphy’s Houston sports radio show.

 

Originally, Bernard Hopkins was the guest. However, a fired up Roy Jones called in after Hopkins made several comments about Jones being washed up and facing subpar competition.

 

“I won’t do 60-40 (split in your favor) but I will do this, 60% to the winner and 40% to the loser,” Jones countered to Hopkins.

 

“Now see I would be playing myself if I did that,” Hopkins explained. “Because I’m the guy that has the gun and he’s the rabbit. I don’t need Roy to signify my career…I can live with beating Tarver, and an undefeated Glen Johnson who were both Roy Jones’ worst nightmare. I don’t have to play second to anyone anymore.”

 

“As DMX said he’s been eating long enough, stop being greedy. I’ve just started to eat the last 3-4 years and ain’t nobody equal with me. Everyone knows where my heart is, I’ll fight anybody. I’m fighting these young killers and beating them up easy. If Roy Jones is willing to take 40% to prove he still has his legacy and he’s the man, then we can get this thing done before the year is out. If not, then why keep having this soap opera and this damn reality show? It’s crazy!”

 

Roy Jones fired back that his legacy is already superior to Hopkins since he holds a win over the former middleweight champion.

 

“I’m not interested in going up in legacy in beating Bernard Hopkins. I already have a W by his name on my record,” Jones argued. “As far as bowing down and taking 40%, that’s just an ego play to make me the lesser man. I believe I can win the fight even if he and De La Hoya pick the judges because he can’t make a dollar without De La Hoya saying so.”

 

It was an interesting debate, because Hopkins is definitely the bigger draw now and has been facing the greater competition. For Roy to ask for “a winner take all” contract is almost a slap in the face to Bernard for all the work he’s done over the last few years while Jones was rebuilding his career.

 

But you would think there has to be a compromise somewhere, right?

 

The whole debate can be listened to here. It starts at 6:41 mark of Part 3. Whose argument do you agree with? Should Bernard go for winner take all, or should Roy take the 40-60% split?

 

http://www.975theticket.com/TicketOnline/Podcasts/CalvinMurphyPodcasts2/tabid/807/ItemId/1078/Default.aspx

 

Pavlik-Williams In Jeopardy Over Injury

Just last week, news hit media outlets that Kelly Pavlik and Paul Williams had come to terms to face each other on October 3 in Atlantic City.

 

Not even a full 24 hours later, the media was hit with more news that bout was now rescheduled to November 21, due to Pavlik suffering from a hand infection.

 

Amazingly, Williams promoter Dan Goossen found this out from a reporter, and remains non-committal since he’s promoting an anticipated Showtime card with his client Andre Ward and Mikkel Kessler.

 

Because that fight is a part of the Super-middleweight tournament, it makes zero business sense for him to split his audience and promote the Williams-Pavlik fight on the same night.

 

“I would be very interested in finding out who he’s fighting [on Nov. 21],” Goossen told Yahoo Sports. “We’ve just learned of Pavlik’s decision to cancel the press conference and thus the fight, and we’ll evaluate where we go from here.”

 

Pavlik’s injury is reportedly on the knuckle of his left hand above his middle finger. His promoter Top Rank isn’t happy with the news either, as Pavlik allegedly just informed them last Monday, and had not seen a physician for treatment of the infection.

 

More information will be given as it becomes available, but as of today Paul Williams has not signed off on the proposed November 21 date.

 

Throwback Fight of the Week: Dick Tiger vs. Gene Fullmer III (August 8, 1963)

Coming into his rubbermatch with rugged brawler Gene Fullmer, middleweight champion Dick Tiger was p#####.

 

Six months earlier, Fullmer was given a dubious draw over 15 rounds in a fight that Tiger was sure he had won comfortably. Experts offered varying opinions, but most agreed that Tiger had taken his foot of the gas and appeared to sit on his early lead. This incensed Tiger, who vowed to his Nigerian countrymen that he would KO Fullmer and leave no doubts as to who was the best middleweight in the world.

 

The bout was held at Liberty Stadium in Ibadan, Nigeria, making Tiger the overwhelming favorite. Fullmer, who lost by decision to Tiger in 1962, was coming to the end of a 12 year career that saw him post brutal battles and wins over Hall of Famers Sugar Ray Robinson, Carmen Basilio, and Joey Giardello. But in Tiger, Fullmer had met a fighter that surpassed him in physical strength and could not be bullied on the inside.

 

From the opening minute of the rubbermatch, Tiger stalked Fullmer and sought to make in a contest of punching power on the inside. Fullmer was forced to give ground, and as a come-forward mauler did not have the skill to box effectively on the backfoot. In the 2nd round, Tiger laid a frightful beating and seemed on the verge of securing an early stoppage.

 

But Fuller hung tough, and remained upright despite several short hooks snapping his head back and knocking him across the ring.

 

Tiger had no respect for Fullmer’s punches, and didn’t even bother setting up his attacks with a jab. The Nigerian champ simply waded in and rained down thudding hooks to the body and head of Fullmer, who was now slowing down considerably by the 5th and languishing on the inside.

 

By the 7th, Fullmer’s was cut above his right eye, bleeding from a possible broken nose, and had no snap on his punches courtesy of Tiger’s relentless body attack. Especially lethal was Tiger’s counter left hook, which found a home on Fullmer’s face whenever the challenger mounted any offense.

 

In the corner, Fullmer could not see out of his badly cut eye, and his manager Merv Jensen requested the bout be stopped, awarding Tiger the stoppage victory.

 

The loss would prove to be Gene Fuller’s last bout, and he retired with a record of 55-6-3, 24 KOs.

 

Dick Tiger would hold the middleweight crown until losing the titles to Hall of Famer Emile Griffith in 1966. He would win the light-heavyweight crown before retiring in 1970 with a record of 60-19-3, 27 KOs.

 

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50 Cent’s Before I Self Destruct Pushed Back To Nov.

Rapper 50 Cent recently revealed that his highly anticipated album Before I Self Destruct has officially been pushed back again, this time until November.

 

50 Cent made the announcement during an interview backstage at the Coke Live Festival, in Cracow, Poland last night (August 22).

 

The last confirmed release date for the album had been September 29 and prior to that, September 11.

 

50, who has recorded and the re-recorded BISD, also revealed that a companion movie will come with the rapper’s fourth major studio album.

 

“I was limited [with] time on my other projects, And this one, just because the system was in a state of confusion with things changing – the music business itself changed,” 50 Cent said. “And it was definitely a time where I felt like I was ready and it wasn’t a possibility for me to release the record at that point. And then the Eminem train came running down the track and I had to get out the way to let Eminem’s record [Relapse] go out. Because he had been off for two years, it made good sense for to let him go out first.”

 

The film version of BISD marks the rapper’s directorial debut and is based off of the songs contained on the album.

 

“It will be within the album packaging, so when you buy the record you will get the film that I wrote,” 50 Cent revealed.

 

50 is also working on a new untitled album that will be a radical departure from his previous releases.

 

“[I’m] working on a new project, is so far what they’ve heard from me in the past. It’s different things we are doing that they’ll be surprised to hear. What creatively, I came up with.”

 

According to 50 Cent, Before I Self Destruct will land in stores the first week of November, which would make the release date Tuesday, November 3.

 

The album features production by Dr. Dre, Timbaland, Polow Da Don, Ty Fyffe and others.

 

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Rick Ross In Kingston To Debut Magazeen

Carol City, Florida rap star Rick Ross recently landed in Kingston, Jamaica, where he will introduce his new Jamaican artist Magazeen to the dancehall community.

 

Magazeen is the only dancehall act signed to Ross’ Maybach Music Group (MMG) and his music is a fusion of dancehall, Hip-Hop , R&B and pop music.

 

While they are on the island, the pair will shoot three video for the songs “Psalms 27,” “Sevens Eleven” and “Real Jamaicans.”

 

“I’m here to show Jamaica new Maybach Music star Magazeen and what he can do,” Ross said. “And we’re going to take advantage of being here to get the real Jamaican flavor for our videos to show the world.”

 

Magazeen, who can be heard on the track “Yatch Club” from Ross’ album Deeper Than Rap, which landed at #1 on Billboard’s Top 200 charts upon its release in April.

 

“I’m coming like a loaded clip with my music,” Magazeen stated. “I’m happy to be coming home to Jamaica. I love my people and it’s great to be back to experience the vibes as I’m working on taking our music to the international level and to all corners of the globe.”

 

Tonight (August 22), Rick Ross and Magazeen will hit the stage at Beenie Man’s annual “Summer Sizzle” birthday bash.

Snoop Teams With Tommy the Clown To Launch C.L.O.U.T.

Snoop Dogg has announced a partnership with entertainer Tommy the Clown to created a new organization called C.L.O.U.T. Foundation (Changing Lives One Youth at a Time).

 

The new foundation’s goal is to provide creative and social outlets for at risk teens, in an attempt to steer them away from drugs and gangs.

 

“As a youth I had one teacher who really pushed me to be the best and gave me an outlet to really feel like I could be somebody – and I became successful partly because of his belief in me,” Snoop Dogg told AllHipHop.com in a statement. “I want to give that to the kids so they know there is more to life than the street hustle or crime. I have been friends with Tommy the Clown for years and see what he has done for so many people; this partnership is very important to me.”

 

The first event organized by C.L.O.U.T. will be a monthly “Battle Night,” where teens from the Los Angeles area can go to showcase their poetry, dance, song, comedy or drama.

 

Tommy the Clown, known for his Krump style of dancing, has performed at countless music industry related events and has entertained for superstars like Madonna, Pamela Anderson, Cedric the Entertainer and others.

 

“I am honored to partner with Snoop and establish an opportunity for the kids in our community,” Tommy the Clown stated. “When you have clout, you have strong influence. I believe the clout both Snoop and I have will help influence these kids to make some positive decisions about their future.”

 

Tommy the Clown is currently preparing for a national workshop tour that will teach children and adults how to master Krumping.

Paul Wall Off To Southeast Asia To Support Military

Houston rapper Paul Wall took time to speak to AllHipHop.com today (August 21) about his motivations to participate in his third USO tour, as he prepared to embark on a nearly day-long journey.

 

Paul Wall, and Florida-based DJ Smallz, departed Washington, DC on a mission to show their support for US troops deployed in Southwest Asia.

 

The trip, which was announced earlier this week, has been a year in the making, revealed Paul Wall, who previously visited Kuwait and Iraq on separate USO tours.

 

“This was actually something that Smallz has been wanting to do,” Paul Wall told AllHipHop.com. “We’ve been going back and forth, trying to find the right time to go. But you know, we’ll get last minute shows and things like that. We finally decided to just pick a date.”

 

The decision to return to the Middle East region was also personal for Wall.

 

“My grandfather was a Lieutenant Colonel in the military and I grew up in a very small family,” shared the 28-year-old father of two. “He was all I knew for a long time. And then I have a lot of friends who were in the military, I lost a couple friends in Iraq. And then I heard a statistic that 80% of the military in the Middle East is either from Texas or stationed in Texas.

 

“So, going over there, it was just an amazing feeling,” he continued, “[To see] 5,000 troops with their assault riffles on their backs, they got their bulletproof vests on and everything, and their just going crazy, holding up Texas flags.”

 

During his visit to Iraq, Wall was accompanied by two friends, a far cry from the group of 12 he travelled with to Kuwait, as part of a Hip-Hop comedy tour organized by actor/comedian Jamie Kennedy. The smaller entourage allowed for the opportunity to explore Iraq and to forge a much more personal bond with the troops.

 

During the visit, Wall befriended two soldiers deployed from Fort Hood in Killeen, Texas, about three hours from Houston; both about his age and had been married for approximately the same amount of time.

 

While he was in Iraq, Wall saw one of his new friends, who happens to have a son about the same age as Wall’s own son. His friend received news that, despite having served his full deployment, he would be remaining in Iraq for an additional six months due to a stop loss.

 

“I was there a week and I was already going crazy missing my son,” Paul Wall recalled. “I could only imagine what he was going through. Feeling that and seeing it just made me wanna do my duty and go over there even more to perform.”

 

Once he makes it back to the States, Paul Wall will be back to work, continuing his recent recording schedule, which finds him in the studio working on several collaborations and laying the foundation for his third major label release.

 

But his primary focus, he says, will be on the continued success of Expensive Taste, the clothing line he launched with close friends Travis Barker and Skinhead Rob. The clothing label was born almost out of frustration, after Paul Wall’s contractual obligations to Atlantic Records prevented the trio from pursuing a recording contract as a group also named Expensive Taste.

 

“We actually started the line as t-shirt to sell as merchandise to our fans,” explained Paul Wall. “We took the logo Mr. Cartoon had created for our group, and put them on shirts to promote the music. And it got real popular. So we took it one step further and said, “F**k it, since Atlantic won’t let us do the group, we’ll just make it a clothing line.”

 

Immediately following Wall’s return to the States, Expensive Taste will launch its latest collection at the Magic Fashion Tradeshow in Las Vegas August 31 – September 2.

BREEDING GROUND: K.Dot

K. Dot: Reality Rap

Coming from a city with a storied rap history can be a lot of pressure for a new artist, no pressure for Compton MC, K.Dot.  For K.Dot, it’s not all about the glamour and glitz its more about making real music that the people will feel.  Since the age of 15, K.Dot has been attacking the mixtape scene with his music and appearances on street DVDs, and with no sign of letting up he continues to grind it out.

AllHipHop.com spoke with the West Coast star on the rise, and spoke about the various things going on in his career, his life in Compton, and how come artists aren’t being really real with the people who listen to their music.  K. Dot is speaking on behalf of a new generation

 

AllHipHop.com: Coming from a city with a storied Hip- Hop legacy, how does it feel to uphold the city’s legacy being a newcomer?

K.Dot: Oh Yeah! It’s always a big responsibility especially coming from behind those legends. I feel like I got to carry the throne and carry that type of reality music that they’ve brung to the table and keep that legacy going.  Because I feel that there’s no one really out there that’s putting it down like that on what we started the root, as “gangsta rap” not actually like that, but real, real music.

AllHipHop.com: Who were your influences?

K.Dot: When I first started writing, DMX’s first album, It’s Dark and Hell is Hot. When I first heard that I was in middle school, I started penning right then and there, but, ultimately at the very first beginning when I started stuntin’ into music my household always played Tupac, always  played Snoop Dogg and Dr. Dre. So, I was musically influenced from an early age by the west coast, you know, I could remember saying to myself I want to rap just like Tupac looking in the mirror talking to myself.

AllHipHop.com: Being that you were influenced by the West Coast, how was it that an East Coast album triggered the pen to start writing?

K.Dot: It was raw!  That music wasn’t out at the time, at the time we had the commercial stages of Hip- Hop. But DMX brought it back and started speaking from the streets and the stuff we go through, and that wasn’t captured at the time. It was refreshing, new, it was energetic, and it was what I liked, man. It reminded me of ‘Pac, he came right after he died. So it was a big influence on me.

AllHipHop.com: You had a mixtape called Y.H.N.I.C. that started a movement out west. Were their any other artists that you looked to as inspiration for the music, that helped with the development of it?

K.Dot: If you got to study from somewhere might as well study from the best. I collectively bought a lot of CDs from Snoop, Dre, to Jay-Z’s first album Reasonable Doubt, Nas, to Big. I went to sleep with their music in my head playing over and over again. The talents already there, I just need to perfect my craft, and see what these cats are doing that I’m not doing, lyrically. I’m a perfectionist of the game, I studied that, then I put my own lil’ spin on it from what I know.

AllHipHop.com:  They were all very good lyricists that were able to connect their stories with the listening audience. Were you using a lot of your own  life experience in your music?

K.Dot: I got to.  The way I’m a do it is from a different perspective, I’m from Compton, its violent, gangs and want not. But my story that hasn’t been told is coming from another angle. It’s coming from a dude sitting on the curb and watching all this going on, similar, to Nas looking through his project window and writing what’s going on.  I’m coming from that perspective; instead of ultimately just going straight in for the kill and shoot everybody down. I’m breaking down the reasons why we do this, where it comes from,  and the youth in the streets, and the circumstances that bring us to this point.

 

AllHipHop.com: At 15, you appeared on a street DVD called How the West Was One, that appearance helped boost you from Compton to the outer lying areas of L.A., is that when you linked with Top Dawg Entertainment?

K.Dot: To make a long story short, I put out that first mixtape Y.H.N.I.C., had that bubbling in the streets. It just so happens to catch the ear of Top Dawg, the man that runs the label,  he invited me to the studio told me to hop in the booth, freestyle for an hour, literally, did that and it was magic from there. He seen the potential and we’ve been rocking since then.

AllHipHop.com: You had a follow up to that mixtape called Training Day that was well received by a lot people. What would you say was the catalyst for all the positive feedback especially for the ones who didn’t get the memo before?

K.Dot: It was the consistency, that’s what it was all about. The more I put out the more people took notice to the lyrics are getting better and the talent was improving. I feel that if you have consistency the sky’s the limit.

AllHipHop.com: How’d you meet up with Jay Rock, was it through the management company?

K.Dot: Let me put it this way, Compton and Watts is five minutes away exact. I went to Centennial High and being that are hoods are close we had the same mutual friends.  I seen him all the time and always said, “What up!” it just so happened he messed with the same person that was interested in my mixtape, when I went over to the studio he was right in the booth at the same time. We clicked from that moment on. And it’s been moving since.

AllHipHop.com: Your mixtape that’s out now is called C4, the beginning of the mixtape you have Lil’ Wayne co-signing you on your intro. Also, you have a quote from Jay-Z saying, “Wow, I haven’t heard anybody coming from over there sound like this…”, and The Game also chimed by saying, “K.Dot is a MONSTA”. With all those high praises from well established artists how does that make you feel as new up and coming to hear that being said about you?

K.Dot: It’s a great feeling when anybody respects your craft, man, that actually has a bar code and selling so many records; it gives you more motivation to keep doing what you’re doing.

AllHipHop.com: How did the concept for the C4 mixtape come about?

K.Dot: We were in the studio, and someone said let’s do a mixtape of someone’s whole album it’s never been done. Instead of just grabbing the hottest tracks on a CD and calling it a mixtape; but finding the hottest album at the time and doing the whole joint actually taking the whole flow and flipping it your way. We’d thought it be funny, and after a couple of songs go by it actually started to come out dope, That’s the whole concept of  it for all the bloggers saying that I sound like Wayne or want not.

AllHipHop.com: Any album in the works?

K.Dot:  Of course, I’m about 200 songs deep right now, no exaggerations. I’m doing one thing at a time. I’m focused on music right now, and can’t have no distractions I’ll venture off later once I start from the ground with this music and become successful at it that’s when I’ll move on to other ventures.

AllHipHop.com: You doing any shows or touring?

K.Dot: Yeah, just started a tour with Game, just came back from Portland, Eugene. We just came back today  we’re gonna start back on the 6th on a 30 day tour. Shout out to Game, Jay Rock, and Nipsey Hussle I’m touring with them too.

AllHipHop.com: Anything else you want the readers to know about you? I ask this because you know people don’t really allow themselves to appear human to others, share their feelings and such.

K.Dot: I feel that rappers nowadays they get caught up in the image that they get disconnected from the people that they get disconnected from the people, where they  want to be a superstar, but, they are not putting the real into their music.  I’m not talking about real as in ducking bullets, shooting shots, how hard I came up, and want not. I’m talking about real people stories, you know, I have a song called the “The First Time I Got My Ass Whooped.” What rapper is bold enough to speak on that, talk about the first time someone got the best of them. So, that’s the type of feeling I’m trying to bring in the game, that I feel hasn’t been touched on from an artist coming from Compton that’s the ironic part about it, feel me. That its all real stuff that I haven’t even touched on that I know people are gonna speak on it about and it’s gonna be entertaining for them to show their feelings. I’m speaking for my whole youth, man. I got people from both sides of the fence Crips and Bloods and I’m speaking for them. And they’d love to hear me talk about this.

Visit K.Dot at his MySpace Page at www.Myspace.com/kdottde

Kelis Requests More Financial Support from Nas

After receiving a judgment last month ordering Nas to pay over $44,000 in monthly child and spousal support, singer Kelis is now requesting an increase totaling over $400,000.

 

According to court documents filed by Kelis Rogers lawyer Laura Wasser, her client is entitled to more income since Nas allegedly grosses $244,826.00 per month.

 

In comparison, Wasser states that Kelis only generates 13,744.00 per month and is dependent on Nas to maintain her current lifestyle.

 

Kelis is asking for $17,225.00 a month in child support, $72,728.00 in spousal support, retro child support of $29,522.00, and retro spousal support of $281,571.

 

If the courts approve, Kelis will receive a total of $401,076.00 in addition to the $44,000 plus judgment decreed last month.

 

The July judgment will be reviewed in September, at which time a judge will make a final decision on what Nas will pay in child support, and how long he will required to maintain spousal support for his ex-wife.

 

The star couple divorced in April, with Kelis citing irreconcilable differences.

 

Both parties have kept the matter private, with Nas simply asserting he was a good husband and his happiness at the successful birth of his first son, Knight.

 

At press time, neither Nas nor Kelis could be reached for comment on the latest court proceedings.