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Fashion: For the Most Official B######

As stated on Married to the Mob‘s official website, the clothing line is a tribute to the MOB, “‘The Most Official B######’ who through the ups and downs and highs and lows never failed to have her back”.

Design inspiration for the label is literally up from the streets of New York and its clubs, secret hang-out spots and smoke-filled parties, making MOB equal parts chic, smart-mouthed, and definitely not-to-be-messed with”.

Kid Sister in the Lady Miss Cardigan by Married to the Mob

This cutting-edge streetwear line for women was created by 26 year old Leah McSweeney.

Leah McSweeney

Leah’s funding for MOB came in a very unusual way. In 2005, a year after Leah started the line, she got into an altercation with a male police officer in NYC. The officer beat her so bad, she was left with a broken tooth and black eye! Leah took it to court, won the settlement, and invested the money into Married to the Mob. She eventually designed this tee that featured her mug shots from the incident on it: MOB is now flourishing with a full collection of tees, denim, knits and more, while Leah has become well known as a true NYC hustler. Beyond her business success, she is also a mother to baby girl Kier, who will be 2 years old this summer. The brand has successfully collaborated with Reekbok, Nike and other brands, creating exclusive gear that flew off shelves.

Limited Edition MOB x Reebok x Colette sneakers sold out instantly when released in Summer 08

Married to the Mob is now sold on DrJays.com – Check it out!

Shiny Kiss Hoodie by Married to the Mob

Lick It Jeans by Married to the Mob

Core Confetti Tee by Married to the Mob

Classic Sweater by Married to the Mob

Lick It Jeans by Married to the Mob

Lucky B#### Hoodie by Married to the Mob

Downtown Tee by Married to the Mob

Say It Loud Dress by Married to the Mob

Lupe Fiasco to Climb Mt. Kilimanjaro for Charity

In an effort to bring awareness to the worldwide water crisis, Chicago lyricist Lupe Fiasco has confirmed plans to ascend Tanzania’s Mount Kilimanjaro.

 

Fiasco was recruited for the stunt by Ethiopian pop singer Kenna, whose father nearly perished as a child due to a lack of clean drinking water.

 

“My dad almost died as a child from waterborne diseases in Ethiopia, and he had talked to me about digging a well there,” Kenna explained to Elle Magazine. “I thought, ‘I have too many friends who would be concerned with the subject of clean water.’ Maybe I can help out.”

 

Mount Kilimanjaro boasts the highest peak on the African continent at 19, 330 feet. Most routes to the top of the mountain take a maximum of 6 to 7 days.

 

Although the voyage is a popular retreat amongst climbers, the journey is not without its dangers.

 

An estimated 10 people die every year attempting to climb Kilimanjaro.

 

The majority of the fatalities are due to altitude sickness, which can cause swelling of the brain tissue (high altitude cerebral edema).

 

Despite the risks for a novice climber, Fiasco plans to make the event a light-hearted competition with his friend Kenna.

 

“I’m an adventure junkie,” Fiasco stated. “Part of the motivation is beating Kenna to the top. Sabotaging his tent, taking the lining out of his coat, [and] lacing it with ants or something like that.”

 

Along with Kenna and Fiasco, pop superstar Justin Timberlake is expected to participate.

 

The Mount Kilimanjaro charity climb is scheduled to take place this Fall.

 

At press time, Lupe’s anticipated third studio album Lasers is due out in June 2009.

The Foils of Fame

Fame is the worst drug known to man. 

It’s stronger than heroin.  When you can look in the mirror

like, “There I am,” and still not see what you’ve become. I know I’m guilty of

it too but not like them. – Jay-z, “Lost OnesBeing part of the Industry.          

When

you take that first step on your journey to becoming an industry superstar, your

head is filled with culture changing concepts.  You’re ambitious

and idealistic.  You know what Hip Hop needs and you will deliver.

Rain, sleet, snow nor dark of night will keep you from realizing your dream of

Hip Hop innovation.  You are the rap crusader.

Then

opportunity knocks and you answer.  Your dreams are realized and

you are presented with your industry insider merit badge.  Access

is granted and all those music videos you used to watch on your 13 inch tube are

now 3D.  It’s top notch glitz and glamour and there is nothing that

can rip you away; not even your own voice.

You

can hear the outsider you used to be reminding you of your desire to develop the

culture, but the music in VIP is loud.  The expensive doors filter

out all the noise. You misplace that voice somewhere deep in the belly of the

latest hot spot.  And when you emerge, you are vacant and

voiceless.

Access

is a beautiful thing. 

We all want it.  However, that access can arrest the

development of our crusaders.  We look to Hip-Hop’s fresh voices to

push the boundaries of the genre; to advance the music.  But being

silenced by that death grip you have on being accepted serves no purpose to

anyone but yourself.

I’ve

seen glimpses of this behavior.  Artists get caught up in their own

hype and don’t feel they have to work for your money anymore. 

Journalists allow platinum selling rappers to lie to them in interviews,

but don’t protest because they don’t want to jeopardize their outside

relationship or the next interview. Folks look down the barrel of their noses at

the latest battle king or regional mixtape phenom because they have yet to make

a mainstream studio album. You have made it to the top, but that doesn’t mean

the work you put in to get there is now beneath you.

You

did it when you were a fan and no one was paying you anything then. 

You did it because you wanted to.  You did it because you

cared. Now all these little industries that have popped up over the last 30 or

so years to siphon as much from the music as possible have created their own

league of distinguished gentlemen; groups who have bought into their own hype

even though they add very little to the Hip-Hop landscape but an extra body

in VIP.

It’s

tragic because when the innovators stop innovating and the crusaders stop

crusading, the music suffers.  So, the next time you are patting

yourself on the back for all of the A-List accoutrement you have in your

possession; remember how you achieved that.  Think about that

ladder you had to climb to get to where you are, and the passion that drove

you. Excuse yourself from the round table and get back to being that advocate

the culture needs.   Then you can try to marry that

passion with your status.  If you think back far enough, that’s

probably what you were trying to accomplish in the first place.The opinions expressed in the above editorial do not necessarily represent the views of AllHipHop.com, it’s representatives or assigns.

Ja Rule, Fat Joe Attack 50 Cent On New Rick Ross Track

Rapper Rick Ross has aligned three of 50 Cent’s former rivals on a new remix for his track “Mafia Music,” taken from his upcoming album Deeper Than Rap.

 

The new remix features a verse from The Game, Ja Rule and Fat Joe, three rappers 50 Cent has violently feuded with in the past.

 

50 Cent has made numerous mentions of Ja Rule and Fat Joe during his latest feud with Rick Ross, which has included raps, cartoons, court documents and pornographic videos from both camps.

 

While The Game avoids any out right mentions of beef or 50 Cent, Ja Rule wastes no time dissing 50 Cent and gets straight to the point on his verse.

 

Curly [50 Cent] get off my d**k/before that chopper (AK-47) gets to poppin off/at ni**as who be mouthing off/read in between the lines when you hear me talk go ahead get out of line/this Rule York

 

Fat Joe comes out swinging, with lines directed at 50 Cent’s co-horts Tony Yayo, Lloyd Banks, Whoo Kid, Chris Lighty and Nelson Gomez.

 

Still went to Africa/Still wore the big chain/where you got robbed at/ni**a on the same stage/I say s**t that you cant say/cause I am not a snitch/I aint b**ch made

 

Rick Ross starts his verse by stating : “David, meet Goliath,” and then follows with a verse where he reveals details about his drug dealing past, in addition to name checking 50 Cent, as well as his son Marquis.

 

“I’ll put a milli on it/this p**sy don’t want it/show up in his hood with the wolves by the morning “Once you cross that line, it aint about North and South,” Rick Ross says at the end about his alliance. “It’s about money and power. Riders and punks. My money is long as 183rd street aka Miami Gardens. “

 

Ross also ends the latest version of Mafia Music with a prayer from the bible, Psalm 27:1.