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Wu-Tang Members, Kanye and Chali 2na Unite for N.A.S.A. Album

Rappers Kanye West, Chuck D and Chali 2na are among an eclectic group of entertainers and artists featured on The Spirit of Apollo, a new album from North America/South America (N.A.S.A.).

 

Created by producer Sam “Squeak E Clean” Spiegel and Brazilian turntablist Ze “DJ Zegon” Gonzales, N.A.S.A. is geared toward bringing entertainers from the East and West Coast together through music and art.

 

Artists featured on The Spirit of Apollo include Kool Keith, Del Tha Funkee Homosapien, KRS-One, Method Man, George Clinton and the late Ol’ Dirty Bastard, who appears with Karen O and Fatlip on a track titled “Strange Enough.“

 

Despite having a slew of guests on the album, Spiegel maintains the collaborations came naturally, as he credits the music with dictating who would eventually be featured on certain songs.

 

“We never said, ‘let’s make a track for this person,’” Spiegel told AllHipHop.com. “We’d usually make something we liked, and then as we were starting to write the song, it would tend to go in a direction that we’d be like, ‘this sounds like George Clinton,’ or ‘this sounds like Method Man.’ We would start to feel the song out, and feel the artist through the song as we did it. Basically, we’d sit around as we were making these tracks and say the nuttiest combination of names, like our dream of who we could get on the song. It’s crazy, a lot of times they actually happened.”

 

The Spirit of Apollo, which features the Chuck D-assisted single “Money,” is part of a series of projects coinciding with the album’s release.

 

Among the ventures is a full-length behind the scenes documentary on the making of The Spirit of Apollo.

 

Highlights also include a fun look at reggae superstar Sizzla’s compound in Jamaica, Method Man performing magic tricks and a glimpse at Clinton’s recording session.

 

In addition to the documentary, N.AS.A. has recruited artists such as Shepard Fairey, Sage Vaughn, Mark Gonzalez, Barry McGee, The Date Farmers, Splunny and Marcel Dzama to bring images from their original artwork to life via animated music videos for songs off The Spirit of Apollo.

 

Artwork from the artists will be used for the album’s cover art and packaging.

 

The video for “Money” is scheduled to be released in December.

 

N.A.S.A’s The Spirit of Apollo is slated to hit stores February 17, 2009.

Ludacris: The Actor’s Studio

Let the record show that MCs skilled at slinging deft lyrics

with comedic wit don’t get the same props as those more focused on drug and gun

tales. Not convinced? Ask Redman or Slick Rick. But one versatile rapper,

Atlanta’s Chris “Ludacris” Bridges, is out to stake

his claim at upper echelon rap recognition.

 

“The mission on this one is to be put in the top five MC’s on everybody list,” says Ludacris

of his sixth album, Theater of The Mind,

with a laugh, though he’s surely dead serious. The evidence backing his

aspirations is solid. All of his albums, beginning with 2000’s Back For the First Time have been certified

at least platinum, with 2006’s Release

Therapy earning Ludacris a Grammy (his third) in

2007 for Best Rap Album.

 

But in Hip-Hop you’re only as good as your last hit, so

before too many folks think he’s going Hollywood, Ludacris

is back to assert that the music is his main act. A jury of his peers, and

fans, will likely rule in his favor.

 

AllHipHop.com: Theater of The Mind, another fall/winter

release like all your other albums, is that on purpose?

 

Ludacris: I guess that’s just how it’s fallen.

Because usually all the rest of them I would do consecutively each year. That’s

kind of how the timing just fell around those months but you right now that I

think about it, all of them have come around that time.

AllHipHop.com: Now since Release

Therapy…

 

Ludacris: Yeah, all them damn movies. 

[laughs] F**kin’ four movies

man.

 

Ludacris

co-starring T-Pain “One More Drink” Video

“The mission on this one is to be put in the top five MC’s on everybody list.”

 

AllHipHop.com: You were filming in Toronto [Max Payne] so you even recorded out there too right?

 

Ludacris: Yeah, that’s why I’m dropping so many singles

right now, letting everybody know I’m still hungry, you

know what I mean? Just because I’ve done those movies doesn’t mean that

I’m not 100% still in music mode.  Those

movies were shot pretty much last year and I’ve been working on the album this

year.  But you know what’s more

important is that people understand that this album right here is just proving my

status as an MC in the game and that’s what I’ma do,

trust.

 

I got everything from the song

with DJ Premier I got a song with Nas and Jay-Z on

there called “I Do it For Hip-Hop.” I got one with Lil Wayne called “Last of a

Dying Breed,” man that s**t is ridiculous.  It’s a complete album man. I’m

dropping so many songs on them because I want people to know that this a complete album and it’s themed out. Nowadays it’s so

easy for somebody to go get one single or two singles but when I tell you this

is an entire project that people must have. Otherwise they gon’

feel like they got a puzzle with missing pieces in it.

 

I Do It For Hip Hop (ft. Nas & Jay-Z) – Ludacris

 

AllHipHop.com: You’ve always been well rounded, whether it’s the

comedic raps or the quotables, do you think that

peoples sometimes take that for granted?

 

Ludacris: I [am] such a visual artist sometimes that it’s hard for them to,

take me, you know serious cause I play around a lot. But I think finally,

people, I think finally at this day and age people know when I’m being funny

and when to take me serious.

Cause the whole last album was

pretty much…it wasn’t really too much funny s**t on there.  Like it was “Runaway Love” and all this

other stuff. This album is like all the albums put together in one.  So you got the comedic Ludacris, you got the serious Ludacris,

you got the story telling, you got the lyrical, all of that.  But I’m telling you at the end of the

day, it’s more lyrical than anything.

 

AllHipHop.com: Word, so you think it was, just going back to Release Therapy for a second,

do you think it was mission accomplished as far as establishing yourself as

more than a comedian?

Ludacris: Hell yeah, absolutely, exactly, mission was accomplished on that.

I wanted to win a Grammy, and I won the Grammy. The mission on this one is to

be put in the top five MC’s on everybody list.

[Laughs]

 

AllHipHop.com: You’ve always been super

lyrical but at the same time have not been heavy on the murder murder kill kill bars. Do you

think that that’s held you back as far as the conversations when it comes to

Top Five in Hip-Hop? Cause when you look at your track record, it obviously

stacks up against anybody.

 

Ludacris: Honestly I think that it just takes time because I’m so versatile

that I don’t always do one thing and I think that’s more of the reason why it’s

taken so much time. Because I don’t kill or stab or shoot or sell drugs I would

have to say I don’t think that’s the reason why because I feel like the people

that are real, the real motherf**kers,

the ones that aren’t swayed by other people’s opinions understand that what’s

really gangsta and what’s cool. What’s really good is

I’m just being myself. And there is nothing more gangsta

than somebody being themselves. 

 

Now if I was

trying to pose like somebody I wasn’t, that would be reason enough to count me

out on a lot of different issues. 

But as long as I’m doing me, I think people will respect that at the end

of the day.

 

U Got A Problem – Ludacris

 

AllHipHop.com: Back on “U Got a Problem” from Back For the First Time you said you were the number one contender,

now you’re trying to get Top Five recognition; let’s say that does happen,

what’s next?

 

Ludacris: Only time will tell man, I have a song with DJ Premier on the

album called “MVP” man I just want to be known as the most valuable player. And

that’s basically the summation of all. So if I set out to do something

different every album and I accomplish it, then that’s kinda

like in a sense most valuable player. People would want me on they mothaf**kin’ team is all I’m sayin’.

 

 

 

AllHipHop.com: How did you hook up with DJ Premier, did you reach

out to him?

 

Ludacris: I did man. I’m the first southern rapper to actually get a Premo beat. Like he’s had other rappers on some of his beats but they weren’t on

a southern artist’s album. I love making history man so when I tell you, you

hear this record it’s definitely goin’ down.

 

“I have DNA of a lot

of old school rappers in my music. That’s why I I’m the summation of all. Because it’s one thing to try and sound

like somebody else but it’s another thing to have inspiration from so many

different people and then have your own unique sound.”

 

AllHipHop.com: You got Chicago roots and obviously the Atlanta

roots, from each of those, what do you take from them?

 

Ludacris: No matter where I lived I was always a fan of every region of

Hip-Hop. Everything from the B.I.G.’s to Snoop Dogg, Kurupt, the Death Row

movement, to the MC Breezes, to the Scarfaces and

Uncle Luke’s. I always was just kinda

a lover of everything.  I have DNA

of a lot of old school rappers in my music. That’s why I I’m  the summation of all.  Because it’s one thing to try and sound

like somebody else but it’s another thing to have inspiration from so many

different people and then have your own unique sound—and I think that’s

what I do.

 

AllHipHop.com: So who’s on the DTP roster right now?

 

Ludacris: You got Playaz Circle, Willy Northpole, Shareefa, um, who else

is on the roster, still got I-20 he’s on Koch, you know he has that song out. SmallWorld, that’s pretty much like the forefront artists

right now. Lil Fate’s still down.

 

I-20 f/ Ludacris

“I Really Like Her” Video

 

 

 

AllHipHop.com: Those names have basically been with you since jump,

that’s no small feat.

 

Ludacris:  You know we like

family. They go on the road with me, they still working on projects like I said

20, you know he’s been on Capitol before, that didn’t work out, now he’s on

Koch. We always gonna try

and find an outlet to be able to do what we love to do.

 

AllHipHop.com: What’s good with this album with Shawnna?

 

Ludacris: Absolutely Battle of the

Sexes, starting to work on that now, yes sir. It’s been so many people…I

mean Jay-Z and Foxy attempted,  they were talking about doing an album before. Who

else was saying? Like, male and female.

 

AllHiipHop.com: Maybe Lil Kim and somebody.

 

Ludacris: Right Lil Kim and B.I.G. was talking about doing it before and it

never happened. I gotta do

it, I gotta do it for Hip-Hop man for real. [Laughs]

 

AllHipHop.com: What’s up with the crib man? Well, the pool house…

 

Ludacris: The pool house is gone, yeah, it was an electrical fire. But at least that s**t happened

in September, when no one was thinking about going swimming. I ain’t thinking about going swimming for the next six

months, which gives us time to rebuild [and] come back bigger, better, and

stronger. So it’s all good, everything happens for a

reason.  I’m just glad it didn’t

f**k with my house. I’d be f**ked up right now if it woulda

burned my house down. 

 

AllHipHop.com: It was kind of ironic since you had that “Big Ass House”

mixtape cut.

 

Ludacris: Yeah, the pool house was pretty big too. People could live in the

pool house if they wanted to. I don’t know if I could say how much its worth but, it’s definitely pretty serious. [Laughs]

 

AllHipHop.com: Ok, now you’ve always, I know you said you’ve always

been particular about choosing your beats. So how does it usually go down? Do

people send you tracks or are you constantly soliciting beats?

 

Ludacris: They send me tracks. This particular album,

half the album is produced by DJ’s.  Just because I know Dj’s have

their pulse on the streets and I want to show my appreciation to the DJ’s. So

with that being said, like everybody from DJ Toomp,

DJ Don Cannon, Clinton Sparks, DJ Premier, They gonna

prove to the world how hard they are when it comes to this production.

 

AllHipHop.com: Would you ever work with Bangladesh (Shondrae) again?

 

Ludacris: Yeah, yeah, yeah, we was actually talking today would definitely

work with Bangladesh. I’m extremely happy for his success man, I told him that

too. I’m loving to see him grow… both of us…and still being able to work with

each other.  But I’m loving it man,

it touches my heart, I’m grateful that he continues to do what he does.

 

AllHipHop.com: What made you decide to go with Theater of The Mind to give it that film theme, what was the

inspiration?

 

Ludacris: To do something different like no one else is doing. I didn’t

want to come with your regular everyday ordinary album. I feel like people are

waiting, they want something new, they

need something new. Especially in a time like this where people are

stressed out and they need forms of entertainment that’s go’n

help them relieve a lot stress.  

And I think that this is what it is man, it’s not something you listen

to, it’s something you have to experience so it’s almost like giving them more

than just an album. It’s a whole theatrical experience man.

 

Wish You Would ft. T.I. – Ludacris

 

AllHipHop.com: Now you got T.I. on there…

 

Ludacris: “Wish You Would.”

 

AllHipHop.com: Right, when we interviewed him, you were his best

competition. That said, how serious was it and how did it get to the point that

now ya’ll are working together?

 

Ludacris:  It was only serious

at one point in time just because, you know Hip-Hop was built off of going back

and forth with each other. So we were just sending, lyrical words and

subliminal words at each other and that was the only thing man. As long as

neither one of us talked about killing or shooting each other, or talked about

somebody’s kids, I was cool. So it wasn’t really never a beef cause we would

see each other in passing all the time. 

Atlanta’s a small circle we knew all the same people. If somebody had to

be found they’d have been found like [snaps fingers] that, on either side. We

just waited for the right for the right moment to maximize off what the

potential of you know using it to our advantage and that’s what we did.

AllHipHop.com. It also speaks to you

respective crews too cause often times it’s the crew that really sets things

off.

Ludacris: Right absolutely, we both feed so many damn people, that it’s

usually the crews that get more involved than we do, yeah.

 

AllHipHop.com: Is there a possibility of a T.I. and Ludacris album?

 

Ludacris: We had kind of traded words about it but never really got too

serious into the conversation but you never know, anything is

possible. It’s just about timing and everything and I think a lot of it’s political cause we’re signed to two different record

companies. But you never know. The possibilities are limitless.

 

Ludacris

f/ Floyd Mayweather “Undisputed” Video

 

 

 

AllHipHop.com: If the life and times of Ludacris

were to be filmed who would you want to portray you?

 

Ludacris: If I had to get somebody younger than me like I really think that

dude Evan Ross is a really good actor man. I think maybe he could pull it off.  And I’ll play the older me. [Laughs]

 

AllHipHop.com:  I’m

sure you get tons of scripts but what percentage do you take serious? You’ve

been picky compared to other MCs turned actors who seem to get in any movie

they can.

 

Ludacris:  I’ll probably turn

down a good 70% of scripts I get. The movies that I did pass on came out and, I

shall remain nameless, but they came out and it was a good thing that I wasn’t

in them basically. [laughs]

 

AllHipHop.com: As far as the song “Politics,”

your take on it?

 

Ludacris: My take is that, I just want everybody to go out and vote right

now.  I know we’re getting really

close to this election and you know there are entities

that will try and use what they can use or bring something back up. So with

that being said I just want everybody to get out and vote and concentrate on

that.  And I don’t want to distract

either one of the candidates from what they have to do to becoming the next

president very soon, so that’s my take on it. [Laughs] After November 4th

we could have whatever.

[Since this interview Barack Obama handled his business,

Ludacris issued AllHipHop

this exclusive statement.]

AllHipHop.com: What’s good

with all these ventures and with the acting and rapping, how do you keep track

of it all?

Ludacris: Straits Restaurant in Atlanta, WeMix.com (people are getting

their music on there and they can get discovered, all different kinds of music

too), MyGhetto.com, which is like a MySpace for the hood. The

movies, television, philanthropy [The Ludacris

Foundation], being a father, to my daughter Karma. That’s pretty much

all that’s going on right now.

 

It’s hard but I know that

if it wasn’t for the music I wouldn’t have all these

other ventures.  So I make sure I

focus and I make sure I put my priorities where they supposed to be.  And you know this music game started

all of this s**t so who would I be to turn my back it on it now?

 

Ludacris

co-starring Chris Brown & S.G. “I Know What The Girls Like” Video

 

 

 

TOP 5 DEAD OR ALIVE: N.O.R.E.

Welcome to the latest edition of TOP 5 DEAD OR ALIVE, where individuals of all walks of life reveal their opinions on their personal greatest emcees of all time. CNN’s N.O.R.E. has had much success in the music industry throughout his twelve year career.

 

But even as he preps a new 2009 CNN album alongside his codefendant Capone and chips away at his next solo effort, at heart Rap’s first super thug is still just a die-hard fan with his own personal favorites. For the first time he creates his own official top five list, and not without some surprising choices.

 

5. Grand Daddy I.U.

N.O.R.E.: You don’t even know who this is, do you (laughs)? He’s always been one of the top emcees that I’ve loved from that late 80’s / early 90’s period. If you look at Jay-Z’s Reasonable Doubt cover it sort of resembles that I.U.’s album cover (Smooth Assassin) where he had the same outfit on. Grand Daddy I.U. was one of the most lyrical, wordplay having emcees. Young artists like Murda Mook, Reed Dollars; they don’t understand a lot of their style was fathered by Grand Daddy I.U.

 

A lot of people think it came from Big Daddy Kane and Jay-Z. I.U. was one of the originators of punchlines. He had this one line “I knew a girl named Kenya / From West Virginia / Boy would I like to stick something in her.” He had so many lines I could go on for days. Another reason I relate to I.U. is because he got no credit for anything that he did. As an artist and person, I also don’t get credit for a lot of things that I’ve done.

 

4. Biz Markie

N.O.R.E.: I know I shocked you again with this one! People made comedy records before him, but he was the first that really had fun with it. I remember hearing “Pickin’ Boogers” when he was talking about diggin’ up his nose, putting it on a basketball and passing it back; that record was funny every time you listened. I can remember the “Vapors,” “Make The Music With Your Mouth,” and “Just A Friend.” He was the first rapper where I could visualize, feel, and understand where he was coming from. And I laughed.

 

I always felt I was a mixture of Grand Daddy I.U., Biz Markie, and Kool G. Rap. Anytime you hear me on a record having fun or saying something funny, the credit always goes back to Biz Markie. I have a lot of respect for him.

 

I like all his sh*t, so I can’t boil it down to one album. He was so refreshing. For example, look at the movie Belly. The reason I felt that movie didn’t work was because there were only one or two scenes of comedy in the movie, and the hood is not that serious. I mean don’t get me wrong it can be serious, but there’s always something funny that happens, like the crackhead that calls you a wanksta or tries to buy a nickelbag for three dollars. Biz brought that comedy, and I like the vast majority of his work.

 

3. Early Nas 1991-1994

N.O.R.E.: With the Untitled album, once I found out that the corporate companies let him not use the n word, it took away from the actual material. The Hip-Hop Is Dead album was phenomenal. But if in the middle of the promotion he had changed it to Hip-Hop Ain’t Dead No More, it would have killed the material.We were all going crazy on the internet about the album. We all understood the corporate reasons, but it did take away. But I’m definitely still a Nas fan.

 

I haven’t spoken to Nas in a long time. But for the rest of my life I’ll always look at him as a big brother. We’ve had our ups and downs. I’ve never had hate for him and it was just a misunderstanding. I was young at the time, and so was he when he threw me under the bus that one time. We were both at the Rock The Bells concert but I performed with Redman and Method Man and kept it moving. I didn’t know if it was a good time for us to see each other and talk. But I would love to put it behind us.

 

2. Big Pun

N.O.R.E.: Hands down with no equivocation is my brother Big Pun at #2. His first album meant so much to me as someone that is Black and Puerto Rican. I never tried to be more of one than the other, but he made me proud on the Latin side. Before him, people would say “oh he’s dope for a Puerto Rican.” Pun eliminated that factor. He was a dope emcee, period. When I heard that “packin’ a mac in the back of the Ac,” I was like what?

 

I knew him personally, and he breathed hard even for a big guy. So for him to go in the booth and rhyme on “Twinz” “Dead in the middle of Little Italy little did we know that we riddled some middleman who didn’t do diddily,” and not punch in? As a Hip-Hop artist I can hear the exact spot when someone punches in. But with Pun I listened hundreds of times and couldn’t find it simply because he didn’t punch in. For y’all that don’t know, it’s one of the hardest things to do when you’re spitting a hard or fast flow. Pun was the best at that.

 

Very seldom do you meet someone and say they’re a legend. I didn’t know Pun would be a legend, he was just my friend. But for him to pass in 2000, we’re almost going on ten years of no Pun. I’m honored to have known him and I’m going to rep him until the day I die.

 

1. Lil Wayne

N.O.R.E.: People are going to choke the sh*t  out of me (laughs)! You know what though, I have to be honest. Look at the emcees I’ve put him with. Lil Wayne has been rapping since he was fifteen or sixteen. I can recall songs of his that I did not like.

 

I was one of the first artists from New York to work with Wayne. Check Melvin Flynt and the track “Play That Sh*t.” I can honestly tell you that before working with him all his material I did not like. He got on my record in my studio and went straight in! I don’t think he even asked to be on the record [laughs]. From then on I liked the words he kicked and I told Baby “yo this dude is a beast.” I didn’t see him write sh*t. I heard B.I.G. and Jay did that, but it was the first time I’ve seen it.

 

But for an emcee to go from me not liking them to actually loving their music is a big thing for me as a fan. This is not Noreaga the rapper, this is Victor Santiago the fan of Hip-Hop music speaking. You very rarely switch opinions in this game. When you don’t like someone you don’t like their music forever! How often do you say “oh sh*t, I like this guy’s music now.”

 

Before I wasn’t running to get a Wayne album; I liked Juvenile, B.G., and Turk but never Wayne’s stuff. Look at the way he worked before this album came out. He got out everybody’s f*cking record, bodied them, and then dropped a classic album. That is unheard of! He is definitely deserves a Most Improved award like they do in baseball. As of right now I give him the #1 spot.

 

I know the comments are going to go crazy from people who feel they are “real” Hip-Hop fans. But if you love real Hip-Hop, Tha Carter 3 was a classic album. See a lot of times previously the person that bodied everyone on records came out and dropped a completely wack album. That’s because they wasted everything doing classic mixtapes and features. Wayne’s an emcee you’ve got to respect.

 

[Look at Canibus] He blew everyone up on their records and by the time we got to his album… it wasn’t garbage, but it wasn’t what we wanted to hear from Canibus. Nature, one of my best friends in Hip-Hop, was doing the same thing. He was bodying n****’s records but by the time we got to Nature’s album (For All Seasons), it wasn’t fully what we wanted and everyone turned their backs on him.

 

And in this day and age it’s very hard to do what Wayne’s done. You’re under a microscope every single second. Every record you do is going to be on youtube and AllHipHop and be overanalyzed. You can’t recycle anything. This man Wayne did not do that.

 

0. KRS-ONE

N.O.R.E.: This man is beyond honorable mention or a number ranking, KRS-One. He’s my number zero [laughs]. Hands down he’s my favorite emcee, especially early KRS-One.

 

Me being born and raised in Queens for eighteen years, I can remember when he said “I didn’t hear a peep from a place called Queens!” I can remember living the “South Bronx,” “Criminal Minded,” “My Philosophy” and “Love’s Gonna Getcha.”

 

I had always wanted to beat up KRS for dissing Queens [laughs], but at the same time I looked up to him. So the first time I met him I told him “one part of me wants to hug you, and the other part wants to s#### you for Queens!” And he just bust out laughing. I loved what him and MC Shan had. Without Shan, there may not have been a KRS because Shan made him relevant.

 

You can’t limit KRS to any one album. He had so many classics from Return Of The Boom Bap to tracks like “Mad Izm.” I recall being on tour with him and in the middle of his show he stopped and began giving a lecture. Everybody would listen. You could hear a pin drop or a mouse pissing on a piece of cotton. To this day I’ve never seen another emcee have the clout to be able to do something like that, to have the whole crowd in a therapy position.

 

KRS-One is Hip-Hop. We should always show this man respect and roll out the red carpet for him. He is the alpha and omega.

 

                                               THE SIDEBAR:

N.O.R.E. is vacating his drinking championship, currently in the gym, on satelitte radio, getting his blog in with his own www.57thave.com, and is bringing back the ceaser fade.[EDITOR’S NOTE: Check out N.O.R.E.’s video response to all the comments from his TOP 5 DEAD OR ALIVE here]

Rap CEO Blasts Canada, Condoleezza Rice in Racial Profiling Case

Murdercap Records CEO Jerome Almon has accused Canada and US Secretary of State Condoleezza Rice of trying to stifle a pending $900 million dollar lawsuit aimed at exposing Canada’s alleged racial/border profiling of US rappers.

 

Almon filed the lawsuit in January 2007 with assistance from the Detroit American Civil Liberties Union.

 

In it, Almon proclaims he can detail over 80 incidents between 1992 and 2003 where he and US rap stars were illegally detained at the Canada-US border, falsely accused of having a criminal record, and subjected to racist comments from Canadian officials.

 

In addition to his own experiences, Almon cites examples from DMX, Sean “Diddy” Combs, 50 Cent, Jay-Z, and Eminem.

 

In 2004, Almon was called before the Canadian Human Rights Commission and was asked to submit a witness list in support of these claims.

 

According to stats in the lawsuit, blacks make up 80% of secondary inspections at land crossings while whites make up only two percent.

 

In a recent interview with XXL Magazine, Canadian rap veteran Kardinal Offishall verified the US rappers are indeed targets of profiling.

 

Over the past five years, Canada has enacted stricter surveillance of rappers, whom the government maintains are a part of the increased gang violence and shootings the country.

 

The policy is not without controversy, as Ontario Premier Dalton McGuinty cited deep-seated feelings of racism that alienates and oppresses black youth.

 

That factor, and not US rappers, is what McGuinty argues has lead to Canada’s increased gang and gun violence.

 

Although Condoleezza Rice is a US official, Almon alleges she, along with the state department, have been assisting Canada in covering up its illegal practices.

 

Rice allegedly helping the Canadian government is something the rap CEO finds dubious, due to her public endorsement of President-elect Barack Obama.

 

“Hyprocritically, like Spike Lee, Secretary Rice heralded President Obama’s Presidential victory as a great moment for blacks as she gave Canada the green light to continue profiling African-Americans wholsesale, and exploited rap as America’s great cultural ambassador on the official State Department website,” Almon explained to AllHipHop.com “Secretary Rice and disgraced former Inspector General Krongaard will need a Presidential pardon to avoid being indicted for the cover-up.”

 

A hearing for the lawsuit is scheduled for December 2008.

 

At press time, there is no word if any of the subpoenaed rap stars and celebrities such as Oprah Winfrey, Spike Lee, 50 Cent, Spike Lee, Colin Powell, Jay-Z, or 50 cent will show up to testify.

Almon is also challenging bills C-254 and bills C-95, Mr. Almon will also seek to challenge Bills C-254 and bills C-95, which is designed to label certain rap music as hate speech and keep it out of Canada.”The State Department has in its possession secret internal Canadian investigative reports admitting that the country is worse at racial profiling than the US…Secretary Rice has sided with Canadian government against African-Americans in what is destined to become ‘The State Department’s Katrina’,” a representative for Almon stated in a press release.

ALBUM REVIEW: Beyoncé – I Am…Sasha Fierce

It’s hard to tell exactly what Beyoncé Knowles is trying to prove anymore. The hardest-working woman in music is in no danger of going anywhere, and there’s an aura of glamour surrounding her that can only be described as “star power.” Still, despite the series of hits she’s put on the charts, her full catalogue of music is the least appealing thing about her.On I Am… Sasha Fierce [Music World/Columbia], Beyoncé has chosen to try the “split personality” gimmick (which has never worked for anyone) and her rigid adherence to the flawed concept was not a good start. Sequencing the album with the ballads up front and the dance tracks at the end was the first mistake; filling the album with songs that aren’t very good was the second. The best of the slower material, “Halo,” would’ve had a lot more impact as a powerful closer and “Single Ladies (Put A Ring On It)” could’ve acted as a fun jumping-off point. Instead, neither track comes along at its natural time, making it that much easier to just skip past the less interesting material. The borderline-ridiculous “Ave Maria” is sure to be a frequent casualty.Some will find “If I Were A Boy” cute for a few weeks, but the melodramatic victim mentality kills any longevity. On past girl-power anthems like “Irreplaceable” or “Bills, Bills, Bills,” Bonnie took charge and bent disobedient men to her will. The woman on “If I Were a Boy” would rather just cry and imagine being empowered; where’s the fun in that? When Bey’s sassy evil-twin, Sasha Fierce, steps in to represent the independent woman we all know and love, things are only marginally better. “Diva” finds Beyoncé really acting like a boy (a thug at that) and, like most of the other dance songs, it’s something decent to bounce to at least. While the second half of the disc isn’t amazing either, it’s that much harder to care about a drab affair like “Disappear” with images of Beyoncé hot-stepping around your brain in a onesie and a gauntlet.Admittedly, it isn’t going to matter much what the album sounds like since it’s really just another commercial for the Beyoncé brand anyway. The worst of it will get scrapped when it’s time to plan her next set-list, so as long as she doesn’t forget that “Single Ladies” routine, then we’ll forget most of I Am… Sasha Fierce. Deal?Single Ladies – Beyonce*Note: We did check out the deluxe edition but the few extra songs don’t help anything. If they were any good to being with, they wouldn’t be Bonus Tracks.

T.I. Attends Cincinnati Trial Over 2006 Murder

One of two men implicated in the murder of T.I.’s childhood friend Philant Johnson went on trial yesterday (November 18) in Cincinnati facing multiple charges including murder and felonious assault.

 

Authorities spent almost two years investigating the May 2006 chase and shoot out that left Johnson dead and three other individuals in the Grand Hustle camp wounded.

 

It wasn’t until this past summer that police caught a break, which lead to the arrest of 40-year-old Padron Thomas and 36-year-old Hosea Thomas, who stands on trial alone in the crime.

 

The elder Thomas brother, along with two others charged with federal gun crimes, contacted officials earlier this year with details of the incident, effectively pointing the finger at Hosea as the killer.

 

According to Padron Thomas, he and his friends confronted T.I. and his crew over gaining entry to the VIP area at Club Ritz in the Roselawn area of Cincinnati. Following the ensuing fight, the Atlanta-based rapper and his entourage left the scene in two vans.

 

They were chased by a green Jeep Cherokee, from which the shots were later fired.

 

Padron Thomas has admitted to driving the vehicle and told authorities that his brother Hosea fired shots at the vans, one which was described as a “horror scene,” with blood and brain matter dripping from the ceiling.

 

He also claims that at least one member of T.I.’s camp returned fire.

 

While Hamilton County prosecutor Heather Gosselin indicated in her opening statement that the states case would “come down to witness testimony,” Hosea Thomas’ lawyer Charles Isaly pointed out that the character of those witnesses should be questioned.

 

He insisted that all of the prosecution’s proposed witnesses are out to paint his client in a negative light in order to obtain reduced sentences for their own crimes.

 

Padron Thomas’ plea deal has guaranteed that he will serve no time behind bars for his part in the incident.

 

Prosecutors have allowed him to plead guilty to a reduced charge of manslaughter, dropping the murder charges he originally faced alongside his brother.

 

They had also agreed to allow him to serve any sentence he receives concurrently with his federal prison sentence.

 

T.I. is expected to testify in the trial, which will most likely extend into next week.

Steve Stoute Thanks Hip-Hop For Prestigious Ad Award

Hip-Hop mogul and Translation Consultation + Brand Imaging Founder Steve Stoute was formally inducted into the Advertising Hall of Achievement today (November 18).

 

The annual Awards luncheon, which was held at Cipriani’s 42nd Street, recognizes individuals under the age of 40, who have had an impact in the advertising industry.

 

Stoute was inducted for creating a number of successful campaigns for a variety of Fortune 500 companies, including McDonald’s, Reebok (Jay-Z) and General Motors (Mary J. Blige) and Hewlett-Packard (Gwen Stefani).

 

Most recently Stoute, who owns Translation Advertising with rapper Jay-Z, paired Chris Brown, Ne-Yo and Julianne Hough with the Wm. Wrigley Jr. Company, to remix its signature jingles.

 

“Being awarded today was significant, [because] it wasn’t just me. They’ve inducted the work that I’ve done, which is primarily bred from the culture of Hip-Hop,” Stoute told AllHipHop.com. “The 12 of 13 years in the business makes me feel great, knowing that Hip-Hop played a very important role in my career. It being acknowledged by the mainstream media executives and advertising moguls from around the world felt great.”

 

Stoute, who was a music industry executive from 1990 to 1999, helped launch the careers of Will Smith, Nas and Mariah Carey.

 

As President of the Urban Music division at Interscope/Geffen/A&M Records, Stoute also over saw blockbuster releases by Eminem, Eve, Limp Bizkit, U2 and Mary J. Blige.

 

Blige, who attended the formal luncheon, posed for photos with Carol’s Daughter Founder Lisa Price, as well as Stoute’s mother, father, daughter and executives from Translation.

 

“Doors will be opened for others to really have a shot at controlling our image and preserving the cultural realities that Hip-Hop has to offer,” Stoute said. “Instead of interpreting it now, the real guys will have a chance to get in the door and do it right.”

 

A number of other influential young executives were honored during the two-hour ceremony, which was chaired by Starcom MediaVest Group’s Laura Desmond and Google’s Director of Industry Relations, Chris Theodoros.

 

Jon Gieselman SVP, Advertising & PR at DIRECTV, Chris Kempczinski VP of Marketing of the Non Carbonated Beverages division of Pepsi, Penry Price VP of Advertising Sales for Google and others were also inducted during the luncheon.

 

The American Advertising Federation, which is over 100 years-old, established The Advertising Hall of Achievement in 1993.

Ace Hood: Gutta (Album Review)

 

 

Okay so you’re a new artist trying to make your mark in the game as record sales continue to plummet; strike one. You also happen to hail from the hottest state in Rap; strike two. Finally your biggest claim to fame is a cosign from DJ Khaled; strike three. That pretty much sums up how much Ace Hood has to show and prove coming into his debut Gutta (Def Jam).

 

The Florida rookie sets an aggressive tone with the opening “I Don’t Give A F***”. Hood showcases his trademark double time flow as he makes it clear he is not to be played with on the streets. Things get rather generic with the follower “Can’t Stop” though. Featuring Akon, this falls right into the endless abyss of crooner assisted hustler anthems.

 

A more indicative look at Ace’s potential lies within his first two radio singles. “Cash Flow” finds Hood alongside T-Pain and Rick Ross as they all declare their passion for paper. Hood also shows that he can break out of the tough guy exterior to show his lady love on the smoothed out “Ride”.

 

Additionally his true to life lyrics on “Stressin’” are sure to connect with his core audience: “My rent due and I’m stressing / Lanlord just called with a message / Said I got to be out of by the seventh / Man I’m sick and tired of this mess.”

 

While Ace shows some flashes of star power, the album isn’t without its share of undesirables. He balls out with “Money Ova Here”, but the uninspired call and response chorus doesn’t connect as per se Lil Wayne’s “Got Money”. Also the watered down “Call Me” featuring Lloyd and sing songy “Top Of The World” fail to close things out properly.

 

As the album title alludes to, Ace kept it all the way gutter; so there isn’t much of a balancing act. Hood hits you with a tsunami of guns, dope, jewels, and money throughout which actually stagnates any artistry because dude can actually rap. Overall Gutta is less we the best and more like we just okay.

 

Ace Hood Featuring T-Pain & Rick Ross

“Cash Flow”

 

Ace Hood Featuring Trey Songz

“Ride”

Clipse New Clothing Line Lands In Stores Friday

Two of the Clipse’ biggest pending projects are one step closer to coming to fruition, the brothers announced today.

 

First up will the be long-awaited release of their new clothing line, Play Cloths, which is set to hit stores on Friday (November 21).

 

The new clothing line, which was originally announced in December of last year and slated for a summer release, is said to be a blend of American style, with the French Riviera and Monte Carlo uses of rich, vibrant primary colors to create collectible garments.

 

Play Cloths was created with the help of designer Doug Life, and as Malice puts it, is “all about trying to recreate the whole feeling of trying to get that fly s**t.”

 

The Clipse have also revealed a tentative date for their Columbia Records debut.

 

Til’ The Casket Drops, which will be released as a collaborative effort between the group’s Re-Up Gang Records imprint and their latest label home, is scheduled for a March 2009 release.

 

The album is reported to feature production from Timbaland, Danja, Dame Grease and Kanye West, as well as contributions from Diddy’s production team The Hitmen.

 

In the meantime, Pusha and Malice will debut a new mixtape for their eager fans.

 

The project, entitled Road To ‘Til’ The Casket Drops’ will be available as a free download on December 1st.

 

It will be The Clipse’s first mixtape release in a year.

Lil Keke Drops Major Label Debut

After a decade-plus of work in Houston’s underground scene, veteran Lil Keke is now prepared to introduce his first attempt at mainstream recognition.

 

Since signing with Universal Records in March 2007, Keke has been hard at work completing Loved by Few, Hated By Many.

 

After months of meticulous work, Keke is confident that he’s crafted an album that is wholly Texas, but not chock full of the stereotypical topics associated with the region.

 

“I’m used to making albums real quick, but I took my time on this ’cause it’s my first mainstream album,” Keke explained to AllHipHop.com. “I took about a year and a half to make this. It’s not gonna be the same Texas rap, talking about bo’s and candy paint. I’m gonna paint pictures of every walk of this game.”

 

The Houston staple has come a long way since first joining the late DJ Screw’s Screwed Up Clik over 10 years ago at the age of 16.

 

Recalling the late pioneer’s chopped and screwed style, an innovation that’s become a cornerstone of Houston’s sound, Keke chuckled in amazement at how oblivious the collective was to the history they were creating.

 

“There wasn’t even a booth. The microphone was just out in the middle of the room,” Keke told AllHipHop.com of his early sessions with DJ Screw. “We wasn’t doing nothing but having fun and next thing we knew, people were calling us to come do these freestyles at their shows. I was 17 getting paid $2000 just to do one song.”

 

Regarding the new generation of Houston emcees, Keke is appreciative of them carrying on the traditions.

 

However, he is adamant in making clear the origin on their styles. “The style you hear Paul Wall, Mike Jones, and Slim Thug doing was created from my style,” Keke claimed. “The slang that they’re using is a slang they got from me when they were coming up and riding around. I was the first one that put that slang out and made it sell.”

 

The lead single from Lil Keke’s new album is “I’m a G,” featuring Cash Money’s Baby AKA Birdman.

 

Loved By Few, Hated By Many hits stores today.

Wu-Tang and Fila Reunite for New Weathertech Boot

Revered Staten Island, NY rap collective Wu-Tang Clan is giving

shoppers another item to add to their Christmas list with its new Wu-Tang

Weathertech boot.

 

The footwear is the

latest product to emerge from Wu-Tang Brand, Ltd’s alliance with popular sportswear

brand Fila. The two companies first collaborated in 2007 with the release of

the C.R.E.A.M. shoe, a special limited edition of Fila’s classic original

tennis shoe that was available in three colors and developed exclusively for

New York City’s Training Camp sneaker boutique.

 

Although the Weathertech

boot marks Wu-Tang’s second footwear venture with Fila, the group’s business

partner Oliver “Power” Grant revealed that Wu-Tang’s relationship

with Fila goes back to the collective’s beginnings.

 

“The partnership

with Fila began during our early days and our latest product represents the

ongoing mutual respect we have for the brand today,” the executive

said via a statement.

 

Inspired by the classic

Fila boot silhouette, the Wu-Tang Weathertech boot will feature an oiled suede

upper, molded rubberized vamp, d-ring lacing system and padded ankle collars.

The side and heel tab of the winter weather boot will include the Wu-Tang

Clan’s insignia as well as signature Wu-Tang yellow highlights.

 

Available for $100, the

Wu-Tang Weathertech boot is scheduled to arrive just in time for the holidays.

For a list of retailers selling the footwear, visit www.fila.com/wutang.

 

Jedi Mind Tricks: Force Unleashed

On the eve of the most historical Presidential elections in

America’s history, the vocal side of Jedi Mind Tricks is on yet another tour

bus leaving the infamous Las Vegas Strip. The trio [MCs Vinnie Paz and Jus

Allah, with Stoupe the Enemy of Mankind on beats]

from the City of Brotherly Love has cemented their position in the underground

Hip-Hop circuit as an unfiltered source for impassioned, sometimes political,

always hardcore rap music.

 

Exiting a city known as “America’s Playground” can be an

excursion full of joy or regret. However, more often times than not it’s the

latter. With their sixth studio album being released in less than a week via Babygrande Records,

Vinnie Paz , Jedi’s leading mouthpiece and the only

conscious member on board the bus, talks about a History of Violence, a reunited Jedi Mind Tricks, new rappers, and

of course the election with no regrets.

 

AllHipHop.com:

Vegas may be one of the only places in America where people aren’t worrying

about the recession. How did “Sin City” treat you?

 

Vinnie Paz:

Absolutely f**kin’ crazy man, we just spent three days in Vegas, so needless to

say we’re still pretty bugged out right now [laughs]. The downside about

touring is that it’s harder to get to hear about current events and research

what’s going on in the world; you can only really gauge it by what the fans say

and their reactions. But Jedi Mind fans will come out to support no matter what

is going on with the economy.

 

AllHipHop.com:

Since ‘96 Jedi Mind Tricks has dropped albums pretty consistently, there’s

hasn’t been more than a three year period without a new album. What are we

getting with A History of Violence?

 

Vinnie Paz: First

off, having Just Allah back in the group brings back a whole another dimension

to our music. History of Violence is

a multi-layered concept album, it’s sort of a double

entendre in reference to Violent by Design

which was our last album. But everything on this album is referring to the

state of affairs going on in our country and the entire world.

 

 

 

AllHipHop.com:

You’ve always been known as an MC that comes with hardcore lyrics and an

aggressive delivery, but fans and critics have noticed some changes in your

style especially with the Visions of

Gandhi album. Do you feel the need to be hardcore and violent to please

your fans?

 

Vinnie Paz: I

hear all the time, “Do you ever want to try different styles of Hip-Hop?” and

s**t like that, but it’s like this is the kind of

music we been making since ‘92. And there’s a certain point in your life when

you realize you are who you are. 

I don’t consciously set out to change anything; our music evolves as we do as people. It’s just growth, and we have our own

style of music, there’s no changing s**t for us.

 

AllHipHop.com: What

about the new fans that just discovered Jedi Mind Tricks, what do you think draws

them to you ?

 

Vinnie Paz: The

generation gaps between me and some of the Jedi Mind Fans is just huge, they

didn’t grow up on the same music that I did, so their tastes are probably

totally different than mine but they still are loyal fans. A lot of young kids

make up our fan base, but in reality I make music for me and my people. I don’t

take criticisms to the heart from anyone, if you don’t

like my music, don’t listen to it- real simple.

 

AllHipHop.com:

Jedi Mind is one of the few Hip-Hop groups that haven’t followed trends to stay

relevant, what’s different in the game plan today?

 

Vinnie Paz: We

have always ignored the mainstream and never let it dictate how we made our

music. We got our own sound and idea of what Hip-Hop music sounds like. Jedi

Mind has never let any of these trends that you see come and go influence how

we do s**t. And I think people respect that in any genre of music.

 

 

AllHipHop.com:

There’s a whole new wave of rappers being labeled as “Hipster Rappers” like the

Cool Kids, Mickey Factz,

The Knux, etc. The clothing

is a bit tighter and colorful, but they are being compared to the backpackers

of the ’90s. How do you feel about the new wave of rappers coming up?

 

Vinnie Paz: That

s**t is p#### to me, that’s just my opinion. I really don’t give a f**k about those type of rappers, I don’t listen to their

music. I don’t know any of these people personally, but it just ain’t my thing. Any time a person is being themselves is

cool, but that doesn’t mean I have to like it. I like hardcore s**t, that’s

were this Hip-Hop s**t was birthed from. But all that s**t is just gay to me.

 

AllHipHop.com: Jus

Allah has been gone for some time, what can we expect with him back the group?

 

Vinnie Paz: Our

chemistry speaks for itself. In the grand scheme of things, we’ve known each

other since ‘93 and we really were together for only four of those years, so

I think people think that the break-up was bigger than it really was. Jedi Mind

isn’t changing s**t, it’s only growth as artists. You ain’t got to worry, we still bringing the raw

Hip-Hop.

 

AllHipHop.com:

Today is one the most historical elections ever, Jedi Mind Tricks has certainly

been an outspoken voice in politics, can this election mark any change real

change for America?

 

Vinnie Paz: I

think people who really [are] capable of changing the system around never

really had a chance to win anyway. Personally, I was a Ron Paul advocate, but

his vision and ideologies were too radical for people. Typically though, in

this country you are put in a position where you are choosing between the

lesser of two evils. We definitely need a change and Obama might be do the only

candidate left who can even attempt some sort of change, whether it’s the kind

the of change that the people want, we’ll just have to wait and see. I don’t know if anyone has attempted

any legitimate change since Kennedy.

A lot of people feel like Obama reminds them of Kennedy.

It’s going to take years and years to reverse all the damage that this muthaf**ker Bush did. There’s an

old quote, “The government should be scared of the people, the

people shouldn’t be scared of the government.” We are the ones that really hold

the power, but the majority of us have become the stereotyped lazy Americans.

 

Jedi Mind Tricks “I Who Have Nothing” Video (from The Psycho-Social, Chemical, Biological

& Electro-Magnetic Manipulation of Human Consciousness)

AHH Stray News: CTE CEO Kinky B Seeking Female Group To Sign

CTE CEO Demetrius “Kinky B” Ellerbee, who also doubles as manager for multi-platinum rapper Young Jeezy, is hosting an open talent call seeking female vocalists age 18-25 to audition for a new singing group.

The auditions are a serious talent call to find a new group reminiscent of SWV, Total and 702, who will be signed directly to CTE.

Contestants may live anywhere, but must be willing to relocate to Atlanta.

 

The females will be judged by talent and music industry executives Shaun Harris A&R, Universal/Motown, Nick Love, Proving Grounds LLC and Arnaz Smith, Producer – CTE.

 

Other judges include producers Shondrea”Bangladash”Crawford, who created Lil Wayne’s famous “Milli,” as well as tracks for Ludacris, Ciara, Kelis and Eightball & MJG and Midnight Black, producer for Young Jeezy’s “Tear it up” feat Lloyd and Slim of R & B group 112’s new single “So Fly.”

 

The casting call will take place from 6-9 PM at Joi Studios, located at 2356 Park Central Blvd Decatur, Georgia.

“If you are a female that is serious about pursuing a career in the music business as an artist and are willing to work within a group, this is an excellent opportunity to see your dreams realized,” a CTE representative told AllHipHop.com.