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Tyler Perry’s I Can Do Bad All By Myself (Movie Review)

Tyler Perry is back with his latest film “I Can Do Bad All By Myself.”

The film, which bears the title of Perry’s play stars Academy Award

nominated actress Taraji P. Henson in the lead role, Adam Rodriguez,

Brian White, Tyler Perry as “Madea” and newcomer Hope Olaide Wilson. The

film also features performances from Grammy Award winning singers

Gladys Knight, Mary J. Blige and along with Pastor Marvin Winans.

 

The storyline of “I Can Do Bad All By Myself” revolves around a young

woman named April (Henson), a nightclub performer whose past problems

have led her to become a stubborn, selfish, alcoholic. Due to circumstance, she feels the innate

need to depend on her married boyfriend (White). However when April

unexpectedly becomes the caretaker of her orphaned niece and nephews,

she must find it in herself to change her self-centered ways and open up her

heart. However April is not alone on her journey to change, which is

sparked when she meets Mexican immigrant Sandino (Rodriguez), who moves

into her home, and provides her with the love and friendship which

allows her to be more caring.

 

This film is considerably different from Perry’s previous films because of the musical numbers and performances in the film. They are used, not only

to uplift the audience, but to overtly aid April as she re-discovers who she is and examine her new life. In the film April’s no nonsense best friend Tanya is

portrayed by none other than Grammy Award winning singer Mary J.

Blige, who delivers the title track of the film. In

portraying Tanya, Blige formulates a friend that doubles as a mentor. She dishes out

blunt, straight to the point guidance. In press junkets, Blige has said that she drew upon her own life experiences to bring the

character to life in “I Can Do Bad All By Myself.”

 

Gladys Knight delivers another memorable performance as Wilma, a church going woman who had a close relationship

with April’s family. Ms. Knight balances her character in the film

through soulful gospel numbers as well as the motherly advice she

gives to April. Ms. Knight stated in interviews that the character was in tune with her real life persona.

 

Taraji P. Henson gives a great performance as usual in the film. In

portraying April, Henson goes from making the character a

misunderstood egotist to a being the viewers can identify with,

and learn to accept. Perry uses the character April to convey the

theme of learning to love ones self before fully being able to love

others.

 

On another note, Perry’s beloved and maligned character Madea appears in this

film, however she has far less screen time than in previous films. Yet

the scenes with Madea serve it’s purpose in using Madea to teach

people about how to love and respect themselves.

 

But with every hero, and motherly figure there comes a villain, which

Brian White plays very convincing, as the non-likeable Randy. From the

minute Randy steps on screen the audience is made to dislike his

character, and it seems as if the character never changes but gets

worse as the film progresses.

 

“I Can Do Bad All By Myself” is recommended for the positive theme of family, how resolution is portrayed and the evolution of various characters.

 

 

Spike Lee Presents New Play Starring Def Poetry’s Lemon Anderson

The birth of Hip-Hop culture will serve as the backdrop for a new one-man play starring Def Poetry regular Lemon Anderson. Written and performed by Anderson, County of Kings chronicles the Brooklyn, NY-born poet’s coming of age as a kid growing up in an unforgiving environment while facing difficult and sometimes humorous experiences. The Elise Thoron-helmed memoir is the latest venture for Anderson, who served as an original cast member and writer of the Tony awarding Def Poetry Jam on Broadway. In addition, the poet has appeared in The Soloist with Jamie Foxx and Robert Downey Jr. and the Spike Lee directed Inside Man with Denzel Washington. Lee, along with The Culture Project, will present County of Kings as the play officially begins its theatrical run at The Public Theater on October 12. Previews of the production start on September 29. Tickets for the preview performances are $25. A limited number of tickets for all other performances (not including opening night), will be sold for $25, cash only, at the box office.

Gillie Da Kid: The Game Changer

Gillie Da Kid has been around for quite a minute, but the Philadelphia hustler has survived the trials set before him. His career has been able to endure by shifting his game into other places and it given it an extra spark. Hell, he’s even famous.

“I can get off a plane off any place in the United States and somebody say…ain’t you Gillie Da Kid?” he says of his success. “I’m on the radio all day – Clear Channel.” He allegedly wrote a lot for Lil Wayne as the Young Money rapper started to get popular and he’s expanded into movies, most notably a film with Ving Rhames and Nipsey Hussel called “The Wrath of Cain.”

He admits that he’s got a nice lane in rap, staying slightly left of the spotlight due to the structure of the major labels. He drops wisdom and knowledge in his frank way. Click here and see what Da Kid’s got to say about it.

Gille Da Kid Part 1

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Gille Da Kid Part 2

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Mannie Fresh Launches New Label, Signs Distribution Deal

Acclaimed producer Mannie Fresh will seek to take his label Chubby Boy Records to greater heights via a newly-inked distribution deal with Deep Entertainment. The deal represents Fresh’s plan to solidify his talents as a Hip-Hop producer while showcasing his diversity in other genres of music. As a label, Deep Entertainment has slowly been making a name for itself in Hip-Hop culture due to its successful distribution of various mixtapes.

Mannie Fresh’s first rumored project will be Return of the Ballin’, which will serve as a follow-up to his 2004 debut The Mind of Mannie Fresh. Fresh was instrumental in the explosion of Southern Hip-Hop through his tenure as Cash Money Record’s in-house producer from 1993-2005. In that span, the New Orleans native’s beats were a staple of hit albums from Juvenile (400 Degreez ), Lil Wayne (Tha Block It Hot, Tha Carter ), B.G. (Chopper City in the Ghetto ), The Hot Boys (Guerrilla Warfare ), and the Big Tymers (Hood Rich ). Realizing that labels have to be forward-thinking and daring in their marketing due to the ever-evolving music climate, Deep Entertainment Public Relations Director Nicole Murray plans to make Fresh a part of their proposed “independent music revolution.” Deep Entertainment is a rising star among independent labels,” explained Murray to AllHipHop.com in a statement. “Boasting the ability to pair creative, outside-the-box distribution channels as well as the traditional methods of retail and digital release with a full set of in house services including marketing, radio promotions and publicity, Deep Entertainment is revolutionizing the way independent music is released and received by the market place.” Fresh’s Return of the Ballin’ is currently set for an October release. Afterward, the label expects to debut new acts from Fresh’s Chubby Boy label. At press time, it is unknown if Fresh has retained his previous label deal with Def Jam South.

Ghostface Tours To Support “The Wizard of Poetry

Wu-Tang Clan’s Ghostface Killah will drop his sixth album for Def Jam titled The Wizard of Poetry on September 29 and has announced a nationwide outing to support his latest release.

 

Ghostface, aka Ghostdini, lined up an all-star cast for The Wizard of Poetry.

 

The album features guest appearances by Fabolous, Estelle, John Legend, Raheem DeVaughn and Lloyd.

 

The album features two bonus tracks as well. “She’s A Killah” features Ron Browz, while “Back Like That” features Ne-Yo and Chicago rapper/producer Kanye West.

 

Ghost’s 24-date tour kicks off October 2 and hits major cities throughout the United States, including Philadelphia, Los Angeles and San Francisco and Denver, Colorado.

 

The tour winds down October 31 at The Fox in Boulder, Colorado. The first single from Ghostface’s The Wizard of Poetry is “Baby” featuring Raheem DeVaughn.

 

The album lands in stores and online September 29th. Tour dates and venues are listed below.

 

10/2 Albany, NY- Northern Lights 10/3 Philly, PA- Trocadero 10/4 Carrboro, NY- Cats Cradle 10/5 Charleston, SC- Music Farm 10/7 Ft. Lauderdale, FL- Revolution 10/9 Oxford, MS- Lyric 10/10 Baton Rouge, LA- Spanish Moon 10/11 Austin, TX- Emos 10/13 Tucson, AZ- The Rock 10/14 Tempe, AZ- The Clubhouse 10/15 San Diego, CA- Canes 10/16 Los Angeles, CA Key Club 10/17 Santa Barbara, CA- Velvet Jones10/19 Reno, NV- Club Underground 10/20 San Fran, CA- Slims 10/21 Arcata, CA- Arcata Theatre 10/22 Portland, OR- Berbati’s Pan 10/23 Eugene, OR- WOW Hall 10/24 Seattle, WA- Showbox 10/25 Bellingham, WA- Nightlight 10/28 Salt Lake City, UT- Urban Lounge 10/29 Aspen, CO- Belly Up 10/30 Denver, CO- Bluebird 10/31 Boulder, CO- Fox

The Last Word: Tyler Perry, Ne-Yo, Erykah Badu, Jamie Foxx On PCP?

What’s well everybody? The end of another week as we close out the second week of September with President Obama making his “controversial” speech to the nation’s school children and airing his critics out and taking the high road over a heckler while laying out his plan for health care reform, the country taking note of the eight year anniversary of 9/11 and Ellen Degeneres being named as Paula Abdul’s replacement as the new judge on American Idol.

Thoughts and prayers go out to the families of those who lost their lives on 9/11 as we remember one of the darkest days in our nation’s history. Congratulations to The-Dream and Christina Milian, who got married last week, Taye Diggs and his wife Idina Menzel on the birth of their son, Walker Diggs, last week; Nicole Richie and Joel Madden on the birth of their second child, Sparrow Madden, on Wednesday (Sept. 9) and Tisha Campbell-Martin and her husband, Duane Martin, who welcomed their son, Ezekiel Czar Martin, on Tuesday (Sept. 8).

Shout out to Melanie Oudin, who made waves at the U.S. Open with her string of upsets over her top ranked opponents and the sounding boards for finding something to laugh at whenever things get too serious.

So let’s set the scene with…the Last Word for the week ending September 11, 2009.

1. Tyler Perry Brings Colored Girls to Big Screen; Shares Abusive Similarities with Chris Brown

Next looks to be a good one for Tyler Perry, who plans on releasing the sequel to 2006’s Why Did I Get Married on April 2.

Variety reports the churn out two features as he plans to write, direct and produce a film adaptation of the 1975 play, For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf.

Written by Ntozake Shange, For Colored Girls revolves around a series of 20 poems that explore various issues faced by black women, including love, abandonment, domestic abuse, abortion and rape. The production, which was first performed in 1975, was later made into a 1982 television movie with Shange, Laurie Carlos, Trazana Beverly, Alfre Woodard and Lynn Whitfield. Although a Broadway revival of For Colored Girls starring India.Arie and produced by Whoopi Goldberg was announced for the 2008-09 season, the project did not come to pass after funding for the project fell through.

Perry is hoping to have better luck with his adaptation. The entertainment mogul plans to assemble an all-star cast of female actors and begin shooting the film in early November in Atlanta. For Colored Girls will be Perry’s the first project for his new production shingle, 34th Street Pictures. Look for Lionsgate to release For Colored Girls in 2010.

And while he gears up for a profitable double bill at the theater, Mr. Perry is voicing a desire to have a chat with Chris Brown.

“I would love to have a conversation with Chris. A real conversation on television where he sits and he talks because I think…people want to forgive him,” the entertainer told CNN’s Marquee Blog. “People want Chris Brown to be better, but the only way he’s going to get there is to admit everything that he did, put it all out there judge it for himself and feel bad for it — for himself really truly have animosity about it.

By fully opening up, Perry believes that Brown as well as the public will be able to “move on” from all the drama surrounding his pre-Grammy awards encounter with former girlfriend Rihanna as well as gain some type of understanding surrounding him and his situation.

When asked why he would be a good choice to speak to the embattled crooner, Perry brought up a similar experience involving two people who are close to him.

“Because of my father… His mother was in an abusive relationship and my mother is too. She’s still married to the — I almost said something really awful but he is my father so I respect him,” he shared. “I had to make a choice early on because I know what it’s like to be so angry and then to love so passionately and to love so hard to be angry that you feel out of control but that when there is a moment when you can cross that line where you have to grab everything that’s in you and have to pull yourself back. So I think we would be able to relate on that level sure. I’ve never hit a woman. I’ve never hit anyone for that matter, but I understand being that angry and that frustrated and ready to go.”

2. Ne-Yo Goes to Battle With Two-Face; Closes New Disney Movie

Aaron Eckhart May have been a worthy opponent for Christian Bale’s Batman as Harvey Dent/Two-Face in The Dark Knight, but the critically-acclaimed actor will have a different nemesis as he co-stars with Ne-Yo in the upcoming film Battle: Los Angeles.

According to media sources, the singer will play a corporal in the sci-fi war film, while Aaron Eckhart has signed to star as the leader of a platoon struggling to fight against the aliens on the streets of L.A. Joining the pair will be Michelle Rodriguez, who will play another corporal, and Bridget Moynahan, who will be seen as a veterinarian.

Ne-Yo’s new role marks a new direction for the vocalist/songwriter, whose work in Stomp the Yard and Save the Last Dance 2 hasn’t stretched his acting muscles beyond the realm of music- and dance-oriented portrayals. Shooting for Battle: Los Angeles is expected to begin this week in Shreveport, Louisiana. As it stands now, the Jonathan Liebesman-directed feature has a tentative release date in early 2011.

If an acting Ne-Yo isn’t your thing, then you’ll be happy to know that he’s still attached to his day job as he has been recruited to write and sing the closing song for Disney’s The Princess and the Frog. Either way, Ne-Yo comes out a little richer for his trouble.

3. Erykah Badu Speaks on the Joys of Homeschooling

Although she’s garnered legions of fans who enjoy her music, Erykah Badu is a mother who wants nothing but the best for her son Seven Sirius and daughters Puma Sabti and Mars Merkaba.

Case in point: her decision to home school the kids as she admitted to being motivated to give Seven “special attention academically, to give him an advantage.”

“So by being home-schooled he learned how to learn — he learned how to solve problems in a nontraditional way. In doing that, he developed an edge in his schoolwork. He enjoys challenges,” Badu told Babble. “He pushes himself. He does his homework voluntarily. He does not want to miss school or be late or be untidy or not have his things in order because that was a big part of how he was brought up.

Although Seven was home-schooled until he entered the second grade, the effect of the instruction has stuck with him. Although his mother doesn’t have “any idea what Seven is going to choose to do,” Miss Badu knows that “he knows how to be disciplined and how to learn, and because of that he’s one of the top students in his school, and one of the top students in Dallas.”

Badu is currently homeschooling Puma, who is five and Mars, who she says, “just started school this week, now that she’s six months.”

Looks like the Badu clan have nowhere to go but up. The kids seem to be on the right track to following in mom’s highly successful footsteps.

4. Jamie Foxx Reminisces Over PCP Experiences

Jamie Foxx is truly living the good life. Hit songs and albums and a thriving acting career make for a really good look.

But it almost never came to be as the entertainer revealed an experience the drug PCP that nearly left him nearly comatose and still haunts him to this day.

According to Foxx, someone had spiked a drink he had when he was a student at United States International University attending a dorm room party. As a result, Foxx’s sense began to shut down and he was rushed to the hospital, where doctors flushed the drug out of his system.

“I was drinking whiskey and it didn’t taste funny, so I had no idea. It took about 15 minutes and I knew something was wrong,” the Oscar winner told WENN. “I said to my roommate, ‘Something is going on, and I don’t know what it is, but I’m going to ride it out.

“That was the last thing I said, and then I was almost in a coma and I couldn’t move, couldn’t talk, couldn’t even say, ‘Take me to a hospital.’ My friend could see something was badly wrong and he took me to the emergency room.”

Although he made a full recovery, Foxx admitted to suffering severe flashbacks that left him feeling terrified and paranoid even though his friend remained with him after coming back from the hospital.

“(He) stayed with me. Then he took me back to the dorm and I was afraid of the dark and he would talk to me every night and calm me down and say stuff like, ‘You’re OK, the demons aren’t real.’ He saved my life,” said the grateful actor, who later discovered that PCP stays in the body forever. The hallucinogenic is known to prevent the body and brain from working in sync.

“I read up on PCP after it happened. It leaves a fingerprint and you can’t get it out of your system,” Foxx stated. “It happened to me when I was 18 and I had 11-months of harsh flashbacks, and then when I was 26, and another when I was 32, and that was the last one.”

More than 20 years later, Foxx continues to “worry about it coming back.”

“ You’re afraid of the dark, afraid of things you see on television, you feel that things are coming at you. I felt paranoid, and paranoia is craziness. It’s not good.”

In Other Words…

Former Los Angeles Lakers star Rick Fox (not the BAWSE!) will be among the new faces inhabiting the CW’s Melrose Place. The actor will be seen in a recurring role on the show as the owner of the restaurant where all the aspiring actors on the show work.

 

Idris Elba is on his way back to the small screen. The actor is set to play the lead role in the BBC’s new police show Luther. The show, which is slated to air next year, will put a twist on the police show formula by revealing the murderer’s identity at the beginning of each episode.

 

Deborah Cox is on her way back to Broadway with a starring role in the new musical Josephine. The play, which is based on the life of legendary vocalist Josephine Baker, will feature the songstress as Baker. The new role isn’t the first time Cox has been on a Broadway stage. The singer was previously cast in the theatrical production of Aida. Theater and production dates for Josephine are set to be announced in the coming weeks. 

 

 I guess it’s safe to say that Whitney Houston has officially come back. The former Mrs. Bobby Brown has landed on top of the Billboard 200 Albums chart with her latest album, I Look To You, selling 305,000 copies in its first week of release.

 

Viewers of the upcoming VH1 Divas show will get an Oscar winner among its roster of talented singers. According to reports, Jennifer Hudson and Sheryl Crow will join Adele, Leona Lewis and Jordin Sparks as performers for the show. VH1 Divas, which will feature former American Idol judge Paula Abdul as host and appearances from Cyndi Lauper and Toni Braxton, is set to air at 9 p.m. on Thursday on VH1.

Chino XL: “I’d S**t On Shakespeare”

After a short hiatus from the industry, the return of Chino XL is nearly upon us. As “twisted and mystic” as ever, the Puerto Rican rhyme slayer is ready to give Hip-Hop a piece of his mind once again. Rearmed with some of his sharpest lyrical ammunition and a free agent at last, Chino is aiming to release his next offering The RICANstruction in the first quarter of 2010. Contrary to earlier reports, the album, which he hopes will be his masterwork, will be put out through his own joint venture CPR/Universal.

For Chino, getting into the “label situation” was not an option this time. “The relationships I’ve made in the business over the years are pretty much invaluable, explains the Hip-Hop veteran. “I’d be remiss, to a certain extent, to not activate them in my own best interest.”

It has been thirteen long years since his debut Here To Save You All dropped back in 1996 and in that time Chino has not only achieved an awful lot but also learned many invaluable lessons about this industry. Hardly the type to play victim, he is not going to let the “middle man corrupt and abuse” the relationships and respect that he has grafted hard to gain and maintain for well over a decade.

The RICANstruction may be to Hip-Hop what U.S. President Barack Obama represents in politics, if Chino has his way.

He proudly explains, “It is my take on how things need to change.” In fact change is very much the concept behind this album, which is so aptly entitled to demonstrate both his lyrical prowess and desire to return to the roots of the culture he so avidly represents.

“Well the [title] is obviously a play on words, with the word reconstruction, meaning to rebuild something, and Rican, as in the suffix for Puerto Rican as well.” Having always “chosen to take the road less traveled,” the wordsmith is hoping to once again cause a stir in an industry, which has become so homogenized and diluted of late.

Highlighting the gap in the market for music of substance, he states “There’s a bunch of people who just need something for their minds. They want to be somewhat challenged and stimulated by the wordplay and thought of an artist’s work.”

“We all think differently; the mind is like a snowflake but my snowflake just has a little bit of blood and membrane on it.”

-Chino XL

This void in lyrical Hip-Hop, however, is not one that he intends to fill single-handedly. The RICANstruction will provide a wealth of collaborations from the likes of Crooked I, Immortal Technique, Tech N9ne, Bun B, Ras Kass and even rock rapper Travis Barker.

The project, which is assisted by production from DJ Khalil and Focus, will also contain a track featuring the legendary Big Pun and an unreleased collaboration with Proof. Although it is his homage to his Latino identity that really provides a break from the status quo.

“I have a ‘Latinos Stand Up remix’ that has a plethora of Latin artists on it, including Big Lou, Nino Bless, Kid Frost and Tony Touch. It’s got Latino artists from all genres, so you’ll have Thirstin Howl III rhyming right before Baby Bash,” he says. “It’s crazy, but everybody is represented on there from T-Weaponz to B-Real to Baby Bash.”

Chino XL – “90 Bars Of Intervention”

It becomes immediately clear when talking to him about this project, that Chino is a great believer in not only the sanctity of art also Hip-Hop’s status as an art form. Having also tried his hand successfully in acting, he feels that his experiences have only helped enriched his music. He explains that the ability to achieve a certain frame of mind transgresses artistic borders.

“Art is art and art in its purest form is for you to capture what in acting they call ‘the day of.’” This theory is demonstrated perfectly in the latest track to surface from The RICANstruction; the piece simultaneously shows Chino in his most poetic and aggressive states to devastating effect. “When I did ‘Nahh!,’ that is what was coursing through my veins at that time. There was no way in hell for me to amp myself up to be in that state of mind. The delivery wouldn’t even be right.”

‘Nahh!’ is laced with metaphors and other imagery, which is delivered so aggressively, perhaps even to an almost paradoxical degree. In fact, it seems totally incongruent to label a man who is capable of such impressive wordplay as a “savage.” In a perfect situation, he feels that this imagery should still be considered an important aspect of Hip-Hop lyricism.

“I would like somebody to be able to imagine the fragrance, if I’m describing it,” he says. “I would like for my passion to come across to where it can bring the hairs [up] on the back of your neck.” After all, as he explains Hip-Hop is a form of literature and an extremely powerful one at that. “As per literature, we have to study a lot of past authors. We’ve got to study Shakespeare, Mark Twain and these people. I’m not trying to s**t on what it is that they’ve done, because obviously they’re great to last this long but as a person that is part of Hip-Hop, which is literature at base, I basically challenge that material.”

“If Shakespeare was alive today, I’d s**t on any work he had and it would all rhyme and it would all make sense; it would be a complete story in 16 bars..”

-Chino XL

Clearly impassioned about the subject, Chino explains the true power of the Hip-Hop lyric. “There are things in Shakespeare, like ‘no because I am too much in the sun’ when [Hamlet’s] father was killed, where he has a few metaphors, a few entendres, a few similes,” he clarifies.

“A 16 bar verse or a 30 bar verse of mine (or most artists) has more metaphors, entendres and similes than half of the chapters of these books have.” By this token, if you were to look at Hip-Hop verses in the same light, “it could completely change the curriculum for these young people that don’t think that what they can write can ever be as great as the things they have to study.”

In fact, a child of the Hip-Hop movement, Chino firmly believes that in today’s world, a well-written rap lyric could have more impact than the work of great writers of the past. “If Shakespeare was alive today, I’d s**t on any work he had and it would all rhyme and it would all make sense; it would be a complete story in 16 bars, which at the normal beats per minute, translates to a minute! So you’re going to give me a minute to rock 16 bars and he has a whole book?” So imagine the cultural impact that Hip-Hop could have if it were to be considered along the same lines as one of these iconic plays.

As the Chino maintains, this is not a unique talent or responsibility, but one that should be embraced by Hip-Hop as a collective. “Now I’m not saying that I’m the only one, I’m talking about it as a Hip-Hop village. I just don’t think that we should take it as lightly, what we’re doing,” he says. In this “microwave generation,” surely it is not too much to ask that “at this point it needs to be taken as seriously as the literature that has come before us.”

Whilst many feel that the digital age has had only negative repercussions on the quality of the music, Chino disagrees. “[People] can really pick and choose, they can get the music as soon as they want it and they can communicate with the artist,” he explains. “I think that there’s a certain amount of that that’s going to help rebuild the music fiber.”

Between social networking websites and platforms like iTunes and Napster, the “culture of people, who really don’t want their art distorted” are increasingly apparent and able to articulate the desire for music that breaks with industry conventions. “The records that have lasted the test of time, have been records that no-one else could write. We’re not talking about walking around and trying to figure out what the catchphrase of the day was,” says Chino. “We’re talking about a song from a person’s heart that only they could write.”

Chino XL “Nahh” – produced by Focus

Even his critics would probably agree that description fits Chino perfectly, as is completely evident throughout his musical catalogue. Songs like “Nahh!” not only ooze bloody metaphors but also personality in abundance. His lyrics, although admittedly at times rather violent, often stand out for their poetic merit and originality. “We all think differently; the mind is like a snowflake but my snowflake just has a little bit of blood and membrane on it,” he jokes.

His music is not the product of embellishment and exaggeration but rather of raw and unadulterated artistic vision and talent. “Half of the time, there’s no structure or form. I’m like a medium with a spirit just moving through me at the time and it just comes out the way it comes out.”

Few rappers have the honor of being able to chart their contribution to a culture, but Chino XL is a worthy recipient. “I can phonetically, pentameter-wise and syllabically show you the ground that I broke,” he explains proudly.

He is quick to add, however, that his work is far from over, as there is an entirely new generation of Hip-Hop fans surfacing that he is yet to conquer, though he seems more than ready and willing to try.

“Not only do I think lyrically I’m completely in the time of my life, but mentally I’m definitely more stable, more focused and have a hell of a lot of support from a lot of artists that make a difference. If after all these years, I can still have that many bars and that many quotables and that much wordplay, then there is no excuse for anybody else!” he claims. “As time goes on, I’m starting to see where I fit into the Hip-Hop culture…my piece of the puzzle is being a lover of words and just injecting as much passion as humanly possible.”

So with Chino having lyrically slaughtered the competition, the murder scene may well be grizzly as promised in “Nahh!” but at least a RICANstruction is on the horizon – here to save us all once again.

Congressman Joe Wilson: Where Do They Do That @?

Whutupdoe…man, I hate writing my damn editorial, sending it in to The Man, and then having some totally retarded s**t happen that I just GOTTA speak on.

I’m at the crib last nite, chillin’, flipping back and forth between “LOCKDOWN: Women In Prison” and the Presidential address, you know, just checkin’ in on the HNIC every once in awhile to make sure my guy is good. Every time I click on it, he’s gettin’ a standing O like Jigga in the Garden so I figure he’s killing them with Octane.

No worries.

Then one time I click back from the crazy locked up broads, Obama said some s**t about immigrants or something, and some n***a yells out ,”YOU LIE” in a joint session of Congress.

At the President of the United States.

I repeat.

A member of Congress yelled out “YOU LIE” in a session of Congress, during a Presidential address.

At the motherf**king PRESIDENT OF THE UNITED STATES.

Now, I didn’t know what the f**k was going on. I don’t know s**t about politics. I thought maybe it was an open forum and they let some drunk bum in from the White House lawn to be a seat filler. S**t, after I heard that, I was waiting for a n***a to throw a couple Buster Brown’s at the podium.

I knew it was some other s**t when I saw Nancy Pelosi and Joe Biden’s reaction. They looked like they were trying to turn the culprit to stone.

But when I saw Obama’s grill, I knew it was on and poppin’…

The Prez had a look on his face like, “I should get my Secret Service n***as to f**k yo’ hoe-a** up.”

I’m sure he was thinking it.

But he kept his composure, and I respect that.

He just told old boy, “That’s not true” and kept it moving.

That’s one reason I could NEVER be President.

My initial reaction would have been, “WHAT YOU SAY, B***H?”, hop over the rail and go Kimbo Slice in a backyard on a n***a.

Look, I’m going to be honest. I don’t know what the f**k is going on with this Health Care reform s**t. All I know is, people get sick, they need affordable insurance-fix the s**t. I know there are different plans and amendments from different folks and I know it’s a real hot button issue.

I don’t know who the f**k is right.

But I DO know as a member of Congress you don’t interrupt a Presidential address and call the President a liar.

THIS n***a…

And just who IS this maverick muthaf**ka who obviously got a bad case of Tourette’s Syndrome?

Congressman Addison Graves Wilson, Sr.

Who the f**k is that?

Better known as Congressman Joe Wilson. (How did he get “Joe” out of “Addison” and “Graves”?)

Ok…and who the f**k is THAT?

Wait…he’s a Congressman from District 2 in South Carolina? He was a former aide to Strom Thurmond?

F**king explains everything.

For those that don’t know, Strom Thurmond was a South Carolina Senator and segregationist who filibustered against the Civil Rights Act of 1957. What that means is, basically the n***a talked as much s**t as possible for 24 hrs and 18 minutes to try and keep Black people from being able to vote. He read from the Declaration of Independence, Bill of Rights and phone books amongst other things to delay the Civil Rights Bill from passing.

He also lived to be 100 because he was probably the Devil.

He was a real sweetheart.

And Congressman Joe Wilson used to work for him.

I guess we all know what kind of dude he is.

I swear man, I like these Klan dudes more when they’ve got their hoods on.

Then I can kinda tell them apart.

When I found out who it was (from twitter, of course) I thought it was some young, new dumb muthaf**ka who thought a Congressional meeting was like a town hall meeting or a Yankees game or some s**t. You just kick back, pound a few brewski’s and yell every now and then.

Party, right?

But this cat’s not young or new. He’s over 60 years old and He’s been involved in politics since 1962, been a member of Congress since 2001, and before that was a member of the South Carolina Senate for 17 years. This old dog’s been around the block a few times, he knows the etiquette.

So why did he do it?

He said his “emotions got the best of him” and a bunch of other words that reek of bull droppings.

I know why he said it.

You know why he said it.

Trying to get some f**king attention, trying to embarrass the motherf**king President of the United States.

I know he thought he was going to be The Hero of the Republican party. Good Ol’ Joe (his new moniker) was going to be the new Prince of the Party, have everybody’s support for a possible Presidential run in 2012.

This was his new beginning!

I wonder what he thought after his outburst when all the Republican’s looked at him bewildered, like, “N***A ARE YOU CRAZY?”

I wonder how he felt when Senator McCain condemned his actions? The same Senator McCain who ran a heated race against Obama for the same Presidential office Wilson just disrespected.

I mean, Senator McCain is voted AGAINST making Martin Luther King’s birthday a holiday.

That dude is saying you f**ked up?

WOW.

For what it’s worth, Wilson did try to apologize. Called up the White House and couldn’t get through to El Presidente, had to talk to Chief of Staff Rahm Emmanuel.

I know how that conversation went.

JW: “Yo, Rahm it’s Joe. Lemmee holla at Barack right quick.”

RE: “Man, you know he’s not f**king with you right now.”

JW:”Yeah, I know tell him my bad. I was tripping.”

RE: *hand over receiver* (muffled voices in background)

“Joe?”

JW:”Barack?”

BO: “Yeah. F**k you. Watch yo’ back,dog.”

*click*

Now, I know some of these staunch young Republicans will rally behind their new White Knight and say he was just overcome with emotion and he couldn’t bear to hear anymore of what he thought were untruths and he just had to say something.

Really?

You were in Congress for 7 years of George W. Bush’s lies, half-truths and all around slimy s**t, but you never had the urge to holler out “SHUT THE F**K UP” at him, with your righteous ass?

Get the f**k out of here, Addison.

You don’t have to like President Obama.

A lot of people don’t, whether it be for personal or political reasons.

That’s fine, it’s a free country. Dowhatyoulike.

You can hate him.

You don’t even have to respect him.

But I don’t think that it’s a lot to ask for an elected official to RESPECT the OFFICE of PRESIDENT OF THE UNITED STATES, whether or not you agree with him.

Good Old Addison Graves should resign.

Immediately.

Go write a book like everybody else. I even have a title for it “ME and MY BIG MOUTH.”

And f**k leaving a comment on this column, leave Congressman Joe a comment on twitter.

@congjoewilson

Man, don’t you wish twitter had an “add anthrax” option?

I’m out.

War.

Joe Wilson calls Obama a “Liar”

Ludacris, N.E.R.D, Big Boi Headline Heineken’s Red Star Soul Tour

Rappers Ludacris, T-Pain, N.E.R.D.

Estelle and Big Boi are headlining acts on Heineken’s 2009 Red Star Soul

Tour.

The exclusive, 21 and over, invitation only shows kick off September 17

in Dallas Texas, with Big Boi and songbird Estelle leading the bill.

Pioneering DJ’s D-Nice, Jazzy Jeff and DJ Irie are also featured on

various stops on the tour, which winds down November 13 in Miami with a

performance featuring N.E.R.D. And DJ Irie.

“In tune with a new generation of music listeners, Heineken Red Star

Soul continues to deliver on its foundation of music, recognition

and respect by featuring a dynamic mix of leading hip-hop and R&B

artists,” said Shane Hoyne, Senior Brand Director, Heineken USA.

“The Heineken Red Star Soul 2009 line-up of chart-topping and

up-and-coming artists comes together in the sexiest of venues to

create one-of-a-kind experiences for fans that bring to life what it

means to ‘Give Yourself a Good Name’.”

Other performers on the tour include Melanie Fiona, Mickey Factz and DJ

Jus Ske.

Fans who cannot make the actual performances can visit

YouTube.com/HeinekenRedStarSoul, MySpace.com/HeinekenRedStarSoul,

Facebook.com/HeinekenRedStarsoul or AllHipHop.com for updates and

behind-the-scenes video footage.

Full dates are listed below:

Dallas (Sept. 17) featuring Big Boi, Estelle, D-Nice

Philadelphia (Sept. 24 featuring Ludacris, Melanie Fiona, DJ Jazzy Jeff

New Orleans (Oct 8) featuring N.E.R.D., Mickey Factz, DJ Jus Ske

Miami, (Nov. 13) featuring N.E.R.D., DJ Irie.

Jay-Z, Will Smith Back $11 Mil “Fela” Play

Rappers Jay-Z and Will Smith are among the investors in a Broadway play about the life of Nigerian singer/activist Fela Kuti.

 

The heavyweight Hip-Hop duo are backing an $11 million dollar production of Bill. T. Jones’ musical “Fela,” which will open in November.

 

The original version of the play opened off-Broadway last September, starring actor Sahr Ngaujah, who will reprise his critically acclaimed role as Fela Kuti.

 

Financial concerns due to the recession briefly halted production of the play, which was written and co-produced by Steve Hendel.

 

Tony Award winner Bill T. Jones choreographs and directs “Fela” using the pioneering Afro-Beat style of music Kuti created with his Black-Panther inspired group, Africa 70.

 

Kuti was one of Africa’s most well known musicians and activists and was eventually imprisoned and released by the Nigerian government on a currency smuggling charge.

 

The singer died in 1997 due to complications from AIDS.

 

The 2-hour “Fela” play is slated to debut at the Eugene O’Neill theater on October 19 and will run until April 4.

 

Box office opens September 28th, while previews of the play start October 19th.

Unreleased Death Row LP’s By Snoop, Tupac Heading To Stores

The re-established Death Row Records will release a brand new album by Snoop Dogg featuring unreleased material.

 

Snoop Doggy Dogg’s album The Lost Sessions Vol. 1 features all-new material recorded by Snoop Dogg while he was an artist on Death Row Records.

 

The album features a number of high profile artists, including Dr. Dre, The Lady of Rage, Bad Azz, The Lady of Rage, K-CI & JoJo, Nate Dogg and others.

 

Death Row’s assets were bought for $18 million dollars in January 2009 after the label filed for bankruptcy.

 

According to Death Row’s new CEO Lara Lavi, the label is also planning to release a brand new album featuring unreleased material from Tupac Shakur in 2010.

 

“We’re trying to put if out as part of our birthday celebration of Tupac,” Lari told AllHipHop.com. “It isn’t just the music, what’s happened in the course of this whole exercise is so many people have come out of the woodwork for video content that no-one’s ever seen before and suggestions for playlists etc. The fans have been wonderful. The release will include a huge DVD of unreleased, never before seen video also.”

Snoop Dogg’s The Lost Sessions Vol. 1 is due in stores October 13th.

 

The track listing is below:

1. Soldier Story (Intro) 2. Doggystyle (ft. Dr. Dre, George Clinton and Jewell) 3. Fallin’ Asleep on Death Row (ft. Dr. Dre) 4. Eat A D**k (ft. Dr. Dre) 5. H**z (ft. Dogg Pound) 6. O.G. (Original Version ft. Nate Dogg) 7. Keep It Real Dogg 8. One Life to Live (ft. Techniec & The Lady of Rage) 9. The Genie (ft. Bad Azz, Bo Rock) 10. Funk With Ya Brain (Interlude) 11. Caught Up 12. Put It In Ya Mouth 13. Gravy Train (ft. Bad Azz & Tray Deee) 14. Life’s Hard (Dedicated to 2pac) (ft. K-Ci & JoJo, Big Pimpin’) 15. The Root Of All Evil (Outro) (ft. Dr. Dre) 16. Quite Obvious (ft. Rappin’ 4 Tay) 17. Once Again 18. Got to do Wrong