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VIDEO BATTLE: Twista Vs Slaughterhouse

The battle is back and the time for a classic class of titans is now!

 

If you are a fan of Hip-Hop, you are certain to have issues with the voting as it plights 2 sets of vets against each other.

 

In this corner is Twista, the O.G. mid-West speed spitter that hasn’t missed a step since his 90’s debut.

 

And over here is a group of four underground monsters – Slaughterhouse. Even though SH has been around as Joe Budden, Royce Da 5’ 9”, Crooked I and Joell Ortiz, this is their first official video. The rock-infused party is a just want the group needed. If this is their attempt at crossing over, its reminiscent of what Iverson did frequently.

 

Twista’s “American Gangsta” video is as hard as Adamantium nails! The video has past and present (and possibly future) images of gangsters. It is definitely a different look than his single, “Birthday Song” (which can be seen here).

 

Can Twista hold it down solo style against a crew such as Slaughterhouse? You decide!

 

The winner of the “battle” will continue into the next week where it will face a new set of contenders. The criteria are based on creativity, quality, musicianship and your own personal preference.

 

First up:

 

TWISTA – “American Gangsta”

 

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SLAUGHTERHOUSE – “The One”

 

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This just added!

 

JAY-Z – “D.O.A.”

 

To make it a true, battle Royale, we’ve added Jay-Z and his “D.O.A.,” since the BK rep is taking it back to the gutter. This video is a few weeks old, but can he be the spoiler? Is he the true “American Gangsta” and “The One?” VOTE BELOW!

 

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VOTE!

 

DiscussionsView Results

 

Urban Clothing Lines Face Bankruptcy; Uncertain Future

A slew of well known Hip-Hop clothing brands are in danger due to large debts and an ailing economy.

 

Kellwood, the parent company of Baby Phat, Phat Farm and XOXO brands could be forced into Chapter 11 due to a $140 million bond issue that is due to mature Wednesday (July 15).

 

While Kellwood attempted to defer the bond payment while restructuring the debt, but the biggest bond holder – Deutsche Bank – is refusing to entertain the offer.

 

According to The Wall Street Journal, Kellwood has over $500 million in debt and $800 million in annual sales.

 

Russell Simmons launched Phat Farm clothing in 1992, while his wife, model/designer Kimora Lee Simmons, started Baby Phat in 1999.

 

Simmons sold Phat Farm and Baby Phat to Kellwood in 2004 for $142 million dollars in cash.

 

Mark Ecko’s Ecko Enterprises is also selling spin-off business in order to cut costs within the company, which at it’s height, raked in $1.5 billion annually.

 

Ecko’s 275,000 square-foot, West 23rd Street headquarters, which cost $9 million dollars per-year, has been put on the market as the company attempts to raise cash.

 

Like Kellwood, Ecko is attempting to raise enough cash to pay off Ecko Enterprises’ $170 million debt to creditor CIT Group, as well as manufacturer Li & Fung USA.

 

In addition to the Ecko Clothing line, Ecko Enterprises publishes Complex Magazine and a video game unit, which published owns Mark Ecko Entertainment, a company that produces video games like the graffiti game Getting Up Contents Under Pressure.

Hip-Hop Rumors: Chris Brown’s New Artist! B’s Booty Dew! LeBron Does Bruno!? Bruno Disses Eminem!

DISCLAIMER:

All content within this section is pure rumor

and generally have no factual info outside of what the streets have

whispered in our ear. Read on.CHRIS BROWN DATING TEYANA? NOPE!

Chris Brown and Teyanna Taylor have been seen about the town quite a bit. It has been so bad that the mainstream press has mistaken her for Rihanna. Well, there is a good reason that TT is hanging out with CB. She is his new artist, according to sources with AllHipHop.com. Teyanna’s album has been on permanent hold as a signee to the Neptunes’ Star Trak imprint. In fact, we’ve had the album for quite some time, but that’s another rumor. Anyway, it would seem that TT trusts Chris more that other pop stars.

LOOKS LIKE BEYONCE’S BOOTY IS OFF LIMITS

This is a report from the San Francisco Chronicle:

Beyonce has reportedly ordered snappers not to photograph her from behind on her current world tour because she sweats so much.

The singer is wowing crowds on her I Am … Sasha Fierce global jaunt, but her dance routines are so energetic she is left dripping wet afterward.

So she has demanded photographers only shoot from certain angles to preserve her modesty, according to the New York Daily News.

A source tells the publication, “Beyonce’s costumes are so tiny and her choreography is so complicated that inevitably she sweats. It looks pretty gross, so no one is allowed to shoot her from that particular angle any more.”

No booty dew for B.

MASE IS BACK AND…HE’S NOT PREACHING

This isn’t new or anything, but Murder MaSe is BACK! And, he is going as far away from his Southern Christian preacher ways as possible. Here is his new song with Cam’ron, compliments of Miss Info.

Just in case you forgot or didn’t know, Mase has been in the ATL clergy for the last few years. The rumors are that his contract with Diddy has finally expired and he can move on with what he really wants to do.

On the flip side, there is a video of Cam’ron dissing Juelz. Seems like old love replaces older love. Too bad Big L isn’t alive. We could have seen a full-fledged Children of the Corn reunion.

MICHAEL JACKSON’S NEXT SHOW?

It would appear that the race to monetize the late Michael Jackson is on. All sorts of people are popping up to get a piece of the rock. Well, it seems like AEG has some priceless footage on their hands that they intend to use, according to cross talk. Allegedly, AEG, the company who stands to lose money on the London concerts is planning to “stage” the videos of his rehearsals at the London venue on August 29 2009, which would have been MJ’s 51st birthday. Looks like they are going to make this a PPV event, at least that’s the rumor.

Check out A.P.T.’s official MJ tribute song! It’s called “Second 2 None”

He’s like a friend of the family, an estranged…friend…of a distant family member.

LATOYA HAS HER SUSPICIONS TOO!

La Toya Jackson, like her Daddy Joe, feels that Michael Jackson was murdered.

“Michael was murdered and we don’t think just one person was involved. Rather, it was a conspiracy of people,” LaToya told News of the World magazine. “I feel it was all about money. Michael was worth well over a billion in music publishing assets and somebody killed him for that. He was worth more dead than alive.” She also said that MJ feared for his life. That makes sense that he would have a doctor near him at all times. LaToya took it a step further. “I know who did it and I won’t rest until I nail them….a couple of years ago Michael told me he was worried that people were out to get him. He said, ‘they’re gonna kill me for my publishing. They want my catalogues and they’re gonna kill me for these!” Hopefully, LaToya can blow the lid off this mystery.

QUICKIES

Jay-Z is reportedly going to release three books on Random House, one business book, one memoir and one about his lyrics.

Bruno has dissed Eminem. “Eminem behaved like a total b***h. He pretended like he never 69’d a guy before. But the reality was, when I was down there…I felt something poking into my cheek.” Wonder what Eminem has to say about this? Click here to read “Bruno Needs a Beatdown!” if you need to release some anger.

Elizabeth “Caviar” Ahmed of “For the Love of Ray-J” acclaim has landed a supporting role in the new psychological thriller “Disciple”.

TEXTING GONE BAD

This girl messed up and fell down a manhole because she was texting. But she blames the city because there were no signs or notices that the hole was there. Check out the report.

Thanks

THE GAME’S NEW DISS OF JAY-Z

The Game dissed Jay-Z over the weekend. What do you think? Did Jay-Z make a mistake even mentioning The Game, who is known to wage never ending rap wars?

MJ BEING NORMAL

WHAT IS LEBRON UP TO?

LeBron James didn’t have issue with doing this comedic outing, but won’t release a pick up game of him getting dunked on.

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JAMIE FOXX’s BOOTY SHAKE CONTEST GOES “LOW”

Jamie tried to have a booty shake contest and ended up tossing all the contestants.

SLAUGHTERHOUSE’S NEW VIDEO

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ALFAMEGA’S INTERVIEW

In the interview with Alfamega, the former Muscle for T.I.’s Grand Hustle tells AllHipHop.com that he’s really not upset at his former boss for kicking him out of the crew. He said something about being betrayed or whatever. Anyway, we’ve got rumors that Alfa’s pretty upset over this whole mess and definitely feels wronged. He’s doing new music though. Check it out.

For the new Alfamega song, “I Apologize,” click here.

NIVEA’S BABY BUMP COMP

This has been covered over and over already, but Nivea debuted her baby bump a few days after Lauren London did. Both are Wayne’s baby moms. Who will drop first is anybody’s guess.

JAMIE FOXX UPSETS RIHANNA?

According to New York’s Page Six column, Jamie Foxx upset Rihanna with a bunch of jokes in a Las Vegas club. Jamie was reportedly a host a club and asked Rihanna to get on the stage and she refused to do this. The comic then commanded the DJ to play “Umbrella,” an he continued to joke on her. “You can’t leave while your song is playing,” Jamie reportedly said as she left. Witnesses said Rihanna did indeed say for a few, then sleeked out of the club furious.

THE DREAM DISCUSSES LIL WAYNE IMPREGNATING HIS EXWIFE NIVEA

This is a story that didn’t quite make it to the news section. Peep it.

The Dream Keeps His Distance from Lil Wayne

By: Jocelyn Johnson

Producer/artist The Dream has outwardly spoken on keeping his distance from Lil Wayne, who’s expecting a child with his ex-wife, singer Nivea. Lil Wayne and Nivea dated prior to her marriage with Mr. Falsetto, with whom she has three children with.

The Dream has no intentions to open dialogue until marriage becomes a possibility between Weezy and Nivea.

“Even though she’s pregnant, there’s no real commitment [between them], to the point where we’d need to have a conversation,” says The Dream.

He continues,“I’ve never met him (Lil Wayne), If marriage comes up then we’ll definitely need to have a conversation, But I wish him and Nivea the best.”

Although there is no clear definition of Lil Wayne and Nivea’s dating status also, the rapper is also expecting a child with actress Lauren London. The Dream is engaged to singer/actress Christina Milian.

40 GLOCC AIRS OUT LIL WAYNE

40 Glocc just has an intense loathing of all things Lil Wayne and even those around the Young Money homey. Check out the video.

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QUICKIES

Rumor has it Chris Brown lost a mini-mint as one of the opening acts on MJ’s tour. Not sure about that factually though.

There is another rumor that Jay-Z and Kanye West are beefing over their placement of closing a concert. Hmmmmm….check out the Ill Community for that one.

Contrary to previous rumors, it doesn’t look like Michael Jackson has given back the rights to The Beatles catalogue. Perhaps, the family will give Sir Paul McCartney a discount.

FAREWELL, MJ

I all reality AllHipHop.com will never say goodbye to the late, greatest Michael Jackson. But here is a video dedication to the late singer that we complied. Rick Ross, Jazze Phae, Trey Songz, Grand Master Flash and others are included in this special hosted by the lovely Saba G.

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MORE RUMORS LATER!

Rappers: Where Ya’ Ba**s At?

“Half these rap lyrics ain’t thought-provoked/

Just a lot of beef till they get caught and smoked/”

—GZA, “Illusory Protection,” Grandmasters.

“If I rhyme about home and got descriptive/

I’d make 50 Cent look like Limp Bizkit/”

—K’Naan, “What’s Hardcore?,” The Dusty Foot Philosopher

Nowadays, nothing seems to annoy this

writer more than the fecklessness and sheer acquiescence of those whom, for

lack of a perceptive fan-base, are considered “Gangsta” or “Hardcore.” This

topic is no new one. For years, the “Studio Gangsta” has hollered tales of past

crime exploits on wax, and for years, those same personalities have escaped

through back doors, snitched on comrades, and softened-up faster than rotten

bananas, when confronted by incidents they previously claimed to have casually partook

in—robberies, stick-ups, chain-snatchings, gun-battles etc.  

But my greater gripe is less about the

foolishness of these fictional characters, and more involved with the

normalized nature of cowardice growing among the Hip-Hop artist community. 

To be sure, the last 10 years have

produced a great deal of commercialized jargon passing for Rap music; but this

fact takes nothing away from the reality that a good deal of quality music was

also made during that time-period. Unfortunately, a sizeable portion of it was

either never released to the public, or stalled for too long, thereby loosing

the appeal it once had. 

Enter: Major Record Labels.

From Raekwon’s Only Built 4 Cuban Linx 2, to Saigon’s The Greatest Story Never Told, to Papoose’s The Nacirema Dream, to The Clipse’s Hell Hath No Fury, many Hip-Hop fans have hopelessly awaited the

release of these highly anticipated projects. Their wait has been long and in

vain.   

The only project, out of that

collection, to be released was Hell Hath

No Fury, the follow-up to The Clipse’s strong 2002 debut, Lord Willin’. And after a two-year waiting

period, which consisted of lawsuits filed against their label (at the time,

Jive Records), considerable fury had taken form in the duo’s minds. On the

first single of their 2006 release, “Mr. Me Too,” Pusha T let it all hang out: “These are the days of our lifes/ And I’m

sorry to the fans, but the crackers weren’t playing fair at Jive/.” Their

frustration with the “crackers” at Jive was reprised in a September 2006 Rolling

Stone Magazine interview, in which Pusha T said the following: “I hate

Jive. I hate them m############. With all my heart and all the passion and my

soul I hate these b######. It’s about the lynching of every staff member up in

this m###########.”    

The reason behind his explosive rant was

soon revealed: “You could ask anyone in here to give you a marketing plan on

Clipse and they could never do it. …It’s like damn, ‘What do you understand

about hip-hop? You ain’t had nobody since Spice 1! You don’t know the f######

formula. Everybody in here’s like 50 years old!” His plea to Jive was simple:

“Just drop us.” His wish was granted shortly thereafter. 

It was painful to witness that ordeal,

and watch the drama unfold, but the bravery employed by The Clipse should not

simply be shelved and forgotten, flung to the basement of our memories. They

understood the costs involved in striking such a defiant pose at the “crackers”

who define, design, and decide the fates of most mainstream Hip-Hop artists.

Evidently, they had been pushed to the edge of the cliff, and didn’t mind jumping

from it. That is admirable on every level. And if more Rap artists put such

audacity to work in their professional lives, perhaps radio might sound differently today.    

The problem? Most refuse to simply serenade

that suggestion.  

* * *

The 18-year-old Atlanta Rapper Soulja

Boy is an easy target. I’m not too caught-up

on easy-targets. Politicians, bureaucrats, capitalists, colonialists, conservatives,

racists, sexists, xenophobes, and extremists feast upon them. But this

character is fascinating. The fact that he originally hails from Chicago—a city

which has produced such luminaries as Common, Twista, Rhymefest, No I.D., Kanye

West, GLC, Jasiri X, Da Brat, Lupe Fiasco, etc.—baffles the mind. I hate to imagine

what these esteemed lyricists think of their fellow Chicagoan.     

Nonetheless, I invoke Mr. Crank Dat, not

to lend my name to his most-wanted list, but because I think his recent antics

dovetail with the theme of this article—testicular fortitude.  About a couple of weeks or so ago, Soulja Boy

surprised his 1,000,000+ Twitter followers with a series of posts. Appeared to

be aggravated by some requests made of him, he wrote: “Water down my music and

my appearance and make me look like something i’m not… THESE CRACKERS DONT KNOW

WHO THE F*CK I REALLY AM!!! Then I get signed. this is where my dream slowly

died… these crackaz wanna criticize a n*gga. take REAL SH*t and turn it to

trash. Like why? Like really. My music dream was THE SH*t 2 years ago before I

was signed. It was everything I could ever imagine.”

The next morning, however, those

messages were deleted. For one who shot to international prominence at age 16,

through a song which expressed, in explicit terms, crass sexual escapades

(“Superman dat ho,” “Supesoak dat ho”), he seemed fine with watering-down his image and music. In fact, I assumed that the same young man who, last year, took

special time out to “Shout out… the slave masters,” because “without them

we’d still be in Africa,” hence deprived of “ice and tattoos,” would be the

last to lament the death of his “music dream.” (Welcome to reality, partna’!)    

Still, I enjoyed his soliloquy, expecting

to hear more about this new found conviction. 

What I got in return was an article,

titled “Money F*cks You Up…,” written a couple of days after the incident, in which he tried to make

amends for his remarks by placing them in proper

context. In his short essay, he affirmed the age-old truth: “Money f*cks you

up.” The fortune, fame, and felicities of success got him “twisted,” he

explained. And just to ensure his “cracker” anecdotes weren’t misinterpreted,

he concluded with the following: “sorry to all my white peeps out there. I’m

not racist 🙂 But I guess time will heal all wounds…”

So, there you have it: A young man

speaks his soul, and tries to come to terms with the notoriously nefarious

nature of the music industry, but is reminded that Black self-expression is

limited in the context of White supremacy. The Hip-Hop artist will never be

faulted for championing Black-on-Black violence or Misogyny or Materialism or

Minstrelsy; but the moment rich White folks, especially those at the helm of

the industry’s engine, are complemented with equal amounts of attention for the

damage their actions have wrought on Hip-Hop music, wounds must be healed through public apologies and

retractions. 

I

wonder how many apologies and retractions it would take to remedy the countless

lives lost in gun-battles stemming from glorified violence in commercial Rap

jingles—funded by the “crackers” Soulja Boy and The Clipse are displeased with.

* * *

Canadian Rapper Drake might not have

been shot 9 times, but his ascent is being compared to one Curtis Jackson’s.

The attention he has seized amongst Hip-Hop’s elites, surrenders his name in

the pages of importance. This former “Degrassi: The Next Generation” (Canadian

sitcom) actor’s rise to Rap prominence has been helped by female fans who would

swear Drake was referring to them—and them only—in his latest single, “Best I

Ever Had.”

While he remains popular among the

ladies, and there’s certainly no wrong in that, most of his fans might do well

to also know that the sexually-charged content his music is today dominated by,

was nowhere to be found three years ago.   

In Room

for Improvement, a mixtape released late 2006, the young Drake is disgruntled

with the world, refusing to settle for the lackluster values being promoted

through society, culture, and music. He is poignant but not preachy, casual but

not caustic. Room for Improvement is

poetic, philosophical and, even, didactic. Somehow, Drake finds a way to minister

to the emotions of the listener, without engaging in the sophomoric banter many

Rappers his age (22) think amusing. In plain terms, it is enjoyable. Southern legend DJ Smallz is comfortable in the

background, unsuppressed by the need to declare his name every 15 seconds—unlike

many contemporaries.

In fact, I venture to say that this

mixtape, if released as an album, would have had no trouble being qualified as

a 4-star project, perhaps even a near-classic. The lyrical richness of Room for Improvement takes on a new

context, considering that it came from the mouth of a 19-year-old.

On “Do What You Do,” a humble Drake is

“satisfied with a little, why you haters want it all/.” In addition, he is “cutting

his records without getting weeded”—which might confuse those who’ve heard “Ransom,”

a song featured on his 2008 mixtape, Heartbreak

Drake Mixtape (The Best Of Drake).

“Make Things Right” establishes Drake at

his finest and most sincere. To all the girls “with the aspirations/ Of being

in the background with your assess shaking/ Hittin’ clubs and skipping out on

the class you’re taking,” he asks “you to have some patience.”   

“Get in my Slick Rick mode… I’ma tell

ya’ll a story real quick,” he says, as guitar riffs fall under the impression

of a gentle drum loop. “Video Girl” has begun playing. Drake crafts a narrative

of a Video Vixen, and avoids playing into the simplicity Compton rapper The

Game was unable to discharge himself from in “Wouldn’t Get Far,” the third

single from his sophomore project, The

Doctor’s Advocate.

He, instead, is perceptive enough to

submerge himself in the problems many Video Vixens are faced with; doing so, he

urges that each “Respect yourself/ Don’t be convinced that these tricks will/,”

though adding that his “cousin who can’t speak know the lyrics to tip drill/.”

Drake doesn’t want to “generalize” all Video Vixens. His call to “better”

themselves is rooted in “love to see my Black women strong, single,

independent, doing their thing—without

popping their booty in some Rapper’s video.”      

It’s sad to report that the eloquence

and candor put forth in his official mixtape debut has unsuccessfully made its

way into recent projects. The same rapper whose social commentary on “S.t.r.e.s.s.”

and “Try Harder” is nearly unmatched for its wit and wisdom, can now be heard

wishing to “f**k every girl in the world.” How ironic is it that a mere two

years after Room For Improvement, the

hook of his second most popular song goes as follows: “I want the money, money and the cars/ Cars and the clothes, the hoes,

I suppose/ I just wanna be, I just wanna be successful/ I just wanna be, I just

wanna be successful/.”

I’m not sure Drake fans are any aware of

these circumstances, but it would do them well to pay closer notice. The lad is

still young, and only recently did he sign

a recording contract (an unwise move for one who had managed his

independent career so successfully hitherto), so all hope remains recoverable;

but if he refuses to stand up to the suits and soothsayers of the music

industry, two years from now his music will be in worse shape that it currently

is.

* * *

For all their posing and posturing,

rappers sure rival marshmallows in battle of the softest. “It’s not a word to be claiming just ‘cuz it sound

cool/The game so twisted today for lack of ground rules/”

—Dead Prez Feat. Styles P, “Gangsta Gangster,” Pulse of the People.

Tolu Olorunda is a cultural critic and a Columnist for BlackCommentator.com. He can be reached at To***********@***il.com.

Ace Hood: Between A Rock And A Hard Space

Florida-based music artist Ace Hood recently dropped Ruthless, his second album within a year’s time. The flagship artist on DJ Khaled’s We The Best Music imprint and one of the highly buzzed talents in rap, he’s obviously doing something right. AllHipHop caught up with Ace on the heels of his latest release, Ruthless, and got the word about how he feels about his first week numbers, his position on the 50 versus Ross beef and what’s next for the 21-year-old rapper.

AllHipHop.com: A lot of people don’t know too much about your past. All people see is suddenly this rapper is with Khaled and he has 2 albums out in under a year. What’s the story behind Ace Hood?

Ace Hood: I’m a flat out grinder. One thing I try to tell people more than anything is my grind was no different than any other person’s grind. Of course to make it in this whole game, in this whole situation, you always need somebody to back you. You know what I mean? But honestly I’ve truly just been grinding for some time. At first I was with a label, Dollaz N Deals Entertainment…that was my first label before I actually got put on. I basically was just in the streets grinding man, doing what I was doing. I was playing ball ended up in the hospital due to an injury…ended up having to give up balling. After that I just turned to the music full time. It was always a part of my life, though. Music was a part of my stepfather’s life; music was a part of my original father’s life. At the end of the day, I was always incorporated with music. So I just started doing my thing. I built a buzz in my city first…I had dropped a single called M.O.E., we dropped compilation albums for the streets with Dollaz N Deals. Then just by me going hard and being at the right place at the right time lead me to meet with Khaled, you know what I’m saying?

AllHipHop.com: I’ve heard people sometimes say they think you had it easy because you have a major DJ behind you and so they feel you don’t have to try as hard as others. What do you say to that?

Ace Hood: I mean people gonna say what they gonna say. At the end of the day, every artist got to be backed by somebody. Whether it’s a major record label or whatever it may be, everybody has backing. And like I said, my grind was truly no different than any one else’s. I still had to come from no backing, had to build my own buzz, I got my own self hot in my city. Because of my talent and a chance meeting, that linked me with Khaled and I got the extra push to be known outside of my city now, all over. It’s a blessing; I don’t take any of it for granted. But to say I don’t work as hard, never that.

AllHipHop.com: What made you put out a second album so quickly?

Ace Hood: Relevance…just staying relevant you know what I’m saying? Out of sight, out of mind. If you not heard about and nobody doesn’t know about you, you got to pursue it all because people will forget your name. Me being a new artist I got to stay in the people’s eye as much as possible, just because artists come and go. We just here for the longevity and we desperate to hit the stage so at the end of the day, an album is always needed. Something fresh, something new…people are always open to get new music.

AllHipHop.com: You were one of ten up and coming rappers featured on XXL’s Freshmen cover last year. If the cover is going to be done again this year, who do you feel should be on it?

Ace Hood: I would say Drake…Jeremih. I don’t really know who else jumping into it like that.

AllHipHop.com: Now every region has it’s time and they’re known for their unique sound. New York has that gritty feel, ATL with the crunk scene, Texas and chopped and screwed music. With Florida on the map now from artists like yourself, T-Pain, Rick Ross….what sound do you think, if any, is unique to Florida?

Ace Hood: We all got talent, obviously. But I think typically Florida has that more laid back, chill vibe to the music, you feel me? With me though, I don’t I fit in to the typical Florida sound. I feel like I’m more of a grittier rapper, more of a hardcore rapper, you know what I mean? That’s just what I feel my sound is because when you hear me on records I’m aggressive. I definitely feel like my sound is just that hardcore rap, you know? I’m very passionate with my music and very passionate with my lyrics and whatnot so I feel like that’s what I am more than anything you feel me? I am a little more gritty, more grimey than the typical laidback Florida sound.

AllHipHop.com: What was your take on the beef between 50 Cent and Ross? Did you feel inclined to jump in at any point because of your relationship with Ross, and even Khaled who was brought into the situation as well?

Ace Hood: Not at all. Just because I know at the end of the day Ross could hold his own, you know what I mean? And my brother Khaled, he’s more positive than negative. I got my own situation going on and I got things I need to do as far as establish myself as an artist and working on albums and mixtapes and stuff like that so at the end of the day man, it’s too much money out here to be worrying about what another dude like him doing. I knew my brother Ross could make it do what it do. At the end of the day I’m always ready to ride because that’s the movement, that’s family…since the moment I jumped into this game, Ross, Khaled…they always been there for me. But I knew that was just between them so at the end of the day I was more worried about getting me than getting at him, you know what I mean?

As far as Michael Jackson goes, I actually do feel [his death] had a little something to do with [my sales] in a way.  But I’m humble, I’m thankful for the numbers I did. It’s hard out there selling records so just to have a second album out is a blessing.

-Ace Hood

AllHipHop.com: You and Maino went head to head dropping albums the same day. Did you feel any kind of North versus South vibes or was it more just friendly competition?

Ace Hood: Nah never man. Maino, that’s my homie. Shout out to Maino. He’s a hard worker, he’s a hustler and I respect his grind man. I hit him up a few days ago to congratulate him on his whole situation, regardless of what it is or what it was. At the end of the day I support him. We both grind. It’s only the beginning, safe to say so we gonna keep getting it. Of course when you in the music industry there’s always a little slight competition but as far as beef it ain’t none of that. It’s definitely all love you feel me?

AllHipHop.com: The first week numbers have obviously rolled in. How do you feel about yours (Editor’s note: Ace pushed about 19,700, first week sales according to Soundscan)? Do you think the media frenzy around Michael Jackson had any effect on it or that maybe it was underpromoted?

Ace Hood: As far as Michael Jackson goes, I actually do feel it had a little something to do with it in a way. Just because I was looking at like iTunes and ratings and stuff like that. But I’m humble, I’m thankful for the numbers I did. It’s hard out there selling records so just to have a second album out is a blessing. Most artists don’t get there in five years, let alone in under one. It was rated well so, I ain’t mad. Just gonna keep grinding.

AllHipHop.com: So to the people who haven’t picked up Ruthless yet, why should they? What’s on there that the people would want?

Ace Hood: Ruthless is a classic album man. It’s my second album, it’s Ace Hood. At the end of the day, Ace Hood is the future of this music right now, you understand me? The single is buzzing; I know my whole situation with the sales and everything. But the whole album is just a good album. I’m young so there’s still a lot of opportunity for growth. But I’m giving the people good music. The difference between this and the first album is that my first album was the introduction of me…it was “Gutta.” I was fresh and I was ready to go hard, being happy about having a deal and it showed. Actually on a lot of records I did on the album it showed…that’s why I went as hard as I did. But now with this new album it’s more about Ace Hood man, more personal, I did a lot of things on my own this album. I just wanted to make it more about my grind and if I could describe my grind in one word I would say ruthless. I came from nothing to something.

AllHipHop.com: Are there any moves you’ve made in your music career thus far that you would want to change or wish you could have done differently with the knowledge you have now, two albums in?

Ace Hood: Nah man, just because I don’t want to live with any regrets. Everything happens for a reason, you know what I mean? At the end of the day, you live and you learn. I don’t regret anything I’ve done and if I could do it all over again, most likely I would do it the same exact way. Some things you need to go through in your life to learn from.

AllHipHop.com: So what’s next from here?

Ace Hood: Right now we’re solidifying the dates for touring. I’m all over the world right now; I’m doing a bunch of shows. I’m booked solid for a minute, which is real cool. I got the Street Certified mixtape. I got like 5 or 6 volumes of that coming into the streets. I’m working on my own clothing line, getting that situated. I got a lot of endorsements we’re working on as well. I’m just building a brand that’s bigger than Ace Hood you know? I’m just out here grinding.

Violent Weather Halts Jay-Z/Ciara Concert

The latest date on Jay-Z and Ciara’s current summer has been cancelled by inclement weather in Atlanta Sunday night (July 12).

 

Fans attending the show, which was scheduled to begin at 7:30 pm, were alarmed when a rash of thunderstorms swept through the city during the early evening hours.

 

In addition to causing traffic concerns, the weather was a major issue for the concert itself, which was to be held at the Chastain Park Amphitheater, an outdoor venue on the Northeast side of town.

 

The show’s opening act, rapper Fabolous, was unable to perform, pushing Jay-Z’s start time to 8pm.

 

However, as of 8:30pm, an hour after the concert’s scheduled start, V-103 on-air personality Ryan Cameron reported that Jay-Z had yet to land in Atlanta, as his private plane had been grounded, unable to maneuver through the lightning.

 

Jay-Z has yet to reach the venue, which traditionally ends all events at 11pm and is located in the affluent residential neighborhood of Buckhead.

 

According to reports, the show has been rescheduled for August 13th.

Papoose Feud Blamed For Violence In NY’s Prison

Hip-Hop star Papoose is being accused of sparking gang violence at New York’s Rikers Island prison.

 

Officials have been scrutinizing Rikers Island since a prison scandal revealed that certain inmates were given preferential treatment while being incarcerated.

 

According to The New York Post,  jail warden Emmanuel Bailey, who is a fan of Papoose, booked the rapper to perform a two-hour show in May of 2006.

 

Pap, born Shamele Mackie, was feuding with former associate and Bloods gang member Miguel “Dough Boy” Jeffery, who claimed Papoose slighted him in the recording studio.

 

Dough Boy retaliated for the insult by shooting at Papoose’s entourage and stealing a $40,000 gold chain from a relative of Papoose.

 

Dough Boy, who is serving 12 years at Great Meadow prison for armed robbery and assault, wasn’t present when Papoose performed at the jail, because officials were aware of their violent feud.

 

At the end of the show, Papoose taunted Dough Boy by shouting him out, allegedly increasing the tensions between the two feuding factions.

 

The result was at least eight stabbings at the George Motchan Detention Center in the months after the show and a total of 13 assaults for the year, the most among all of the 14-city jails.

 

Bailey had previously been reprimanded for the concert, because he failed to get the proper approval for the concert.

 

The news comes amidst accusations that a Jewish rabbi named Leib Glanz controlled various prisons in New York and gave preferential treatment to orthodox Jews in the prison.

 

Both Correction’s Chief Peter Curcio and prison Chaplain Leib Glanz have since resigned due to the controversy.

Dead Prez Headlines CitySol Festival Concert

Political rap duo Dead Prez brought political rhyme stylings to help promote the benefits of solar power during this year’s CitySol festival.

 

The fully solar powerd-event, which kicked off Friday (July 10), is a collaborative effort between Digiwaxx Media and Manhattan-based green energy, arts, and education center Solar One.

 

According to Digiwaxx founder and CEO Corey “CL” Llewellyn the City Sol festival and concert provides a way for artists who “care about positive causes such as saving the environment” to take an active role in spreading the message behind the effort.

 

Dead Prez, along with rapper Saigon and Universal Records artist O’Neal McKnight, took the stage Saturday (July 11) as part of the CitySol concert.

 

With power coming from photovoltaic panels on Solar One’s nearby roof, the show provided a step up from other music performances, which according to concert organizers; waste roughly 600 light bulbs, 200,000 napkins and nearly 500,000 plastic cups every year.

 

Launched in 2005 by Solar One, CitySol is a four-day solar-powered festival that combines notable entertainers and artists from New York City’s Independent music and arts scenes with objectives of local renewable energy advocates.

 

The event, which drew 8,000 attendees in 2007, is known for mixing entertaining, interactive and educative audience experiences to generate interest in new efforts to create stronger incentives and supportive policies for solar power in New York City and throughout the state of New York.

 

Saturday’s concert was one of a series of events at the CitySol festival. Activities include the Kids of All Ages day which takes place today (July 11) as well as opportunities to as take part in open eco-pet fashion show and access the Biobus Mobile Science Lab.

 

To coincide with the CitySol festival, Digiwaxx created a special mixtape produced by 106 & Park DJ battle champion, Get Live.

 

Artists appearing on the mixtape include Mike Posner, J. Cole, Ryan Leslie and Melanie Fiona.

 

The CitySol festival concludes today (July 12) at Stuyvesant Cove Park and the FDR Service Road East in New York City.

 

To download the Solar Heat Mixtape Vol. 2 for free, visit www.digiwaxx.com/solarheat/hiphopisgreenv2.zip.

Knockout Nation: Arturo Gatti’s Wife Suspect In Boxer’s Murder

UPDATE Artuto Gatti’s wife, Amanda Rodrigues, is now in police custody after the legendary pugilist was found dead Saturday in San Paulo, Brazil. Rodrigues reportedly made contradictory statements under as she was interrogated by police and is the chief suspect in Gatti’s death. Gatti was reportedly strangled with the strap of a purse, which also had blood on the scene of the crime. Unconfirmed reports suggest the pair had been arguing and that Brazilian getaway was a “second honeymoon.” Other reports say Gatti was drunk at the time of his death.Rodrigues has denied any involvement in the murder. PREVIOUSLY

In a sudden, tragic turn of events, boxing legend Arturo Gatti was found dead in his hotel in Brazil, ESPN reports.

Foul play is already suspected in the death of the former boxing champion, who was found in a lavish hotel in San Paulo, Porto de Galihnas early Saturday.

Gatti arrived to San Paulo on Friday with his wife and year old son. Polic have ramped up their investigative efforts.

“It is still too early to say anything concrete, although it is all very strange,” Police investigator Edilson Alves told The Associated Press. “There were no bullet or stab wounds on his body, but police did find blood stains on the floor.”

Neither the mother nor the son were injured, police said.

Brazilian boxer and and Gatti friend Acelino “Popo” Freitas said that the former champ was having marital problems. He said he “knew they were having some sort of problem and were about to separate, but I didn’t know they were in Brazil.”

To further compound the investigation, police say Gatti may have been dead up to eight hours prior to being discovered on Saturday.

A Biography of Arturo Gatti

He has been coined “the human highlight film.”

He participated in the “Fight of the Year” for three consecutive years: 1996-1998.

His three epic bouts against Micky Ward are recognized as one of the greatest trilogies in boxing history.

And although his nickname is “Thunder,” Arturo Gatti has risen from the ashes on so many occasions that it would be more appropriate to designate him “The Phoenix.”

Gatti was born in Italy and raised in Montreal, Canada, but he has lived in Jersey City, NJ since 1991. He speaks four languages-English, French, Spanish and Italian-and began boxing at the age of eight.

He turned pro on June 10, 1991, scoring a third-round TKO over Jose Gonzalez. He then went on to win his next five straight–four inside the distance. After suffering a minor setback to King Solomon in November 1992 (L 6), Gatti won his next 23 bouts–19 by KO–with 10 of those coming in the first-round and just six extending past the third-round.

On June 28, 1994, he won his first professional title, the USBA jr. lightweight crown, by crushing defending champion Pete Taliaferro in one round at The Meadowlands Convention Center in Secaucus, NJ (TKO 1). Seven bouts later he challenged for his first world title.

On December 15, 1995, in front of 16,000 rabid fans at Madison Square Garden in New York, Gatti floored defending IBF jr. lightweight champion Tracy Patterson once in the second-round with a crisp right-uppercut on his way to capturing a unanimous decision and the IBF title (W 12).

Arturo Gatti’s Greatest Hits.

Gatti returned to the “Mecca of Boxing” on March 23, 1996, to defend his title for the first time against Wilson Rodriguez. It’s doubtful that any of the nearly 5,000 spectators expected to witness one of the greatest fights ever; yet, that is exactly what they saw. The fight began precariously for Gatti as Rodriguez’s stiff left jab and stinging right cross swelled Gatti’s eyes immediately in round one. Round two was even worse for the champ as he was knocked to the canvas.

While cutman Joe Souza miraculously kept Gatti’s eyes open, Gatti continued his game plan of punishing Rodriguez’s body. With each ferocious body punch Rodriguez’s hands lowered further to protect his midsection. In the fifth-round, Gatti drilled the Spaniard with a left hook that broke a rib and sent the challenger to the canvas. In the sixth-round, Rodriguez desperately attempted to protect his injured rib and by doing so left his chin open to the left hook that ended one of the greatest fights, and comebacks, in boxing history. So impressive was Gatti’s performance that the bout was selected as 1996’s “Fight of the Year.”

On February 22, 1997, Gatti decisioned Patterson in their rematch for his second IBF title defense (W 12).

Two bouts later on October 4, 1997, Gatti sent boxing fans at Atlantic City’s Convention Hall into a frenzy when he drilled former world champion Gabriel Ruelas with a devastating combination in round five to successfully defend his crown for the third time.

Gatti and Ruelas traded bombs for the first three rounds of their junior lightweight championship bout. Suddenly, in round four, Ruelas landed a vicious left uppercut that rocked Gatti, leaving him dazed and in danger of collapsing. Somehow, after absorbing 17 straight unanswered punches, Gatti managed to remain on his feet and fire back a combination at the bell.

Round five began disastrously for Gatti. Drilled again by several uppercuts, Arturo’s demise appeared imminent. Valiantly, he pulled the trigger on his patented left hook, landing it flush on the chin of Ruelas. Ruelas crashed to the canvas, rose at the count of six, but was unable to continue (TKO 5). Arturo had once again escaped the jaws of death. The bout was selected as 1997’s “Fight of the Year.”

Following the Ruelas bout Gatti relinquished his crown and moved up to the lightweight division.

After losing to Angel Manfredy on January 17, 1998, thanks to a severe cut sustained in the first round (TKOby 8), Gatti fought a memorable battle against Ivan Robinson.

On August 22, 1998, Gatti and Robinson furiously traded punches from the opening bell in a bout that won 1998 “Fight of the Year” honors. Gatti relentlessly pursued Robinson, but was unable to equal Robinson’s 50% connect ratio. The Jersey City, NJ hero nearly pulled off another miracle comeback in round 10 when with less than 45 seconds to go in the fight he rocked Robinson with a right hook and sent him reeling across the ring. Unfortunately, Gatti was unable to finish-off Robinson before the bell sounded ending the epic war (L 10).

Gatti lost another 10 round decision to Robinson on December 12, 1998, but then rebounded to defeat his next four opponents and earn a showdown against one of boxing’s best pound-for-pound fighters, Oscar de la Hoya.

On March 24, 2001, Gatti again proved why he is boxing’s most exciting fighter as he traded bombs with Oscar de la Hoya for five rounds before his corner ended the bout by throwing in the towel at the 1:16 mark of round five (TKOby 5). Gatti ripped de la Hoya with left hooks and overhand rights, but was unable to overcome the bigger, stronger former WBC welterweight champion. A wide gash opened under Gatti’s right eye in the first round, which later required 13 stitches to close.

He returned to the ring on Saturday, January 26, 2002, in the Theater at Madison Square Garden and launched himself into jr. welterweight world title contention by pummeling former IBF jr. welterweight champion Terronn Millett in four rounds (TKO 4). Under the tutelage of new trainer James “Buddy” McGirt, Gatti boxed beautifully, flooring Millett once in round three and twice in round four to earn the stoppage. The official time was 2:23 of round four. On May 18, 2002, Gatti lost a controversial majority decision to Micky Ward in a bout that is a virtual lock to receive 2002’s “Fight of the Year” honors and will be remembered as one of the greatest fights ever broadcast in television history (L 10). The two fighters staged their own “Rocky” movie, trading thunderous blows from the opening bell. So overcome with excitement was HBO commentator Emmanuel Steward following round nine that he declared it the “Round of the Century”. Although the judges scored the bout in favor of Ward, of the eight members of the press polled at ringside following the bout, seven selected Gatti as the winner. Boston Herald boxing writer George Kimball best summarized the excitement of ringside spectators: “The promoters who advertised it as the ‘Fight of the Year’ may have understated the case. . . . The bravery and resilience of both fighters left the 6,254 in attendance both thrilled and mesmerized.”

Gatti: Why He’s Great – “Heart and Pride”

On November 23, 2002, Gatti dominated Micky Ward to capture a definitive unanimous decision victory in the highly-anticipated rematch. In round three Gatti launched “one of the greatest right hands I’ve ever thrown.” The punch deflected off Ward’s shoulder before crashing against his head, sending him to his knees, face-first into the turnbuckle. Somehow, in a superhuman display of courage, Ward managed to survive the round and continue to battle until the final bell. However, Gatti’s superior boxing skills governed the evening as the Jersey City, NJ fan-favorite stung Ward repeatedly with stiff left jabs and thunderous body punches, and slipped Ward’s lethal left hooks with excellent head movement and lateral movement. On June 7, 2003, Gatti and Ward completed their legendary trilogy, trading blows for 10 rounds in a bout that is already a favorite to earn 2003 “Fight of the Year” honors. Despite breaking his hand in round four and having to climb off the canvas in round six, Gatti out-worked Ward to earn a unanimous decision victory (W 10). Following the bout the gentleman warrior Ward was gracious in defeat, acknowledging that Gatti deserved the victory: “He [Gatti] hit me with some shots early that took the steam out of me.” Ringside media gushed with praise for both fighters:

“It wasn’t a trilogy. It was a thrillogy.”

Lenn Robbins, New York Post

“It seemed right that it ended this way: both fighters on their feet in the 30th round of their personal war, bleeding and swinging wildly, with fractured hands, then waiting for the winner to be named and the pain to disappear.”

Geoffrey Gray, New York Times

“In a fitting climax to their personal rivalry, the junior welterweights battled for 10 more grueling rounds Saturday night, with Gatti winning a unanimous decision in the rubber match.”

John Curran, Associated Press

“It’s almost hard to imagine that Gatti-Ward III could live up to all the expectations heaped upon it after the first two memorable bouts, but it did.”

Dan Rafael, ESPN

On January 24, 2004, over 11,000 fans jammed Boardwalk Hall in Atlantic City, NJ to watch Gatti capture his second world title when he decisioned WBC #1 ranked contender Gianluca Branco by the scores of 116-111, 115-112, 116-111 (W 12). Boxing’s most exciting fighter sealed the WBC super lightweight crown in round 10 when he dropped Branco with a devastating left hook to the chin. The bout was broadcast on HBO’s “World Championship Boxing” series. Gatti successfully defended the WBC super welterweight crown on July 24, 2004, with a second round stoppage of Leonard Dorin (KO 2). With just seconds remaining in round two, Gatti landed a crippling left hook to the body that sent Dorin to the canvas where he was counted out by referee Randy Neumann.

Arturo Gatti: refusing to go down

On January 29, 2005, Gatti knocked out former world champion Jesse James Leija (KO 5). Midway through round five Gatti dropped Leija with an overhand right that landed on the point of Leija’s chin. Leija rose to his feet and courageously traded with Gatti, but only to be dropped a second and final time by a left hook above the ear. He was counted out at the 1:48 mark of round five. Gatti’s impressive performance was best summed-up by New York Post columnist George Willis: “It was a perfect exhibition of what Gatti has become of late: a puncher who can box.”

On June 25, 2005, Gatti was stopped in six rounds by boxing’s best pound-for-pound fighter, Floyd Mayweather, Jr. (TKO 6). Following the completion of the sixth round Gatti trainer James ‘Buddy” McGirt instructed referee Earl Morton to halt the bout.

In his last bout on July 22, 2006, Gatti lost his quest to earn his third world championship when he was stopped in nine rounds by WBC/Linear World Weighterweight Champion Carlos Baldomir (TKO 9).

-Courtesy of HBO.com