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The Game Issues Harsh Reply To Jay-Z Freestyle

Compton, California rapper The Game has sparked controversy in rap circles, after a performance in Bordeaux, France, last night (July 5), where he called out Jay-Z.

 

The rapper, flanked by two members of his entourage, stormed onto the stage during his performance at the Le 4 Sans, where he immediately took aim at Jay-Z, one of rap’s biggest stars.

 

“I’ma tell you like this. I don’t care what a n***a say. This is how I am coming out today. F**k Jay-Z. Straight up. And if you don’t like that, I am pretty sure you can find an exit some where. This is a Blackwall Street party. We sayin’ f**k Jay-Z.”

 

The rapper and the crowd repeated the explicative six times in unison, before The Game labeled the Roc-A-Fella founder an “old ass n***a.”

 

As the crowd began to chant, Game launched into an impromptu freestyle over Jay-Z’s “Death of Autotune” instrumental.

 

The Game’s scathing diss to Jay-Z comes just days after the Brooklyn-bred emcee dropped a freestyle at The Palms in Las Vegas concert last Friday (July 3), which name checked The Game, Jim Jones, Damon Dash and Jaz-O.

 

“I ain’t talkin’ about gossip, I ain’t talkin’ ’bout Game/I ain’t talkin’ about Jimmy, I ain’t talkin’ about Dame/,” Jay-Z rapped.

 

The Game is currently touring across Europe until August 15, with confirmed dates in Spain, Switzerland, The Netherlands, Sweden, Germany, Australia and other countries.

 

He is also working on a new movie titled House Arrest starring Stacey Dash, the cousin of former Roc-A-Fella CEO, Damon Dash.

 

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Mack 10 Secures Lil Wayne, Rick Ross and Jim Jones for New Album

Armed with a renewed focus and an all-star list of collaborator, West Coast rap star/actor Mack 10 plans to wrap up the summer in grand fashion with his forthcoming album Soft White.

 

The release is the follow-up to the Inglewood, Ca. native’s previous offering, 2005’s Hustla’s Handbook, which included the Nate Dogg-assisted single “Like That.”

 

For Soft White, Mack 10 admitted to having “fun” while working on the project as he explained the meaning behind the album’s name.

 

“I went with that title because this album right here is just raw and uncut, it’s just me,” Mack 10 stated. “We had fun on this one and I had to bring them all out, I’ve been smiling all year.”

 

Among those on hand to craft Soft White are music producer Jazze Pha and R&B crooners Anthony Hamilton, J. Holiday and Akon.

 

Rappers Jim Jones, Birdman and Glasses Malone have also been recruited for the album as well as Lil Wayne and Rick Ross, who both appear on Soft White’s first single, “So Sharp.”

 

The release of the album is the latest chapter in the music career of Mack10, who has sold nearly 3 million albums.

 

The rap veteran first emerged on the scene in 1995 with his self-titled debut album, which charted at number 2 on Billboard’s Top R&B/Hip-Hop Albums chart.

 

The following year, Mack 10 aligned with fellow West Coast rap artists Ice Cube and WC to form Westside Connection.

 

The trio released their critically acclaimed platinum debut, Bow Down, in 1996.

 

Following Bow Down’s release, Mack 10 remained a fixture on the rap scene with a string of albums like Based on a True Story, The Recipe, The Paper Route and his 2003 Cash Money Records release Ghetto, Gutter & Gangster.

 

Mack 10’s Soft White is slated to hit stores on August 25. A video for “So Sharp” will be released in the coming weeks.

Hey, Young World: The World Ain’t Yours

“Hey young world, the world is yours/”

—Slick Rick,

“Hey Young World,” The Great Adventures

of Slick Rick.

 “Do we sell

our souls to the Devil/

For yellow pieces of metal/”

—M.anifest, “Wahala,” Coming to America.

You’re between the ages of 9 and 16,

reading this. All your life, you’ve been told that the world is yours to

conquer. Many have encouraged you to pursue your dreams and passions. If you

work hard enough, and dream far enough, the opportunities are limitless, they

said. All you have to do is set forth your feet on the path to success and

self-discovery. Well, I’m here to tell you that if major Record Label executives,

terrestrial Hip-Hop media, commercial Hip-Hop artists, and mainstream Hip-Hop

fans have any say, this world would never become yours.

Know that most music executives are no

better than the financial geniuses whose scandalous endeavors are reason for

today’s global economic meltdown. Know that they don’t mind poisoning your

intellect with any kind of music, destructive as it may be, so long as it’s

financially profitable. Know that they have at their disposal the fate of most

of your favorite artists, and they’re much willing to swing it in whichever

direction they so please. Know that their true intention is never to equip you

with musical contributions that might stimulate thoughts, but to throw their

weight behind any piece of sound that appeals to their conception of the

world—hyper-capitalism. 

Know that if they decided, at once, to

promote productive, progressive, and prophetic music from their chambers, your

future might not end up dominated by auto-tune prostitutes—as it’s currently

positioned to. Know that if they spent more money on artist development,

diversity of style, and lyrical versatility, the world might truly be yours.

“Roll to every station, murder the DJ/

Roll to every station, murder the DJ/”

Understand that most of terrestrial

Hip-Hop media—radio stations, websites, blogs, TV stations—are essentially foot

soldiers of the Record Label executives. Understand that the on-air

personalities which you listen to on your favorite stations are not as powerful

as they might sound. Understand that these robots cannot resist the pressure to

play over and over again a select number of songs; for if they do, those who

construct the playlists would see to it that their job is given immediately to

someone who can perform more obediently and efficiently—the job of a radio DJ

nowadays seems to be easier than a telemarketer’s. Understand that payola—pay for play—is the new world order of

today’s Hip-Hop media—be it the cable entertainment channel designated for Black people, be it the

well-known Hip-Hop blogs, be it the popular Hip-Hop news sites, be it your

“Hot” and “Power” radio stations—thereby rendering farcical any such schemes as

“call-in-requests” or viewer-decided countdowns. 

Understand that their passion for

cowardice has endangered your future a great deal, ensuring that the only

artists permitted for radio play are those whose morals are found in the

gutters of Materialism, Misogyny and Minstrelsy.. Understand that if they,

overnight, grew up beyond their pubertal stage, and began demanding quality

music from the Record Labels, refusing to play songs which beat the same drums

of filth and immorality, dedicating their airwaves to socially responsible

tracks, the world might truly be yours.  

“I can’t rap—pass me the program/

I can’t sing—pass me the program/”

Be aware that many of the artists whom

you love so dearly are perhaps your deadliest enemies. Be aware that, in these

times, a backbone is as useful to a commercial Hip-Hop artist as a sunglass to

a blind man/woman—a prop. Be aware that if spinelessness was a life-ending

disease, most of your beloved artists would be deceased. Be aware that their

inability to speak candidly against injustice condoned in the music

industry—misogyny, racism, homophobia, materialism—is not so much acceptance of

it, but fear of what cost political courage demands. 

Be aware that many Hip-Hop artists have

little say over what kind of music they lace their vocals on, what image is

promoted to the public, what content is contained in their music. Be aware that

if they looked around and saw their strength—the strength of a supporting

public—and developed some intestinal fortitude, commanding the respect they

deserve from their bosses and putting first their dignity, not only would the

music you listen to not contain so many derogatory remarks about women, not

abuse your innocence at such young an age, and rather appeal to a greater sense

of who you are, but the world might truly become yours.

“Take my beloved Rap music, erase the beat/

Consumers act like they’re afraid of intelligent

speech/”

Never forget that many mainstream

Hip-Hop fans are less honorable than a trained chimp. Never forget that these

flock of sheep are much willing to do the Record Labels’ bidding, that their

integrity is not worth more than the $10 cds they thoughtlessly spend their

paychecks on, that their self-worth has been purchased and sold by the same

executives who taunt them with free

concert tickets and backstage passes. Never forget that in their hands lies the

future of Hip-Hop music; in whichever direction they decide to take it, through

the power of their penny, it will go. Never forget that they know the extent to

which their culpability has noosed cheap imitation around the neck of Hip-Hop

artistry, cutting off all circulation of creativity from its head; but they’re unprepared,

anytime soon, to repent and turn from

their wicked ways.  

Never forget that in this company they hold the most shares, but

if they don’t start making enough noise now, letting the Record Labels, media

stations, and artists understand their frustration with the lackluster values

being promoted through modern-day Hip-Hop, these powerful shareholders would be

trading the future of a bright, upcoming generation for the ephemeral

opportunity to snap their fingers and shake their money-makers. Never forget

that they can, with one push of the button, reset the dangerous drive Hip-Hop

has taken this last decade, restore its moral compass, and return to the times

when the most fragile and vulnerable where at the core of the Hip-Hop ministry;

in doing this, the world might truly become yours.

Above all, always remember that the

world is yours, and nobody can ever take it away from you; but there are many

forces in this world trying to, and it is your duty to protect it by thinking

critically, opening the doors of your mind to the visitors of knowledge and

wisdom, and challenging authority at all critical stops on the journey to

self-empowerment.

“…It’s true that the world is still yours, but it’s

changing/”

—Ian Kamau, “Majority Report,” September Nine Mixtape Vol. 1.Tolu Olorunda is a cultural critic and a Columnist for BlackCommentator.com. He can be reached at To***********@***il.com.

50 Cent: Heavy Weight Part 1

Two mixtapes, two weeks.

The 50 Cent presently before the music industry closely resembles another rising rapper of the same name that had yet to get rich while trying before dying. From an industry point of view, there are those that doubt whether 50 Cent the multimillion-dollar man can reclaim the momentum he once had. Little do they know deep within the recesses of money and power lies that same antagonistic, bar none individual that claimed the streets and those boardrooms. 50 Cent has released War Angel for the hardcore Hip-Hop fans and Forever King, a mixtape that channels the 90’s. Love it or hate it, 50 is back and, unlike the title of his debut, just being rich just isn’t enough.

This is just the first part.

AllHipHop.com: First, can you speak on the War Angel LP and what it represents?

50 Cent: To me, the War Angel LP represents what I fell in love with in Hip-Hop. It isn’t there any more, it doesn’t exist anymore. A lot of the actual artists, I felt like…my assessment of the artist was the artists was trying to reach the audience by being like the audience instead of being themselves and bringing the audience to them. Of course selling records and making a living for themselves is a priority from the perspective of an artist that comes from a “starving artists’ space.” They watch what works and as soon as they see what works, they all do the same thing instead of sticking to their [own] style and waiting for that moment for their music to impact. And, that’s when you really feel that impact, because you stand your ground and write from a perspective, you know, that’s in your heart. The War Angel record, it was the complete CD for my core. The person that hears track one, loves all 12 of those tracks. There’s no question about it. The response I’ve been getting from it makes me feel like I made the right decision with that record.

AllHipHop.com: You sound hungry.

50 Cent: And this one, I just did [Before I Self Destruct] all over again and [now] this is Forever King, [his newest mixtape].

AllHipHop.com: Is there a new mentality that you have now? In particular with War Angel, you sound hungrier than normal.

50 Cent: Its more like the original 50 Cent music and it feels like just went I get a chance to relax and “do me,” that comes out. That comes out easy. That’s my first nature. That’s the actual, the character, what I have to be to get by in the environment I grew up in. to make that is not as difficult for me reaching… The records they were complaining about were the commercial records. Those [records] are work for me – to make the right ones. Obviously, over the last six years, I’ve been able to manage making the right records that work at radio and everywhere else commercially while you have that content that your core wants.

AllHipHop.com: How difficult is it to balance that though? Obviously, when you do a commercial record that is a smash it does take away from your base. Your base becomes unhappy.

50 Cent: Look what you just said. When you make a smash, it takes away from your base.

AllHipHop.com: The commercial songs…

50 Cent: What I’m saying to you is, the guy [rapper] that has no aggression in his music, because he doesn’t come from the environment and they have not expectations of him, can just make that pop record that you think is a smash and [sells] however many millions, radio plays, listeners hearing it and move copies based on that. Meanwhile, they want the aggressive content from me, because there is nobody else that can offer it from a space that they actually believe these people.

AllHipHop.com: I want to pick up on something you said on War Angel. You said, “I think these n***as is f***ots.” You were just talking, but you went into the skinnyjeans…

“Why would they go ahead and do a deal a head of time when they would be a part of the package and negotiation for me.” – 50 Cent

          50 Cent: What I seen growing up, in all honesty, I think a lot of the Hip-Hop artists were emulating the drug dealer. There was a time, in me growing up, that the drug dealers had more money than artists. So, when the rope chains came those were the things that I seen guys who hustled had long before rappers had it. So I understood their motivation and [where] the Kangol and the Adidas and everything else came from.

But, when you see the guys when the skinny jeans, that was the stuff that was in the Village [New York’s Greenwich Village], in a specific area. So don’t tell me an artist – a [single] artist – influenced the whole community of that many people? Then it disappoints me that so many of our people are followers in that way.

AllHipHop.com: So you are saying its reversed now.

50 Cent: The artists that’s wearing these skinny jeans, these tight shirts and Mohawks, if they decide to design the clothing or develop a clothing company….[pauses] What is it considered? Urban?

AllHipHop.com: Yeah…

50 Cent: Its not urban. It might be an American owner, but it’s not urban. Everything that they got on is something that you were see from a rock artist. The White-oriented younger teens had that on for a long time. For me, skinny jeans was for you not to catch your pants on a skateboard. If you not riding skateboards, why you wearing it.

AllHipHop.com Lets talk about G-Unit a bit. Can you speak on the status of G-Unit a little bit?

50 Cent: Everybody’s intact, as far as Yay [Yayo] and Banks, they are both recording new records. When their music is 100% dead right, you’ll probably be hearing another G-Unit album following the release of this actual project from me. And then, their solo albums.

AllHipHop.com: Are they looking for new recording homes?

50 Cent: Well, not in a hurry…to do that. [Pauses] Because its almost time for me to re-negotiate.

AllHipHop.com: Yeah, I know…this is your last one [with Interscope].

50 Cent: Hey. Why would they go ahead and do a deal a head of time when they would be a part of the package and negotiation for me.

AllHipHop.com: Alright, OK.

50 Cent: If they were rippin’ and runnin’, they would have gotten deals already. Yayo did 800,000 on his last project and sold over 3 million records on the project before his last one.

AllHipHop.com: Banks made a comment about growing up or spreading his wings or something like that…

50 Cent: And all those things are valid. Like, he’s not a little boy. Banks is the baby. He doesn’t look that, because his facial hair came in faster, but he’s the youngest one. So, I spend time talking to him. I do mental maintenance on him, because he’s younger, to make sure he don’t just spin out of control. It’s a lot. They all earned over $8.5 million dollars apiece and that was including Young Buck. If you don’t tell them what to do on some level then they are going to make assumption and do things.

AllHipHop.com: So he’s not unhappy in anyway, because he was supposed to be the next big thing.

50 Cent: I think from Banks’ perspective, he has the ability to say what he feels and it not be taken personal at all. I treat them all like they were my brother. It was a little more intense disrespect from Buck when that happened, because he was treated that way [as a brother]. [This was] to the point where he made mistakes and I fixed his mistakes. Who pays your taxes for you? If you don’t figure it out after the first time you don’t pay your taxes, but twice? It’s interesting. This is the guy that does something wrong, apologizes and does something wrong. This why ic an say, “Oh, you did it to me and you’re going to go do it again.” So, next time I’m going to press record.

AllHipHop.com: Do you feel any kind of way about Buck at this point? A Lot of people feel he was one of the most talented people in the group.

50 Cent: They just feel he wasn’t my homeboy. They feel like he didn’t grow up with 50. Both Banks and Yayo grew up one block away. He was from a neighborhood where nobody could confirm what he was saying. He was from Tennessee.

AllHipHop.com: So, what are you saying?

50 Cent: The things he was saying, he could say anything to you. Who’s from Tennessee? Tela? In Hip-Hop, the only person you could point to would be Tela.

AllHipHop.com: Well, you have a lot of people from Memphis.

50 Cent: What I’m saying is when they start wondering, don’t they ride with you anyway? Be honest. If got an artist where he says some things and it takes of, but its not 100% his character. He’s ain’t out there and active doing those things that he’s talking about, but its working. Do you roll with it?

AllHipHop.com: Yeah, why not…all artists…

50 Cent: The reality is, he is a business, that artist at that point. And everybody will roll with it. They are looking to get away from the actual hood. So the guys that are in the hood are like, “[pounds chest] We hood.” You don’t want to be [hood]. You want to be something else. You want to get out of there.

AllHipHop.com: So you are saying that Buck was doing things that was detrimental to the business.

50 Cent: Absolutely, I don’t think it just destroyed Young Buck or just damaged Young Buck, it would have damaged or destroyed the whole thing.

AllHipHop.com: He didn’t get “props” when he stabbed somebody for Dre? That wasn’t “cool”?

50 Cent: He didn’t stab somebody [for Dre].

AllHipHop.com: He got credit for stabbing somebody.

50 Cent: You can have credit. Have credit, get jail time. Whoever gets credit…

AllHipHop.com: He caught a charge thought, right?

50 Cent: He was charged with it, but why you think it went away?

AllHipHop.com: So you don’t feel bad about nothing…seeing ya man cry…

50 Cent: If I didn’t bring him up, you wouldn’t have. He’s really not relevant. You asked about the other guys that’s right next to me.

Part 2: SOON.

Rapper Loon Converts to Islam, Changes Lifestyle

Former Bad Boy artist Loon has made a declaration to change Hip-Hop following his conversion to orthodox Islam.

 

While reports surfaced last year of Loon’s (now named Amir Junaid Muhadith) conversion, the Harlem rapper recently made a public declaration on Al Jazeera, the sole independent news network stationed in the Middle East.

 

“Loon is working his way out of my system,” Loon stated, while sporting traditional Islam garb. “[I’m] happy to be accepting Islam, and finding the peace of mind I was always searching for in the music business…Thanks to Islam I was able to complete my search and now I’m very much at peace. Bad Boy days are over, I’m now what you call a good boy.”

 

Loon was a staple of the late 90s, early millennium Bad Boy roster. The Harlemite was most prominently featured on the hit singles “I Need a Girl, Part 1 & 2.”

 

When asked if he will continue to rap, Loon referenced the importance of being spiritually grounded before making that decision, as the media will be cognizant of any contradictory actions.

 

“Right now I’m focusing on studying Islam and becoming more knowledgeable of the deen (Islamic way of life),” Loon explained. “Being in the position of influence, I have to be able to protect myself. The media sometimes tries to use these transitions that artists make as an opportunity to make a mockery of Islam, or whatever faith a person might choose…But Allah knows best, maybe I will [return to rap].”

 

Acknowledging that mainstream Hip-Hop currently has a very low spiritual component, Loon asserts that it is a challenge to all artists who follow religious tenets.

 

“That’s something that all of us artists that have accepted Islam struggle with, because it’s a very fine line,” Loon said. “With me I really love the music, but it’s the lifestyle that’s really the bad influence. The music can be geared towards things that influence people to do positive things. But the actual part that detours people from practicing their faith or concentrating on positive things is the lifestyle.”

 

Last year, T-Pain, Akon, Busta Rhymes and others raised the ire of the Muslim world with their remix of “Arab Money,” which featured Qur’anic scripture over music.

 

This action is considered blasphemy in Islam, and forced the artists to remove the remix from rotation.

 

As a potential Islamic artist, Loon is aware of this issue and is considering the safer avenue of spoken word.

 

“The mass audience that we reach as artists are particularly in the club. So to have people in the club actually reciting ayahs (verses) or things that pertain to Islam would kind of give the wrong impression,” Loon detailed. “Spoken word is something I’ve been focusing on. I do have the lyrical ability to establish a lot of things that make Islam so beautiful. But it’s very hard to walk that fine line when you have music in the background that plays a role as dance rhythm or something that may mislead a person from the message we’re trying to give.”

 

Loon is the second Harlem rapper, following former friend Mase, to leave Hip-Hop due to spiritual enlightenment.

 

Loon’s last LP was a 2007 joint project with fellow Bad Boy alum G-Dep, entitled Bad Boy.

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Accident At Snoop’s House Sends Child To Hospital

A three-year-old child was hospitalized after an accident at the home of rapper Snoop Dogg.

 

Police in Diamond Bar, California responded to a call shortly after 10:00 PM, from the gated community where Snoop resides.

 

The three-year-old boy toddler slipped and fell underwater into a spa, but was rescued by an adult shortly after the fall.

 

A concerned adult called for medical treatment for the toddler, who was briefly hospitalized with breathing problems.

 

The child was treated as a precaution and eventually released from hospital care.

 

According to Los Angeles County Fire Department officials, Snoop Dogg was not home at the time of the incident.

Diamond: No More Steady Crime Mobbin’

When you hear the name Crime Mob, the moniker is almost always associated to hood drama. What happened to a once promising group lacks a clear story. Ex-member Diamond has evolved from a teeny bopper chick in stilettos to a full grown woman with her own thoughts, opinions and life experiences. These experiences include her time with Crime Mob. She has recently released a mix tape titled “*P.M.S*. (Pardon My Swag),“ inked a solo deal with Warner Brothers and is ready to prove that she has much more to offer than the fad of crunk music and drama. AllHipHop.com: How are you feeling Diamond? Diamond: I’m good. I’m ready. Drinking my Cristal. AllHipHop.com:That’s cool. How did you initially become involved in rap? Diamond: My sister was rapping. She was 15 and I was 10. She was in a rap group. I used to write poems. I tried to do it as well but decided to focus on my poetry. The group eventually broke up and they decided to focus on their childhood. Time went on. I grew up and about a year or so later I met the group. AllHipHop.com: How old are you? Diamond: I’m 21. AllHipHop.com: What is happening in your life where you feel that this is the time to drop a solo project? Diamond: Everyone in the group has dropped solo mix tapes. As far as doing a solo album, we weren’t seeing eye to eye on business and partnerships so we all decided to part ways. Warner Brothers signed me solo and now my album is about to drop in September. AllHipHop.com:What was the reason you broke up? Diamond: To make a long story short, we were already having problems. Princess and I were supposed to be doing an album but we weren’t seeing eye to eye. I was nominated for an award by myself at the Dirty Awards in Atlanta and I wanted to walk by myself. The group gave me an ultimatum and said if they can’t walk with me then I can’t be in the group. I’m like for real? Ya’ll don’t even run the group. We all signed the piece of paper. They started doing their own thing and doing shows without me and I just focused on myself. AllHipHop.com: Why did you decide to name your mix tape *P.M.S*? What is the acronym? Diamond:  I feel like every woman can relate to it. Only a lady can speak for the ladies. Going through PMS, you go through a lot of changes in life. When you first start, it could be age 12 to 50. It is about different transitions. Whether I am in the club having fun, I also talk about the group more and what happen with that. I knew that it would catch a lot of attention. It stands for Pardon My Swag. AllHipHop.com: I also want to touch on the you tube footage of you and Princess having what looks to be a verbal cat fight at Souljah Boy’s Birthday party. Was that some left over baggage? Diamond: I call it a joke, sarcastic, but not cool type of situation. It was like I’m not going to hit you and I know you aren’t going to hit me but what’s been up with you? Back and forth. I see that a lot of s### didn’t go the way that you expected it to go. So this is what you look like and this is what you doing? There was a point where she was doing shows and stuff and talking stuff. I don’t even want to give this too much energy but I am answering it just to let everyone know that I don’t have a problem answering anything. I’m not scared of any questions. It is what it is. AllHipHop.com: Do you still talk to any of the other members of Crime Mob? Diamond: I seen Psycho Black at the gas station and we spoke to each other. That’s the only person I have seen or spoke with. AllHipHop.com: Alright, back to the music. Your single “Super Bad” is with Cee-Lo. How did you link up with him? Diamond: My A&R is cool with Cee-lo and his manager. My project came and they were like we have just the record for you. So we knocked it out and that was it. AllHipHop.com:What was it like working with him? Diamond: He is really talented. I only got a chance to work with him once. He was really quiet and focused. AllHipHop.com:Where did your A.K.A. Ms 32 Flavaz derive? Diamond: I was thinking of all kinds of things to paint a picture to be tasteful. Whether it was strawberry ice cream, cotton candy.The 31 flavors stuck out to me. So I was like if I can just add me on then that would be 32 flavors. I want to be favorable all over. I want to be peach candy all over. I want to be every flavor you could dream of. I’m the 32nd flavor of the 31 flavors. AllHipHop.com: Some younger girls might consider you a role model. Do you consider that when you are writing your lyrics? Diamond: Funny that you ask me that. I have a song called role model. I have a situation back in 2007 where I got into some trouble with the law and there was a lot of speculation and people talking about stuff that they really thought I gave a f*ck about. They didn’t even know what was going on with me. I’m a leader but I’m not a role model. A role model has to be perfect. I am a leader because I try to teach girls that have 3 or 4 kids that whatever you want to do then do it. You have the opportunity to see my life with a microscope and to see my faults. I can’t see that with you. So, you can’t look at me as a role model and criticize me. I’m not perfect. I am a good leader though because I have my head on my shoulders and going in the right direction and I want to do something for myself… I am doing something for myself and I am paving the way. AllHipHop.com: I have listened to your mix tape and noticed that your content does not focus on sex like many other female MC’s of today. Is there a reason for that? Diamond: Because I feel like I don’t have to sell myself on that level, I want to show my fans that sex does not always have to be the motive to be successful and I know my young female fans listen to what I have to say and I strive to be a role model and for my male fans I want to present a natural sex appeal without over exposing myself. AllHipHop.com: When can we expect another video from your mix tape? The “Sicknan” video is out. The song is hot. Diamond: I’m shooting another one in July. The song is called “New Chief“. I plan on dropping several new mix tapes over the next 6 ms with different people. I have been so into recording. I have to get my face back out there and mingle with the people. AllHipHop.com:AllHipHop.com: When is the album scheduled to be released? Diamond: The album is schedule to be released in December. I have Keri Hilson, Scrappy, Lloyd, B.O.B. There is probably about 8 features. AllHipHop.com: What is the title of the album? Diamond: I know it but I can’t say it. AllHipHop.com:You mentioned Lil Scrappy, so…. When is the wedding? Diamond: (laughs) I’m going to let people think what they think. I’m not even saying we are engaged or we aren’t. I just like the publicity. I didn’t come up with it. People come up with stories because we are so low-key. AllHipHop.com:Can you confirm for your fans whether you are together or not? Diamond: I am dating him. AllHipHop.com: AllHipHop.com: That is your man? Diamond: Most definitely. AllHipHop.com: You know how some people are like “oh we are just friends”. Diamond: I don’t have a problem with saying it but when people try to make the whole interview about it that’s when I have a problem. People no longer care about you as an artist just your personal life. AllHipHop.com: For the fellas, let’s say Scrappy wasn’t around. What are the qualities you like in a man? Diamond:I love aggressive outgoing man. Who have a lot of swag. He knows how to get money. Who knows how to hustle. Who fears God. Respects morals. He has to be descent. I don’t have a light skinned or dark skinned preference. AllHipHop.com: What other projects are you working on? Diamond: Diamond and Rasheeda are dropping a mix tape called *Crème De’ La’ Crème*. Scrap and I are in the studio working on a mix tape called *Mr. and Mrs. Smith*. I am shooting two videos for the *Crème De’* *La Crème *and two videos for *Mr. and Mrs. Smith* as well. Lastly I don’t want people to feel like they have to choose between Crime Mob and Diamond. It is all the same person. It is all still love. I have done a movie but I can’t say the name. It is set to come out in October.

Jay-Z Lawyer Wants Off 40/40 Labor Case

Hip-Hop mogul Jay-Z has been hit with another federal lawsuit, stemming from his trendy Manhattan 40/40 club.

 

The lawyer defending Jay-Z against a lawsuit filed by former employees is seeking to withdraw from the lawsuit, claiming the mogul has failed to pay the legal firm for their work.

 

According to The New York Post, Michael DiMattia recently wrote a letter to Manhattan Federal Court Judge Loretta Preska, who is presiding over the case.

 

Certain employees of Jay-Z’s 40/40 club claim they were denied hourly wages and were compensated only by tips.

 

In July of 2008, Judge Preska ruled that the club owners violated New York labor laws after reviewing the earning reports for various employees, who showed they were not paid for working over time.

 

Almost 400 employees could be eligible to collect money should the 40/40 club eventually lose the lawsuit.

 

Rex Burch, a lawyer representing the workers, was shocked at the mogul’s lack of payment, which does not stem from financial hardship, as Jay-Z earned over $82 million dollars from 2007- 2008.

 

“It’s astounding,” Burch told the New York Post. a lawyer for the workers. “For rap’s biggest mogul, you’d think this amount of money would be chump change.”

AHH Stray News: Common, Grandmaster Flash, Eminem

Common has dropped out of an upcoming performance in Toronto, Canada during the Rock The Bells festival. According to reports, the budding actor’s film schedule is preventing him from making the date, which takes place tomorrow (July 5) at the Molson Amphitheater. Mos Def will fly in from the Montreux Jazz Festival in Switzerland to fill the date for Common. Toronto’s Rock The Bells stop features performances from Nas, Damian Marley, Slum Village, Big Boi from Outkast and numerous others.

 

Hip-Hop pioneer Grandmaster Flash will be a part of the upcoming DJ Hero videogame from Activision. Flash has signed on as an in-game character and he will at the tutorial level, where he will explain the mechanics of the game, as well as how to work the turntable controller. Additionally, Grandmaster Flash created two exclusive mixes for DJ Hero, which is due to be released this Fall. In May, Jay-Z and Eminem announced their involvement in DJ Hero for exclusive branded editions of the game.

 

Eminem has been tapped to make a cameo appearance in Adam Sandler’s upcoming movie Funny People. The movie, which hits theaters on July 31, stars Sandler as a comedian who finds out he is about to die. After he is finally cured of his illness, Sandler struggles with how to cope with a second chance at life. The comedy is directed by Judd Apatow and also stars Seth Rogen, Jonah Hill, Jason Schwartzman and others. Eminem’s appearance in the film is his first since in a major theatrical release since his own autobiographical movie, 8 Mile.

Mase’s Return Inspired By Michael Jackson’s Death

The death of Michael Jackson has inspired a return to rap by rapper-turned-preacher Mase.

“I’m excited. Mike [Jackson] passed away. It lit a fire under me and made me want to go in the studio and do something,” Mase told DJ Self of New York’s Power 105 FM after the legendary pop singer died.

Still, Mase said that he knows nothing of about contemporary rappers and needed help finding out Hip-Hop’s top talents.

“I asked my lil’ nephew and said, ‘Who is the hottest thing out there?’ He said ‘Drake, Drake.’ I said I gotta see what record he got and I said I’m going to jump on a joint.”

He said he eventually got the re-make to DJ Self to break the record.

“You know I stay with a couple [rhymes] under my sleeves. I just need a place to play them,” Mase said.

“I just love both of them. I know we had a lot of bad altercations and stuff like that. I got love for the family, man,” the Harlem-bred artist said. “At the end of the day, my kids are supposed to know their kids. Their kids are supposed to know mine.

Jim Jones called into the station and apologized to Mase for their past exchanges which were very public.

“I just wanted to tell you I tip my hat to you. I apologize to you for anything I ever done when I was younger,” Jim Jones said in a brief conversation with Mase.

“I’m good like a fresh pair of [Air force] 1’s,” Mase concluded.

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Hip-Hop Rumors: Jay-Z, Drake, Kanye, The Game, South Korea…more!

DISCLAIMER:

All content within this section is pure rumor

and generally have no factual info outside of what the streets have

whispered in our ear. Read on.THE DAILY TWO SENSE

I got a bit of flack for my proclamation that “Belly” wasn’t a classic movie. I don’t think it was. Sue me.

New Jack City > Belly

Boys In The Hood > Belly King of New York > Belly

Menace II Society > Belly

There are others, but you get the idea.

SECRET JAY-Z SHOW…

Jay-Z kicked off his mini tour last night in Phoenix – a secret show of sorts. My homey Doc tells me that Jay ROCKED it. He was also backed by an all Black live band who also rocked it hard. Ciara was not present and accounted for though, so Fabolous opened for him. Also Memphis Bleek came out and did a few records with him which was a nice surprise, I heard. Jay also did a lil tribute to MJ also had a lil segment about Obama with a freestyle or mixtape record to Jeezys My President is Black. I wonder what happened to Ciara?

KANYE TRYING TO SABOTAGE DRAKE?

I have to really laugh at this one, but there are a lot of people saying this in the world. LOL. So, this notion is more of a public outcry than anything. But, people are really screaming out that Kanye may be trying to sabotage Drake with the new video. This is not a diss, but I have only met one person that liked this video. I personally think Drake should strategically make a new version that is catered just to the ladies, because this one is clearly for the men. Back to the chatter. I wonder what they were thinking when they did the video. Still, I don’t believe that Ye would do such a thing. Right?

I am hearing that Toronto is very, VERY upset with the video, because a lot is riding on Drake’s success. I heard there are several people looking to get Drake to do a new video with Little X, who is from Canada.

QUESTIONS FOR THE GAME

Well, well, well…Michael Jackson tried to broker peace with The Game and 50 Cent. The Game himself admitted that there is no proof whatsoever of the conversation or anything. He had several details, but there are some that question how real or not this really is. I do believe that AllHipHop has found somebody willing to co-sign the call, but that isn’t here yet. Can’t say much more than this… Shout out to Game for his MJ dedication.

QUINCY JONES DISSES MIJAC?

Quincy Jones kind of went in on Michael Jackson in a recent interview. I won’t say that he really dissed him. Perhaps this is just brutal honesty from a legendary old head.

Here are some of the quotes:

“Oh, we talked about it all the time. But he’d come up with, “Man, I promise you I have this disease,” and so forth, and “I have a blister on my lungs,” and all that kind of B.S. It’s hard, because Michael’s a Virgo, man—he’s very set in his ways. You can’t talk him out of it. Chemical peels and all that stuff…”

“It’s ridiculous, man! Chemical peels and all of it. And I don’t understand it. But he obviously didn’t want to be Black.”

WOW. I never heard of anything like a “chemical peel.” I don’t even know what that is. Sure sounds abrasive to the skin.

ILLSEED’S QUICKIES

Hey, North Korea fired off another missile. Just thought you wanted to know that. (Be cool with the rah rah emails. I cut and paste and didn’t change it. South Korea is providing all the data about North Korea.)

In Canada, Maino comes out in September? I don’t know how true that is, but it sounds crazy.

Usher must have heard a rumor, because he’s looking to get a paternity test for his youngest son. Dag, Ursh!

Gary Coleman’s wife has been arrested for beating him up. Domestic violence. Now, ladies, are you going to rally for Gary like you rallied for Rihanna? Oprah? Where are you!?

DEHAVEN IS BACK

I don’t know if this is Dehaven rappin’ or somebody else, but they are going hard at Jay-Z.

BET’S LOST DEDICATION TO MIJAC?

BET is catching all sorts of hell from people that are mad over the BET Awards show as well as Young Money’s pubescent performance. But I heard that they were going to do an extra dedication to MJ, but ran out of time. I heard it was 45 minutes over at is was. Who knows. I definitely feel Drake and Lil Wayne were nuts for their performance. BET certainly put them under the bus for that one. OH WELL!

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CAMERA TRICKERY OR REAL HOOPER MANIA?

WALE SNUFFS A FAN!

HE’S GETTING MARRIED

For more, go to illseed.com. Or just follow me at http://twitter.com/illseed

FIREWORKS WE LOVE YOU!!!

They keep us talking, but if we stop talking about them then they should worry!-illseedWHO: illseed.comWHAT: RumorsWHERE: AllHipHop.com, MySpace.com/TheIllseedHOW: Send your rumors and ill pics to illseed at al*************@***il.com.

50 Cent Releases ‘Forever King’ On AllHipHop.com And Other Websites

Rapper 50 Cent releasede his new mixtape Forever King last night (July 3) online.

 

Forever King is the second mixtape from 50 Cent to be released this month.

 

Two weeks ago on June 16, 50 Cent released the gritty War Angel mixtape, an 11-track collection from the G-Unit general.

 

The new 12-track collection features 50 Cent rapping over 90’s classic R&B tracks provided by DJ Mister Cee.

 

The mixtape is the second installment of three releases that 50 Cent has prepared prior to the release of his highly anticipated album Before I Self Destruct.

 

“My new mixtape comes out today (July 7) at 10:00 PM,” 50 Cent told AllHipHop.com. “This tape is different, I gave you War Angel, you already know what that is. Now Forever King. It has a 90’s feel to it. Yall gonna love that right there.”

 

The album cover for Forever King features a real human skull encrusted with diamonds, adorned by 50 Cent’ signature New York Yankees cap.

 

To download the 50 Cent’s Forever King mixtape, log on to AllHipHop.com, ThisIs50.com, MissInfo.TV and Hot97.com.

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