(AllHipHop News) Industries across the country have had to initiate self-distancing practices because of the ongoing COVID-19 coronavirus outbreak. NPR Music is doing the same with its renowned “Tiny Desk” series.
The latest edition of the stripped-down, intimate jam session features The Roots frontman Black Thought performing from a remote location. More “Tiny Desk (Home) Concert” videos are expected to be filmed from around the nation and the world.
“While our culture adjusts to the New Normal, artists are revealing the threads of our common humanity as they find new ways to bring their work to virtual communities, stated Abby O’Neill.
The senior manager of strategic initiatives for NPR Music and producer for Tiny Desk Concerts added, “In this installment of Tiny Desk (Home) Concerts, Hip Hop wordsmith Tariq Trotter, aka Black Thought of The Roots crew, took the occasion to premiere three new songs.”
Black Thought’s 17-minute set featured the native Philadelphian debuting “Thought Vs. Everybody,” “Yellow,” and “Nature of the Beast” featuring Portugal. The Man. The Sean C-produced “Thought Vs. Everybody” and “Nature of the Beast” will appear on the forthcoming Streams of Thought Vol. 3 EP.
“Yellow” is from Trotter’s off-Broadway musical Black No More. The play is an adaption of George S. Schuyler’s 1931 satirical novel Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, AD 1933-1940. The Harlem Renaissance-era publication is about an African-American scientist that invents a way to transform Black people into White people.
Black No More is currently scheduled to premiere in October 2020 at the Pershing Square Signature Center in New York City. Academy Award winner John Ridley (12 Years a Slave) penned the book. Black Thought created the score and will star in the production. Brandon Victor Dixon, Jennifer Damiano, Tamika Lawrence, and Theo Stockman are also attached to the cast.
Don’t let the name The Opioid Era fool you. Hailing from Virginia, the rap group is comprised of three spitters: King Kong Gotcha, Ambassador Rick, and Grunge Gallardo.
Their music will appeal to those who love the Griselda sound and fans will recall The Opioid Era’s 2018 banger “The Foundation” with Benny the Butcher.
Since then, The Opioid Era has unleashed records chock-full of substance, meaning, and authentic hip-hop down to the core.
Per the Center for Disease Control, over 17K Americans died from prescription opioids in 2017 alone.
While substance abuse remains a public health emergency, The Opioid Era is here to turn that negative into a positive. Their music consists of real-life stories from their experiences in the streets, infused with the realities of addiction and dependency.
In this day in age of trap rappers, this rap trio sticks to their roots and never falters from their truth.
By painting the picture of the dire consequences that come with substance abuse, The Opioid Era is able to save lives all across the world through their music.
One thing they’re adamant about is being solo artists before the group came together.
King Kong Gotcha was the official DJ for The Clipse, Ambassador Rick collaborated with Rick Ross on “I’m Like That,” and Grunge Gallardo has been a staple in Virginia’s local scene.
AllHipHop caught up with The Opioid Era in downtown Los Angeles to discuss their upbringing, their name, linking up with Griselda.
AllHipHop: Tell us about Virginia and the area you grew up in.
Grunge Gallardo: We’re from Tidewater, Virginia Beach. Hampton. Virginia Beach is a cool place man, it’s everything you hear about it. A lot of partying, a lot of living. It’s not LA, but we do it up a little bit.
AllHipHop: What neighborhoods are you guys from?
Grunge Gallardo: I’m from the Green Run section of Virginia Beach.
King Kong Gotcha: I’m from the Rosemont, Bridle Creek section of Virginia Beach.
Ambassador Rick: I’m not from Virginia Beach. I’m from Hampton, Newport News area. It’s a little ways away from where they are, probably 30 minutes away. It’s still one area that’s called Hampton Roads. I pretty much lived everywhere in the city.
AllHipHop: How did all 3 of you guys link up and come together?
Grunge Gallardo: We’ve been doing music together over 10 years, just in the town knowing each other. We go back a long way. He was a DJ initially (King Kong), so he’s hosted our mixtapes. But he’s always been an MC.
AllHipHop: How close are you to Charlottesville?
Grunge Gallardo: About 2.5, 3 hours.
AllHipHop: What are your thoughts on all that drama?
Grunge Gallardo: Aw man, any time you have any of these crazy things going on… you talking about the recent stuff? Or the tiki torch? All of the weaponry, Virginia’s trying to ban assault rifles. But it fell through, so people are still able to purchase their ARs and do what they need.
Ambassador Rick: Politics is real weird in Virginia so I try to stay away from it. But I stay conscious to what’s going on.
AllHipHop: Please explain why you chose to use the name of The Opioid Era.
King Kong Gotcha: Opioid Era, we chose that name because we’re not doing something that hasn’t been done already. We’re actually bringing back a certain era of music that people haven’t heard in a long time. It’s refreshing. The Opioid Era is actually the era we’re living in right now, but it’s also an era that’s already happened before.
AllHipHop: Were you worried at all about any negative connotations with the name?
King Kong Gotcha: No, because we live it. It’s different when you have homies who die from overdoses, you have uncles in and out of rehabs. It’s different when you live it. You can talk and walk it a little different than somebody from the outside. They might be partying with Percocets, but that’s way different than actually seeing it firsthand what type of effects it’s having.
Grunge Gallardo: It’s informational to be in the opioid era now, but people don’t even understand what it is. They just think it’s an addiction, but they don’t realize how grave of a situation we have at this point.
Ambassador Rick: I like to say we touch on the good, bad, and the ugly of the era that we live in. It’s not glorifying anything, we’re putting it all into perspective basically.
AllHipHop: Do you have relationships with any of the bigger rappers in Virginia?
King Kong Gotcha: Most definitely any artist that you can think of who came out of there, they know the name. Whether it be individual, whether it be group-wise — if they say they haven’t heard of us, they’re lying. Guarantee you.
Grunge & Rick: For sure.
AllHipHop: How did you link up with Griselda?
Ambassador Rick: I built a relationship with Conway and Benny early, actually through each other being fans of our music. I was fans of their music, they were fans of mine. We’ll work, do things together. Me and Benny were supposed to do a lot more work earlier, but I had a lot going on. That was early, during the beginning of his push.
By the time we got back in touch to work, we’d already established The Opioid Era. Because we all were solo artists, but this is a collective. We’ve always been doing music together for over 10 years. By the time I reached back out to Benny, we had this going on. It made more sense to do work with the group, with Benny. That’s what it is, we’re fans of each other’s music and have been for a minute now.
AllHipHop: You guys are obviously heavily influenced by the drug game. Did The Clipse influence you guys?
Grunge Gallardo: Nah. We’re not new to music, we’ve been doing 20 plus years. The people who influenced us would probably be the same people who influenced The Clipse. Because we’ve been doing what we’ve been doing for a long time.
King Kong Gotcha: We were peers in the town before they established as who they are.
AllHipHop: Who are some of your favorite influences?
Ambassador Rick: It’s a wide range, we all 3 have very diverse [influences]. I grew up listening to a lot of different hip-hop, music in general. I got a musical background, my father was a DJ so I grew up in the household hearing all types of music. But from a hip-hop standpoint, of course all the early stuff when i was a kid. As I grew up, I started getting into a lot of East Coast. Of course Nas.
Grunge Gallardo: Say Rakim man, knock it off.
Ambassador Rick: I like Rakim, but I also like Scarface. I also like UGK. I also like E-40.
King Kong Gotcha: Earlier influences for me, James Brown first. My first influence is James Brown. After that, you have your Biggie’s, Scarface’s, the list goes on and on. For real, if you’re a real fan of hip-hop, there’s no favorites. You also have to follow certain things to make your own. I can say a lot of things.
Grunge Gallardo: Same thing, the 90’s. The 80’s. The 2000’s. Just in general, good music.
AllHipHop: Like your Griselda associates, you guys focus on creating traditional boom bap hip-hop. Any reason you’re going against the grain of today’s sound?
Grunge Gallardo: I don’t think we’re going against the grain, we’re doing what we do. We all do a lot of different things, we’re solo artists anyways. But when we come together, these are the vibes we like to work with each other and do. We don’t go against any grains, it’s just what we’re into for us.
King Kong Gotcha: We do the grimey underground hip-hop, but I don’t want you to box me in. Because I was doing this 20 years ago: grimey, dirty, needle beats, samples, loops. This is easy math. For a lot of people, it’s “wow, new genre.” This is old. This is nothing new. Don’t box an artist just because he’s doing this, does that mean I can’t do trap now? [chuckles] Does that mean I can’t hop on a track with Future or whoever?
Ambassador Rick: It’s fortunate that people are starting to open up to liking different forms of hip-hop, because it’s enough room for everyone to do their thing. Griselda is a testament to that. Not necessarily that “oh, it’s surprising that people like this hip-hop,” a lot of the classic hip-hop is that type of hip-hop. The fact that now the market, whether it’s streaming services or whatever, that’s allowing the fans of that to show up. That’s what it is for real. Us being able to do that along with other types of hip-hop, it’s natural for us to tap into it. It’s easy. We can do it with our eyes closed, so why wouldn’t we? Not to say you won’t hear us do another type of sound, not within The Opioid. But that goes back to us being solo artists too.
AllHipHop: You guys are obviously independent. Who’s shooting your visuals, crafting the look and helping convey the messaging?
King Kong Gotcha: We formulate what we’re trying to convey. We don’t have one director we work with. We got a few videos with a few different directors, but we always make sure that our point is getting across. We don’t let the director shoot what he wants. We let them be creative, but within a certain standpoint.
Ambassador Rick: We’re hands on. We’ve shot our own visuals too. We’re basically in the process of putting together a machine if you will, for that type of thing. So it has a uniformity to it. So you know it’s Opioid when you see it, we’re in the process of developing that now.
King Kong Gotcha: A lot of the stuff we have out, some people may have seen. Some people may have not seen. But a lot of the things we’ve done earlier, a lot of people are starting to tap into it. Maybe doing it unconsciously. Maybe the look, maybe the texture. Somebody saw what we’re doing and they’re understanding “oh, we can dab into that too.” They’re going to do it their own way, but we did that look 2, 3 years ago.
Ambassador Rick: It’s rubbing off.
AllHipHop: Walk us through the creation of your breakout mixtape 3xdope. On the title, were you guys influenced by EST/Philly? Or is it just a flip?
Ambassador Rick: We’re all definitely fans of EST. We’re tapped into EST. We grew up on a whole lot of hip-hop, Philly included. They had their own run. We incorporated that flip with the fact that we’re The Opioid Era and the music is dope. It’s reflecting the new era of dope.
King Kong Gotcha: It’s 3 of us. That’s the main thing we’re conveying: it’s 3 individual solo artists that make a collection of The Opioid Era. 3xDope, 3 different individuals.
Ambassador Rick: 3 different dope individuals.
AllHipHop: You guys released your self-titled debut album almost a year ago. What’re you guys working on now?
King Kong Gotcha: Working on 3xdopex3, the third installment of the mixtape. We just finished another project called Throwaways. It’s records that might not have made the projects out right now. It might be some songs that we exclusively release.
Ambassador Rick: Some songs were only released on vinyl, a few of them.
King Kong Gotcha: We’re taking beats right now, and that’s for the second album.
Ambassador Rick: That’s as of right now, things can change. Something spontaneous can happen. [chuckles] We’re not opposed to that.
AllHipHop: In terms of the opioids, how are you guys impacted by the actual crisis?
Grunge Gallardo: It’s impacted a few ways. You have family members afflicted by it. I have a brother who’s incarcerated right now for the selling of it. You see it all around you. You can’t escape it, in all different aspects of life. You don’t have a family who doesn’t have any type of relation to something going on with this crisis. It’s not there, it doesn’t exist.
Ambassador Rick: The lifestyle in itself, you see things change over time. Peers start to change because of usage. You being a hustler, you see things change in the streets. What’s in demand, what’s not in demand. If you have your eyes open, you see the effects. It’s all around you. Only person who’s totally blind or not hip to what’s going on would not see it.
King Kong Gotcha: The crisis that’s going on, we needed to see it because there was a crisis going on in the 80’s called the crack era. The type of funding, the type of information and treatment right now, they didn’t have that for crack. They didn’t have that for african-americans. They gave us a lot of jail time, and they broke a lot of families apart. It’s good to see when it’s not the crack era and it’s the opioid era, you get help. When you don’t have brown skin, you can get some help. It’s deep..
AllHipHop: What year did you guys actually come together and form?
Grunge Gallardo: 2017. Actually as a collective, that’s when we started.
AllHipHop: What were each of you guys doing prior to being in the group?
Grunge Gallardo: We were all solo artists, doing different things. I also did a little podcasting but for the most part, I was solo rapping. Doing music.
King Kong Gotcha: I was a solo artist. I was a DJ, producer, arranger, all that. An all-around businessman, period.
Ambassador Rick: I was doing the same thing, putting out music. Solo projects, mixtapes, also releasing a brand. I still have a clothing brand so I’m designing and running that.
AllHipHop: Where do you guys record your tracks?
Grunge Gallardo: In the basement of the pill press lab. We be tucked into the basement, getting to it.
King Kong Gotcha: We have a real organic formula. We go through the records first, peep the vibes. Whatever pours out, pours out. There’s really no big operation, we cut the beat on and whatever you feel.
Ambassador Rick: We cut the beats on, we pull the folders up. Whichever one makes us make that face, then we know that’s the one we have to do right now.
AllHipHop: Why did you guys decide this lane instead of doing trap? Which is kind of what opioids have been associated with.
Grunge Gallardo: I don’t think we decided on this lane. Collectively when we get together and do music together, we tend to know that all of us like a certain thing. We know we can all work together on this. Whereas I might not like this type of beat or that sound of beat, or he might not like this vibe of beat. But we know collectively, we all like this dark s##t together. We all like trap. We all like different types of trap. We know collectively, we all rock over these grooves you hear. It’s not all hard boom bap. Some of it is sample free. Musicality means a lot with it too.
AllHipHop: Who are your Top 5’s for each group member?
Grunge Gallardo: That’s tough. In no order: Hov, Scarface, Nas, Redman was my first favorite artist so I can’t not put him in there. He influences me a lot. I didn’t realize it until last night, but Drake is in my 5. [chuckles] I have to put him up there at this point. When I saw the new video, I said “oh, this guy’s at the top.” He’s on my list. [chuckles]
King Kong Gotcha: Ima say Biggie. I’ma say Scarface. I’ma say E-40. Damn Top 5? A lot of people getting shaved off. I’ma say Snoop. For #5, I’ma say Ross.
Ambassador Rick: I got Nas. I got Jay. I got Face. I have to switch it up a little. Black Thought, and Andre 3000.
AllHipHop: Anything else you want to let us know?
Ambassador Rick: Look out for 3xdopex3. Look out for Throwaways. Look out for the second debut album, Get the merch. Get all the music, we got 7 albums out right now. Our videos on YouTube.
Grunge Gallardo: We’ll be in a city near you soon. That’s a fact.
(AllHipHop News) Usher Raymond, Lil Jon, and Ludacris made history in 2004 with Usher’s #1 smash record “Yeah!” They reunited later that year for Lil Jon & The East Side Boyz’s Top 5 hit “Lovers and Friends.”
The three southern hitmakers had to do it again. Usher teamed back up with Lil Jon and Ludacris for the singer’s latest single titled “SexBeat.” Jon handled the production, Luda provided a rap verse, and Ush crooned erotic lyrics.
“You know me, Jon, and Luda have been talking about things to do and we were getting ready to actually introduce a few new ideas,” said Usher on Zane Lowe’s New Music Daily on Apple Music. “This was the beginning, or actually the continuation of the process of introducing music for my project. It may turn into something more. You got to stay tuned.”
He added, “When Usher, Jon, and Luda come together it’s always amazing. It allows us to stay connected to our core like us three together. No matter what Jon is doing, no matter where Ludacris is, no matter who I am, or where I’m going, or what type of music I’m introducing, when we come together, we go back to the center, like the orbit of who we all are as artists at our best.”
“SexBeat” hits the internet on the same date Usher’s R&B masterpiece Confessions debuted on the Billboard 200 sixteen years ago. The Diamond-certified album opened at #1 on the chart dated April 10, 2004, with over 1 million first-week units sold.
Throughout his career, Usher has scored four #1 albums on the Billboard 200, nine #1 singles on the Hot 100, and eighteen Top 10 singles. “Yeah!” spent 12 weeks at #1 before being replaced by Usher’s “Burn” which ruled the chart for a total of eight non-consecutive weeks.
(AllHipHop News) Sean “Diddy’ Combs hosted a virtual town hall meeting to discuss the impact of the coronavirus pandemic on communities of color. Numerous artists, politicians, and activists made remote appearances for Revolt’s live-streamed event.
“This was my first time doing something like this, I appreciate everyone who tuned in. Part 2 coming soon. LOVE,” tweeted Diddy. CNN commentator Van Jones served as the co-host for the evening.
Former Democratic presidential candidate Senator Kamala Harris opened the stream with a message about the racial disparities connected to COVID-19 cases and deaths. Congressperson Alexandria Ocasio-Cortez, US Congressperson Ayanna Pressley, and New Orleans Mayor LaToya Cantrell also addressed viewers.
Hip Hop was represented at the “Black America & Coronavirus” town hall by Killer Mike, A$AP Ferg, Big Sean, Royce da 5’9″, Fat Joe, and YBN Cordae. Other public figures that took part in the 2-hour conversation included Angela Rye, Reverend Al Sharpton, Camara Jones, Charles Blow, Aron Betru, Yara Shahidi, and Dr. Jessica Clemons.
(AllHipHop News) It is highly doubtful anyone would have predicted at the beginning of the week a huge debate would be taking place on social media about an 8-year-old Usher Raymond IV song. However, that is exactly what has happened over the last few days.
It all began when Abel “The Weeknd” Tesfaye did an interview with Variety where he claimed Usher’s “Climax” was inspired by the 2011 project House of Balloons. The Weeknd said, “I heard ‘Climax,’ that [2012] Usher song, and was like, ‘Holy f*ck, that’s a Weeknd song.’”
Now several producers and songwriters involved in the making of “Climax” have taken to social media to share their opinions on the subject. Thomas Wesley “Diplo” Pentz had a different recollection of the track’s creation than Ariel Rechtshaid and Sean “Elijah Blake/Red Stylz” Fenton.
Diplo tweeted:
the production on Climax lends itself to House of Balloons era @theweeknd. when I heard those early records they blew my mind – soulful in their silences, and a spacey iconic voice that felt uniquely internet. the idea of R&B having dark edges was what I wanted to bring to @usher. one of my favorite voices of all time. I’m glad @usher, Ariel, Eric, and I all got together to make that epic song. I remember I had the title of the song before I had the beat. It was conceptual from the beginning. It was a song that always had a crescendo but never felt like it reached the peak. kind of like some relationships never make it to where you want them but for a moment it could feel like ecstasy.
That statement got a reaction from The Weeknd who tweeted:
Of course media blows things out of proportion and takes things out of context. Usher is a King and always an inspiration so it was flattering to hear what him and Diplo did on climax. XO
Rechtshaid replied to Diplo by posting:
love @EricBellinger but we made this one w @SirElijahBlake …i tweet this with the utmost respect to all parties involved. climax was inspired in the room without any subconscious or conscious outside influence… no doubt. just saying it wasn’t part of our process that night❤️.
Blake responded to Diplo and Rechtshaid with quote-tweets that read:
Bro who is tweeting from your account? Lol cause you just said Eric who is also my bro and did several on the album but wasn’t even in NY when we did that record … It’s definitely all love to ALL my bros! I’m starting to think Abel is tweeting from Wes account though .
Usher appeared to offer his own subliminal response to the “Climax”/House of Balloons conversation by tweeting:
(AllHipHop News) Tory Lanez is back on Instagram Live, and he is also back with a new body of work. After being temporarily barred from the IG feature because some of his guests were displaying nudity, Lanez’s popular Quarantine Radio was reborn on the platform.
On Thursday, the performer born Daystar Peterson posted:
TURN NOTIFICATIONS ON !!!THIS IS HISTORY IN THE MAKING !!!!S/O ADAM AND FADIA @ Instagram !!!! ITS LIT !!!!!! WE BACKKKK BABYYYYYYYYYYY QUARANTINE RADIO IN 20 MINUTES DEAD ASS SENT THEM #TheNewToronto3 !!!!!!! AND IT WORKED
A few hours later, Lanez officially let loose The New Toronto 3 to digital platforms. The commercial mixtape features Lil Tjay and Mansa. Production was provided by Lanez, Play Picasso, Supah Mario, Mansa, Don Cannon, HAYES, AraabMuzik, and more.
The New Toronto 3 comes just five months after Lanez dropped Chixtape 5. That album gave the Canadian singer/rapper the highest debut on the Billboard 200 of his career. Chixtape 5 opened at #2 on the chart with 83,000 first-week units.
(AllHipHop Features) G Herbo has been on the most consistent drill rappers since he has stepped on the scene. He has been able stand out by not being afraid to evolve and grow. Now with the release of his latest album PTSD he plans to take his fans on an even deeper journey with mental health as the topic.
Always repping the Chicago native now wants us to know the long term effects that Southside has had on him. AllHipHop was granted exclusive access backstage for his opening show on his latest where tells us about his new journey seeing a therapist and the ways it helped in other areas of his life. “It honestly started off as something I wanted to try then it turned into 5 times then 10 times,” he tells AllHipHop correspondent Slops.
While with him we also got to talk about him carrying on the memory of friend and deceased star Juice Wrld. “Man that was little bro for real,” he says as reminisces on the fallen rapper who passed early December 2019. Herbo and Juice closely connected and he seems still visibly shaken by the death.
With things seem to weigh heavier on Herbo seems to pour it all in the music. If you’re a fan, you watched him go from a 16-year-old rapping about guns and violence to now a 24-year man with a rather long catalog. He talks about trying new things including his first single with R&B star Jacquees but still keeping his edge with his Jay-Z sampled intro. Wherever Swervo takes us next just know it’s going to genuine and Chicago.
(AllHipHop News) The Hip-Hop world is mourning as another light from yet another rising star was snuffed out too soon.
Yesterday, former Ford model, rapper and A$AP Mob affiliate, Chynna Rogers transitioned in her Philadelphia home leaving behind a host of fans, friends and family in tears.
At 25, she brought to the game a cool type of sexy, that translated easily both on wax and in her real life.
In a statement to People, the rapper’s family said simply: “Chynna was deeply loved and will be sorely missed,” not disclosing the circumstances to her death.
However, her music, past interviews, and social media may have clues.
In one 2018 interview with Pitchfork, Chynna stated that her addiction to opiates had consumed her life to such an extent that it started to affect her career.
“I realized I didn’t have control of the situation anymore the day that I didn’t even feel like getting high, and my body was like, ‘B##ch, you better get high before you start throwing up and acting like a fool,’” Chynna told the site only two years ago.
“It was really frustrating. It got to the point where I had to do something just to be able to get on stage and do my job. I didn’t like that. That was taking it too far because it stops being fun and starts being because you have to, and that’s when you need to chill.“
Throughout her interview, Chynna asserted her sobriety. But this cryptic tweet from her friend Quibi Brunson suggests something different.
“Just lost another friend to drugs. I’m not going to be quiet about it. I’m tired of drug culture. Everything about it. Everything attached to it. I know there’s a bigger picture. But i don’t care right now. I’m so tired. And sad.”
West Coast rapper Vince Staples state while he usually would never post something like this, Chynna was “too special for words,” compelling him to share.
(AllHipHop News) Timbaland and Swizz Beatz done did it now!
The next installation in their producer series might be the most extraordinary contest that the Hip-Hop world has ever seen.
Newbies might wonder what could top the Scott Storch and Mannie Fresh? Or even The-Dream and Sean Garrett? What about Hit-Boy and Boi-1da? Who could beat Lil Jon versus T-Pain?
Are we saying there are two that can compete with the excitement created by the original battlers, Timbaland and Swizz? Yes— we are actually saying that.
If you love and respect Hip-Hop— that neck-breaking-head-nodding essence that makes the culture what it is— you are about to lose your mind. Hold yourself:
Tim and Swizz got RZA from the Wu-Tang Clan and DJ Premier from Gang Starr to go head-to-head.
Swizz Beatz took to his IG to make the announcement. This is going down on Saturday, April 11th at 9 PM on Instagram Live.
Stuff like this proves that Hip-Hop is as thriving and beautiful as it has ever been.
Birthed out of impossible struggle, these producer contests and beatmaker battles remind us that as a people, we have made million dollar-somethings out of nothing.
While other artists and industries are scrambling to figure out their next move, this community is using the tools at their disposal to create a jam, build an audience, and create future opportunities.
Stuff like these battles, D-Nice’s Club Quarantine’s, The Roots TV channel with Questlove on the turntables on YouTube and battle rap companies like URL, RBE and the Hood of Brothers are really the equivalent of Kenny aka Double K in Beat Street plugging up to a light post in the street to get juice for his DJ’ing set.
We make it happen no matter what the plight. And no matter what, in the real-life battle against the coronavirus, the disease will not beat Hip-Hop! We got this.
(AllHipHop News) Entertainment One (“eOne”) has recently announced that it will reissue Dr. Dre’s breakout album, The Chronic on 4/20 on all digital platforms for fans to appreciate in a brand new way.
“Fans now have another reason to celebrate on what has become a national holiday, celebrating all things cannabis-related – where legally allowed and in moderation of course,” eOne’s Global President, Music & Live, Chris Taylor says.
He continues, “Working with the Death Row catalog is like working with the legendary recordings of Elvis, Chuck Berry, and the Beatles. These historic artifacts should be heard by all music lovers and we are so happy Dr. Dre has opened this door so everyone can experience the brilliance of this seminal work.”
In 2013, eOne purchased the rights to the Death Row catalog, which included The Chronic, for a measly $6 million after the legendary label was forced into bankruptcy during a three-way battle between Michael “Harry-O” Harris, his wife Lydia Harris and Marion “Suge” Knight.
It gets better. Last year, the toy company Hasbro acquired eOne and now the most adult oriented label to ever exist is owned by the same people that make Monopoly, Mouse Trap and Mr. Potato Head.
Jokes, one aside, one may wonder if Dre will receive any compensation relating to this prize release. After all, Dre. notoriously left Death Row — leaving everything.
According to Rolling Stone, a 2011 ruling under Judge U.S. District Judge Christina Snyder stated that the company which bought the original Death Row Records’ holdings out of bankruptcy, WIDEawake Death Row Records did not have the right to feature Dre’s music on compilations or other releases, nor can they sell it digitally on streaming platforms.
Though not stated in the press release from eOne, it is safe to say that an agreement between Dre and eOne most have happened.
Either way, it will be nice to hear this extraordinary album afresh.
The Chronic was also recently selected as one of only 25 recordings to be inducted into the National Recording Registry this year.
The inductees were selected by Librarian of Congress Carla Hayden and showcase the cultural, historical and aesthetic importance to the U.S.’ recorded sound heritage.
“This defines you right ……… I’ve made a couple calls now I know a little about you …… WHERE YA MONEY @ ? MATTER FACT IM DELETING YOU OFF MY ALBUM N##GA YOU GOT THE WORST VERSE EVER——— YOU WASN’T BORN TO RAP,” Wack 100 said about J Stone’s collaboration with Game titled “One Life” on his latest album Born 2 Rap.
J Stone fired back and claimed to reveal the root of Wack 100’s anger towards Nipsey Hussle, whom the latter has publicly clowned multiple times since the rapper’s tragic shooting death in March of 2019.
According to J Stone, when Nipsey was alive he confronted Wack 100, who supposedly bowed down to the All Money In boss.
“N##ga Nip hopped out on yo ass, got in yo face and pressed you and told you keep his name out yo mouth. You ain’t do s### but break it down to em. Fatts (RIP) was right there bout to knocc yo ass out. You bowed it down! Now since the homie ain’t here, you hard now? N##ga you a THE REAL REASON WHY YOU DONT LIKE THE HOMIE IS CAUSE HE MARKED YOU OUT WHEN HE WAS HERE AND YOU AINT DO S###!
Speaking of shots, an unknown gunman blasted at Wack 100, who showcased his bullet-riddled window along with a taunting post to his would-be assassins.
This resulted in a three-way feud for Wack 100 when his longtime nemesis 40 Glocc weighed in and labeled him a snitch for posting pictures and publicizing the supposed shooting.
(AllHipHop News) 50 Cent might be winning as a television producer and rap star but in most people’s eyes, when it comes to his relationship with his oldest son Marquise Jackson, he’s not getting any gold medals.
Fans wanted to know if the “In Da Club” rapper saw his industry son, Tekashi 6ix9ine since he was released from prison to home confinement a few days ago.
And 50, whose real name is Curtis Jackson, told them he had not and had no intention of checking for the Brooklyn unicorn.
He said on his Instagram Live:
“Nah… I ain’t heard from 6ix9ine. He’s his mother’s child now. He told on everybody.”
After a moment, he chimed back in. “He better than Marquise though. I’ll take him before I take my actual biological… haha… F##k that n##ga”
Really, Fif?
His son, who looks exactly like him, got wind that his pops was talking about him clapped back. The younger Jackson said, “Did he just say he would claim a rat?”
“I don’t want no parts of that cheese big fella!” Marquise Jackson shot back.
The 22-year-old is the child of the “Get Rich or Die Trying” rapper with his childhood sweetheart, Shaniqua Thompkins. Thompkins was there holding Fif down during the early years, through the hood beefs, jaw-shootings and first couple of millions.
The “Power” exec shared back in 2008, “My relationship with my son is changing because me and his mom aren’t friends anymore.”
While his relationship with Marquise is horrible (or non-existent as he once said: he wouldn’t have a bad day if his son was ‘hit by a bus), he seems to be an amazing dad to his youngest son, Sire.
If Marquise inherited his dad’s good looks, at seven years old, Sire has inherited his addictively charming personality on social. The youngest Jackson’s Instagram is filled with the cutest shots of the young king.
And almost every time 50 posts him, the love just oozes through of the page.
In a perfect world, 50 and Marquise will work out their differences and the two siblings will get to share a healthy bond as brothers.
“Now, instead of the ventilator supporting him 100%, it’s supporting him 70%,” LeeAnn Jemmott revealed.
New York has become the epicenter of the disease with more cases than any other city in the world as of today (April 9th).
New York State has a total of 149,300 cases and 7,067 deaths. New York City accounted for 81,803 of those cases and a staggering 4,695 of those deaths.
“Don’t just assume they are going to die. Because that’s all we are hearing is people dying, dying, dying. He’s winning, he’s winning,” told News 12.
(AllHipHop News) Over the last several weeks, Instagram Live has become a cyber nightclub and virtual concert hall for people around the world that are self-quarantining in their homes due to the COVID-19 outbreak.
Popular deejays and emcees have shined on the social media platform, and now artists associated with another original element of Hip Hop culture are ready to hit your screens in a special way too.
This Friday, Red Bull Dance will host an Instagram Live Q&A session featuring Rock Steady Crew legend Richard “Crazy Legs” Colón from New Jersey and new-age breaker Logan “Logistx” Edra from Los Angeles.
“We hope viewers can further their knowledge, have some of their questions answered, and revitalize their inspiration and hunger to learn more and continue Hip Hop’s steady evolution,” say the two dancers in a joint statement to AllHipHop.com.
Colón and Edra are expected to discuss the coronavirus pandemic’s impact on the dance community, how they continue to train indoors while self-isolating, breaking as an Olympic sport, and the rising generation of B-Girls and B-Boys.
“Hip Hop is constantly evolving to new heights. As people who represent the culture, it’s our responsibility to maintain its integrity as it continues to elevate; especially the younger generation who pave the now and the future,” adds Crazy Legs and Logistx.
They continue, “Amazing opportunities are being presented to the scene; including the Paris 2024 Olympics. We want to be prepared for these opportunities by staying educated and spreading knowledge to prevent misrepresentation and mistreatment. Also, recognize that it’s important to keep elevating as a scene with or without the outside opportunities.”
Red Bull Dance’s “Beyond The Floor: A Live Q&A With Logistx & Crazy Legs” is scheduled to take place on Friday, April 10 at 1 pm ET/10 am PT on the brand’s verified Instagram account (@redbulldance).
(AllHipHop News) The Represent Justice Campaign launched a series of Instagram Live events titled #InfluentialJustice with a goal of organizing funds for incarcerated communities in the fight against COVID-19. Numerous artists, athletes, and cultural figures will take part in the presentations.
“Incarceration – the inhumanity of caging human beings – is a traumatic experience, but even more so when there is a deadly pandemic and no feasible way to ‘socially distance’ and access necessary medical care inside,” said Richie Reseda, Represent Justice album executive producer and activist. “For those who are incarcerated, music can be one of the few things that create joy, especially in frightful and uncertain times.”
Reseda continued, “When I was incarcerated, music was a way to work through my hopelessness in frightful and uncertain times. Now it’s also a way for me to advocate for justice and the humanity of everyone forced to live in crowded, unsanitary conditions without the freedom to leave.”
Rhythm + Flow winner D Smoke, The Real Housewives of Atlanta cast member Cynthia Bailey, Milwaukee Bucks player George Hill, Cleveland Cavaliers player Andre Drummond, author/preacher DeVon Franklin, and others were tapped for #InfluentialJustice series. Indian-American recording artist Raja Kumari joined Richie Reseda for the first virtual event that took place on April 7.
“Nobody – including those who are incarcerated and their families – should be left behind in this emergency,” said Raja Kumar. “We can support system-impacted communities by donating critical resources to the organizations fighting for their access to critical food, supplies, and medical care. I’m proud to work with Represent Justice in this moment, contribute my musical talents to the album, and bring awareness to what each of us on the outside can do to help.”
#InfluentialJustice will stream live on Represent Justice’s Instagram account (@werepjustice) every Tuesday and Saturday in the month of April. Previously, the Campaign organized a concert and roundtable discussion with rapper/activist Common as well as the Play for Justice initiative that included NBA coaches and players playing basketball and engaging in conversations with incarcerated individuals.
Check out the confirmed dates and participants for the #InfluentialJustice Instagram Live series below.
April 11 – The Professor and Jarrett Harper
April 14 – DeVon Franklin and Topeka K Sam
April 18 – Syncopated Ladies and April Grayson
April 21 – D Smoke and Bobby Gonz
April 25 – Cynthia Bailey/Mike Hill and Shaka Sengor
(AllHipHop News) The last few weeks have seen OVO Sound roll out new music from several members of its roster. PartyNextDoor dropped his Partymobile album in March, and label co-founder Drake let loose his dance track “Toosie Slide” in early April.
R&B duo dvsn is up next for OVO. The Canadian tandem will release their third studio album, A Muse In Her Feelings, on April 17. A 60-second trailer for the LP hit YouTube on Wednesday.
Daniel Daley and Nineteen85’s latest album era includes the singles “A Muse” and “Between Us” with Snoh Aalegra. Other tracks on A Muse In Her Feelings will also feature PartyNextDoor, Future, Popcaan, Summer Walker, Ty Dolla $ign, Buju Banton, and Shantel May.
(AllHipHop News) Black Entertainment Television is partnering with theNAACP, United Way Worldwide, and civil rights and business leaders to provide financial, educational, and community support for people of color impacted by the COVID-19 pandemic.
The initiatives will include the “Saving Our Selves: A BET COVID-19 Relief Effort” televisionspecial and the United Way Worldwide relief fund. Plus, the network is supporting the NAACP’s digital Town Hall Series.
“The COVID-19 pandemic is savagely compounding the profound health and financial vulnerabilities many Black Americans face. Every day, there are new reports of how this pandemic is killing African Americans at much higher rates than other communities,” said Scott Mills, President of BET.
Mills continued, “BET is using all of our resources – our capital, our media platforms, our relationships with the creative community, sponsors, businesses and charitable organizations to support our community in this time of crisis.”
The “Saving Our Selves: A BET COVID-19 Relief Effort”broadcastspecialis scheduled to air on Wednesday, April 22 at 8 pm ET. Destiny’s Child singer Kelly Rowland,TV personality Terrence J, and actressRegina Hall will serve as co-hosts for the televised event.
Virtual celebrity guest appearances and performances will include DJ Khaled, Charlie Wilson, Chance The Rapper, Kirk Franklin, Fantasia, Melvin Crispell III, and more. Additionally, the special will provide up-to-date information for viewers to find resources about COVID-19.
“Our goal for this special is to come together in a collective spirit of strength, community, and hope. As we unite in harmony and compassion, through the collective healing power of music, comedy, and entertainment, we can bring restoration and inspire the world that our brighter days are ahead,” stated Connie Orlando, EVP Specials, Music Programming & Music Strategy at BET.
Financial donations from the BET/United Way fund will allow the nonprofit to disburse resources to local United Way organizations in New York City, Atlanta, New Orleans, Detroit, Chicago, and other locales impacted by the current medical and economic crisis.
“United Way is deeply embedded in communities across our country, and our ‘local-ness’ means we know the needs on the ground and how to get the right kind of help to those who need it most,” said Stan Little, Chief Experience Officer of United Way.
Little added, “We look forward to partnering with BET to bring much-needed relief and long-term recovery to already vulnerable communities that are being hit especially hard because of the COVID-19 pandemic.”
BET is also providing resources and content on COVID-19 across its digital platforms. In addition, the four-part “Unmasked: A COVID-19 Virtual Town Hall Series Powered by NAACP & BET” kicked off April 8 at NAACP.org.
(AllHipHop News) An emcee is supposed to feel like they murdered every single collaborator on a posse cut. That is even the case when the song is filled with rappers from the same crew.
2 Chainz recently made that declaration about his fellow G.O.O.D. Music affiliates. The Atlanta spitter posted a meme about “Mercy” on Instagram and Twitter. His caption made it clear that Chainz believes he bodied everybody on the 2012 record.
“No disrespect but I kilt all dem boys,” wrote 2 Chainz on the social media sites. Big Sean, Pusha T, and G.O.O.D. Music founder Kanye West were the other rappers on the hit off the Cruel Summer compilation.
Cruel Summer contained several star-studded musical alliances. “Clique” (Kanye West, Jay-Z, Big Sean), “New God Flow” (Kanye West, Pusha T, Ghostface Killah), and “Don’t Like” (Kanye West, Chief Keef, Pusha T, Big Sean, Jadakiss) were among the collaborative tracks on the project.