(AllHipHop News) The Hip Hop world is preparing for the upcoming “Super Star Battle” between Def Squad’s Keith Murray and Onyx’s Fredro Starr. AllHipHop.com and MC WAR will be connecting with several emcees to get their opinions on the October 4th face off in New York City.
The veteran of rap beef, 50 Cent, is the first emcee to offer his thoughts on Murray vs Starr. The platinum selling mogul has a question about one of the competitors in the contest.
“Fredro? That n*gga still alive?” joked Fif.
The Keith Murray/Fredro Starr battle is part of MC WAR’s “Generation X” event. Hot 97’s DJ Enuff will be on hand to provide music. AllHipHop will broadcast the entire showcase for free on Sunday, October 4. To purchase tickets to view the battle at Brooklyn’s Milk River visit mcwars.com.
(AllHipHop News) The tension between The Game and 40 Glocc has been raging for years. The two California rappers are headed in front of a judge after 40 filed a $4.5 million lawsuit against The Documentary 2 creator. Game spoke with Sway Calloway about the pending case over a 2012 altercation.
“You know what’s crazy about it? He’s still on the internet talking crazy – ‘I’m a fake this. I’m that. See me’,” said Game. “You’re about to see me on Monday in the court. The trial and tribulations of being The Game.”
Besides legal fights, Game has also returned to TV on VH1’s She’s Got Game. The Compton representative responded when Sway suggested that “reality TV kills the rap star.”
“I think it helped,” Game stated about his first series Marrying the Game. “All throughout my existence in Hip Hop, I’ve been an open book as far as my love for my children and my family.”
He added, “I’m not turning down $1 million to do nothing on TV. I just can’t. I got too many kids, too many homies, too many bills, too many cars, mortgages and all that. So I’ll get on there and do some back flips.”
The interview later focused on the current West Coast Hip Hop scene. With artists like Kendrick Lamar, Schoolboy Q, Ab-Soul, Jay Rock, YG, Dom Kennedy, and Tyler, The Creator making serious noise, Game still sees himself at the top of the pyramid.
“Everybody out here is doing their thing. I’m still king,” declared Game. “We’re all kings. Let’s not get it confused, Kendrick is one of the dopest lyricists in Hip Hop, ever. But I’m on my sixth album though. I ain’t lost no steam… lyrically as an emcee, can’t nobody f*ck with me. And if I lose, I might beat your ass. So what are we talking about?”
Our own Celebrity Host & DJ DJ Hustle aka hot hands is on the turntables giving you Hustle Nation Blends & Cuts Quick Mix Of New Music that doped over the last few days . DJ Hustle Breaks records in mix on AllHipHop.com. Listen to DJ Hustle as he is slapping the hits from the streets. Weekly mixes will be posted for your weekly enjoyment. Let DJ Hustle aka hot hands on the turn tables know what you want the hear on Twitter @DJHustle or Instagram DJHustle2407
1) Tyga – Master Suite
2) Migos – Pipe It Up
3) Future – Freak Hoes
4) Rita Ora Ft Chris brown – Body On Me
5) Nelly Ft Jeremih – The Fix
6) R Kelly – Backyard Party
(AllHipHop News) In the movie Straight Outta Compton, Dr. Dre’s character made it clear he was not feeling the shiny outfits he and the rest of the World Class Wreckin’ Cru had to put on during performances. The image of Dre wearing the Cru’s attire has become ammo for his critics for years, even sparking rumors the legendary producer is gay.
The founder of WWWC, Alonzo “Lonzo” Williams, spoke with VladTV about the speculation Dre was homosexual. Williams stated he did not believe the N.W.A member was attracted to men.
“One thing I know about Dre – he loves the women. He and I knocked off a couple of them together,” said Lonzo. “He ain’t never did nothing to me, so he’s alright with me. That’s always some silly stuff people say when they try to cut you off at the knees.”
Lonzo also addressed the Straight Outta Compton movie. After admitting he enjoyed the film, the California based DJ called the biopic “a great fusion of fantasy and reality.”
(AllHipHop News) Young Buck could be headed back to prison. The G-Unit rapper is being accused of attempting to cheat on a drug test. According to TMZ, Buck’s probation officer believes the Nashville native used someone else’s urine.
The P.O. accuses Buck of concealing a plastic bag with clean pee and then using a tube to transfer it into a sample cup. Buck is currently on probation. If the offense turns out to be true, the “Shorty Wanna Ride” rhymer could face up to five years of incarceration.
Buck previously served an 18-month sentence on weapons charges and was released in 2013. He reunited with 50 Cent and G-Unit the next year. Meanwhile, Buck is posting Instagram videos of his time in the studio and also offering features and show appearances.
(AllHipHop News) Hopsin recently called out the entire industry during an interview with Sway In The Morning. The California rapper said he would put up $500,000 for his Funk Volume roster to battle any other label.
A video posted by GOD BLESS THE KXNG (@kxngcrooked) on
During the discussion, FV’s Jarren Benton gave a shout out to Horseshoe Gang of Crooked I’s C.O.B. camp, but Hopsin responded by adding, “Anybody could stand in front of us, and we would demolish them.”
Kxng Crooked rounded up his team, and they fired back on the new diss track “Half A Meal.” After the song hit the net, a screenshot reportedly of Funk Volume CEO Damien Ritter’s response to the diss record began circulating online.
(AllHipHop News) It seems something big could be coming involving the late Tupac Shakur. The verified Twitter account for the iconic emcee posted a tweet yesterday (August 23) that claims a “special announcement” is coming later today from Pac’s estate.
The internet is abuzz with speculation on what the world can expect to find out at 5 pm. Most of the talk is about the possibility the long-awaited 2Pac biopic is finally set to move forward. There have been reports Marcc Rose, the actor that played Pac in Straight Outta Compton, is working with famed director John Singleton on a movie.
“Me and director John Singleton are trying to brainstorm and form together a proper biopic for him,” said Rose. “Hopefully if everything works out we can make it work.”
Singleton was once attached to the 2Pac film being produced by L.T. Hutton. He was replaced by Devil In A Blue Dress director Carl Franklin. Singleton stated he was upset about the direction the motion picture was taking.
“The reason I am not making this picture is because the people involved aren’t really respectful of the legacy of Tupac Amaru Shakur,” wrote Singleton.
AllHipHop.com spoke with Hutton in 2014. The Program Pictures executive and former 2Pac associate at Death Row Records guaranteed the biopic from his camp would tell an honest portrayal of the music legend.
“People know bits and pieces. I was fortunate enough to be right in the middle of all of it, so I know exactly what happened,” explained Hutton. “It’s going to be covered like you haven’t seen it before. We’re going to dispel some of the myths about it. I don’t want to give it away, but it’s more realistic than Notorious. It’s not a diss. It’s just the truth.”
(AllHipHop News) News broke last week that a Straight Outta Compton “sequel” titled Dogg Pound For Life was in the works. It appears Universal Studios is passing on the idea, but 50 Cent may pick up the project instead.
Tha Dogg Pound member Daz Dillinger has said he reached out to 50 about producing the movie. The New York Hip Hop mogul then posted a message on his Instagram page essentially confirming he is ready to get on board.
“Daz knows I’ll get the job done, in a heartbeat,” wrote 50.
Dogg Pound For Life is set to cover the story of Daz and his partner Kurupt as well as Snoop Dogg and 2Pac. The movie will center around the rise of the Death Row Records roster. Straight Outta Compton producers Dr. Dre and Ice Cube are not formally connected to the film, but Cube reportedly approved of the idea.
Olivier and Jordan host the OVO Sound Radio’s episode #4 following up their DJ Esco and Metro Boomin mix. Olivier and Jordan’s pick tracks and drops some yet to be heard Majid Jordan music. There is also a few tracks fromA$AP Rocky, Drake and more.
Abilene, TX rapper and 300 Ent member (same label as Fetty Wap), T-Wayne, sits down with DJ Smallz and decodes his new mixtape, “Who Is Rickey Wayne,” providing further insight from the artwork to a few songs. The crazy part about T-Wayne is how he completely blew up on one song that was supposed to be a freestyle. With hundreds of millions of plays on Spotify on his song “Nasty” this kid is likely to be around for a while.
“Fun Fact: I ate a weed brownie and almost died (well at least in my mind i did) while on the Pink Print tour,” wrote Dej Loaf in a recent Twitter post. Today (Aug. 23), the “Try Me” rapper used the social media site to recall an adventurous experience between herself and an innocent looking chocolate morsel.
The humorous account made Dej question her mortality and she reminisced, “Whole time I was thinking like (so this is what it feels like to die) It was mentally painful.” Eventually, the Detroit native playfully admonished herself and decided to “Stick to Hennessy,” before she responsibly advised “Kids, don’t do drugs.”
Check out the gallery to view all of Dej Loaf’s tweets.
Earlier today (Aug. 23), a seemingly agitated Fetty Wap posted a video to his personal Instagram account. In it, the “My Way,” rapper refuted rumors by MediaTakeOut that he was robbed and that his locs were pulled out. According to the sensational website, while he performed in Washington D.C. at Club Stadium he was allegedly confronted and brutalized by a group of goons.
In a candid caption that accompanied the video, the Patterson native added, “@mediatakeout suck my d*** ?.” Check out the video where the emerging rapper who has recently made Billboard history, challenges the authenticity of the site’s reporting.
Drake and Meek shocked the world when they engaged in a heated battle on wax, so much so that NPR even felt compelled to weigh in on the story. In the 90’s, aggression in hip-hop was the norm, but somewhere in the mid-2000’s it devolved into mainly “party music,” without an ounce of ingenuity of Kurtis Blow or Dougie Fresh. However, in the last few years, rappers put a high premium on aggressive lyrics, and emcee’s are once again hungry to compete to be unanimously named the “greatest rapper alive.”
While most of the hip-hop world has never heard of Frank Peters, his music is imbued with that same sort of raw energy that the genre had been missing for an extended period of time. And unlike D4L and the like, Peters’ “party music” has an edge to it– equipped with real-talk in place of the standard contrived lyrics that litter the radio. In 2013, he was named by both VH1 and MTV as “Artist To Watch,” and has opened for the likes of Juicy J, Lil Kim, and Afroman (yes, he is still around). Back in 2005, he got his first real wind after headlining Urban Exposure in London. For Peters, music should encompass life itself– fun at times but also cognizant of the unfortunate realities we are all forced to deal with from time to time.
Although he has been in the game quite a while, his star is steadily rising: “There’s no quitting, if I was gonna do that I would have done that a long time ago. My music is new, fresh and chock full of Cha”RIZZ”ma.” With a minimum of twelve singles listed on Reverbnation, along with almost twenty hip hop videos floating around on Youtube, it is safe to say that Frank Peters could be hip-hop’s next big thing. According to Cynthia Kahn (no, not Chaka Chaka Kahn), Founder of Amused Now Entertainment: “I listened to all Frank Peters’ songs on ReverbNation and his approach to rap is quite unique My favorite single is Getting It In, because he leads with one of my favorite Led Zeppelin songs Living Loving Maid (She’s Just A Woman), something you definitely would not expect to hear from a rap artist. I also love Frank Peters’ single Until 2Marrow, because of the amazing singing by Venom Vendetta, the song’s producer, at the beginning of the song and throughout the chorus. Frank Peters is extremely talented.”
With the release of 2015’s Fifty Shades of Frank, Peters is looking to capitalize on his current momentum, while simultaneously introducing himself to the people who might not be aware of his music, such as “American Interlude.” Not quite like any of his previous projects, the album features a plethora of flows and catchy instrumentals, like the perfect meshed-vibe of “Ambitionz.” However, there be no better example of Peters’ overall agenda (fusing the old-school party aesthetic of early hip-hop with gritty lyricism) than “Get It Right.” Everyday, I’m flooded with tweets by rappers/beatmakers trying to get on, so I listen to more amateurish sounding music than a healthy person should. However, Peters’ Fifty Shades of Frank is honestly one of the most intriguing projects I’ve come across this year. But who gives a f### what I think? Listen for yourselves.
Almost forgot. If you are a fellow digger of Peters’ music, make sure to follow his movements on the interwebs: Facebook: https://www.facebook.com/FrankPetersMusic Twitter: https://twitter.com/frankpeters430
Miami’s DJ Smokey drops the video for his single, “How I Feel” ft Zoey Dollas and Young Breed, both of which are making noise on the Florida scene. The Track is prodcued by TJAY of Ariston Records. The track will be on teh upcoming EP from DJ Smokey called Everything I Want.
Across the world people speak differently, we learned that in Hip-Hop from Big L’s classic track “Ebonics” where he breaks down lingo in his Harlem Hood. On this track Lil Mook breaks down his “Alabama Lingo” and kicks some pretty dope lyrics over this track that 100% deserves spin in it’s home state. If they aren’t playing this in Alabama, then what would they play to support hometown acts?
“Jumpin Fences,” produced by FKi, is the first single off Runway Richy’s upcoming project China Cafeteria, also executive produced by FKi. Runway Richy’s mixtape ForeignMerican hosted by DJ Scream, The Other Guys & DJ Tokars is available on now. The tape features B.o.B., Zuse, Bandit Gang Marco, Young Dro, and is executive produced by Fki.
Bay Areas own Vic Da Baron connects with the Houston SLAB KING himself, Paul Wall, to put together this new anthem for all those involved in pimp-like activities. This track is just letting ’em know anything can go down as long as you just “Put.In.My.Pocket” #PIMP.
A while ago Lightshow decided to release the full version of the Beat Zombies produced “Trap Line Ring” freestyle. Lightshow gets help on the second verse of this record from fellow D.C. artist “Acey Ace”. Be on the look out for his upcoming mixtape If These Walls Could Talk. Gotta love the hook: “Ain’t no hotline bling, bet my trapline ring”
No matter ho much money they may flaunt, celebrities usually become financial victims of Uncle Sam. Owing large sums of money to the IRS is very common especially in the Hip Hop industry, and this time, T.I.’s the their target. The Daily Mail has reported that the government has placed a tax lien on the Atlanta rapper, which would acquire all his assets and property if he doesn’t pay up. The lien states that T.I. owes the government 1.5 million and a little over 3 million dollars for unpaid taxes in both 2012 and 2013.
Although “Rubber Band Man” was supposed to pay his debts before the end of July, the whopping balance still remains unpaid
It’s hard to believe that Lauryn Hill’s groundbreaking, hip hop-soul album “The Miseducation of Lauryn Hill” was released 17 years ago! Ms. Hill turned 40 today – happy birthday genius! I write this, reflecting on her musical offering “The Miseducation” which cemented her as one of hip hop and soul music’s most prolific artists. She became a leader in the music industry as a woman who took the helm of her career and created a masterpiece – her way! This essay pays tribute to Ms. Hill and how her award-winning album, changed my life.
“The Miseducation of Lauryn Hill” album was released in August of 1998. I had turned 23 in early August of 1998. I was in the midst of a deep depression and it seemed nothing could bring me out of it. The previous years had been a whirlwind: I graduated from college, I moved back to St. Louis and got a job. I entered a graduate degree program, had a relationship, took yoga, tai chi and African dance class each week and still managed to spend time with my family. I had so much on my plate, I barely left any quiet time for myself and I never took a “break” as some young people do right before or immediately after college. I was burning myself out already. I previously had my own apartment, but had now chose to move back in with my mother to save money. I had also just ended my relationship and was in quite a funk about it. My daily schedule consisted of going to work, attending graduate classes at night and then coming home to hibernate. I still did yoga, went for bike rides and walked in the parks for exercise, but I did it alone. I had become joyless. I no longer wanted anyone else’s company because I didn’t feel like talking about what happened with my relationship or any other changes going on in my life. My mother tried to cheer me up, but I generally kept to myself. Her hugs and periodic talks with me, gave me some comfort but I was still in a dark place. I didn’t want to be in St. Louis anymore. I felt like there wasn’t a soul in my hometown who I could relate to or connect with. Many of my close friends were back East, where I attended college in the DMV area. It was at this time, in 1998, that I felt I was the sister from another planet. All I cared about was saving money, keeping my strict vegan diet, praying and getting to where I needed to be. But I didn’t really know where I needed to be and I was frustrated.
I watched the Oprah Show when I could in the afternoons, trying to glean pearls of wisdom and inspiration from Oprah and her guests to make myself feel better. I started taking a B-stress complex vitamin and it helped my depression lift. I began to read books by Deepak Chopra and Louise Hay which helped me create affirmations and use aromatherapy oils to help me sleep at night. I started painting and making my own stationary. I started making collages that I later realized were vision boards – using words and images of where I wanted my life to be. I was trying to pull myself out of the depression, but it was tough. I felt like a failure because I had to give up my apartment and move back home. I also felt like a failure because a relationship with someone I cared about had ended. For the first time in my young life, I had hit a sort of rock bottom where I questioned, “Who am I?” and “Why am I so unhappy?”
I was in graduate school and planning to transfer to a University out of state, I just didn’t know where yet. Constantly going in circles about whether I would leave St. Louis and what my next move might be, I was plagued by constant worry. My mother came to me with an idea after seeing me mope around the house for far too long. I was low on money so I couldn’t buy any new music for myself, something that I really loved and my mother knew it. One evening, she said “Let’s get out of the house.” We drove to a local record store to browse. She told me, “Look around and pick out any CD you want – my treat.” I was very excited to say the least. I was a big fan of The Fugees when they first came out and I had seen them in concert. Lauryn’s voice was so powerful as a female emcee. The fact that she was an artist from New Jersey, who held her own with male hip hop artists, much like Queen Latifah or MC Lyte, really impressed me. Her solo CD had just come out and I immediately chose it out of a stack of CDs while my mother and I browsed.
That night I went home, I put Lauryn’s CD on repeat. I remember hearing on radio when Lauryn became pregnant. It was such a shock to some media, DJs and fans who assumed Lauryn was a “good girl” who would never get pregnant out of wedlock. People were so judgmental about Lauryn’s personal life and it was ridiculous – forgetting that she was human. And this is what was revealed to me while listening to “The Miseducation of Lauryn Hill.” Lauryn was human, a young woman who had experienced life’s ups and downs despite her beauty, intelligence, fame and talent. If Lauryn could come through some dark days in her young life, why couldn’t I?
I had been writing poetry for a few years, but I rarely shared it with anyone. When I started listening to Hill’s solo album, her words, the music and the spirit behind the album gave me the energy to write more. Lauryn sang and rapped about women’s self-esteem, self-worth, being heartbroken, the love of her life – her son, the community and finding her true self. I could relate to all of this times 10! I may not have had a child, but I understood heartbreak, desiring to know your purpose and holding on to your self- esteem and self-value as a woman, at all costs. I put Lauryn Hill’s album on repeat while studying, writing and even while sleeping. Her words of love, empowerment, advice to women “don’t be a hard rock when you really are a gem,” and tales of healing from heartbreak soothed me. I was inspired that Lauryn took the helm of her career by creating this album, and that it seemed her best work was indeed created after her own experiences of personal turmoil and pain. I realized that this is something I needed to do: take control of my life, stop wallowing in my pain, become the woman I had been envisioning and embrace the artist’s path so I could share my creativity with the world. My mother and I heard that members of The Last Poets were going to be in town at a venue so we went to see them. I later found out that the venue was run by Dahveed Nelson, a legendary poet and founding member of The Last Poets. I read my poetry at this venue in St. Louis and it was an amazing experience.
Listening to Lauryn’s album, watching her throughout the year grace magazine covers and receive awards for her album, gave me the courage to pursue an artist’s life. Within a month of listening to Hill’s album, I decided to move back to the East Coast where I was born. It took me nine months to save money and plan, but with my mind made up, I drove out to the East Coast from St. Louis and I didn’t look back. I moved to my birthplace of Brooklyn and became a member of the writing and performance arts community in New York City. I began to submit my poetry to magazines and journals, and read my poetry at various venues. When I looked at Lauryn Hill, a talented, beautiful woman who had scars from relationships and the pressures of the societal expectations of women, I saw myself and the trials I had overcome. Through Lauryn, I learned that “good girls” make mistakes too, and that no genuine artist creates without first experiencing some level of pain. I was able to take my pain and transform it into art as a part of my life purpose, something that I still do. Thank you Lauryn Hill for reminding us all that you are “only human” and that our humanity and purpose is what connects us all.
What were you doing when “The Miseducation of Lauryn Hill” was released?