Dane Lawrence drops the bird on Seagulls and gets Nyemiah Supreme for the assist. The track has some repeating horns and some clean chopped samples layered in there that give this song a classic Hip-Hop gritty feel with cool undertones. Nevertheless, this is pure dope.
(AllHipHop News) Atlanta Hawks owner Bruce Levenson announced he was selling his share of the NBA franchise after admitting comments he wrote in a 2012 email were racially insensitive.
Levenson apologized for the document which included the co-founder of United Communications Group stating his concern about white residents not attending Hawks games because they were essentially too black.
My theory is that the black crowd scared away the whites and there are simply not enough affluent black fans to build a signficant season ticket base. Please dont get me wrong. There was nothing threatening going on in the arean back then. i never felt uncomfortable, but i think southern whites simply were not comfortable being in an arena or at a bar where they were in the minority. On fan sites i would read comments about how dangerous it is around philips yet in our 9 years, i don’t know of a mugging or even a pick pocket incident. This was just racist garbage. When I hear some people saying the arena is in the wrong place I think it is code for there are too many blacks at the games.
Some people have condemned Levenson as a racist. Others suggested that his email was just a business owner reflecting on the marketability of his product to a particular demographic.
Atlanta rapper Killer Mike falls in the second group. The Run The Jewels member told TMZ, while he viewed Levenson’s email as “crass,” the public should not be so quick to use the word “racist.”
“It’s not remotely racist at all. What I read was a business man trying to fill up his seats with the demographic that spends the most money,” said Mike.
He added, “We should save that outrage for a time when it’s really warranted.”
(AllHipHop News) Torrence Hatch, known and respected as Hip-Hop’s, Lil Boosie, is motivated. After being released from prison, the Bad Azz rapper is poised to deliver more music. The imposed hiatus could not confine his creativity.
Touch Down 2 Cause Hell was slated with a September 23 release. It has since been delayed. Boosie contends, “I’m bringing that real quality music, what’s really going on in the world besides popping bottles, and models and things like that.That reality rap. That N.W.A., Geto Boys rap, and people gotta feel it.”
TD2CH is bolstered by features from Jeezy, T.I., 2 Chainz, Rich Homie Quan, Chris Brown, and others. The double-disk is highly anticipated from Boosie’s supporters and peers.
Chris Brown‘s new album X is on the way, and the LP is full of collaborations. Brown even has a collaboration with the King of R&B, R. Kelly. Speaking of R. Kelly, Brown teamed up with fellow R&B crooner Trey Songz to pay tribute to Kellz classic R&B album ’12 Play’ with a track titled “Songs on 12 Play”. The two R&B heartthrobs have a quite a few collaborations over the years, captivating the hearts of R&B fans over and over. After all, lately there’s been Usher and Chris Brown, Chris Brown and R. Kelly, so another Breezy and Trigga collab is exactly what fans of the genre would hope for. The duo share their plans to get a little bit freaky by using R. Kelly’s ’12 Play’ album’s song titles as well as the titles of some of Kellz songs from other albums on their new bedroom jam. “Songs On 12 Play,” was produced by Mel & Mus.
“We gon be bumpin and grindin, seems like you’re ready, sex me baby / And I’m feelin on your booty, drivin me crazy, half on a baby / Cuz your body’s callin me,” they sing on the tribute hook.
Trey Songz released his sixth album ‘Trigga’ this past summer, and Brown will release his sixth album ‘X’ next Tuesday, Sept. 16. They are also planning a joint tour. Get ready to buy your tickets!
R&B Royalty recently teamed up as the King, R. Kelly, meets up with one of R&B’s Princes, Chris Brown, on Brown’s single “Drown In It.” The new track is featured on Brown’s new album X that is scheduled to hit stores on September 16,2014. Like a lot of R&B tracks, the T-Town produced track is a steamy sex jam, that is sure to get you ready for the bedroom. In fact you might want to add it to your bedroom boom playlists!
One thing that’s for sure is Kellz is trying to “write you letters with his tongue” and Breezy wants to “surfboard between your waves and splash in your deep end”.
Take a listen below.
Also watch the trailer for Brown’s sixth album X below!
(AllHipHop News) 50 Cent’s comedic onslaught against former friend Floyd Mayweather enters the next round. After clowning the boxer for weeks about allegedly not being able to read, 50 took a shot at Mayweather’s claim that his recent opponent, Marcos Maidana, bit him during his victorious bout.
“He bit my three fingers, and the skin busted,” Mayweather stated in a post-fight interview. “From the eighth round to the end of the fight, my fingers were numb, so that’s why I was using my legs a lot more.”
50 took to social media to give his opinion on Mayweather’s complaint. He used a clip from the 700 million viewed YouTube video “Charlie Bit My Finger.” The Animal Ambition rapper’s Instagram video features the caption “Floyd be like he bit me LOL.”
(AllHipHop News) Rick Ross released his sixth studio album earlier this year, but the Maybach Music Group leader is already prepping his next LP.
Ross announced on social media that his next album Hood Billionaire is coming. The public can expect the project’s first single today according to Rozay.
In an interview with AllHipHop.com, MMG member Gunplay revealed Ross had been working on the Mastermind follow-up and hinted when it may be available. The Miami rapper said his Living Legend album should be dropping the early part of 2015 and Ross’ project would follow after that.
“Next year. First or second quarter before Rozay’s new album,” said Gunplay about the release of his debut LP. “Yeah. I’m gonna be dropping before [Ross’ album].”
An eyewitness told Daily Mail Australia Kanye had refused to perform until the crowd were on their feet, saying, ‘I can’t do this song, I can’t do this show until everybody stand up. ‘Unless you got a handicap pass and you get special parking and s**t.
‘Imma see you if you ain’t standing up, believe me, I’m very good at that.’
When the musician saw a concertgoer waving a prosthetic limb to explain why they weren’t dancing, he acknowledged them, saying: ‘Okay, you fine!’
But when another fan remained seated, he stopped the song Good Life, saying, ‘This is the longest I’ve had to wait to do a song, it’s unbelievable,’ before sending bodyguard Pascal Duvier into the arena to check whether the person was in fact in a wheelchair- which they were.
‘The crowd was also yelling that he was in a wheelchair but he waited for Pascal’s confirmation,’ the witness said, while others said the crowd made ‘wheelchair motions’ to alert the singer to his mistake.
‘When he sent Pascal up there he said, ‘He is in a wheelchair? It’s fine!’ the witness reported.
Other witnesses wrote, ‘Kanye made everyone stand up…. Berated a dude for not standing up… Stopped the whole show… Turns out the dude was in a wheelchair.’
Triple threat artist Mishon has just released his official single “Conversation” under Columbia Records featuring Young Money rapper Tyga. The mid-tempo, feel-good song has the perfect mix of Mishon’s vocal ability and Tyga’s signature west coast flow. The track falls in line with the west coast’s current sound. Mishon and Tyga are talking about a different type of dialogue: “body language”. T-Raww talks about overnight flights and making girls drip. Mishon croons about laying it down, taking one’s breath away, and igniting a scandal with some one on one “conversation”. Both Mishon and Tyga ask the question “WTMD”? We will let you take a listen to break that acronym down!
The perfect fusion of R&B soul, jazz, and pop have been found in singer Karmella Daniel. Music is in her veins. In fact her father, Isaac Daniel, is a successful music instructor at Duke Ellington School of the Arts, and he has accompanied great artists such as the Late Sarah Vaughan, Natalie Cole and the Temptations. Daniel’s mother, Emma Daniel, was an incredible singer who chose to be a mother over the pursuance of her own career in music. Daniel’s mother was the inspiration for her pursuing her dream in music. After college, she decided to start a new chapter in her life by relocating to Atlanta, G.A., the hub for R&B and Hip Hop music. With her new musical journey, Daniel’s also has a new track titled “Water & Liquor”. Produced by Milk N Sizz, “Water & Liquor” gives a sexy and fun feeling as her soft voice rides the up-tempo beat. The track is a perfect song for a night out on the town.
(AllHipHop News) South Florida rapper Young A.C. is on the verge of releasing his upcoming project Enzo F60 on October 28. The flagship artist on two-time Super Bowl champion Asante Samuel’s Deepside Entertainment recently uploaded the lead single “So Good” to the Internet.
AllHipHop.com caught up with A.C. in an Atlanta studio to find out more about his music and movement. The man also known as Ferrari Young discusses Enzo F60, BMF associates Lil Meech and Lil Mouse, and more.
The views and opinions expressed herein are those of the author and do not necessarily reflect the views of AllHipHop.com
On Jay Z’s 1997 cut, “Where I’m From,” he asked, but never answered, “Who’s the best MC – Biggie, Jay Z, or Nas?” Now, years later, with the benefit of hindsight, perhaps a fairer question would be, “Which is the best debut between their three – Ready to Die, Reasonable Doubt, or Illmatic?” They are all classic albums which helped revitalize New York Hip-Hop after years of Left Coast dominance, and they have all earned their spots in Hip-Hop history. However, in the competitive sport of rap, one must reign supreme. And with that being said, on its twentieth anniversary, I proclaim Ready to Die the quintessential East Coast Hip-Hop album.
The power of The Notorious B.I.G.’s impeccable flow coupled with his baritone vocals has him smoking mics like crack pipes from beginning to end on his debut, but that isn’t news to anyone that has heard it. What I find most fascinating about Ready to Die is that rather than just re-enforce the gangsta rap cliches that have always been prevalent, Biggie provides a subtle depth to his lyrics that make those records more than superficial tunes about sex, drugs, money, and murder. For example, on the first song, “Things Done Changed,” he doesn’t just describe how he grew up, but, more importantly, how stuff is different now than it once was. “Back in the days, our parents used to take care of us / Look at em now, they even f***ing scared of us.” There has been a paradigm shift for worse within B.I.G.’s generation, and while he isn’t immune to it, the fact that he recognizes it is very profound. “Damn, what happened to the summertime cookouts? / Every time I turn around, a n***a getting took out.”
“Gimme the Loot,” the record which immediately follows, is not for the faint-hearted. If Menace II Society’s Caine and O-Dog had New York counterparts, they would be the two characters that B.I.G. plays on this song. And while “Machine Gun Funk,” has an aggressive energy to it too, it also comes across as someone determined to trade a life in the crack game for one in the rap game. The concept isn’t anything new, but the conviction Biggie put forth in his delivery remains unmatched. “Warning” finds him discussing crime again, yet it is noteworthy for its ability to pack all the details of a Mario Puzo novel into less than four minutes. No disrespect to Slick Rick, but after “Warning” The Notorious B.I.G. took his slot as rap’s greatest storyteller.
As far as the sex-crazed raps and player persona, “One More Chance” surpasses “Friend of Mine.” It’s a testament to Big’s charisma to be able to name-drop Olivia Newton John and still sound cool in the former. Then the latter just seems like an extension of the f####### interlude which precedes it. It’s unfortunate too because having a woman cheat on you, which is what “Friend Of Mine” is based upon, could go a lot of places other than meaningless sex. The song still gets props though for the production from Easy Mo Bee and how he took a song with dance components [Black Mamba’s “Vicious”] and made it fit so perfectly into such a hard record. As far as “Big Poppa,” I remember ten years ago being at a high school dance in Grand Rapids, MI, when that record came on and everyone getting hype for it. Years later, I recall being at a gentlemen’s club in Nashville, TN, and seeing it get the same response. Two totally different environments and unanimous acclaim like that for the same song… if that isn’t evidence of timeless and universal music, I don’t know what is.
“The What” with Method Man (Ready to Die’s only guest) is one of the best rap duets ever, easily on par with Dr. Dre and Snoop’s “Nuthin’ But a G Thang” and Jay and Biggie’s “Brooklyn’s Finest.” Still though, my favorite songs on Ready to Die are “Juicy” and “Everyday Struggle.” “Juicy” is a rags-to-riches story, but it’s also a metaphor for Hip-Hop and I believe that is why the song transcends Biggie’s hood and reaches people all around the world. It’s a song that provides hope, and that is something that everyone needs at one time or another. In contrast to that, there’s “Everyday Struggle” which discusses the plight of tough times and all the pressure that comes with them. One of the record’s best lyrics, which sums it up perfectly is: “People look at you like you’s the user / Selling drugs to all the losers, mad buddha abuser / But they don’t know about your stress-filled day / Baby on the way, mad bills to pay / That’s why you drink Tanqueray, so you can reminisce / And wish you wasn’t living so devilish.”
One of the things that has been overlooked sometimes about Ready to Die is the theme of love. I know that sounds crazy, but I think it’s another reason that album connects with people the way that it does. “Me and My B**ch” is really a love song that ends tragically. Yes, parts of it are repugnant – the ups and downs of a relationship taken to extremes, but the idea someone to lie with, cry with, and die with is deep and shouldn’t be dismissed. The other thing that stands out to me, which ties into that theme, is the devotion that Biggie has for his mother. Over the course of the LP, he addresses Ms. Wallace’s breast cancer, how she smiles when he’s in The Source, her driving herself to the hospital to get help with giving birth to him, and his worry about her crying if he commits suicide.
“Unbelievable” is just that. DJ Premier crafted a boom-bap gem and to hear Biggie rhyme on the track is ridiculous. Three flawless verses. The album closer, “Suicidal Thoughts,” is still shocking. I had heard Scarface realize he was dead at the end of his first album, but to listen to someone kill themselves like Biggie did is really intense. To this day, I still haven’t ever heard a more powerful conclusion to a collection of music.
Life, death, hope, despair, lust, poverty, ambition, crime, love, and greed. Ready to Die embodies it all. And while The Notorious B.I.G.’s perspective on those subjects are sometimes bleak or even (gasp) offensive, it is necessary in order to make listeners understand his life up until that point. The album is perfectly imperfect and that’s what makes it a masterpiece.
Respect due.
What do you think of Ready to Die? Please share your thoughts in the comments section!
(AllHipHop News) Beyoncé had a major surprise for the audience at her “On The Run” Tour stop in Paris. The Queen Bey brought out Young Money rapper Nicki Minaj for the remix to “Flawless.”
The superstar performers had the crowd going crazy as they gave the first ever live performance of the high-profile collaboration. HBO was filming the joint Beyoncé and Jay Z show for an upcoming concert special airing on the network on September 20.
(AllHipHop News) George Zimmerman may have found freedom despite slaying Trayvon Martin, but he’s not helping the notion of innocence in a new case in Florida.
A recent report has stated that Zimmerman was involved in a road rage incident where he hurled death threats at passengers in another car.
The 30-year-old Zimmerman was was acquitted of second-degree murder in the shooting death of Trayvon in 2013.
The recent incident happened on Tuesday when, police say, Zimmerman pulled his truck up next to him and yelled “Why are you pointing a finger at me?” Zimmerman then asked the other driver, “Do you know who I am?” and said he would kill him. The man then called 911.
The man who identified himself as “Matt” said in the 911 call, “There was a passenger going, “Hey what’s your problem? Why are you shaking your finger?” I said, “Excuse me?…I looked over and it’s George Zimmerman who was the driver and they were threatening to kick my [expletive] and to shoot me! I said what are you going to do? Shoot me?”
The dispatcher then asks, “And you know this was George Zimmerman?” The man responds, “Oh, for a fact!”
“He then came up, in his ridgeline, this will be on camera, toward my car, almost hit my car, an aggressive move and said he was going to shoot me dead,” said Matt over the phone with a dispatcher.
“Are they still there,” asked the dispatcher. “They peeled off,” said Matt.
In the call the dispatcher asks Matt, “Just confirming this was all verbal. You didn’t see a gun or anything. This was just voiced to you?”The caller replied by saying, “That’s all verbal. He did not flash a gun.”
The man refused to press charged.
Zimmerman has had a number of run-ins with the law since being acquitted of murder.
(AllHipHop News) Big Sean announced this week he was thenewest member of the Roc Nation family. The Detroit rapper is celebrating his partnership with Jay Z’s management company and the launch of the “Big Sean Metro Attitude” Adidas Originals sneakers by dropping four brand new songs.
Sean released “4th Quarter,” “I Don’t F**k With You,” ” Jit/Juke,” and “Paradise.” He also collaborated with Mike Carson on visuals for the tracks. Visit uknowbigsean.com to check out the Carson-directed images.
Adidas Original’s Big Sean Metro Attitude will be available at Kith NYC, Adidas Originals retail stores, and adidas.com on September 13.
I don’t know how you feel, but I hope that Yeezus doesn’t get resurrected. But the rumors are stating just that. Word on the street is that Kanye West is working on his new music and it sounds eerily like his last album. Yeah. That. Hopefully this is just a rumor and we’ll get something fresh and new from the Yeezy Man. Stay tuned, I guess.
What do you think about the prospect of getting a new Kanye album that sounds like Yeezus?GET INTERACTIVE WITH ALLHIPHOP.COM!
I really don’t know what this is. But Jay Electronica has something cooking with MF Doom and THE BULLITTS! I don’t know what else to say. For those that don’t know, MF Doom is a legendary rapper. And THE BULLITTS is a film and music producer. We all know Jay Elec, of course. I’m still wondering if we are going to get that solo album from the god before the years end.
Arriving during what some consider to be the Golden Era of Hip Hop, Lil Kim earned her start beside the Notorious B.I.G. Their relationship left a lasting impression the rapper. The Queen Bee, exclusively shares with AllHipHop, her most cherished Ready to Die memory on the eve of it’s 20th anniversary (September 13th).
Lil Kim takes us back to 1994:
When we were on stage we had this dynamic chemistry. And there was always a different reaction when we came out on stage. At the time, people didn’t know how I looked. When they saw that I was a little petite girl, you know, I was sexy dressing, you know I looked sexy. I think that the world was going to go crazy when I came out, you know what I mean. It just shocked both of us that we would have this dynamic chemistry on stage. And that was like the fun part of it.
And I remember, like, I was so little that I had all this energy—but there’s such a thing as being so adrenaline-driven that—I don’t know if it was stage fright or whatever. But, I was so filled with adrenaline that there were times when nothing would come out. When I was rapping I had this little little light voice. I had to rap extra extra hard. The crowd would be so hype—when I tried to project it was like the crowd couldn’t hear me—but they loved my verse so much that they would just sing along for me.
It bothered me because I couldn’t hear myself. I really didn’t know how to rock a stage that well. My performance and my presence would get me over. This is what they say, they say, ‘I’m such a good performer that people didn’t even pay attention that nothing was coming out from my voice.’ So, it really bothered me.
I remember one day after a show— I was a young girl myself coming into the industry — I first signed my record deal I was 17 and a half going on 18. By the time we were on the road I was just 19 going on 20. I did not know how to project my voice, but I was a damn good performer. So, everyone, you know, just said my vocals for me.
One day after the show I was just crying. And I was running upstairs to my room and B.I.G. ran right up after me. Usually, him and all the boys were running to the after-parties and having fun. Just being out in the after-parties and stuff— B.I.G. just cut everything short. He was so concerned about me. He didn’t even care about the after-party. He didn’t care about running around with his boys.
He went into my room and asked me what was wrong; I told him. He actually got in the mirror with me. He got behind me and told me to grab a brush. He was actually teaching me how to project my voice and perform. That was a classic moment that I’ll never forget. I really appreciated it because I know how much he liked to party after the shows. So, I was like, ‘Wow, he really cut that.’ That night he didn’t even go out. He saw that it was really bothering me. That really made me feel, you know, special.
This week, over 200 VIPs in business, philanthropy and entertainment gathered at Harlem’s own La Marina for the grand finale of REVOLT TV‘s “HELLO Harlem” – a summer series to benefit the Boys and Girls Club of Harlem (BGCH). Friends and guests of REVOLT TV came out in full support. VIPs included Curtis Archer (President, Harlem Community Development Corp.), William P. Smith (Office of Assemblyman Keith Wright), Chuck Creekmur (Founder, AllHipHop.com), Shirley Lewis (Chair, BGCH Board of Directors), Edith Massiah (Director of Programs, BGCH), Rooney Nelson (Founder, The Nelson Group), Orly Duran (CEO, The Nelson Group), Nina Flowers (Director of PR & Communications, Apollo Theater), Marc John Jeffries (Actor), Esnavi (Recording Artist), Mysonne (Recording Artist) Rachel Noerdlinger (Chief of Staff for New York City’s First Lady, Chirlane McCray) and more!
A few professional organizations were represented to show their support of the series. VIPs included Michael Feeney (President, New York Association of Black Journalists), Julie Walker (VP, New York Association of Black Journalists), Diana Hilson (VP, Council ofUrban Professionals), and assorted members from both organizations.
Sponsored by AQUAhydrate, Sean John and Ciroc, and supported by Harlem Park to Park, The Nelson Group and Uptown Magazine, the evening was kicked off by Kai D. Wright, REVOLT VP of Communications, who addressed the audience to welcome them, acknowledge special guests and encouraged donation support. The mic was then turned over to the evening’s host, Mike Houston, VP, Account Management of The Nelson Group, who introduced our 3 musical guests.
Guests were treated to the 3 phenomenal performances. The evening started with Grace Weber who performed her popular hit ‘Broken Hearted in America’ and new single ‘Perfect Stranger’. Crowds were still swaying when neo-soul crooner Eric Roberson took to the stage singing a medley of hits from his latest album ‘The Box’, and a special acapella version of Notorious BIG’s ‘Big Poppa’. Raheem DeVaughn then closed the evening’s performances with new music from his upcoming album as well as his classic hits ‘Customer’ and ‘You’ that the entire audience couldn’t resist singing along to. And, of course, DJ SunKiss kept the crowd moving while spinning on the 1s & 2s throughout the evening.
Photos courtesy of Mianna Charles
Eric Roberson, Edith Massiah (BGCH Director of Operations) & Raheem DeVaughn (left); Mike Houston (Nelson Group), Recording Artist Esnavi & Kai Wright (REVOLT) (right)
DJ Reg West, Raheem DeVaughn, Mike Houston (Nelson Group) & Eric Roberson (left);
Actor Marc John Jeffries (right)
Shante Bacon (135th St Agency), Kai Wright (REVOLT TV) & Nina Flowers (Director of PR & Communications, Apollo Theater) (left); The crew from Dopeness TV (right)
Rochelle Hill (Sales & International Marketing Specialist/Media & Artist Relations, Sony Music Music Masterworks) poses with a guest (left); More fabulous guests (right)
Fit for NYFW
Inside, guests were treated to a Ciroc sponsored Happy Hour
Out back, Chuck Creekmur & Keith Clinkscales pose for a quick pic (left);
Then, Curtis Archer & Keith Clinkscales pause to capture the moment as well (right)
As always, DJ Sunkiss works to keep the crowd live!
Happy, smiling faces all around
Host, Mike Houston welcomes Grace Weber to the stage
Amazing Grace, indeed!
Next up, Kai Wright greets guests (left); then, Mike Houston introduces Eric Roberson (right)
Croon, Eric, croon
Guests were thoroughly entertained
There was great anticipation for our headliner …
Raheem DeVaughn finally took to the stage
He put on a great show
The crowd swayed along to every note
Two live acts for the price of one, artist Demont Pinder was on stage creating a live masterpiece of his own
Sean Combs’ REVOLT TV presents HELLO Harlem – #TheGrandFinale
(AllHipHop News) At this point, Dr. Dre is the Hip Hop equivalent of a black hole, where the brightest stars record music that never surfaces. During a recent interview, Jim Jones describes recording with Dr. Dre and explains how he produced four Dipset songs they have never heard since.
On September 30th, 2010, Dr. Dre, Jim Jones, Juelz Santana and Cam’ron were videotaped working on music together, presumably for the as-of-yet unreleased Dipset reunion album. Four years and no songs later, Jim Jones tells The Breakfast Club that “[Dr. Dre] teased us by coming in my studio”
I ain’t never seen that man again and he took the records. We did like four records. Dr. Dre has four Diplomat records right now on Dre beats. In one night, he came in there, went to the studio and was like ‘I got the same studio, let’s rock.’ He put his little plug in in and we did four incredible records.