(AllHipHop News) 2 Chainz can not seem to shake his August arrest in Oklahoma City. Today (December 24th), after four months, 2 Chainz has been formally charged with a misdemeanor for obstructing of justice.
Following Lil Wayne’s America’s Most Wanted tour stop in Chesapeake Energy Aren on August 21st, 2 Chainz and members of his entourage refused to exit their tour bus after police noticed smoke by the door and a faulty taillight. Interstingly enough, the police report states that the bus’ driver, Abdullah Qawi Mujahid placed a small copy of the U.S. Constitution to the door window.
2 Chainz will not be charged with any marijuana-related offense even though the police report states that the officers smelled “an overwhelming odor of marijuana” from the bus. He does face up to a year in jail and a $1,000 fine.
2 Chainz addressed the arrest on MTV RapFix in September and claims he does no illegal activity during touring:
You’re not gonna find a kilo on my bus. You’re not gonna find an unregistered reason. I went to work all last year. I paid taxes. I did everything I was supposed to do. So maybe people need to start aiming at some criminals. For me, I’m cold turkey on all criminal activities. I don’t wanna do anything criminal. It’s just about wasting your time, my time and taxpayers’ money.
Check out 2 Chainz addressing the arrest below:
via @djvip510
In continuation of our coverage of the newly saved 93.5 KDAY in Los Angeles, AllHipHop.com spent the day with the station’s late morning/early afternoon host DJ Brandi Garcia during one of her shifts. The Tallahassee raised DJ made her way to the West Coast in controversial manner when she was fired from Houston’s 97.9 The Box over a Trae the Truth song and landed a gig at the legendary Hip-Hop station. After a period of answering phones for the station, Brandi earned her way back on the air and runs the station’s popular “Tweet at 12” segment where listeners tweet their requests in via Twitter and get an on-air shout out when their song is played. In the midst of listener call-ins, prize giveaways and classic old school Hip-Hop, Brandi took the time to answer a few questions about her life as a radio DJ/Host, including the infamous Houston firing in 2010 over an artist banned by the station.
How long have you been involved in radio?
I started as an intern when I was 15.
15? Isn’t that kind of young to be an intern?
In Florida they have an Externship program for gifted students which allows you to be one. I was a nerd (laughs). I started at a classic Rock station working behind the scenes. Growing up, I was the little kid that always called in to a station requesting favorite songs.
I used to try calling in myself but I could never get through to the stations.
I would get through but I also sat there and tried calling in for a long time. I was an annoying little kid. My sisters are prize hogs. To this day they call in to stations and win iPads, money and other prizes.
When did you start your DJ journey?
I started hosting a mix show when I was at radio station. The DJ’s would be next to me while I was on the microphone but I had no clue how to do it. This was during my time in college at Florida State University and I thought DJ’ing was the coolest thing but I never saw any female DJ’s at the station – only male ones. I decided that I wanted to learn because there weren’t any female DJ’s in my area. You see Female DJ’s in New York and on the West Coast but at the time there weren’t any in my area of Florida. I asked the guys to show me how to DJ and they told me that I first had to buy my own set of turntables because they wanted to see if I was serious. I went and maxed out two of my credit cards much to my mother’s dismay.
Did you even know what you were buying?
They told me to buy 1200 Technic Turntables. They said that if I was serious, I should get those instead of the starter DJ turntables. The starters are a waste of your time. If you’re for real about this, you need to get the right equipment. My friends taught me what to do from there.
How bad were you as a DJ when you started?
I sucked horribly bad. I was working for this one station and I don’t know why I thought I was slick but one time during an overnight shift I decided to start mixing on the radio. My job was only to talk on air at that point. Someone from the station heard me and he called me from wherever he was and said, “What the hell are you doing? I’m going to say two things to you. You suck real badly and you’re train-wrecking all over the place but you’ve got balls to actually try to pull this off and I respect that. I’m going to get off this phone and not say anything about this.”
What time in the night was this?
This was at 3 am. He must have been coming home from a club or something. He said it was terrible but he respected the fact that I really wanted to try it that bad.
What in the hell got in to you?
I don’t know! I was crazy as a kid. Looking back I guess I just didn’t realize what big of a deal it was. I know that if someone were to ever try to do that out here in Los Angeles, all hell would break loose, but this was Tallahassee. I just didn’t think it was a serious deal. It was fun although I was bad and train-wrecked everywhere. Everybody has to start somewhere. I sucked at radio and DJ’ing but I wanted it so bad.
You sound like a natural when I listen to you talk on air and when you’re spinning records.
It’s all practice, practice and more practice. After all of these years, I still sit in my car and do fake mic breaks just to practice. That was one of my techniques when I first started. One of my co-workers advised me to start practicing in the car. Practice on controlling your voice and the way that you want to talk. My radio voice is distinctly different than when I’m normally speaking. The first time that I told my boss that I wanted to speak on the air, he laughed in my face and told me that I sounded too white. I took it as a personal challenge to sound the way that would get me on the radio. I went overboard at first and that was kind of interesting but it all balanced out. I finally found the voice that I wanted. It helps to also write down your mic breaks. I did that for a number of years and sometimes I write key reminders.
Have you had any other big on air mess ups?
I’ve cussed on air before and that’s why we have those dump buttons. Back in Houston, I had an overnight mix show called “Brandi Garcia & the Hollywood Boys.” One night I was reading a reported story on Beyonce’ and Jay Z vacationing in St. Tropez. I don’t travel overseas so I read the name of the town as its spelled (with the Z pronounced) and they paused the music and said ”Where?” I pronounced it with the Z again and said it real country-like. That was very embarrassing.
That’s like the “Versace” moment in that “Showgirls” movie.
Exactly like that. Oh my God.
Tell me about cursing on the air.
Sometimes you can get so comfortable in a moment that you forget that you’re on the radio and it comes out.
What’s the worst thing that you’ve said?
I’ve said “sh*t.” I don’t think I’ve ever said the F-word. We have a dump button and with a 10 second delay, you can catch it. There hasn’t been anything too crazy. I’ve always been chill.
Let’s talk about your controversial firing from Houston’s 97.9 The Box. Trae the Truth was banned by the station and you were let go because you played a song that featured him at a non-station event.
It was a Waka Flocka song, “O Let’s Do It” and Trae recorded a verse over it. According to the station, it was a station event but I don’t consider it one. The event was promoted on several other stations too. I was not there representing the station. I was representing myself and it was on my day off. Looking back on it, I think they felt that I was siding with Trae over the station. I was devastated. I really loved that station and I loved the people in that city.
Knowing that Trae was on that remix, did you feel any reservation at all about playing it?
I wasn’t even paying attention – that’s the funny part. I was just playing songs. I wasn’t trying to purposely play a Trae record to be a martyr or make a statement. I was shocked when I walked in that Monday after and got fired. Why would I try to lose my job? Everything happens for a reason and I wish them all the best. I’ve had the opportunity to come out to Los Angeles and be successful here at 93.5 KDAY. I’m thankful for the time that I was at The Box in Houston and I can say that now because I’m not angry anymore.
I bet there was a time where you couldn’t say that.
Absolutely but I’ve come to a place of closure and there are more important things in life. I’ve changed my mindset since then and I try to look at the positive things in life. Had that firing not happened, I wouldn’t be in Los Angeles doing all of the things I’m doing. It happened for the greater good in my life and I’m cool with it.
You run like 20 miles a day with your running crew all around the city. Your Instagram is poppin’ with all of your running photos.
I ran cross country for Florida State. My time in Houston was the least active I’ve ever been in my life and I started to get a little overweight. I love to run and I love Sports. Music and Sports are my equal loves. I had one without the other for so long and I missed. When I came out to Los Angeles, I rediscovered my love for running and I’ve been great at balancing the two ever since. I just started my own run crew called WeRunLA. We go out on Wednesday nights and run in different parts of the city each week. I accept anybody in the crew. My whole mission is to get people that feel intimidated by run crews and to make it a fun experience. In Hip-Hop it’s not necessarily cool but in the past few years we’ve seen more fitness awareness. It’s good to see Paul Wall’s and Slim Thug’s transformation. I see pictures of Bun-B working out with his wife. It’s good to see music and fitness come together.
(AllHipHop News) West Coast rap duo Audio Push have been releasing music since 2009, but 2013 has proven to be somewhat of a breakout year for the precocious group. Last Friday (December 20th) AllHipHop caught up with Price and Oktane outside of the UCB Theatre after their appearance on Cipha Sounds’ Take It Personal and talk new music for 2014, their grind and how they relate to Wale’s rant against Complex.
After signing to Hit-Boy’s HS87 independent imprint through Interscope Records in 2012, Price and Oktane of Audio Push released their mixtape Come As You Are in September. The group revealed that they recently shot the video for the Joey Bada$$-assisted song “‘Tis The Season” off the mixtape.
One collaborator on Come As You Are, Wale, was also a labelmate of theirs back in 2009. The pair explain how the sentiment behind Wale’s recent verbal lashing of Complex Media was understandable:
Price: We been getting in and we were at Interscope the same time [Wale] was. When he got dropped, it was all the same. We went through the same things he went through so we know the whole grind period, man. These n*ggas is going to talk forever, man.
Oktane: I like the fact that it’s making his music better. That’s good to me. People say ‘your sh*t ain’t dope yet’ and if you know you dope like Wale know he dope, then you go in there and work and make it crazier than it already is.
Check out the full interview below:
(AllHipHop News) Back in August, Kanye West hoped on stage at Drake’s OVO Fest in Toronto. Last night (12/23) Drake returned the favor by joining Ye during his “Yeezus Tour” stop in Drizzy’s hometown. The pair performed their 2009 hit record “Forever.” The Young Money rapper also went into his Nothing Was The Same track “All Me.”
[ALSO READ: Drake Brought Out Kanye West, J. Cole, Big Sean, Diddy, Ma$e, TLC, French Montana, & The Weeknd At OVO Fest (VIDEOS)]
Watch Yeezy and Drizzy rock the stage together in the video below.
(AllHipHop News) In recognition of the one year anniversary of the passing of their brethren Capital Steez, Pro Era linked with KarmaloopTV and LRG to drop a video for the late rhymer’s “47 Piiirates” featuring D############.
[ALSO CHECK OUT: Capital Steez “King Steelo”]
Capital Steez took his own life on December 24th, 2012. The Brooklyn emcee last words to the world were shared in tweet that simply read “The End.” Before his death, Steez released the mixtape AmeriKKKan Korruption and appeared on the Pro Era projects The Secc$ Tap.e and P.E.E.P: The aPROcalypse.
[ALSO CHECK OUT: Listen To Capital STEEZ’s Final Verse Recorded Days Before His Death]
Watch the video for “47 Piiirates” below.
(AllHipHop News) Kanye West, his record labels Roc-A-Fella and Island Def Jam, and their parent company Universal Music Group are being sued over the song “Bound 2” off the Yeezus album. Ricky Spicer, formerly of the 1970’s group The Ponderosa Twins plus One, claims that West used his voice on the track without his permission.
[ALSO READ: Judge Rules “Big Pimpin” Lawsuit Against Jay Z Can Move Forward]
According to The New York Daily News, Spicer’s suit is asking Kanye to either stop using his vocals or pay him for his contribution to the song.
The publishing rights to the original “Bound” are reportedly owned by Chuck Brown, Sr. Brown, who worked with The O’Jays earlier on, was the founder of the Ohio label Chuck Brown Music. The Ponderosa Twins plus One recorded their song under CBM in 1971.
Brown spoke with the Cleveland Challenger about Kanye incorporating “Bound” into his version of the song.
“I’m actually honored,” said Brown. “We recorded that song in 1971 and thought it was a hit. We just didn’t know it would take 43 years for the world to figure it out.”
Spicer became the “plus one” of the Ponderosa Twins group that also included the two sets of twins Keith and Curt Gardner and Anthony and Alvin Pelham. Spicer was presented as the “Michael Jackson” of the group. He recorded “Bound” when he was 12-years-old.
Rhino Entertainment is also named as a defendant in Spicer’s lawsuit. Rhino is partially owned by Robinson Music Group and published by Gambi Music. Both Robinson Music and Gambi are part of the estate of Joseph Robinson, Jr. and Sylvia Robinson. Brown urges that he owns the rights to “Bound” and not the Robinson’s children.
“The music I published under my label belongs to me and my family, not to the Robinson’s. It’s my duty to make sure I get what’s mine,” he added.
[ALSO READ: Kanye West Says Adidas Collection To Hit Stores Next September]
Listen to the original “Bound” below.
Last Saturday Yonkers bred rapper and member of the LOX, Jadakiss teamed up with McDonald’s for a toy drive event to give back to The Specialized Children’s Hospital in the spirit of the holiday season. The toy drive was at a McDonald’s restaurant in Jersey City, NJ as hundreds of children waited in line outside for their special gift and celebrity meet & greet. Each child received a warm smile and hug from Jadakiss & VH1’s Love & Hip Hop reality star Kimbella. The children enjoyed additional festivities, such as face painting, photos with Santa, a gift receipt for a McDonald’s Happy meal, chocolate chip cookies, games, and music provided by Power 105.1 Breakfast Club personality DJ Envy.
(AllHipHop News) Superstar singer Beyoncé latest project has already sold over 1 million copies worldwide and now the “visual album” is nearing the platinum sales mark in the United States. Billboard reports that the self-titled LP will sell close to 340,000 copies in its second week which would be enough for it to remain at number one.
[ALSO READ: Justin Timberlake, Beyoncé, & Kendrick Lamar Make iTunes “Best of 2013″ Lists]
Since BEYONCÉ was first dropped on Friday, December 13th, that would put its total sales at 957,000 units in just 10 days. The Houston native pushed 617,000 copies in her opening week as an iTunes exclusive. The album is now available at most digital and brick-and-mortar retailers.
[ALSO READ: Beyonce’s New Album Will Not Be Sold At Target]
Consumers who purchased BEYONCÉ also received 17 videos along with the 14 music tracks. Beyoncé is also uploading some of her visuals to her YouTube channel. Watch the video for “Drunk In Love” featuring Jay Z below.
Every Christmas, the radio airwaves are bombarded with a vast array of holiday music. Each genre has its standards. Country music lovers will recognize Dolly Parton’s “Hard Candy Christmas” as a staple, while R&B lovers will surely point to Donny Hathaway’s “This Christmas” as a classic tune. Well, the genre of Hip-Hop has also produced a variety of memorable Christmas songs, including Run-DMC’s “Christmas in Hollis” and Kurtis Blow’s landmark release, “Christmas Rappin.’”
I wanted to know why Kurtis decided to release a Christmas song as his first ever release as a Hip-Hop artist. The record, which is officially 35-years-old, has stood the test of time since it’s release, in 1979. Check out what Kurtis had to say.
“Christmas Rappin’” was my very first song and let me say, it’s my favorite of all the Kurtis Blow songs, because it was my first. The record was an idea that came from my producers, J.B. Moore and Robert Ford. J.B. had the idea of making a Christmas song and doing something different that would last throughout the ages. J.B. Moore and Robert Ford, they were very special producers. They had the idea that they wanted to do something musical, and mix it with Hip-Hop, which was basically a street thing I had been doing for 7–8 years.
Adding the elements of music was very important to us back then. We wanted to use original music and we wanted to get the sound like the music of the day, yes, but our whole image and standpoint was that we are going to be different, take this thing to the next level. J.B. Moore was a white guy and writer for Billboard Magazine as well as an ex-musician. He brought the real creativity of music to the table. I knew the style of music I wanted, I was a DJ. Larry Smith, who was a bass player and a musician’s musician, also played on the song. He went on to produce Run-DMC and Whodini.

We were at J.B.’s apartment and we mapped the thing out. I remember one of the conversations J.B. and Robert and another musician, Denzel Miller, who did the piano solo on “Christmas Rappin’” and “The Breaks,” had about the song. Denzel asked me, “what kind of sound do you want?” I said “sound? What do you mean sound?” They said “pick your favorite musician.”
I said “well, if I had sound, I would wanted to be right in between a mixture of James Brown and Chic.”
Nile Rodgers and Chic were the hottest thing going at that time with that “Good Times” record. I needed that R&B/Disco sound, but mixed in with James Brown. That’s where you get the guitars from “Christmas Rappin’” sounding like James Brown. And then the bassline, sounding like Chic. Also Queen’s song “Another One Bites the Dust” took that bassline from “Christmas Rappin’” and we never got paid for that.
So, J.B. wrote the first half, I wrote the second part. J.B. wrote the Christmas part. He came up with the idea of Santa Claus visiting a house up in Harlem on Christmas Eve. I wrote the second half, which is what happened after Santa Claus got into the party.
Now, Russell Simmons always tells this story different. He says that he’s the one that got me the record deal with Mercury Records. But it was J.B. Moore and Robert Ford. They went to 22 different labels. No one wanted the record but two people. Cory Robbins, who went on to found Profile Records and sign Run-DMC, liked the record but he could not get the deal done.

The other guy who like the record was an English fellow named John Stains, who was the A&R Director of Mercury/Phonogram out of London. He liked it and said “We can recoup this record in six months. Sign him up!” I was first signed as a British artist, and my records were imports. This was the deal that they gave me. I could do a single. If I sold more than 30,000 copies, and I could do another single. Then I have to sell more than 100,000 copies and then I can do an album. The first single, “Christmas Rappin’,” sold over 373,000 copies. “The Breaks” came out and sold over 940,000 copies, becoming the first certified gold Hip-Hop record.
Here I am, a young kid 19, 20-years-old, Coming out of Harlem, coming out of the ghetto, Getting to travel to places that I’ve never seen. I want to say thank you to all of the media, including radio. To the radio programmers and on air personalities, thank you for making “Christmas Rappin’” an annual classic that you play like Nat King Cole’s records. Thank you guys for that because we are going to live forever with that one.
(AllHipHop News) Even without an official album in 2013, Top Dawg Entertainment dominated headlines throughout the year. Between Kendrick Lamar, Schoolboy Q, Jay Rock, Ab-Soul, SZA, and Isaiah Rashad, Hip Hop was constantly fascinated with what the West Coast based label would do next.
[ALSO CHECK OUT: Kendrick Lamar And TDE Set Good Vibes At Day Two Of Made In America]
TDE boss Anthony “Top Dawg” Tiffith revealed on Twitter that 2014 will see the crew continue its run of domination with six new projects coming in the new year.
WE RAN 2013 WITH OUT DROPPING 1 ALBUM. I WONDER WUTS GONE HAPPEN IN 2014 WHEN I DROP 6.. THEY NOT READY 4 THIS #TDE#HiiiPoWeR TAKE OVER
— dangeroo kipawaa TDE (@dangerookipawaa) December 22, 2013
Up first will be Schoolboy’s long-awaited Oxymoron. The LP is set to drop on February 25th. That would will expectedly be followed by albums from the five other TDE artists K. Dot, Jay, Ab, SZA, and Isaiah.
In 2012, the label released three critically acclaimed albums – Kendrick Lamar’s good kid, m.A.A.d city, Ab-Soul’s Control System, and Schoolboy Q’s Habits & Contradictions. Previous work also includes Jay Rock’s Follow Me Home. New signee Isaiah Rashad is set to drop his debut TDE mixtape Cilvia in the coming weeks.
[ALSO READ: TDE’S Isaiah Rashad Says Debut Mixtape “Cilvia” Dropping Soon]
OH SNAP! You know you are getting old when you boys are having babies! The latest is that the former youngest in charge is actually about to have a kid of his own. I didn’t think it was, but it is Diamond – the rapper. This is Diamond Shantaniece MacKay…!!!!! What a name! Anyway, she laid down with SB and also another man, who is of mixed heritage. Seems like this 5-year-old boy looks just like Soulja Boy and so that discounts the mixed man. But, this is the crazy stuff, TMZ is reporting that Diamond is on welfare! So, she is on welfare and says its time to pony up to the “rich” rapper! Now, she just needs to get that DNA test from SB and then the money comes! This is like the lottery or something, I imagine. But, she’s on welfare? That’s crazy.
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Illseed, Out.
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Danity Kane always seems to be surrounded by drama. Diddy initially dismantled the group because they weren’t getting along and therefore being productive, so each woman went her own way.
They recently got back together but D. Woods was noticeably absent. Initially, Woods tried to take the PR fluff route by saying she wasn’t a part of the group because she was committed to several personal projects that tied her up throughout the year.
Current members of the group shaded D. Woods by saying that the people who are performing in the current version of the group are the people who wanted to be there but D. Woods wasn’t having it.
D. Woods clapped back after getting wind of that statement and told TMZ that she learned about the reunion with the rest of the world, and that none of the other girls had even reached out to her about performing.
Aubrey O’Day then took to Instagram with a catty remark saying, “Do you spend your time takin interviews.. or do you work?”
D. Woods’ responded via twitter with, “That was cute @aubreyoday my attorney will be coming for my cut off that WORK #stillusingmyvocals.”
There’s obviously a billion sides to this story but it seems like D. Woods is still holding on to her grudge.
Either way, it’s petty.
Gucci Mane releases a his single “Wish You Was Me” Produced by 808 Mafia. This is the first release off of Gucci Mane’s X-Mas mixtape titled The State vs Radric Davis 2 – “The Caged Bird Sings.” Take a listen to the track and check out the album!

