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Rap Legend DMC To Serve As Creative Director Of Garden Of Dreams Talent Show

(AllHipHop News) Rap icon Darryl “DMC” McDaniels has been named the Creative Director of the 2012 Garden of Dreams Talent Show at Radio City Music Hall.

The event is produced by The Garden of Dreams Foundation, which works with Madison Square Garden, The Knicks, The Liberty, The Rangers and other companies, to present opportunities to at risk youth.

DMC has been involved with The Garden of Dreams Foundation for over two years in various capacities, mainly acting as a role model for children associated with the non-profit organization.

In August 2011, DMC was named to the The Garden of Dreams Foundation’s Board of Directors, due to his efforts.

In his new role as Creative Director of the talent show, DMC will work closely with the children on their performances, and assist in shaping the overall run of the show.

“I am thrilled to be a part of the Garden of Dreams Talent Show again this year, and to play an even bigger role working with the children on their performances and shaping the show,” DMC told AllHipHop.com. “For them to be able to come and perform at Radio City Music Hall, when I had to wait almost half of a lifetime to do it, is a beautiful thing to see and a blessing to be a part of.”

According to Kristine Burton, Garden of Dreams Vice President of Community Relations, DMC brings enthusiasm and most importantly – experience – to the talent show.

“As a pioneer of Hip-Hop, Darryl spent years performing on stages around the world,” Burton said. “He is an incredible mentor to the children while working to bring out the best in their performances. We gain so much from our collaboration with him, particularly on the talent show, which is one of the most important events we do throughout the year.”

The Garden of Dreams Talent Show will be held on Thursday, April 5 at 7pm at Radio City Music Hall.

The event is free and open to the public.

For more information visit: www.GardenofDreamsFoundation.orge

EP Review: Young Gliss’ [BGA] “The Glimmer EP”

Rating: 7.5 / 10

After a quick play of Young Gliss’ latest project, to say that he is a rookie would be “technically” accurate due to his sudden exposure, but misleading all the same. In any case, the newest 14-track outing from the Philadelphia MC has him showcasing his skills for a little less than an hour alongside several featured MCs, and although they may initially draw you in, it’s the skills from Gliss that hold your attention. The Glimmer EP may have a different reason behind its name, but the flashes of promise shown throughout the project is well-worth noting and watching for in the future.

One of the best things about The Glimmer EP is the choice in production. It’s not overpowering like most instrumentals that garner radio play, but instead sounds smooth and melodic, to the point where it’s easy to zone out to the music before you realize it’s over. The project plays more as a collection of songs as opposed to a flowing album, but that’s not a negative in this case; if anything this gives him a little wider of a platform to show what he’s capable of, and from him holding the microphone solo on “100 On The Dash” to splitting MC duties with others on posse cuts like “No One Can Stop Us Now” (which features Prodigy, Jon Connor, Killer Mike, Lo Keys & Just Shawn), he takes full advantage.

Gliss isn’t the type of MC to weaken his flow just to fit a punchline, and that dedication to the deeper content in his rhymes is also well-represented here. Songs like “Expect Delays” (feat. Chris Young the Rapper) and “Awake” show the introspective side of Gliss, but not in a cliché, uninventive way. Although at times the project does seem to hit a lull due to possibly a few too many uninspired features (I’m just not feeling Dosage’s guest verse on “Everything”, I’m sorry), Gliss does a great job of keeping the focus on himself regardless.

As alluded to earlier, the entire project is a reflection of Young Gliss as he showcases his lyrical ability, and he seems hell bent on gaining recognition his way. Choosing to have an EP that’s longer than nine songs is unconventional, and choosing to not rely on his All-Star family connection is even more honorable in a Hip-Hop environment where rappers name-drop to get ahead. He could’ve easily spring-boarded off the popularity of his cousin and legendary Roots drummer ?uestlove to gain looks, or name-dropped Philadelphia MC and Roots affiliate Dice Raw to grab Hip-Hop heads’ attention, but he instead chose to forego that and make people interested in him through his music. It’s slightly ironic that with all of that said, The Glimmer EP could’ve been better if it wasn’t for some of the features weighing it down as a whole.

Even with its slight flaws, Young Gliss still proves that he’s one to watch for in the upcoming months, and with his emergence, it’s hard to deny the fact that Philadelphia may be one of the biggest places to find talent right now. Download the EP here, and listen for yourself.

Also, check out our interview with him at SXSW from earlier this week below:

An AllHipHop.com Moment in Women’s Rap History: Lauryn Hill

This female, former Fugee has given most male rappers a run for their money. At just 36 years old and with one solo studio album and five Grammys, Lauryn Hill has accomplished more in a short time than most musicians accomplish in their entire careers.

Being a woman in a male-dominated game looked like child’s-play to Hill; before her solo success, she was a member of the Grammy-award winning group, The Fugees. Comprised of Wyclef Jean, Pras and Hill, the group came to prominence with their second and final, diamond-selling album, The Score. The group oozed eclecticism and musicianship, garnering praise from a worldwide audience that was smitten right from the start with the Boho-inspired, grainy-souled voice of Hill.

In July of 1998, Hill made her solo debut with the release of her first single “Doo Wop (That Thing)”, which became an international hit, and even came with a memorable video. The album also included mega-hits like “Ex Factor” and the Hip-Hop heavy “Final Hour”, with its fine display of her incomparable MC skills.

After the success of her debut album, The Miseducation of Lauryn Hill, she followed up four years later with MTV Unplugged No. 2.0, a live album that still finds popularity to this day. Though personal and family life has limited Hill from releasing new material, she still sells out shows and finds happiness in the fans’ anticipation of her new music.

Lauryn Hill made a triumphant East Coast return at 2011’s Rock The Bells concert on Governors Island in New York, delivering a praise-worthy performance less than two weeks after delivering her sixth child. Whether its her quirky style, menacing mic-attack, or the way she pours soul into her vocals, “Young Lauryn’s” influence on the music industry cannot be denied.

AllHipHop.com SALUTES the incomparable Lauryn Hill, as we celebrate Women’s History Month all March long!

Mixtape Review: Wiz Khalifa’s [BGA] “Taylor Allderdice”

Rating: 8 / 10

Taylor Allderdice is the name of Wiz Khalifa’s latest mixtape, as well as his old high school – signifying a return to his roots. After the negative feedback his debut album Rolling Papers received, the return is in order. In most Hip-Hop star’s careers, there is a tipping point – the sound that built their initial fan base will either stay for good, or fall back to a more commercial approach. After the latter fizzled out critically, though excelled commercially, Wiz is attempting to muster up his former remedy of success.

As soon as “Amber Ice” kicks into gear, the Pittsburgh native’s shift in musical paradigm is apparent. The first three songs on the mixtape: the former, “California” and “Mia Wallace” are shrouded in coolness, increasing with each song. Dreamy production and catchy sayings is Khalifa’s bread and butter, and he sets the table very early here. “The Cruise” samples Frank Ocean, and “Number 16” is the most soulful production Wiz has ever rapped over. The instrumentals here are top-tier. “O.N.I.F.C.” and “Nameless” are both standouts, due to the beats. The first utilizes buoyant sounds and a light-hearted tone in voice to rise above the rest. The second is drenched in a slow, groove-heavy sound, and features Chevy Woods, who makes an impressive appearance.

Groove-heavy is a perfect adjective for this project. You don’t listen to Wiz Khalifa for lyrics; you listen to him for chill, quality production and addictive hooks. Which is why “Mary 3X” is a favorite; the “mary, mary, mary” chorus coupled with rising synths marks the highest climax on the project, only to beautifully drop to brash bass thumps and snare drums that precursor the next verse. If Rolling Papers was Kool-Aid in terms of production, Taylor Allderdice is Nyquil; deep, intoxicating, and heavy.

While the majority of the mixtape is harmony based, there are a few spots of flossing as well. “Never Been Part II” has a boastful, luxurious sound, featuring Rick Ross and Amber Rose (who does no harm). “My Favorite Song” has anthem potential, as does “T.A.P.”, produced by rising talent Spaceghostpurp. Both songs feature Juicy J, and the tape goes through a phase of 10 minutes or so where he turns the direction of the tape to a more brash and adrenaline-filled sound. With his first attempts at this, Wiz was not well received. But he has grown as an artist, and Juicy’s outlandish ad-libs are now welcomed.

Taylor Allderdice is a very enjoyable listen. One of the more apparent aspects on the tape is the growth of Wiz’s flow and its flexibility. He’s becoming a better rapper. And while we may never expect him to hang with the lyricists of the game, he really doesn’t have to. Not with the kind of beats he keeps receiving. This is music to ride to; and just in time for Spring Break, too.

Daily Word: Do Something!!!

Great morning, my great people!

Welcome to another opportunity to do it better! Today’s Daily Word is dedicated to doing your part and giving back to the world. By now, I’m sure that everyone has heard about the Trayvon Martin tragedy, where a 17-year-old boy lost his life simply because of ignorance and bigotry. I can’t begin to tell you how outraged I am with this situation, especially as an uncle of a 16-year-old, a community activist who works with teens, and a former young, Black male myself.

Despite the tragedy and despite all the criticism, it was good to see many people from all walks of life protest and stand up for justice. Contrary to popular belief, this case is about more than just Black and White. It’s about right and wrong, injustice, and love for our fellow man. It saddens me to continue to see constant divide over color, religion, region, and all the other ridiculous things we find as an excuse to be inhuman!

Our only requirement for being on this earth is to give back! The point of our existence is to live a good life and leave the earth better than how we found it! Let’s begin to be a blessing to others! I’m not saying that we all
hold hands and sing “K##-Ba-Ya”, but I am saying that we all respect
each other’s differences and help whenever we can. It is unacceptable
to do nothing!

As Muhammad Ali once said, “Service to others is the rent you pay for your room here on earth.” Pay what’s due and know that regardless of how small, everyone has the power to change the world! So to the pessimists who do nothing but complain about how nothing is going to change… How about you go out and be the change…. How about you help just one person?!!! How about you stop complaining and pay what’s owed in arrears? I guarantee that if everyone had that attitude, the world would be better and there would be no room left for the ignorant! Life is for living, and as Sir Winston Churchill said, “We make a living by what we get, we make a life by what we give.”
-Ash’Cash

“Nobody makes a greater mistake than he who does nothing because he
could only do a little.” -Edmund Burke

“Great opportunities to help others seldom come, but small ones surround us every day.” -Sally Koch

“I wondered why somebody didn’t do something. Then I realized, I am somebody.” -Unknown

“Act as if what you do makes a difference. It does.” -William James

“The price of inaction is far greater than the cost of making a mistake.” -Meister Eckhart

“He who gives when he is asked has waited too long.” -Sunshine Magazine

“Be ashamed to die until you have won some victory for humanity.” -Horace Mann

“I am only one, but I am one. I cannot do everything, but I can do something. And I will not let what I cannot do interfere with what I can do.” -Edward Everett Hale

TO HEAR THE AUDIO VERSION OF THE DAILY WORD – CLICK HERE.

Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.

Tito Lopez Signs to Capitol Records, Releases “Mama Proud” Video

(AllHipHop News) Up and coming Mississippi rapper Tito Lopez has signed a deal with Capitol Records.

Lopez made the announcement via AllHipHop’s SXSW Breeding Ground Showcase at the #SXSWVibeHouse, explaining to fans that he had just signed a deal after years of hard work.

“I’ve been making mixtapes for a long time, and ain’t none of them pop like that, so for everybody, AllHipHop, my man Steve Raze, my man Guru on the boards, everybody whose been showing me love, I just signed my first deal to Capitol Records. GPT is the squad, Clockwork Management!” Lopez exclaimed to SXSW attendees.

In an interview with Cricket’s Muve Music – also at SXSW – Lopez explained how he got the deal with Capitol and what it took to take his music to the next level.

“What got me a deal was living and breathing music, I don’t do it as a job. I would be in my bedroom and just cut on a beat and just vent, and normally they call those freestyles,” Lopez explained. “If my aunt passed away, I rap about that; if I lost my job, I rap about that. Those were just called the ‘Venting Sessions.'”

Lopez recently released the visuals for his song, “Mama Proud,” an ode to his mother, featuring visuals of his hometown friends and family.

Hip-Hop Rumors: MC Lyte Calls Tyler the Creator “Irresponsible” For Dissing Her On Song

Rap legend MC Lyte has finally publicly responded to Tyler, The Creator from Odd Future’s line which implies that she is a lesbian. On Odd Future’s new album “Rella,” Tyler raps “Let’s get it poppin’ like MC Lyte around some d####.” Check out what MC Lyte had to say about that line below:

“Yeah, I definitely was insulted. First off, it’s totally new school. [Tyler, The Creator] has yet to understand [that] although he can have quite a bit of followers and fans, it does take a moment from one’s entry in the business for them to really understand what it is that we do for other people. And how we inspire them, and how we influence them, and how we can literally make or break another human being’s day. And with all that I’ve done throughout my years in inspiring generations of people, I think it very irresponsible of him.”

“With saying that, we do have a generation that is quite irresponsible when it comes to what it is that they’ll say [and] their behavior. [But still], it took me by surprise. One, because I know of people who know him and kind of hold him in high esteem. [But] from that action alone, I don’t know that I feel it worthy for me to address it in any other format, outside of this. But, yeah, I thought it was very careless.”

Handled like a true pro….although in her response, Lyte doesn’t confirm or deny the rumors regarding her sexuality. Does it even matter?

Michael K. Williams to Play ODB in New Film on Rapper’s Life

(AllHipHop News) Actor Michael K Williams will take the role of fallen Wu-Tang Member ODB in an upcoming bio-pic titled “Dirty White Boy.”

;;;According to Entertainment Weekly, Williams, who recently starred in HBO’s Boardwalk Empire will star in the movie as ODB, born Russell Jones.

“Dirty White Boy” will depict the last year’s of Ol’ Dirty’s life, prior to his overdose in 2004.

Ciinematographer Joaquin Baca-Asay will make his directorial debut with the film.

The movie also centers around a VH1 production employee named Jarred Weisfeld, who eventually becomes ODB’s manager, while ODB was in jail.

The story shows how Weisfeld developed a comeback for ODB, only to have him pass way from a drug overdose at the age of 35.

Fans of ODB might recall that ODB’s cousin, Raeshawn, is also piecing together a movie that is set to feature either Eddie Griffin or Tracy Morgan as ODB.

Weisfeld is cooperating with that project, along with ODB’s mother, Cherry Jones.

Bigger Than Trayvon: America’s Culture of Suspicion

Nothing exists in a vacuum, so when looking at the tragic shooting death of unarmed 17-year-old Trayvon Martin in Sanford, Florida because he appeared ‘suspicious’ to a self-appointed Neighborhood Watch captain named George Zimmerman, it can not be viewed in isolation. It’s part of something that’s much larger and systemic.

Many of us don’t like to admit it, but the fact is, this country has a long and sordid history where those who appeared ‘different’, meaning not white and male, were often deemed suspicious resulting in deadly consequences. Call it a Culture of Suspicion if you will, but it one that’s helped shaped social and political policy and impacted damn near everything we’ve done throughout the years.

TheBlack Codes, Vagrancy Laws, Jim Crow, Internment Camps, Salem Witch Craft Trials, Compulsory sterilization, Poll taxes, McCarthyism, Cointel-Pro, The War on Drugs, The War on Terror, The War on ‘Illegals’, The War on Women, these are just a few of the policies and measures that have emerged over the years out of this culture of suspicion…..And let’s be clear, so we’re all on the same page…The Culture of Suspicion is rooted in irrational FEAR and extreme ANGER.

It’s a FEAR and ANGER that dates back to the days of the pilgrims landing on Plymouth Rock where those who weren’t Anglo-Saxon in this case Native Peoples were ‘suspected‘ of being ‘less than human’ and thus needed to be civilized, stripped of their land and exterminated. Can we say Manifest Destiny? That’s what that concept and ideology ultimately meant for Native Peoples..Can we say Genocide?

Nat Turner and FEAR of slave revolts has resulted in deep-seated suspicions of Black people that are alive and well today

This FEAR and ANGER was pervasive among those who brought Africans to America in chains and enslaved us. Our culture was stripped, our language forbidden, our Africanisms stamped and literally beaten out of us.. Why? because slave owners had deep-seated fear of slaves revolting. All sorts of laws were put into place and all types of measures including divide and conquer tactics were employed to keep those who were then seen as beasts from rising up and doing what slaves like Nat Turner, Gabriel Prosser and Denmark Vesey eventually did-kill or in the cases of Prosser and Vesey, plot to kill their white masters.

This FEAR of Black reprisals has resulted in nearly all traces of the over 250 of slave rebellions that went down in the American South being erased from our school history books.

What has remained are disturbing stories of Black men, being lynched and hung from trees in what was described by singer Billie Holiday as Strange Fruit. What’s remained are eerie stories of entire Black town like Rosewood, Florida and Tulsa, Oklahoma being burned to the ground by angry white mobs because of FEAR and suspicion.of a Black man lusting after a white woman.

Sadly there’s a litany of stories about Black men being accused of looking at or lusting after a white women. This irrational Fear of a Black Dick and ‘suspicion’ gave rise of the Ku Klux Klan especially after the 1915 DW Griffith landmark film Birth of a Nation which had Black men lusting after white women as a main theme. You can see one of the more controversial scenes from that movie...HERE It also led to this country keeping anti-Miscegenation laws on the books up to 1967. Tragically it also led to countless young Black boys who having their genitals mutilated when those lynchings I mentioned earlier took place.

Again for many this legacy of FEAR and SUSPICION throughout our history is a painful pill to swallow. As a country we don’t wanna have an honest conversation of how pervasive it was and is and how it’s permeated our collective mind-set.. We don’t wanna talk about how this Culture of Suspicion been used toward various so-called minority groups in this country and the deep scars its left.

We don’t wanna talk about how we executed women who we suspected of being witches during the infamous Salem Witch trials.

We don’t wanna talk about how we rounded up Japanese American citizens during World War II and put them in internment camps because we were suspicious of them..

We don’t wanna talk about harsh and often fatal treatment levied upon men and women we suspected of being gay. How many have been killed, beaten, put into special classes to ‘straighten’ them out..

We don’t wanna talk about the horrific legacy of Cointel-pro a government counter insurgency program headed up by FBI director J Edgar Hoover. We don’t wanna talk about how Hoover kept all sorts of Civil Rights, Black Power, Brown Power and Anti-War organization under a suspicious gaze and actively used every resource possible to destroy them. He went after everyone from Marcus Garvey to Martin Luther King to the Black Panthers and everyone in between. Irrational fear, deep-seated anger and suspicion that those demanding equal rights were somehow not ‘real’ American were part of the rationale behind Hoover and the FBI actions.

To see how deep this gets.. I urge folks to watch this documentary to that lays out this culture of suspicion and Cointel-Pro.. You can peep it HERE: How the FBI Sabotaged Black America

The Importance of Connecting the Dots

Trayvon Martin

Again Trayvon Martin‘s tragic fate is not isolated. It has to be seen through this historical lens that reflects long-standing racial prejudices and attitudes and race based policy decisions in our society.

The unsavory actions of George Zimmerman coupled with the racial hostility he displayed in widely heard 9-11 call where he refers to Trayvon as a ‘F–king Coons and his paranoia (calling 9-11 over 40 times in the past year) are not out of the ordinary. He personifies the culture of suspicion.

The questionable actions and neglect displayed by the Sanford police department (not talking to key witnesses and keeping Trayvon’s body for 3 days without telling his parents) not only have the look of an outright cover up, but they too reflects this culture of suspicion… The message their actions convey is that; Trayvon must’ve been in the wrong. A young Black male wearing a hoody is always suspect. There’s no way Mr Zimmerman would’ve shot him for no reason.

In looking at Trayvon’s murder its also important to connect the dots to fear based incidents currently going on.. Look at the type of anger and hostility directed by those we are suspicious of…

Angel Rodriguez, a Puerto Rican basketball player was greeted with chants of Where's Your Green Card by Southern Mississippi band members.

For example,it was just last week during an NCAA basketball game we saw band members from University of Southern Mississippi resort to chanting ‘Where’s your Green card?‘ as rival basketball player Angel Rodriguez attempted to shoot free throws. The band members along with some fans ‘suspected’ that Rodriguez who is Puerto Rican wasn’t in this country legally. Puerto Rico is a commonwealth of the United States, meaning they’re citizens.

Sadly similar scenarios played out in other schools around the country including last month in San Antonio, Texas where players from mostly white Alamo Heights started chanting ‘USA USA’ after they defeated their mostly Latino rivals from Edison. Again there was a suspicion that the players from Edison weren’t one of us (American) They must be illegall.

Some may be tempted to chalk these incidents up to sport fans being ignorant. And that may be true until we see this same type of attitude displayed by Presidential hopeful, long time Senator Rick S#######. He recently stood before a crowd and remarked, that before Puerto Rico can become state folks living there will have to learn to speak English. Again that culture of suspicion at play. He’s suspects Puerto Ricans aren’t really one of us.. On a side note as was pointed out in a recent Reuters article, There’s no constitutional requirement to have an official language nor for a territory to adapt English as an official language to become a state.

Sadly the culture of suspicionit doesn’t stop there. There’s been a rash of anti-immigrant bills being passed with the harshest in Arizona (SB 1070), Alabama (SB 56) and just the other day Mississippi passing (HB 56). All are born out FEAR and suspicion.

We’ve had people like Texas lawmaker Debbie Riddle coin the phrase ‘anchor’ babies and ‘terror’ babies when referring to the children of Mexican and Middle eastern immigrants and push to pass laws to stop them.. This sort of fear mongering has resulted in entire communities being profiled and suspect.

9 year old Brisenia Flores was shot and killed after self-styled vigilante border patrollers suspected her family of being in this country illegally

People like Riddle help foster a deadly climate of suspicion with deadly consequences. For example, we should never forget what took place 3 years ago in Arizona when Shawna Forde a self-appointed border patroller formed the group anti-immigrant organization Minutemen Civil Defense Corps.

In May of 2009 she and some accomplices suspecting that a family was living in a neighborhood illegally, raided the home and shot the 29-year-old father Raul and his 9-year-old daughter Brisenia to death. The mother was there and left alive. Again the Culture of Suspicion resulting in vigilante justice.

The extreme measures taken on those ‘suspected’ of not being America are not just limited to hard-working, law-abiding immigrants. That anger and suspicion has been directed to President Barack Obama. We have a whole segment of society called birthers with people like businessman Donald Trump and Arizona Sheriff Joe Arpaio leading the charge. In a recent poll over 45% of folks in the south believed he was a Muslim and over 25% don’t believe he was born here in the US..

The suspicions of the birthers is unprecedented. First, they demanded the president show his birth certificate. After he did that they demanded he show a long form certificate. After he did that, they accused the documents of being forged and wanted original draft cards. In fact as we speak Arpaio is launching yet another investigation into the president. Can you say Culture of Suspicion gone wild?

It doesn’t help that President Obama has contributed or reacted to this climate of suspicion, by deporting over one million people and increased surveillance in American Muslim communities..His policies dovetail with the policies of many police departments that have also heightened this culture of suspicion.

It was just 3 or 4 weeks ago that a ‘suspicious’ looking Ramarley Graham was standing outside his home in the Bronx when he saw police officers roll by. He walked into his home only to be followed by police who ‘suspected’ he had a gun.. Police busted into his house and shot Graham in his bathroom in front of his grandmother and a 6 year old.. No gun or weapon was ever found..

Jordan Miles is a 18 year old violinist who played for First Lady Michele Obama

Graham was one of over a whooping 680 thousand New Yorkers who police stopped and frisked last year in their attempts to find ‘illegal’ handguns.. Over 80% of those stopped and frisked were Black or Brown men.. less than a 1% of those stops have resulted in any weapons being found. This policy has led to racial profiling and Black and Brown men being seen as suspects before being seen as productive citizens in their community.

The case of Pittsburgh, PA 17-year-old honor student Jordan Miles being stop frisked and beaten beyond recognition with his dreadlocks torn out his head is another example of what happens under this culture of suspicion..

Ironically in both the Jordan and Graham cases the police accused both men of fleeing when in truth, knowing the history of such encounters they probably developed a healthy suspicion of police who are no longer seen as friendly public servant there to protect and serve, but a vicious gang with a badges and license to kill.

There are too many cases to recount.. but the results are damn near always the same death, scarred communities and a legacy of deep mistrust.. Trayvon Martin is the latest casualty in this long line of tragic mishaps.

What if the Shooter was Black and the Victim White?

John White shot a White Teen who showed up at his house with a mob..He was convicted and sentenced

There are many who have rhetorically asked this question. It’s done not so much to plant seeds of racial hatred and be divisive but to point out the inconsistencies and double standards that exist within our justice system. Its way for us to look at situations and hopefully be moved to change them.

One glaring example of a Black man protecting his family and shooting a white youth involves took place a few years ago in Long island New York. In August 2006, John White confronted 17-year-old white teenager named Daniel Cicciaro who had been threatening White’s son. Cicciaro showed up with a group of his friends to get at White’s son. Fearing for his safety White shot the teen who was on his property. He was convicted and sent to jail. You can and should read about that case HERE.

At the time of White’s sentencing there were many who compared his situation with that of a White man out of Texas, named Joe Horn who shot two Black men on his property who he shot and killed after disobeying police orders. Like Zimmerman, Horn wasn’t directly threatned but he went ‘hunting’ for the people he eventually shot.. You can read about that case HERE and HERE.

This should come as no surprise to anyone that we have this type of double standard. The question and challenge before us all, is how will we fix a broken, racially biased justice system? Do we have to vote in new judges, new DAs and new prosecutors? Do we have to change the entire way we do business in the justice arena?

There are no easy answers and ultimately we are going to have to change people’s hearts and minds. Say what you will, but what fueled these confrontations and uneven results was racism and the suspicion that those who have darker skin are ssuspect..

The Zimmerman Is Hispanic Not White Argument

George Zimmerman

In recent days we’ve seen many in the media play this card and play it hard.. There’s a couple of things going on here that we should all think about.

First, is by playing up the fact that Zimmerman is half Hispanic suggests that he at one point or the other has been subjected to the suspicious FEAR laden gaze of society and hence he’d be a bit more sensitive and perhaps a bit more insightful when confronting folks, in particular Black folks. The implied thought is that Zimmerman, the half Hispanic would know what Black or Brown man to confront and not to confront better than the average white person..That’s utter nonsense so lets put that to rest..

Zimmerman was a racist who had a clear disdain for young Black males. He was as FEARFUL as any of the white person who has held similar attitudes. In short, what does Zimmerman being Hispanic have to do with anything? He drank the kool aid of white supremacy. His Hispanic background didn’t make him immune, the same way it doesn’t immune self-hating Black folks who buy into the same flawed belief systems where even with Black skin and having faced discrimination themselves, will see a young Black male with a hoodie and think the worse and become suspicious. Some of those FEARFUL Negros once they get a position of power or get to wear a gun and badge act out fearfully and suspiciously with the same deadly consequences.. So Zimmerman being Latino means nothing..

The other thing at play here is by the media highlighting Zimmerman’s ethnicity, Black folks are supposed to suddenly unite and start bombing on Latinos. We’re supposed to suddenly be upset with our Mexican, El Salvadorian or Puerto Rican neighbors? Was Zimmerman acting on their behalf and carrying out their agenda? I think not..

If they’re gonna play the ethnic card with Zimmerman all of us should be asking is Zimmerman repping for a large Latino body of people who are in the same struggles and fighting against an oppressive system. Is he part of an organizations like La Raza, MeCHA , NDLON, Puente, and in are they vouching for him? Would he have been suspicious of one the courageous Dreamers, undocumented youth who actually Marched through Florida a year or so ago pushing for passage of the Dream Act? Has Zimmerman been out there protesting all the anti-immigrant laws popping up all over the country or was he the type to support them, suspicious off other Latinos confronting them asking if they’re criminals or here ‘legally’?

Again either your working to free people from oppression or your working for the system, helping keep people disenfranchised and marginalized. Don’t buy into divide and conquer tactics. Connecting the dots, uniting marginalized communities and addressing institutionalized oppression is not in the best interest of those in power.

I’m not sure what Zimmerman represents and who he rolls with, but his actions deserved to be punished. And while in many places there are Black and Brown tensions which should be addressed the shooting of Trayvon Martin is not the jump off into further divisions. Whats at stake here is the death of an innocent 17 year old coming home in the rain wearing a hoodie and carry a package of skiddles..He was confronted by large, overzealous, suspicious wanna be cop who killed him.. We must resist the attempts to keep this tragedy isolated from these larger issues and histories at hand..We must seek justice and seek it in such a way that it puts a major dent in some of overarching problems and prejudices impacting us all.

Exclusive: DMX Issues Response To $630k Lawsuit And Cancelled Tour

(AllHipHop News) DMX’s camp has fired back a response to a $630,000 lawsuit against the rapper due to a cancelled tour in Germany.

Domenick Nati, publicist for DMX, told AllHipHop.com exclusively that DMX was rectifying his passport situation, which ultimately caused the cancellation of his “DMX Undisputed Comeback Tour 2012” in Germany.

“The promoters for the”DMX Undisputed Comeback Tour 2012″ are in good standing with DMX’s management, and they are helping us in the process of clearing DMX’s passport,” said Nati to AllHipHop.com.

But, there were also other issues to clear up as well.

“I would like to make clear that DMX’s management team is facing legal issues only with Heavy Rotation Booking. HR Booking is a previous promoter who DMX and his management have terminated their agreement with,” Nati continued. “The ‘DMX Undisputed Comeback Tour 2012’ is a completely separate tour than the one with HR Booking.”

Yesterday, Heavy Rotation Booking filed a $630,000 lawsuit against DMX and his management over the canceled tour dates.

Management told AllHipHop.com as well that they previously severed ties to the booking company because they allegedly sent falsified passport documents to promoters overseas in order to book the tour dates. Heavy Rotation has not responded to the allegations at press time.

Click here to read the previous story “Passport Issues Prevent DMX’s German Tour”

Mystikal Behind The Scenes at MGK’s “Wild Boy’s Remix” @SXSW [N48H Teaser #1]

The Next 48 Hours team follows another legend, Mystikal. Newly signed to Cash Money/Young Money (YMCMB), we follow Mystikal through the biggest music festival in America, SXSW in Austin, TX. In this teaser we catch Mystikal doing his verse of “Wild Boys Remix” along with Machine Gun Kelly, this teaser features Meek Mill and cameos from Wale and Travis Porter.

http://www.youtube.com/watch?v=J_JxAutI9u4

Breeding Ground Spotlight: BigMel Da Kingpin

Armed with a pen, a microphone and an unshakeable will to succeed, New Haven. CT based Rapper BigMel Da KingPin is already making a huge impact on the independent music circuit. His rhymes and lyrical ability have earned him acclaim with in the New York, Connecticut, New Jersey Tri-State Hip Hop scene and beyond. Bigmel is destined to leave his own imprint in the game. His versatility and dynamic stage presence puts Bigmel Da Kingpin in a league of his own

AllHipHop.com: What’s good BigMel? You’re buzz is crazy right now, but for those who are not familiar, let them know who you are?

BigMel Da Kingpin: I’m a Rap rebel hailing from New Haven, CT. I’ve been featured in XXL Magazine, The Source.com, Yo! Raps, Shade 45 and Vlad TV just to name a few. I’ve collaborated with such rappers as Fred The Godson. I make music from the heart. My music is my legacy. True talent can’t be purchased or manufactured because it comes from above. And I use my God given talent to make music in the spirit of realness.

AllHipHop.com: What project are you currently working on?

BigMel Da Kingpin: Currently I’m pushing my Club Banger called “You Need To Stop” Featuring Bronx Rap Lord Fred The Godson. We’re getting a lot of love from college radio stations and top mixshows from around the country. The Song is Hot! Be on the look out for the video coming soon.

AllHipHop.com: Who or what are your inspirations?

BigMel Da Kingpin: Some of the artists who have inspired me are The Notorious B.I.G, 50Cent, Jay Z, Beenie Siegel, and Jadakiss. I’ve taken a little bit from each artist to create my own unique style. But I’m mostly inspired by the Art of Hip Hop itself.

BigMel Da KingPin Feat. Fred The Godson – “You Need To Stop”

AllHipHop.com:What is your USP? (Unique Selling Proposition) and what sets you apart from other artists?

BigMel Da Kingpin; I have a different style which separates me from other
indie rappers. I’m in my own lane. I make love songs for the ladies that even thugs on the street can enjoy. And I can make hard core street anthems that will resonate with the ladies. I bring a multi faceted dimension to the game.

 AllHipHop.com:What Is Your Favorite Part Of Your Live Show? How Has It Evolved?

BigMel Da Kingpin: My favorite part of my live show is in the beginning when I first grab everyone’s attention. My show has evolved tremendously as far as my delivery and execution of my performance. I am evolving into a true
Master of Ceremony.

AllHipHop.com: What is your album going to be like?

BigMel Da Kingpin: The album is going to be a classic. It will have a total of 16 tracks – all Bangers! Basically the album will be filled with hard beats and sharp lyrics. The album will take listeners on a journey into my world and will explore the elements of love, war, excitement, fantasy, and tribulation. It will be dope!

AllHipHop.com: Any final words for the people.

BigMel Da Kingpin: My final words for everyone are to always peruse your dreams and never give up no matter what it looks like. Just have faith. Also follow me on Twitter: @Bigmeldakingpin and check out my Youtube page: BigMel Da Kingpin. And shout out to Jesse Jess from Urban Threshold. Let’s Go!

Hip-Hop Rumors: Drake Shoots New Video, Debuts New Dance, The “Wheelchair Jimmy”

It looks like Drake has invented a new dance called the “Wheelchair Jimmy”. The dance is definitely a reference to the wheelchair bound character he played on “Degrassi” named Jimmy. Drizzy broke into the dance while at a recent stop of his Club Paradise tour. This was too funny not to post, check out the video below.

In related news, Drizzy just shot the video for “HYFR” featuring Lil’ Wayne. A few of the photos have leaked from the set – you can check them out below.

Drake will also release “Take Care” with Rihanna tomorrow.

Kid Frost Talks Longevity In The Hip-Hop Game

Although West Coast veteran artist Kid Frost broke through on the rap scene with his Latino anthem “La Raza” back in 1990, he was actually making records as early as 1984 alongside fellow West Coast rap legend Ice-T. After more than 30 years in the game, Kid Frost sat down with AllHipHop.com to reminisce over his long career in a new exclusive two-part interview that starts from his beginning in rap to where his life is at now. Kid Frost also opens up about his children, including one who turned out to be one of the West Coast’s hottest new producers and about his recent health conditions, which have been reported on over the last year. So join us as we take you through the life and times of Arturo Molina Jr. better known to the world as Kid Frost.

AllHipHop.com: Did you always go by the Kid Frost name?

Kid Frost: Yes, I was always Kid Frost. When I first started rapping, I needed a moniker. Ice-T and Ice Cube had something “cold.” I was doing some boxing so I had that “Kid” moniker to my name. One day I put two and two together and came up with Kid Frost. Ice-T co-signed it and we started the Evil 3 MC’s which was me, Ice-T and Hen-G with Evil-E as our DJ. That group opened the door for my career in rap music. Thought them, I put out a record called “Rough Cut” way back on Electrobeat Records.

AllHipHop.com: How did you hook up with Ice-T?

Kid Frost: I hooked up with Ice through a DJ that we knew. I would go rock parties with him and one day he told me that he met Ice-T and that he told him about me. We went to meet him in Hollywood and Ice didn’t even have a record out yet but he still had a rack of a hundred dollar bills wrapped up in a rubber band. I never seen any sh*t like that in my life. Ice already had a Porsche too – he had it crackin’. Whatever he was doing, it was big things. He told me to jump in his Porsche and I had no idea where he was taking me. We went to this place on Ivar and there was a USC frat party going on there. He didn’t even know me yet, but he brought me on stage with him and handed me a mic.

Ice was a nut [laughter]. He used to throw M-80’s out of the back of his Porsche. He would stop and blow up a whole f*ckin’ dumpster. Ice was a fool, man.

AllHipHop.com: How long were you rapping at that point?

Kid Frost: Not even a whole year at that point. The Rapper’s Delight record and it said to rap your own version on the B-Side of it – and I did. At first I did it for fun but my friends told me that I sounded good. That was the era of breakdancing, mini-trucks and crack cocaine. I took penitentiary chances and I’m not proud of it but I had a little boy and now he’s grown up to be one of the most infamous producers on the West Coast by the name of Scoop Deville. When he was born, I took those risks but I also did other things like concrete, short-order cook, and running a restaurant. When the restaurant shut down at 10:30 pm, I would be out in Moreno Valley servin’. I went all of the way out there because I didn’t want to sh*t in my own backyard.

DJ Tony G hooked up with a guy who was touring with Young MC, Public Enemy and others. I went to meet Tony backstage at a show in San Bernardino, CA and I was amazed at how many people were there to see Boogie Down Productions. When I was working construction, I had 3 CD’s; N.W.A., Public Enemy and BDP. My co-workers hated me because they were all gabacho’s and I was blasting rap music on a big a** ghetto blaster. I ended up becoming a labor foreman. My work ethic from construction translated over to the rap industry. Also my father was a Special Forces Green Beret. I grew up in military bases all around the world. He instilled his work ethic in to me and that’s why after all of these years, I’m still doing shows and working.

So Tony G is with Young MC and I’m working like a dog but then I decided to join the California Conservation Corp to train as a fireman because I decided that’s what I wanted to do in life. I even got to fight a major fire up in the Sacramento area – pulling brush and all. I was actually going to be a fireman.

AllHipHop.com: So if rap did not come your way, you would have been Arturo Molina, the fireman?

Kid Frost: Probably the fire chief by now [laughter]. Whatever I get in to, I do it 100 percent. I would have still had a love and passion for music, had I gone the fireman route. Music is in my family. When Scoop was a baby, his grandfather would give him lessons.

AllHipHop.com: What took you from being a fireman to being a signed rapper?

Kid Frost: I hooked up with one of Jerry Heller’s old business partners named Maury Alexander and that was my first experience at getting ripped off in the industry. I didn’t know the game. DJ Tony G took me and Mellow Man Ace to Maury, who was also talking to The Boo-Yaa Tribe. He signed The Boo-Yaa Tribe first and Mellow Man Ace second. Mellow Man got signed through his song Mentirosa, which was originally my track from Tony G. Not the concept of the song, just the track. Mellow got his deal first and signed to Capitol Records, so the track went to him and became a great song. At that time I had already recorded La Raza at Tony G’s studio. I didn’t like the song at that time because everything in rap was fast paced with slammin’ 808’s. Tony made the instrumental as a cassette and I told him that it was too slow. He threw the cassette towards me and said, “get out of here and don’t come back until the song is done.” I didn’t even play the cassette. I was like, “F*ck that.” Tony kept calling to ask if I finished it and I kept telling him no.

One day I was talking to a Chicano Arts major and he encouraged me to let the Aztec warrior inside of me to come out. So I put the tape on again and the bassline hits [mimics opening bass-line to La Raza]. I started off with the “Q-Vo” line and wrote the rest in 20 minutes.

AllHipHop.com: You really changed your voice for La Raza. Your voice is much higher and your lyrics are more rapid in other songs.

Kid Frost: Yes but they were also changing the pitch of my voice on a lot of those records too. They sped it up because they felt that my voice was too raspy. I would do my verse and come back to hear it and be like, “Damn. They’ve got that chipmunk sh*t on me again.” They stopped doing it but yeah, they were changing the pitches for a time.

AllHipHop.com: Your song “La Raza” and Mellow Man Ace’s “Mentirosa” birthed an entire Chicano rap movement but I bet you had no idea that you were doing that at the time.

Kid Frost: Naw, I didn’t. It wasn’t until later that I started to learn about movements and as I look back, me and Mellow were like Lewis & Clark. Radio stations didn’t know where to put the song or how to market it. They never had a song in Spanish and English before. “Mentirosa” came out and started a real nice buzz, but then “La Raza” came out and it was more like an anthem. That song said, “Here we are! Recognize us now.” You wouldn’t believe how many people over the years have come up to me to shake my hand for that song. I’m talking about doctors and lawyers who have told me that the song inspired them to do something big with their lives.

Stay tuned for Part 2!