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For over 17 years, Los Angeles-based radio personality Kurt “Big Boy” Alexander has been lighting up the airwaves and entertaining listeners, first as an evening host, and then with his own morning show “Big Boy’s Neighborhood” on Power 106 FM. Starting out as a bodyguard for the West Coast group Tha Pharcyde, Big Boy was able to get the attention of those in the radio business based on his fun and likable personality alone. However, weighing over 500 pounds at the time helped him get noticed, too. Big Boy truly was a Big Boy, and it wasn’t until legendary actor and rapper Will Smith issued an on-air weight loss challenge to him, that he began to take his health and weight seriously.
After an up and down battle, Big Boy decided to have a duodenal switch prodcedure done, and the result has seen the once 500 pound man lose over 250 pounds and now sport a slim frame. With his morning show now syndicated across the nation and a series of acting roles behind him, Big Boy now adds the title of author to his repetoire with his new book “An XL Life: Staying Big At Half The Size,” which details his life and the events surrounding his weight loss. AllHipHop.com sat down with the iconic radio personality to discuss his fascinating career and just-released book in this new in-depth, exclusive interview:
AllHipHop.com: I’ve been a listener since when you started at Power 106 in the evening and The Baka Boys were on in the morning.
Big Boy: That’s history right there. The Baka Boys were the ones that put me in a position to get that job.
AllHipHop.com: You started out as a bodyguard for Tha Pharcyde, and you had no prior radio experience before you become a radio personality, right?
Big Boy: None whatsoever. When I was a kid, I used to have one of those old tape decks. My little sister and I would play around, and I did my own show called WKURT – because Kurt is my real name. As far as real radio experience, I had none. I never thought that I could be a radio guy or even had a voice for it. Even when I was around The Baka Boys, I never thought that I could do this. I love music, and I love entertainment. I knew that eventually I would do something with music involved.
I was a student of the music and entertainment first. When I became involved in radio, my boss told me that he could teach me radio, but he couldn’t teach me to be a personality – and I had that. I’ve always had the personality.
AllHipHop.com: So being a bodyguard wasn’t your aspiration, I take it?
Big Boy: No. I wasn’t the guy that said, “I want to be the best bodyguard in the world.” I would watch Tha Pharcyde on stage and be like, “Man. I want to do that!” I enjoyed being a bodyguard, but when my duty with Tha Pharcyde ended, I wasn’t trying to go get another client. I had a level head and was good at protecting people. There was an opportunity that came through a friendship to be a bodyguard for that group, and it was exciting for all of us. We traveled and those were my first stamps on my passport. It was my chance to be around music.
AllHipHop.com: Did you have any dangerous moments as a bodyguard? You know, bust a head or two?
Big Boy: Tha Pharcyde was a level-headed group. It wasn’t like we were out getting shot at, or I had to run these guys out. The one time we did have, it wasn’t even Pharcyde related. We were in Dayton, Ohio, in some little redneck hick part of town. We got in to it with some guys that were on some racial stuff. Me and the other group bodyguard handled it accordingly – beat the sh*t out of them [laughter].
AllHipHop.com: Were you nervous when you got behind that radio microphone for the first time?
Big Boy: No, because I didn’t know what it was. There are some people in radio now that know where they’re going, and they have these big expectations. They put all of this extra pressure on themselves. If somebody would’ve told me to go in there and do a kick a** job because I was going to get billboards and have the opportunity to buy my mom a house – it would’ve been hard with that extra pressure. Going in there and being told to just remember my name and the name of the station, it was fine for me. I wasn’t thinking about how many people out there were listening. I was just in a room with my guys having fun and that allowed me not to be nervous. I sounded like my listeners and they in turn enjoyed me.
AllHipHop.com: You’ve worked with so many big names in music and entertainment throughout your career.
Big Boy: Yeah! I’m a fan of the business. Even after being at Power 106 for 17 years, I trip out on having someone like Drake coming in. It’s crazy that I can see Jennifer Lopez, and she knows me. I remember paying to go see Ice Cube in concert, and fast forward years later, he’s performing at my birthday party. I pray to God that I never get used to that.
AllHipHop.com: Which celebrity do you get starstruck over?
Big Boy: Still to this day? Ice Cube can come in, and I’m like, “Damn. That’s Ice Cube.” The same with Mariah Carey. Then there was the time that I sat down with Michael Jackson. I grew up on Michael Jackson! This is Ida’s son, Kurt Alexander, sitting down with Michael Jackson. Crazy! I understand that cats are human beings and not to put them on pedestals, but it’s just wild that I can sit down with these people, and they know who I am.
AllHipHop.com: What’s your most memorable moment on the air?
Big Boy: It took us about a year to put together this Jennifer Lopez backstage breakfast. At the time, I was having a lot of problems with my post-duodenal switch gastric bypass surgery. I had a catheter to my chest that was feeding me. I was in the hospital, but I checked myself out to do this broadcast. My doctor told me that if anything went wrong with my feeding tube, I could have a seizure within 30 minutes. My doctor doesn’t want me to sign out, but I do it anyway. I guaranteed him that I would go back to the hospital once I was done. I get there and we have 600 people at this live broadcast backstage breakfast. Jennifer Lopez is there, and I’m literally walking in with the hospital bracelets still on. I go sit down, and then I notice this white liquid. When I sat down, I severed my feeding tube cord. I now have 30 minutes before having a seizure.
It took us a year to sit down and put all of this together. I’ve got 600 hundred listeners who are die-hard Jennifer Lopez fans. I’ve been promoting the show, and we have to record it so it can be on the air. I called my doctor and told him what happened. He told me to leave ,but I explained the situation and told him that I could knock the show out in a couple of hours. He told me to go ahead and do the show if I really needed to do it, but to go to the hospital as soon as it was finished. That meant no lingering and taking pictures with the fans. I did the show, but I had to go right back in to the hospital after that.
Another moment that I remember is when my mother passed. I called in to the station and spoke to my crew and told them about what happened, and why I couldn’t be there with them. I shared that with the listeners. Also, the 9/11 show was memorable. We came in that morning ready to do a regular show. Fuzzy Fantabulous walked in and said that some idiot crashed in to the World Trade Center. We watched the news live on the air and saw the second plane crash into the Towers. We are watching this chaos and tried to go back to doing a regular show, but we couldn’t. We had to change the whole climate of the show. We friends in New York calling in and telling us the things that they saw. My boss calls that one my best show.
AllHipHop.com: How were you able to do a show with the thought of possibly having a seizure on your mind?
Big Boy: Once the show started, I didn’t even think about it. If I would’ve invested my time worrying, something might’ve happened. It felt effortless once the show got going.
AllHipHop.com: I was listening that morning when Will Smith called in to your show and gave you that weight-loss challenge.
Big Boy: We were on the air with Will, and we were talking about it. Off the air, we spoke about it some more, and Will asked me how old I was. I was 32 at the time. He asked me about my heart. You could tell he cared. I started losing weight, and the deal was for $1,000 a pound [lost] to my charity of choice. Will kept checking in, and six months later, I lost 111 pounds. We did the check presentation for the charity and right after, that I went out and got some chicken nachos. I put all of that weight back on. That’s when I started to feel horrible. I had shortness of breath, lower back pain, and my legs were feeling numb.
AllHipHop.com: And that’s when you decided to have the surgery?
Big Boy: Yes. The procedure that I had is called the duodenal switch. With this surgery, I can’t go back to 500 pounds. My body will not allow it because it’s a malabsorption procedure. The body absorbs everything across the board – every vitamin and nutrient. It also takes knowing when to tell yourself that you don’t need something. I don’t eat a lot of fried foods anymore. I’m conscious about my eating.
AllHipHop.com: If you didn’t get that surgery, do you think you would have been dead by now?
Big Boy: Definitely. I knew that in the midst of all of the great vibes, comedy, and laughter that I was having, I would be dead in less than a year if I didn’t do something drastic. There was a feeling that I can’t tell you – I’ve never had that before. I told myself, “Dude. You are going to die.” I wouldn’t have made it to 2011, going in to 2012, with the same horrible feeling and eating habits. I started to do research on the surgery, and I asked myself if I had more life behind me than in front of me. When you think about it, do you see any 500 pound men that are 66 years old walking around?
AllHipHop.com: No.
Big Boy: Exactly. Whatever your vices are whether it’s drinking, eating, unprotected sex – it’s like a charge card that you’re charging. At some point, a statement is going to come, and what’s the price that you’re going to have to pay? Is it your heart, lungs, liver, or kidneys? Whatever you charge, you’re going to have to pay.
AllHipHop.com: This led you to write this new book?
Big Boy: Yes. When I had the surgery, I never thought to write things down because I was planning to write a book. It had gotten to a point that so many people had questions about the surgery or losing weight, that I became like an ambassador for weight loss. I tell people that this surgery is the last option. It’s not the first, and it’s not the easy way out – especially with all of the complications that I’ve been through.
AllHipHop.com: So people really do feel like having a surgery is their easy way out?
Big Boy: I’ve had people tell me that they want to lose 50 pounds and want to do that surgery. You know, I had one friend who had the lap-band done, and he didn’t even know what part of his body the lap-band was at! That’s how quick we as people are jumping on the surgery table now. I’m not pro or con. I’m not telling anybody what they can’t do. I’m on my “Fried Chicken Anonymous” right now. All I can talk about is myself. If you ask me about my opinion or about what I went through, then I can give you an answer. If you are going in to this thinking that it’s going to be instant happiness? Naw! If you’re not happy before you lay down, you’re not going to be happy when you wake up.
AllHipHop.com: How challenging was it to write this book?
Big Boy: It was very revealing to me and it unveiled a lot. I thought I knew myself. The more I spoke to Sarah Tomlinson – the one who helped me with the book – I had to peel off a lot of layers. I had to see my addiction to food and realize how I came to 500 pounds. One time I was editing and reading over the pages on vacation. My wife was sleeping and the kids were in the room – and I’m sitting there crying. It was to the point where I woke my wife up just by how loud I was. It wasn’t just the obesity. It was reading about my family, all seven of us, being homeless and sleeping in the mall. It was about my mother taking my sister’s radio away and pawning it. The reason why you won’t see any baby pictures in my book is because we lost all of our stuff in storage and in a fire. Then there are the happy moments. It was crazy and difficult to write all of this, and it was hard to hand it over to my family. That’s their story also, and they let me know that I kept it real.
AllHipHop.com: What’s next? You have your radio show. You’ve done acting, and now you are an author.
Big Boy: I’ve got some television stuff. I just did a production deal with VH1. I executive produced a movie called Exit Strategy. I’m in that also. I also just shot the pilot for “Big Boy’s Neighborhood.” I’m just trying to extend that brand. My kids like food and electricity, so I’m trying to provide that for them [laughter].
Big Boy’s new book, An XL Life: Staying Big at Half the Size, is available on December 27 via Amazon, Barnes & Noble, and other major book retailers.
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(AllHipHop News) Atlanta rapper Soulja Boy has filed a lawsuit against his ex-manager, claiming that he was coerced into signing “oppressive” contracts.
TMZ.com reports that Soulja Boy filed a lawsuit against his former manager Philip Ransom, claiming that he hijacked Soulja’s career.
According to the lawsuit, Soulja Boy was just 16-years-old when he signed the contract, claiming he was a naïve teenager.
Under his old deal, Ransom collects 5% forever, for the deals he negotiated while acting as Soulja’s manager.
Soulja Boy’s is also suing Ransom, claiming he gave up 50% of all of the rapper’s copyrights to his record label.
According to Soulja Boy, the deal he signed is “contrary to music industry custom and practice.”
Soulja Boy could have a chance since he entered into the agreement as a minor, but TMZ.com reports the deal is “industry standard.”
Ransom has filed a counter suit against Soulja Boy, claiming the rapper still owes money from the work he completed while acting as his manager.
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(AllHipHop News) Popular Atlanta personality DJ Drama will return to his hometown of Philadelphia tomorrow (December 7), to help celebrate the relaunch of Hip-Hop station Hot 107.9.
In September, the station was flipped on the radio dial from 100.3 The Beat, in addition to being renamed Hot 107.9.
In order to be more competitive in the city, executives at the Philadelphia-based station brought in Q-Deezy, a Philadelphia native who is featured on Big Boy’s#### Los Angeles -based morning show “Big Boy in the Morning.”
Additionally, the station has hired several new executives, including radio executives Bjorn Henriques, formerly of The Philadelphia Eagles Radio Network.
In addition to DJ Drama, Freeway, Kendra G., Young Chris, Gille Da Kid and a number of local athletes are expected to attend the launch, which takes place at Whisper Nightclub in Rittenhouse Square.
Hot 107.9’s DJ Damage, Greg Nitty and DJ Touchtone will also spin during the evening.
(Week Ending On 12/9/11)
Drake’s sophomore album, Take Care (YM/CM/Universal), remained at the #4 spot after selling 89,469 copies in its third week. The album is about 80,000 units away from going platinum, so expect Drizzy to reach this mark before year’s end.
After a 60 percent boost in sales for Kanye West and Jay-Z was reported last week in part due to Black Friday shoppers, the duo experienced a 33 percent decrease in sales this week after selling 21,215 copies. Their album, Watch The Throne (Roc-A-Fella/Roc Nation), actually moved up a spot to #31 despite the decrease in sales.
Lil Wayne’s The Carter IV (YM/CM/Universal) sold 20,264 copies this past week, and dropped from the 14th spot to #36 on the charts. The 68 percent decrease in sales – after a huge increase in sales last week – can be explained by the effects of Black Friday on the previous week’s sales. Still, the album recently achieved double platinum status.
These three albums are the only Hip-Hop albums in this week’s Top 50, as a number of albums found on the charts last week failed to make it back this week. However, J. Cole reached a milestone…
His debut album, Cole World – The Sideline Story (Roc Nation), remained absent from the Top 50 for the second week in a row, but this did not stop the album from officially going gold this past week. J. Cole is currently on tour overseas and expressed his gratefulness for this milestone over Twitter, “9 weeks later. Thank you is an understatement. GOLD World.” J. Cole’s week got even better when it was announced that he had been nominated for a Grammy in the “best new artist” category.
Curren$y’s Jet Life compilation album, Jet World Order (Jets International/iHipHop Distribution), which released last week, failed to reach to the Top 50. You can read AllHipHop.com’s review of Jet World Order here.
Yelawolf’s first album on Shady Records, Radioactive, vacated the charts after debuting at #25 last week with 41,826 copies sold.
Continuing the trend, Wale’s Ambition (Warner Bros.) also dropped out of the Top 50, after clinging to the 50 spot last week.
Dropping This Week (Week Ending on 12/9/11):
The Roots 13th album, undun (Def Jam), was released today. You can read AllHipHop.com’s review of the legendary group’s 13th album here.
T-Pain’s fourth album, rEVOLVEr (RCA/Nappy Boy/Konvict), was also released today. The 17-track album includes features from Lil Wayne, Chris Brown, and Wiz Khalifa among others. You can read AllHipHop.com’s album review here.
Dropping Next Week (Week Ending on 12/16/11):
Wiz Khalifa and Snoop Dogg’s soundtrack to their upcoming movie, Mac and Devin Go To High School, drops next Tuesday. Watch the video for the lead single “Young, Wild and Free” below:
(AllHipHop News) Cash Money Records CEO Bryan “Bird Man” Williams continues to indulge in his love for expensive cars, with the purchase of a new Lamborghini Aventador. According to reports, Birdman is one of several people who has ordered the new 2012 Lamborghini Aventador, which is valued at almost $800,000. According to the Aventador’s official website, the luxury car can reach a maximum speed of 217 mph and goes from 0 to 60 mph in just 2.9 seconds. The last car Birdman purchased was the red Bugatti Veyron which cost the rapper $2.5 million, while he allegedly bout a Maybach Exelero at a cost $8 million, although he allegedly decided not to purchase the car at the minute.
Rapper Pitbull has been tapped to perform alongside Lady Gaga, Hot Chelle Rae and Justin Bieber, during “Dick Clark’s New Year’s Rocking New Year’s Eve with Ryan Seacrest 2012.” Ryan Seacrest and Dick Clark will broadcast live from Times Square in New York, while Black Eyed Peas group member Fergie will host the Los Angeles-based segments of the New Year’s Eve special. During the event, Pitbull will perform several selections from his latest album hit album, Planet Pit. The night will start live with a two-hour special hosted by Jenny McCarthy and Fergie, starting at 8:00 PM ET on ABC.
Wu-Tang Clan member The RZA has launched his new App named “RZA’s World.” The new App features wisdom directly from the RZA, exclusive content produced by the RZA and an area where fans of the rapper can engage in an interactive game of 3-D chess. The news comes as RZA’s new line of headphones heads into stores. The rapper recently released his Chambers by RZA headphones, which landed in stores last Thursday (December 1). RZA held a launch party in Los Angeles to celebrate the headphone line, which is being produced with Swedish company WeSC.
Check out RZA’s App below:
My first night here was crazy, inmates screaming, banging, and kicking the doors calling the male CO’s b*tch *ss n*ggas & f*ggots telling the female CO’s how they gonna f*ck em, throwing plates of food out their cells onto the floor LOL. WELCOME TO THE GREEN MONSTER! This type of sh*t would never happen upstate, at best you’d be in the box for a month at worst the infirmary. I even got into it wit these stupid n*ggas trying to assassinate my character talkin about I’m snitching to the guards and that I’m getting special treatment. I barked on these n*ggas and set em straight cause as a man there’s only so much you can take before you snap. At first I tried to ignore there lil comments until they started talkin sh*t like they gonna kick my door and all this clown sh*t. But the funny thing is when I started screaming on them lettin them know they got the wrong n*gga they got excited it was like that’s what they wanted to bring the hood out of me. That’s when I realized that I’m dealing wit kids they can’t be n*ggas my age cause that would’ve lead to instant confrontation not instant admiration. After I set em straight they wanted to talk & ask me about the industry I could tell they wanted to be my friend but just didn’t know how to go about it. So I chatted wit them for a lil bit before letting them know I was tried and ready to lay down. But as I layed I listened to them talk telling there life stories of how one was born in a crack house and grew up selling crack to his mother and how another watched his father get murdered rite in front of him by some dudes he owed money as they robbed his house and how they were now in jail for crimes of their own one for beating his girl friend the other for a murder. One of them them is 19 the other just turned 23 yesterday. Both with kids of their own. When will we break the cycle? WILLIE LYNCH LIVES ON… DAMN!
When I got here I was happy to see some officers of the same skin color not that I’m racist or anything but in this type of situation and where I just came from you’d be happy to see some of your own too. Prejudice does still exist trust me I’ve been treated and seen it people treated like n*ggers more in 1 month that I have my whole life I feel like a slave and even tho I haven’t heard anyone say it actions speak louder than words. As I walk through the door everyone staring like they can’t believe I just walked in cuffed from head to toe. Even tho I don’t feel like much of a star that’s all they see the star that has fallen. But as I look in their eyes I still see the love they still wanna meet me and greet me as if I’m on their own personal stage except there’s no screaming fans, fancy clothes & bright lights. Only screaming inmates me in my orange jumpsuit and little flash lights they shine in my cell at night.
It’s hard to feel good signing autographs and taking pictures in this predicament but I did it with a smile cause I love my fans and never say no, no matter what mood I’m in after the meet & greet they took me to my cell where I’ll be housed till my court date it’s not the best but it’s not the worst either they gave me some pillows and an extra mattress so I’ll live. This is my 3rd here and IA already came and got me to investigate my lil meet & greet. I basically told them to f*ck off and that those are good cops cause they really were nice to me last thing I wanna see is good people get in trouble cause they got an autograph or a pic from me. You wanna investigate something investigate the crooked Hip Hop Task Force that got me into this sh*t in the first place.
As I sit in my cell listening to their stories I think about me and my Dad and how I hated to love him for so many years and how I vowed to be nothing like him only to have my mother say “your just like your father” LOL. Which made me curious to know him and of course just as we start to get closer to one another he dies. But I have my closure I learned alot about him and him about me in the short time we spent together. Which makes me think about my kids and how I’m raising them I am a great father and I have broken the cycle even though I’m in prison the foundation has already been layed. I hate being away from them for 20 months but sh*t could just as easily been on tour for that long. I feel compelled I wanna help other kids break the cycle. I’ve been to 5 different prisons and all I see is n*ggas and I ain’t talking about black people I’m talking about ignorance. See the problem wit most people is they don’t smell sh*t until they step in it and by that time it’s all over your shoe and everybody is tryin to get away from you. Now you have 2 choices you can either wash that shoe or throw it away. A lot of people choose to throw it away meaning they didn’t learn sh*t but those that choose to wash that shoe tend to watch their step knowing how hard it was to get em clean. I think I’ll wash my shoes this time cause this sh*t ain’t me. R.I.P William Jeffrey Atkins
BREAK THE CYCLE!
Ja Rule’s new single, “Real Life Fantasy,” hits iTunes on December 13.
Rating: 8.5/10
Yo, first things first – if this album is your introduction to The Roots, you’re doing it wrong. Undun is The Roots’ tenth studio album, their ninth if you don’t count their ‘demo project’ Organix (1993), and eleventh if you count the collaboration with John Legend last year (Wake Up!). The point being, the band has been in the game for a long time, and throughout their long discography have changed their sound to maintain a much-appreciated freshness. Last year, The Roots were met with the question of being too old for Hip-Hop, to which group leaders ?uestlove and Black Thought repeatedly answered (and I’m paraphrasing here), ‘Becoming 40-year old artists, it’s important to come with music from a different perspective than we did 15 years ago.’
Undun is The Roots’ latest project, and it is a concept album. It tells the tale of Redford Stephens, a fictional young adult who is plagued by crime and tragedy growing up in a dangerous and hopeless environment that, in turn, represents our society today. All in reverse narrative. Even if you are a seasoned Roots veteran, Undun will challenge you, or any listener. Every line is a clue, every song is a story; each are all pieces to the young Stephens’ tragic life.
After the long hospital beeping indicating death in the appropriately titled, “Dun,” we are thrown into the eerie singing of Aaron Livingston (seriously, dude sounds like he’s straight out the Addams Family) and “Sleep.” “All that I am, all that I was, is history” and “Oh there I go,/ From a man to a memory” rapped by Black Thought help insinuate that Mr. Stephens has passed away, and is looking back on his almost seemingly pre-determined fate; “Like when autumn leaves fall down from the trees.”
The tone is instantly set here, largely due to “Sleep’s” excellent, creepy production, and leads the listener to the album’s first single, “Make My.” The best song on the album, the lyrics and single artwork both would suggest that Redford has been shot and is dying. Guest Big K.R.I.T. really shines here; his bass-filled Southern drawl finds a perfect pocket to fit in between Questo’s reflective drum work. The breakdown at the last minute-and-a-half oozes of soul with pumping synthesizer sounds and steady, but lively, snares.
Keeping the stellar guest features going, Phonte puts on his mean face in “One Time,” rapping “If you ever see me out in ya’ll streets/ Find another one to occupy” and Black Thought follows in line with “You say goodbye, I say hello/ First and last, hello-hello/ Now all of y’all elevate your glass.” The brashness of the record implies that Stevens has committed a crime, and the champagne-esque sounding “Kool On” shows Redford living the high-life of a gangster. The riffs and wailing sample in the backdrop proves a perfect canvas for Thought to flex his vocals: “The minute before the storm hit/ Is what I’m calm like/ Suited and booted for a shooting/ Like its prom night.”
Lyrics reign supreme on this album, and from the somber “The Otherside” (“Playing with the fire/ That burned my boy”), to the aggressive “Stomp” (“The wheels spin/ I’m looking for a sacrificial lamb”), and the introspective “I Remember” (“I’m looking back/ And y’all look the same/ Troy, Mark, and little/ What’s-his-name”), every line has a purpose. Everything is done for a reason on a Roots album. To avoid this being a spoiler, I will not delve into each and every song and dissect. Every track has its own message and paints its own picture to the story of Redford Stephens – all open to interpretation. That’s what makes Undun so damn intriguing. It’s like a bad-*ss jigsaw puzzle. What a line and, thus, a song represent can differ from opinion to opinion, and that’s okay. Above all, it’s all about how it sounds, and that’s the other half of the fun.
The Roots have never made a bad album, and this isn’t the first. Being Jimmy Fallon’s house band has been glorified practice for the group, and the instrumentation is sharper than ever here. It’s going to take some time, dedication, and lyric looking-up to fully understand the LP. The more you listen, the more you love. The last four songs (“Redford” to “Finality”) are all instrumental, each shorter than two minutes, surely pushing Hip-Hop fans to the edge. The album is gloomy and at times confusing, and the concept does limit The Roots from being the bouncy, jam session band we love. But this may be the deepest project The Roots have ever made. And that’s saying something.