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Hip-Hop Rumors: Rita Ora Is Following Rihanna’s Blueprint Faithfully! Rita Now Linked To Drake!

Although Roc Nation artist Rita Ora says that Beyonce is her idol, it seems as if she is really following in the footsteps of Rihanna. First Rita took Rihanna’s style, then she stole her song, and now her sloppy seconds?

According to The Sun Rita was seen making out with rapper Drake after his show in Newcastle, UK. Check out what they printed below:

The pair were spotted kissing backstage at his Newcastle gig this week, where Rita was the warm-up act. Rita’s new single, “R.I.P”, is written by Canadian hip-hop star Drake – and they have known each other for ages.

A source says: “Rita and Drake have been good friends for a while now but things seemed more serious this week.

“They were all over each other backstage at the gig on Monday and weren’t trying to hide it.”

I’m not sure following Rihann’a blueprint is going to work for Rita Ora. Just be yourself, sweetheart!

From Chi-Town to Cali, Paypa Pours Out His Cross-Country Influence on “Feel Good Music”

With the recent release of his new mixtapeHenny On the Rocks 2: The Bottle, “Chicago-bred, California-raised” MC Paypa is closer than ever to making his dreams of releasing his debut album, Feel Good Music, a reality. With several mixtapes under his belt and a host of collaborations completed with some of the game’s biggest names like Game and Raekwon, Paypa is showing no signs of slowing down. With H.O.T.R. 2,  the gifted lyricist believes that the only way to move forward was to “pour out” his past.

AllHipHop.com spoke to Paypa on the eve of H.O.T.R. 2‘s release about the creative space he was in during the recording process, who he believes is the G.O.A.T., thoughts on Tupac’s Coachella hologram, and much more. Check out our exclusive interview with Paypa below:

AllHipHop.com: First things first, your government name is Marcus Moody, but your rap name is Paypa. Explain.

Paypa: Well, Paypa was a name that I was given growing up. I played basketball in high school and middle school and everything, and I used to ride around on a bicycle with a backpack on, and everybody used to crack jokes and say I looked like the paperboy. So it started out as just a joke, and then it just stuck, and everybody was calling me Paypa for short, and I just rolled with it.

AllHipHop.com: Okay. I knew you were a military kid as well, and you lived all over the country, but where would you classify as your “home”?

Paypa: You know what, that’s the hardest thing in the world, man, ‘cause it’s like I was raised in two places equally. My roots is the Southside of Chicago, Illinois. That’s where I got my beginning, and that’s where my whole family is from, and that’s a lot of who I am. On the other side of that, I grew up in California, too, and that’s a huge part of who I am as well. If you “x” either one of them out, then you wouldn’t have Paypa, man. Chicago is my roots. What I say is, “Chicago-bred, California-raised.” It’s pretty much the same thing, like a 50/50 split, I’d have to say.

AllHipHop.com: Being that you rep California and Chicago, I have to ask how those separate regions influenced your sound and music. Did you find yourself connecting more with the music scene in one city than the other?

Paypa: Well, Chicago definitely had a huge impact on my sound just because I feel like as an artist, you sound like whoever you grew up listening to. I grew up listening to a lot of Jay-Z and then Chicago cats like Kanye, Common, Twista. On the West Coast, I used to listen to a lot of Ras Kass growing up. I would listen to a lot of [Dr.] Dre, Kurupt, and that whole thing, so I think I got my soul from Chicago as far as my passion and delivery. But I think I got my ability to play in any lane; my versatility comes from growing up in both areas and being around two styles of music.

AllHipHop.com: That makes sense. Since you just brought up Dre, I have to ask about your thoughts on the much-talked-about Tupac hologram that “performed” at Coachella. What was your initial reaction when you saw that?

Paypa: I was blown away, man. It was a real surreal experience, and I can only imagine how it was for someone who was actually there. Coachella is actually only about an hour from where I grew up. But I was blown away, man, ‘cause I was watching it, and I knew it wasn’t real and that it was a hologram [laughter]. I was like “I know Tupac is dead; I know this is not him,” and then when he came out looking so real and shouted, “What’s up Coachella!”, it just f*cked me up, man.

AllHipHop.com: Who would you say is your favorite rapper, and who is the G.O.A.T.?

Paypa: It’s the same answer for both, Jay-Z. I’ve had many conversations about who the tops were, but if you in the conversation about the “Top Five,” then it’s an argument. But my personal favorite, and who I think is the greatest of all time is Jay-Z. That man has a story for anything you might go through, from the hustle to the struggle to the love to family to whatever. That’s Jay. He did it better than anybody ever did it, if you ask me.

AllHipHop.com: Before we talk about the project, I want to ask you about your brother who lost his life to kidney failure when you were younger. I wanted to know how that tragedy helped mold you into the artist, and more importantly, the man that you are today. How do you channel your brother through your music on a daily basis?

Paypa: Well, you know, when my little brother passed away, that was a very trying time in my life. It’s crazy, because I didn’t do music; it wasn’t my thing. I played sports, but my little brother was an actor, dancer, and a rapper and, you know, I would do the rapping for fun, just joking around with him, but it was never anything I took seriously. And then when he passed away, it was odd how it happened. I just kind of jumped on it and just took it and ran with it.

AllHipHop.com: Why was signing with S.R.C. and Universal the right move for you in your eyes?

Paypa: Man, we had met with different A&Rs and different execs and everything like that. When we met with Billy J over at S.R.C., he was just real and one hundred about what he could do and couldn’t do, and what to expect from him and what he expects from us. He was the first one to believe in the project and the team and what we were doing and trying to do.

AllHipHop.com: Now, tell me about the new project Henny On the Rocks 2: The Bottle. It’s been about six months since you dropped the first H.O.T.R., which is quite a feat to release two major mixtapes in such a short amount of time, but take me into your creative state of mind as you were putting H.O.T.R. 2 together.

Paypa: Well H.O.T.R. 2 was really easy for me to put together, because I knew where I wanted to go. I had so much bottled up, hence the name “The Bottle,” so much stuff that I wanted to say and wanted to talk about and get off my chest. There were things that bothered me, and I just went in and elaborated on all of it. I had a lot of time to think while I was out on the road and on tour and that was a huge learning experience for me. The last year has been such a year of growth and development, and I just wanted to pour it all out.

AllHipHop.com: Definitely, and I think it’s interesting to see names like Raekwon, Naledge, and Chip Tha Ripper on the project since they’re each from different regions, and you have the “Chicago-bred, California-raised” mentality. How did you decide who you wanted to work with on H.O.T.R. 2?

Paypa: It all starts with the music for me, man. I go in the studio and just pick a beat and figure out what the beat is saying and how I want to approach it and I come up with the record. Then I sit back and figure out who would sound good on it. I choose to collaborate with people that I’m fans of and admire their work. I’ve got Emilio Rojas on this tape, who is an up and coming MC who’s absolutely incredible. Raekwon’s on there who is an absolute legend, and who I’m just lucky to have the opportunity to have him on my mixtape, you know?

AllHipHop.com: For sure. That record with you Raekwon, JD Era, and Nick D’s is fire, so I can’t wait to hear the rest of the project.

Paypa: Yeah, Nick D’s is my little homie from my crew from Reno Valley. He’s 18 years old.

AllHipHop.com: What’s the name of your crew?

Paypa: It’s B.C.C. Blue Collar Coalition.

AllHipHop.com: I know you popped up on Game’s mixtape Purp and Patron last year, so I have to ask why he’s absent from H.O.T.R. 2?

Paypa: It was just timing, you know? He was on my mixtape before last, Tunnel Vision, and you know, then I was on one of his last mixtapes. I was on the road, and he was on the road. We just weren’t able to make it happen this time, but that’s my partner, man. He always shows me a lot of love, so we’ll definitely be working together again in the near future.

AllHipHop.com: Looking ahead past H.O.T.R. 2, will there be another project before you release your debut album Feel Good Music?

Paypa: I don’t want to talk about it too much, but I will say for sure that I’m working on another project right now. There’s more than enough to sit with for a little while on H.O.T.R. 2 though.

AllHipHop.com: Alright, man, sounds good. Thanks for your time.

Paypa: My man, thanks. I appreciate you.

Follow Paypa On Twitter: (@PaypaTime)

Lecrae Reveals Artwork and Details for New Mixtape, “Church Clothes”

(AllHipHop News) Reach Recording artist and Grammy-nominated rapper Lecrae is set to release his highly anticipated mixtape entitled Church Clothes, hosted by DJ Don Cannon and to be released on May 10.

Lecrae was first introduced to mainstream fans at the 2011 BET Hip-Hop Awards, where he performed in “The Cypher” with UK import songstress Estelle, Brooklyn’s Nitty Scott, and French MC, Saprano. The Church Clothes mixtape is Lecrae’s official introduction to the mainstream audience and will feature No Malice (formerly Malice of The Clipse) and production from 9th Wonder, Bio 1-Da, S1 (Kanye, Beyonce), and Street Symphony (Reach Records, Ludacris, Gucci Mane).

“What interested me was that he feels so strongly about his beliefs, and I am the same way,” states DJ Don Cannon during a Rapzilla.com interview. “It’s something special in music to be able to stand up in this industry and bring the people something different.”

No stranger to the making hits, Lecrae has released a string of albums and singles that have existed on top of the Billboard charts, starting with the release of his 2005 debut album, Real Talk, and his 2010 crossover release, Rehab, with an influence extended into mainstream media and culture. Rehab, arguably his most heartfelt album to date, broke into the Billboard Top 200, debuting at No. 17, while reaching No. 3 on the Top 10 Albums chart on iTunes. The impact of this album continues to spread across the globe, as it received nominations for several awards, including a Grammy in 2011.

Lecrae_-_Church_Clothes_(P###._by_Wit)_[Rapzilla.com]

“This mixtape is aimed at the mainstream and is raw, uncut Hip-Hop,” states Lecrae in a Rapzilla.com interview. “This is totally different from my past releases, and I hope I can build a bridge between my current fans and create new ones.”

As Lecrae prepares for the release of the Church Clothes mixtape, he is also gearing up to for shows in East Lansing, Jefferson City, Los Angeles, and Seattle. Check out the artwork for Church Clothes below and look for it to be released on May 10:

Find AllHipHop.com contributor Chad Horton at www.Rapzilla.com.

Rodney King: His Beating Lit The L.A. Flames; Hip-Hop Helped Put Out The Fire

“We didn’t start the fire/ It was always burning/ Since the world’s been turning./ We didn’t start the fire/ No, we didn’t light it/ But we tried to fight it” – “We Didn’t Start The Fire”, Billy Joel

Protests are human nature. When the underdog gets bitten, the pack strikes back.

Such was the case in 1992, when police brutality victim Rodney King saw his city of Los Angeles, California, ignite into a ball of flames and smoke. All over him.

After King’s brutally long, videotaped 1991 beating was revealed and sure to bring justice, the acquittal of several California Highway Patrolmen was the breaking point for a people already seething from maltreatment. As humans oddly do when frustrated and helpless, they turned on themselves – burning homes, businesses, and their spirits of togetherness in the balance.

Hip-Hop held it down at that time, though, helping to bring gang warfare to a halt, talking Rodney King’s injustice in their music, and spreading the word about the racism that still rears its ugly head across the country.

AllHipHop.com spoke with Rodney King as he set off on a promotional tour for his new book, “The Riot Within”. We met a person who is still very rooted in the past – but not 1991 or 1992. He’s thinking of times when he came up, and even back to a time when being Black meant possibly winding up dead:

AllHipHop.com: Rodney, we have somewhat of a younger demographic on the site – a lot of 18 to 30s who may not have known much about you. Going back to that time, right when [the beating] was happening, did you have a sense…were you like, ‘Oh my God, I hope someone finds out what they did to me?’ Where were you in your mind when it was happening?

Rodney King: In my mind, I can’t imagine what it must have been like for people who were brutally beaten by the government, and you know, the police force, and never get any recognition. It’s a real hurting…it’s a hurt. It just takes all of the life out of you. You just think that you don’t have any life left to fight, as far as when your Civil Rights have been violated in that manner, too.

There’s other manners [in which] they take your dignity away. To be beaten almost to death, you think that no one’s going to believe you. I was just holding onto my little tennis shoes that had blood on them, and a piece of my shirt, and that’s the only evidence I had, until this police lady came in the room. She said, ‘Baby, we seen it all on the tape. We seen it.’ She said, ‘It’s a shame what they did to you. Just lay down and get yourself well.’

Now, can you imagine me being around 30 or 40 years ago, and somebody saying ‘We seen it on tape, and don’t worry ‘bout nothing’? No. Because they had it on tape even back then, and they wasn’t doing anything about it. But now, at least a Black man’s got a chance, you know? I had a chance. But, really, I can’t say that the Black man has a chance, because so many of them don’t and have died over this same topic, you know? I was really lucky to have made it alive through that incident, and to have it on camera. I really didn’t think I had the evidence to prove it. It just took the soul out of me. You know, it was a sad, sad day.

AllHipHop.com: Yes, you had the footage, and that was a great thing. But when the trial came and the police were acquitted, what did it say to you about being a Black man in America? Did you feel like you didn’t matter after all?

Rodney King: Well, you know, it kinda, uhhh…it felt really bad. But what happened was the Feds had stepped in, and the lawyers told me the Feds had called and said President Bush, Sr. had sent them down and, you know, they would be prosecuting it. So then it was a different feeling.

But, it was a different feeling even before the call from the President. His people, I felt like, uhh, I wouldn’t have wanted to be alive back in the ‘30s, back in the ‘40s. It was so hard to get a conviction on the first case, because they had gotten away. And it was like, man! I can imagine what they felt like in the ‘30s and ‘40s and even the ‘60s – it must have been a really hurting, shameful time to be alive back then.

So I’m just so glad to be alive and to put in all the work. Things happen. Blacks and Whites have died for the cause of Civil Rights, to see a man get justice in this country. After that beating, I thought there was justice at the end of the tunnel for me, just based on the blood that had been shed before me.

AllHipHop.com: Right. So we’re at the 20th anniversary of the L.A. Riots, and everybody knows you for your famous line – ‘Can’t we all just get along?’ At that time, did you feel like you had to step forward and make a statement, because you were the one that set it all off?

I was telling someone how you’re the Trayvon Martin of our generation…the difference is you lived afterwards and there was violence. Trayvon died, but there wasn’t any rioting or anything… As the poster boy for what was going on back then, did you have to do something?

Rodney King: Yeah, I felt like I had to step up to the plate and try to put some water on the fire, because I knew that the government had told us shortly after the trial that they were gonna be prosecuting those guys [the rioters]. And so that’s why I came out publicly and said, ‘Can’t we all just get along?’

I also could feel the people’s anger and their fear; it was just an empty, lonely feeling at that time. I understood why people were upset, but after a couple of days and watching people starting to get killed and, you know, them shooting at innocent people, I had to come out and, you know, say something. This is America! This is my house! This is where we live, and I wouldn’t want to walk out of my house and it’s on fire and there’s chaos like that.

I felt like I had to say something. I still feel a big, big part of this country, you know what I mean? So, based on the work that my people have done, the structures and roads and stuff from back in the day that made the country so great, to how it is to this day.

Blacks don’t get credit; we get kicked to the side. I still realize the work and all of the nationalities that it took to get this country to greatness, although the Black man doesn’t get credit for it. It takes time, but I just gotta keep knicking at it, keep knicking at it. Do my part while I’m here, and be positive, and make it easier for the next generation. That’s what it’s all about. It’s not about me telling them, ‘Burn this son of a gun up! [laughter] Keep it going!’ No, it’s not about that; you can go about it a different way, so it will last longer, and it will mean something.

I knew that once that happened to me, it was on film, and I got lucky. I knew I would have my time to be in the spotlight. Every chance that I get – I’ve got kids – I want to leave good things that I’ve done, good things that I’ve said, some good words left behind. That’s really important to me now that I’m grown.

AllHipHop.com: We have a real young Hip-Hop audience, a lot of brothers in the ‘hood, a large audience over on the West Coast that reads AllHipHop, too, and I want you to give them some good advice, Rodney, about what is the best way, when you’re targeted by authority figures, or someone like George Zimmerman or the police, what’s the best way to handle yourself and walk away with dignity? What advice can you give on something like that?

Rodney King: I know it sounds strange, but I would just be real humble. I’m not saying kiss nobody’s behind, but just be very humble to move yourself away from that situation, and I guarantee you’ll come out smelling like a rose. I know the good guys don’t seem like good guys, but when it comes to tension, only two things can happen. If you’re in a position to run then get the hell out of there quick, ‘cause I’ve been young before, and I’ve been old before and have been violated, not just by the police, by regular people. It’s tough being a Black guy these days, a Black man, because people look at you in a different way.

We’ve been in the middle of so much for so long and doing so much for so long, the credit is way overdue. For them to give us credit now would break the whole system. Like a dinosaur, we’re a very historical species of people and very, very, very important to this world, and so many of us are dying off. It’s sad because it’s like our backbone to even see another Black face, just to see it, you don’t even have to know it just see it.

To keep from losing your mind or losing your life when you’re in a bad situation, just remove yourself in your mind from the situation, and then actually remove yourself from it. If you can remove yourself fast then remove yourself fast, if you can do it slow and get out of it easy then do that. Whatever it takes, just remove yourself from that, and don’t give a son of a gun no energy or no room to take your life. Even if you come back at them in a different way, if you’re able to do that, it may be the case where you’re going to have to see them again, but you will come out the winner. I guarantee you on that one.

AllHipHop.com: Okay. I heard you say two important things there. The first is to get out alive. Number two, I heard you say even during your beating that 20 years ago you made sure you had some piece of evidence that you could hold onto and say “something happened to me.” I think that they always need some way to document, whether it be in their mind or a piece of cloth with some blood on it, anything to say that “something happened to me.” I think that’s really good advice.

I know we’re running out of time but I have one more question for you that’s on a more personal note. I know we got to know you a little bit more as a person during your stint on reality TV while you were going through your recovery, so the first thing I want to ask you is how you’re doing now. And as far as Hip-Hop goes, who really shaped Rodney King as a person and as the kind of guy who gets up and keeps fighting when it’s all said and done? How are you now, and who shaped you within Hip-Hop?

Rodney King: Who shaped me in Hip-Hop? You know, Hip-Hop is a part of my generation. Thank goodness for Hip-Hop, because in one manner, Hip-Hop played a big role in getting the justice that I did receive. I’ve always wanted to be a part of some music business or have some type of claim in there, and my hat goes off to Hip-Hop because they got some good word out for me with the police beating, so I owe Hip-Hop the credit for that in me getting justice in this case.

AllHipHop.com: That did help, for sure. How about you Rodney? How are you, and what are you looking forward to?

Rodney King: I’m doing pretty good; I’m engaged. I’ve been engaged for like two years, and I’m looking forward to getting married in two more years once my daughter gets out of college.

AllHipHop.com: Four years? That’s a long engagement [laughter].

Rodney King: Well, two years went by so fast, I figured might as well wait until my baby gets out of school and wait another two. So I’m looking forward to being a powerful force for myself and for the world and being positive.

AllHipHop.com: Well, that’s great to hear and best of luck to you, Rodney, because maybe people like you are chosen for a reason. You might not have even known that you would be this guy, but people like you are chosen for a reason, so your story is important, and we thank you for that. Are there any last words you want to share?

Rodney King: Yeah, you know I want you to take a look at my book, guys, because you, too, can write a book these days. It’s not that hard for a company to pick you up and put your book on a shelf nowadays. It’s work from a Black writer and a Black person who went through it. We need to have people see and hear and read this sort of stuff. And you don’t hear from too many Black writers these days, so it’s really good to hear the serious side of a Black person’s life, and how he made it this far being Black.

AllHipHop.com: Right.

Rodney King: Sit down and document everything in a journal. Write down some high points of something you went through in your life, ‘cause the time goes by so fast. Before you know it, 30 years will be here – it happened to me.

AllHipHop.com: That’s so true, thank you for that. That’s great advice, and we need more books to get away from the TV and video games, and definitely more Black writers. Thank you so much, Rodney.

Rodney King: Thank you so much.

Barack Obama Shouts Out Young Jeezy At White House Correspondents Dinner

(AllHipHop News) Young Jeezy finally received a well-deserved nod from President Obama at the White House Correspondants Dinner Saturday night.

After being asked what would happen a second term, the president joked to the glee of the audience in attendance.

“In my first term, I sang Al Green; in my second term, I’m going with Young Jeezy,” the president quipped.

“My President” was the fourth single from Young Jeezy’s third album, The Recession. The album was recorded the day Barack Obama was confirmed as the Democratic presidential nominee.

The song also features Nas.

In 2008, Jeezy told MTV that he never expected to be recognized by the president.

“I’m a street cat 100 percent, but there’s certain things I had to distance myself between too if I wanna lead the way for the rest of us, if I wanna spit that game back to the ‘hood,” Jeezy said. ” … I don’t expect Obama to come send me a thank-you letter for the song. I feel like he did his thing, and I did what I could to help.”

Here is the clip:

Hip-Hop Rumors: Eve And Swizz Beatz Tease “Mama In The Kitchen”

Eve is tantalizing our musical tastebuds with a teaser of her new joint with super producer Swizz Beatz. The track is called “Mama In The Kitchen” and will be featured on her upcoming album.  Eve tweeted the video to her Twitter followers and @’ed Snoop Dogg, who is most likely featured on the track along with the following message:

“I’m COMIN SOON! COUNTDOWN! MAMA IN THE KITCHEN @therealswizz @SnoopDogg check the quick Klip”.

Eve also chatted about “Mama In The Kitchen” last year when she caught up with BBC Radio 1Xtra overseas:

“I did another record called ‘Mama’s in the Kitchen’ with Swizz that is ridiculous. In the next couple of weeks, I’ma let this burn for a minute and then I’m going to drop that record…I’m busy. I got like five more records to do and then I’m done with the record.”

Check out Eve and Swizz teasing “Mama In The Kitchen” below:

EXCLUSIVE: J. Dilla’s Mom Gets Hundreds Of Unreleased Tapes, Artifacts, Manuscripts

(AllHipHop News) Fans around the world will now have the chance to hear new, previously unheard material by J.Dilla, thanks to a record store owner in Detroit, who discovered hundreds lost tapes and other material created by the producer.

Maureen “Ma Dukes” Yancey is now in possession of hundreds of tapes created and produced by her son J. Dilla, who died of February 10, 2006 from Lupus.

The treasure trove of J.Dilla material was found by Jeff Bubeck, who owns the Royal Oak-based record store UHF.

Bubeck was cleaning out an abandoned storage unit storage he took control of, when he found over 7,000-8,000 records, notebooks, notes and other handwritten artifacts by J.Dilla.

In an exclusive Q&A with AllHipHop.com, Ms. Yancey revealed that Bubeck declined offers from around the world to sell J.Dilla’s material and returned a box of original beat tapes, letters and other items.

“It was overwhelming to see this handwriting again and to see how he marked his records, with his silver marker,” Ms. Yancey told AllHipHop.com. “That was his favorite color, the silver marker.

According to Ms. Yancey, J. Dilla, born James Dewitt Yancey, left to record in California, but before he left, he wanted to sell over 20,000 albums from his collection.

Jonathan Taylor, who is the business manager for The J.Dilla Foundation, said that the producer’s collection simply became scattered after his death.

“He chose which ones [records] he wanted,” Taylor told AllHipHop.com. “He took the ones he wanted and those that were left, were from eight years ago.”

Ms. Yancey and Jonathan Taylor wanted to express their gratitude to Jeff Bubeck for returning the material and not thinking about a turning a profit off of the valuable material that he discovered.

“He is my hero. He truly is,” Ms. Yancey told AllHipHop.com of Bubeck. “It was really good to be with him and to see him and to see the type of person he was. He just broke down, because he’s a remarkable father and understood.”

Check back tomorrow for a full Q&A with Ms. Yancey and Jonathan Taylor of the J.Dilla Foundation.

VIDEO: “30 Reasons to Go to Soundset 2012!”

With a lineup that boasts performers like Ghostface and Raekwon, Lupe Fiasco, Kendrick Lamar, Big K.R.I.T., Action Bronson, Atmosphere, and over 30 others, it would be an understatement to say that this year’s Soundset 2012 festival is “just another concert.”

The biggest Hip-Hop festival in the Midwest is less than a month away, and the good folks at Rhymesayers Entertainment have provided us with a video that shows off “30 Reasons to Go to Soundset 2012!” Check out just a few of the 30 Reasons below:

  • Five-year Soundset anniversary
  • Meet and greets with your favorite artists all day
  • Seven (7) DJ sets
  • Live painting exhibit
  • Custom car show
  • Six (6) Rhymesayers artists performing
  • Two (2 )main stages

Check out the entire Soundset 2012 promo below:

For tickets and more information, visit Soundset.com.

What Happened To The R&B Boy Bands Of The Early 2000s? Here Are 5 We’d Take Back

It’s more than music. It’s family values. It’s life inspiring. From their desire to want to find the right kind of love, to teaching us how to enjoy a night of romantic activity, R&B groups have always held us down. It was all about crooning.

We’ve seen our fair share of influential R&B groups – from the early days of the Jackson 5, to DeBarge, to Jodeci, Tony! Toni! Toné!, Guy, New Edition, Boyz II Men, and the ’90s era with Shai, H-Town, Soul 4 Real, Blackstreet, Dru Hill, 112, Jagged Edge, and a host of others. As we neared the 2000s, more groups appeared, but this generation didn’t seem to fare as well as their predecessors. And, many a good group flew under the radar.

After a recent conversation with Slim from 112, wer’e left thinking that it seems like R&B groups just can’t seem to stay together, forever. Someone has to go solo. Someone isn’t happy with management. Someone came up on the short end of the money stick.

Here’s our list of five R&B Groups we wish would’ve stayed around just a little bit longer:

RUFF ENDZ
Who can forget the two dudes who proclaimed “No more shopping sprees!”? Nicknames? Davinch and Chi. In 2000, they released their debut album, Love Crimes. Their most popular single, “No More”, appeared on this album, peaking at # 5 on the Billboard Hot 100. The group released their final album in 2010, appropriately titled, The Final Chapter. Drat. They could actually harmonize.

IDEAL
They released just one album, but their hit single “Get Gone” had us relating to the story – which encouraged us to move on from those that have caused ruckus within our life. The eponymous album reached gold status. Sheesh! What happened to them?

NO QUESTION
The summer of 1999. That’s when a little-known Philadelphia-bred R&B quartet, No Question, came on the scene. Comprised of Damon Core, Dante Massey, Tommy Blackwell, and Nicholas Johnson, they released their biggest hit to date, “I Don’t Care”. The song stressed the importance of trusting your gut instinct, and ignoring what the outsiders say, when it comes to who you have love for. The group toured with such acts as Jay-Z and Destiny’s Child. Again. What happened to them?

PROPHET JONES
Once touted as “the 21st Century Jodeci” by University Records president, Haqq Islam, the guy who signed them, this quartet found their single “Lifetime” at #1 on BET’s 106th & Park. A year before, Jagged Edge released their most successful song to date “Let’s Get Married”, and I’m so sure we needed another group to follow up. Prophet Jones was that group. After this single, however, we never heard much from Prophet Jones afterwards. While Jagged Edge marched on for a little longer.

ATL
With R. Kelly & Jazze Pha producing your debut album, is it even possible to lose? The youngest of this list, ATL is a group straight out of the dirty-dirty, Atlanta, Georgia. In 2003, Will, Tré, L-Rock and Danger came on the scene with The ATL Project, which spawned two singles “Calling All Girls” and “Make It Up With Love”. The album, however, was released internationally, but never released in the U.S.

A NEW DAY (26?)

The “boy band” art form, however, has not totally died out. Groups like Day 26, Hamilton Park (pictured at top), and even the little guys, Mindless Behavior, are prying open the doors of R&B to give us that feeling of “Group Goodness” we all love. Check out a current hit below from Day 26 – “Have You Made Love Lately?” (Well, have you?)

Do you have an R&B group you’d like to see get back together for one more album?