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Yasiin Bey, Black Thought and ?uestlove Added to Lineup Of 2012 NYC Blue Note Jazz Festival

(AllHipHop News) In it’s second year, the Blue Note Jazz Festival has lined up such talent as Black Thought and ?uestlove of the legendary Roots crew, as well as Yasiin Bey and a plethora of others to perform at the June 10 event that will be held throughout the city of New York.

“After an extraordinarily successful first year, the Blue Note Jazz Festival will return from June 10-30, 2012 with over fifty shows throughout New York City,” according to the festival’s website. “The 2012 Festival will feature numerous high-profile international and local acts such as McCoy Tyner, Bela Fleck, Soulive, Buika, Kathleen Battle, Groove Theory, Stanley Clarke & George Duke, ?uestlove, Jack DeJohnette, Roy Haynes, Jimmy Scott, Black Thought & Rahzel with Strings and many more.”

Fans can catch Yasiin Bey (formerly Mos Def), will be performing at The Apollo Theater at 9:00 p.m. on June 29.

One week earlier, Black Thought will be performing with Rahzel under the name Riq and Rah With Strings for free at the Central Park Summerstage on June 17 at 6:00 p.m. Other performers that night include Groove Theory, Soulive and DJ ?uestlove.

Media sponsors for the 2012 Blue Note Jazz Festival include NBC New York and The Village Voice while the festival’s partners include Jill Newman Productions, JazzReach and Massimo Gallotta Productions.

For tickets and more information, visit BlueNoteJazzFestival.com.

EXCLUSIVE: The X-Ecutioners Honor Roc Raida With Tribute Mixtape

(AllHipHop News) AllHipHop.com recently spoke with Rob Swift and DJ Total Eclipse of The X-Ecutioners, as part of a series recognizing the DJ in the month of April.

Representing one of Hip-Hop’s most skilled and renowned DJ groups, Rob Swift and Total Eclipse broke down the world of DJing today.

The X-Men explained what the group has been doing in the aftermath of DJ Roc Raida’s passing, and how they are honoring Roc Raida’s legacy.

Roc Raida, born Anthony Williams, died on September 19, 2009, from cardiac arrest, from an injury he suffered while training in Krav Maga, a defensive style of martial arts.

“Roc Raida was one person that influenced me as a man’s man. I’ve known him since I was 18,” DJ Total Eclipse told AllHipHop.com. “Ever since I’ve known him, he has been a big brother to me, whether it’s something that I learned from him about the turntables or about life in general on how to conduct yourself as a person. To get respect, you have to earn it by achieving as high a goal as you can with passion and a lot of vigor to sustain it.”

Last month DJ Rob Swift released a tribute mixtape titled “Roc for Raida” featuring fellow X-Ecutioners Total Eclipse, Mister Sinister and Precision.

“My idea was to compose a mixtape that revolved around the music that Roc Raida made on turntables as far as battle routines and as far as the music that he made for artists,” DJ Rob Swift told AllHipHop.com. “A lot of people don’t realize that Roc Raida was an amazing producer, beyond DJ’ing he also produced. I wanted to showcase the music that he released that people really weren’t aware of.”

The tape is narrated from audio gathered from a 1990’s movie called “Battle Sounds” by John Carluccio, that showcases The X-Ecutioners passion for DJing and the friendships that were developed through the art of DJing.

“When you hear the mixtape ‘Roc for Raida,’ you hear in our voices just how close we were and how much we mean to each other,” Rob Swift told AllHipHop.com.

Rob Swift said that the collective used music and DJ’ing to transform their lives and become world-famous.

“It’s not like he was the most fortunate person. Growing up poor, when he first started DJing he didn’t even own turntables,” Rob Swift said. “He used to have to go to other people’s houses to use turntables and now he’s left behind a legacy, so my whole thing is to Roc for Raida for the rest of the year.”

Fans can download the project at www.djrobswift.bandcamp.com, where all proceeds from the tape’s sales will go to Roc Raida’s family.

Hip-Hop Rumors: French Montana Wants Ma$e To Join His “Camp”, But Which Camp Is He Talking About?

According to French Montana, Ma$e is serving as an A&R representative on Montana’s forthcoming Bad Boy debut, “Excuse My French,” as well as appearing on the remix of Montana’s “Everything’s a Go.”

“I’m not sure what kind of decisions he’s going to make,” Montana says, “[but] I would love to see him in my camp.”

I wonder what camp Frenchie is talking about wanting Ma$e to be a part of? Bad Boy, MMG, or Coke Boys?

Love & Hip Hop’s Olivia Inks Deal With Wonda Music

(AllHipHop News) “Love & Hip Hop” star Olivia has announced a new deal with producer Jerry “Wonda” Duplessis.

The former G-Unit singer has signed with Wonda’s newly launched entertainment company Wonda Music.

Olivia, who is managed by Rich Dollaz’ Dollaz Unlimited company, is currently in the studio with Wonda, who has worked with Destiny’s Child, The Fugees, Shakira, Justin Bieber, Michael Jackson and others.

“She’s learned to value herself as a brand and that value will not be compromised by deals that shortchange her talent and knowledge of the game,” a rep for Dollaz Unlimited told AllHipHop.com in a press release today (April 30).

The pair, who collaborated on the track “Walk Away” on season 2 of “Love & Hip Hop,” have been in the studio, working on new material for her upcoming album Show the World.

“Their music will tell a story that has been fine-tuned through the years; a story of struggle, dedication and extremely hard work,” a rep for Dollaz Unlimited said. “A combination of Wonda so grounded and Olivia’s determination, there will be nothing but amazing successes.”

Show the World is due in stores during the 4th quarter of this year.

Daily Word: The Past Is The Past!!

Greetings and Salutations, my blessed and highly favored!

Welcome to the day that you finally put the past behind you and begin to live life to the fullest! Today’s Daily Word is dedicated to Today! The past is gone, the future is not here yet, so today is the only day you know you have for sure!

Many people waste today because they spend so much time in yesterday, thinking about what could’ve been done differently not realizing that everything happens for a reason! What may seem like a mistake is a blessing in disguise… Every moment carries its own lesson, but if you are too busy feeling sorry and having regrets, you will miss the lesson completely! Know that TODAY is the only day you fully have in your control! What’s done is done!

Stop giving your power up to shoulda, woulda, and coulda!! There is nothing they can do to change your circumstance! You are the only one that can change your situation in any direction you want it to go!! Effective immediately, I need you to put away the past!! It is what it
is, and it got you where it got you!! Start TODAY making sure that TODAY is the best that it can possibly be! If you do that EVERYDAY, then tomorrow will take care of itself! Every new day is an
opportunity to do it better! Take advantage of that fact, and make it great!! You are in TOTAL control!! NOTHING CAN STOP YOU!!
-Ash’Cash

“One problem with gazing too frequently into the past is that we may turn around to find the future has run out on us.” -Michael Cibenko

“Stop acting as if life is a rehearsal. Live this day as if it were your last. The past is over and gone. The future is not guaranteed.” -Wayne Dyer

“People who live in the past generally are afraid to compete in the present. You’ll have your faults, but living in the past shouldn’t be one of them.” -Sparky Anderson

“If only. Those must be the two saddest words in the world.” -Mercedes Lackey

“If we spend our time with regrets over yesterday, and worries over what might happen tomorrow, we have no today in which to live.” -Unknown

“What you need to know about the past is that no matter what has happened, it has all worked together to bring you to this very moment. And this is the moment you can choose to make everything new. Right now.” -Unknown

“Whatever your past has been, you have a spotless future.” -Unknown

“Your past is important but it is not nearly as important to your present as the way you see your future.” -Tony Campolo

TO HEAR THE AUDIO VERSION OF THE DAILY WORD – CLICK HERE.

Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.

Exclusive FLICKS: L.A.’s 93.5 KDAY’s Krush Groove Concert

On April 28 at the Gibson Amphitheater located at Universal Studios in Los Angeles, “Back In The Day” Hip-Hop Station 93.5 KDAY held their annual Krush Groove concert. This year’s lineup included Brooklyn rapper Masta Ace, Ras Kass, The Pharcyde, Mystikal, Cypress Hill, and Ice Cube closing and putting an exclamation point on the show.

Crowd favorites included “Born To Roll” by Masta Ace, “Passin’ Me By” by The Pharcyde, “Shake Ya A**” by Mystikal, and “Insane In The Brain” by Cypress Hill. Ice Cube (joined by his partners W.C. and DJ Crazytoones) then took it to another level by strictly performing an old school set that included “Natural Born Killas,” “Straight Outta Compton,” “Jackin’ 4 Beats,” “Check Yo’self,” “You Know How We Do It,” and many other of his classic cuts from the 90’s.

AllHipHop.com was on hand to take pictures and to interview artists backstage. Check out our Krush Groove Picture Gallery below:


EP Review: The Wurxs’ [BGA] “2nd Win”

Rating: 7.5 / 10

When pressing play, the first thing to greet you on The Wurxs’ 2nd Win EP is the comforting, soothing sound of Kenny Powers’ braggadocious voice rambling about his self-importance in a way that only Kenny Powers can. It sounds contradictory, but shortly after the laughs from the audaciously cocky (and hilarious) introduction concludes, Gee Moolah and Trons both come in to prove their self-worth over five songs, which are all self-produced and – more importantly – all well done. The West Philadelphia production/rap team showcases their chops behind the boards and on the microphone for less than 15 minutes, but the brevity only shows promise if you’re looking for dope artists that you’ve never heard of, and validates the reasons for Black Thought, Dice Raw, and other Philly acts being affiliated with them.

As mentioned before, the five songs present don’t even top out above 15 minutes, but each song displays their abilities to a certain degree. The production bounces around to different tempos, but remains undoubtedly Hip-Hop the entire time. Lyrically, they don’t miss a step as well and manage to include slick rhymes into their flows patterned for each beat. There’s no weak link as well; the cousins both do heavy lifting while spitting with relative ease and dropping memorable lines throughout from the beginning. From the clever laid back vibe of “Vacation Music(“I hit the grass twice, chick’s Mulatto, half White / we fornicated then I skated like a halfpipe”) to the aggressive bars in “Decompression(“But this the recession so they neglecting me like bad stock / so I’m on my NASDAQ, tryna get my cash back”), it’s all an enjoyable listening session.

It’s interesting, especially if you consider this only took them a month to make (two if you count the sequencing), but it’s only real flaw is the same thing that makes it great. By the time you get a feel for the group lyrically and understand their appeal and talent in their production, it ends. The one thing that’s for certain is that they do indeed have the skills to validate Black Thought wanting to develop them further, and all of those said skills are on exhibition for this quick listen entitled 2nd Win.  The duo knows they are talented, and the Kenny Powers skits that hinge the project only comically state what they believe to be true; if they continue working, it’s no telling where we’ll see them end up next.

Graduating from Ghetto Scholarship: Has Hip-Hop Dumbed Us Down?

“Let Freedom ring with a buckshot/but not just yet/ First we have to understand/ the nature of the threat” – “Nature of the Threat”, Ras Kass

After 10 long years, the day had finally come. Juaquin Davis was finally graduating. As he swaggered across the commencement stage with his pants saggin’ just below his graduation robe, he took a moment to give a shout out to his homies in the audience. They returned the love by holding up a giant cardboard sign that said, “Kongrachulashunz!”

We have officially entered graduation season, the time of year when college seniors are taking their final exams and preparing to go out into the real world to make a difference, not only for themselves, but for their communities.

Well, that’s how it’s supposed to be. Unfortunately, in recent times there has been a decrease in the respect for knowledge, even among the college-educated.

There was a time in our history when knowledge was celebrated, and those who were fortunate enough to obtain a higher level of education saw it as their responsibility to uplift others. According to Lerone Bennett in his work, Before the Mayflower, the first Black college graduate, John B. Russwurm, used this intellect, not to open a strip club/rim shop, but to establish the first Black newspaper, Freedom’s Journal, on March 16, 1827.

So, what happened to our sense of communal responsibility?

In his 1903 essay, “The Talented Tenth”, Dr. WEB DuBois blamed the failure of “the educated and intelligent” to raise the level of consciousness of the masses on “slavery and race prejudice.”

However, Dr. E. Franklin Frazier in his 1957 book, Black Bourgeoisie, suggested that they merely, got their degrees, got hooked up with a nice j-o-b-, bought a fat Caddy and left the ‘hood and never looked back.

Perhaps this over emphasis on material wealth is why today’s college-educated rappers make music for kindergartners.

It must be remembered that 2 Chainz, Gucci Mane, Plies, and many others are said to have either graduated from or at least chilled for a semester at institutions of higher learning. Also, although Lil Wayne is said to have taken classes at the University of Houston, a 2009 Wall Street Journal article mentioned a study that alleged that peeps who listened to Weezy had lower SAT scores than those who listened to other types of music.

Really?

Unfortunately, these are the people who many high school kids look up to as models of success which carries over into college life.

You may remember the controversy that erupted back in 2009, when according to the Atlanta Journal and Constitution, prestigious Morehouse College, initiated a “get back to the legacy ” dress code that cracked down on such official Hip-Hop gear as saggin’ pants, caps, and hoodies.

The glorification of anti-intellectualism has not always been the case in Hip-Hop. Even during the pre-conscious era, Old School pioneers like The Disco 4 were rapping about the value of education on “School Beats” and Kool Moe Dee was droppin’ mad multi-syllabric words in his rhymes. Although not usually mentioned in the same breath with conscious rappers such as Mos Def or Talib Kweli, in ’96, Ras Kass released what remains possibly the hardest hitting, most in-depth “conscious” song ever, “Nature of the Threat,” on which he quoted Dr. Ishakamusa Barashango among others.

But in recent history, this has been the exception, not the rule.

Even today’s more politically conscious Hip-Hop artists rarely rise above the level of what can be called “ghetto scholarship.”

The term “ghetto scholarship,” was popularized a few years back by Dr. Wesley Muhammad, author of several books including, The Book of God. According to Dr. Muhammad, “Ghetto scholarship refers to a type of particularly poor scholarship; poor because the methodologies upon which this scholarship is based are poor” He goes on to say, “Ghetto scholarship has nothing to do with degrees or formal education, or the lack thereof…”

Of course , he was not really referring to Hip-Hop, but if the Jordans fit….

Even though, Nas gets an A for effort for rappin’ that Alexander the so-called Great blasted the nose off the Sphinx on his hit, “I Can” (even though scholars argue that it was Napoleon), I can only imagine how many kids failed their history exams for listening to a Hip-Hop CD instead of doing their own research.

Maybe rappers spent too much time “diggin’ in the crates,” instead of diggin’ in the books ?

With all the “Hip-Hop” courses being offered at universities, you would think that somebody would have started some remedial classes for rappers. Unfortunately, Professor Carlton “C-Money” Banks is more interested in teaching Skippy and Heather in his Wacka Flocka English 101 class the deeper esoteric meaning of “Round of Applause” than he is enlightening the aspiring young rappers who live in the ‘hood surrounding his campus.

This can not be separated from the overall emphasis of Hip-Hop to teach middle-aged, White people how to be hip – the low point being when Busta Rhymes taught Martha Stewart the proper way to pronounce “What-tha-deely-yo?” at the 1997 MTV Video Music Awards.

There may be other reasons for the dumbing down of Hip-Hop. Miami’s Tony Muhammad, a.k.a. “the Hip-Hop educator,” believes that Hip-Hop has been dumbed down by corporations to create “an unintelligent consumer base.” He said that the same companies that control the music industry also run the liquor companies and the prison industrial complex.”

As they say, “a fool and his money are soon parted.”

Back in the day, Public Enemy said it was their overall purpose to raise up 5,000 Black leaders. This should be our responsibility now more than ever. Even today, Hip-Hop still can play a major role in educating the masses.

So, as you get ready to grab your degrees, please remember your responsibilty to use your education to raise the consciousness of the Hip-Hop Nation. To remix a line from Dr. Dubois, your task is not to make men better Hip-Hop artists, but to make Hip-Hop artists better men.

In a time when popular opinion says that in order to reach this generation, you have to communicate on fifth grade level, you must stand your ground and yell, NONSENSE!

Lupe Fiasco said on “Dumb em Down”:

“They tell me I should come down, cousin/ But I flatly refused/ I ain’t dumb down nuthin'”

Neither should you.

TRUTH Minista Paul Scott’s weekly column is “This Ain’t Hip Hop,” a column for intelligent Hip Hop headz. He can be reached at in**@*****************ed.com, on his website, www.NoWarningShotsFired.com, or on Twitter (@truthminista).

Jury Selection Begins In Lil Boosie Trial

(AllHipHop News) The trial of Baton Rouge, Louisiana rapper Lil Boosie begins today (April 30) in the rapper’s hometown.

According to The Advocate, 150 local residents will fill out forms to begin the selection process.

Jurors will not be questioned by State District Judge Mike Erwin until tomorrow, when the process continues.

As previously reported, the 12 jurors who will ultimately be selected will be anonymous, sequestered and under heavy security.

Lil Boosie is on trial for the first-degree murder of a man named Terry Boyd in October 2009.

The rapper is accused of hiring a teenager named “Marlo” Mike Louding to commit the murder.

Louding is also charged in five other murders, including Christopher “Nussie” Jackson, who was allegedly killed on Lil Boosie’s orders.

Lil Boosie, born Torrence Hatch, it’s not charging any other slayings except the Terry Boyd murder.

Last week, District Judge Mike Erwin will that Lil Boosie’s lyrics could be used against him in court.

Prosecutors believe that Lil Boosie has admitted to some of the crimes in his lyrics, while his defense attorneys claim that he is simply a rapper and that the lyrics have nothing to do with this particular case.

If Lil Boosie is convicted, he faces an automatic life sentence.

He is currently being held at Angola State Prison.