“Back On Up”
“Back On Up”
“Death Merchant 2”
“Show Power”
(AllHipHop News) Popular morning show jock DJ Cipha Sounds has been suspended from New York radio station Hot 97 indefinitely, over on-air comments made about Haitians. It is not known when Cipha Sounds will return to co-host the “Cipha Sounds and Paul Rosenberg Morning Show,” where the comments were made. Additionally, Hot 97 revealed that Cipha Sounds will immediately undertake “sensitivity training” focused on the Haitian community and the serious nature of the HIV/AIDS problem within the community. “Cipha made an immediate public apology and recognizes his insensitivity and the negative impact his comments have on all Haitians,” said Alex Cameron, SVP/Market Manager of Emmis-New York. “The Haitian community is an important part of our listenership whom we respect and value. The suspension is an indication of the importance we place on delivering a product that respects our Haitian audience.”Cameron expressed regret at the entire situation, because of Cipha Sounds’ involvement in helping to raise money for charity, after a deadly 7.0 earthquake ravaged the country in January. “It’s a very regrettable and unfortunate circumstance for all involved and particularly because we know this is not the nature of this young man who has been an advocate of the Haitian community and a big part of our fundraising efforts for Haiti,” Cameron continued. “He is committed to working with the Haitian community to make a difference and turn this negative incident into an opportunity for increased learning and awareness.”Hot 97 will also start working with local community leaders to help raise awareness about HIV/AIDS in the Haitian community.
CHRISTMAS IN NYC!IT GOES DOWN WITH ALLHIPHOP AND BLACKSMITH!
RIHANNA TO SUE OVER DRAKE COMMERCIAL?
Somebody is about to be out of a job. I dont know who created the new Drake Kodak commercial, but they made a mayor slip up. The good people over at CosbySweaters.com has learned that Rihanna is about to file a lawsuit against Kodak. Why? Check this picture.
See that name Rihanna right there at the top? Well, it seems Kodak didnt have permission to use her name as they did with Drake, Pitbull, and Trey Songz, who are a part of the campaign. Rihanna will claim that Kodak never had permission to use her name in the advertisements and is profiting from her hot name…
[Source]
In the immortal words of Bill Duke:”You know you done f**ked up, right?”
Email me your rumors at al*************@***il.com or just holla on Twitter @illseed.Thanks!
(AllHipHop News) R&B singer Kelis has wasted no time in responding to a lawsuit filed by a talent agency that claims she stiffed them for over $11,000 in “goods and services.”Drive Talent Inc. claimed they helped Kelis during her appearances on a variety of shows, including Jimmy Fallon, The Tonight Show with Jay Leno and others. The company sued, claiming only paid a portion of the balance.Kelis completely dismissed the lawsuit and welcomed a courtroom battle over the $11,817.91 amount that is left on the bill. “Drive Talent has been paid in full for services rendered for the assistance in production for various TV performances,” a representative for Kelis told AllHipHop.com. “Any claims stating otherwise is clearly an effort to gain press attention.”According to Kelis’ reps, Drive Talent’s claims are without merit, because the amount in question was spent without anyone’s authorization. “The amount claimed to be owed is not for services rendered, which Drive Talent would like the public to believe, but over a dispute stemming from a European promotional run in which Drive Talent authorized the spend of close to $11,800 of the artist’s money to a vendor they hired without approval from either the artist or management. We look forward to presenting our case in court and are confident once a review has been made of all evidence we have to support our argument that it will be clear Drive Talent has absolutely no ground whatsoever to stand on.”
Here is the final installment of this original online docu-drama from AllHipHop, JumpOff Tv and Tantrum as we follow Lloyd Banks for the third and final day.
(AllHipHop News) Two men were arrested in Farmington, Connecticut, for breaking into the lavish mansion owned by world famous rap star, 50 Cent. According to the New Britain Police Department, officers responded to a call from the rapper’s mansion around 6:00AM, when they noticed a suspicious car parked in at the driveway of the 19-bedroom mansion. Another security guard patrolling the inside of the huge mansion found an intruder named Alexander Hernandez inside one of 50 Cent’s closets – drinking a bottle of wine he had taken from inside the house.His accomplice, Santos Padilla, was found in another section of the mansion. Alexander Hernandez was released on $50,000 bond, while Padilla was held in jail for the same amount, according to Connecticut’s NBC Channel 30.50, who was not home at the time of the break-in, is attempting to sell the house, which is currently listed at $9.9 million dollars.
For years I have thought, argued and even worried, over the critical issue of preserving Hip-Hops political essence and evolving its international geopolitical influence. I have been excited by the energy of the youth which the culture and art form captures and always seems to represent, only to be disappointed by how that force especially in America – is often misdirected into electoral politics, in the service of interests and political parties who dont respect that essence. It is a subject that legendary Hip-Hop historian Davey D. and myself discussed at length in 2004 (http://www.blackelectorate.com/articles.asp?ID=1033). It is the reason why I put out a mixtape with Eric Canada in 2004, awarded mixtape of the month by The Sourcehttp://www.blackelectorate.com/articles.asp?ID=1130) where we offered a definition of political to include 13 elements.
On the international front I have had the same experience of joy and pain witnessing the global impact of the United States-based culture and art form, impact the politics and streets of places as diverse as Senegal (where Hip-Hop was the difference in a national election and was highlighted in the documentary Democracy in Dakar: http://nomadicwax.com/democracyindakar/); Tanzania (where the popular Tanzanian rapper, II Proud, a.k.a Mr II a.ka. Sugu just won a seat in Parliament: http://buddhablazeworld.blogspot.com/2010/11/hip-hop-meets-politics-sugu-gets-sworn.html); Venezuela where the HipHopRevolucion collective is putting in work; and back to East Africa where the political impact on East Africa is documented by award-winning director Michael Wanguhu in Ni Wakati (http://www.facebook.com/pages/Ni-Wakati-the-film/132059003488886) only to see the rhetorical inspiration for these movements continue to be unsuccessful, even inept at shaping United States foreign policy. Creatively confronting this problem is one of the reasons I launched my Hip-Hoppreneur advisory services for U.S. artists looking to boost their international profile and vice-versa. And it is why I am honored to be in a position to sign an artist with both charisma and consciousness, like multi-lingual Kenya Hip-Hop star Bamboo (http://www.cedricmuhammad.com/kenyan-hip-hop-superstar-bamboo-signs-with-cedric-muhammad%E2%80%99s-hip-hoppreneur-%E2%84%A2-brand-management/) – who can put out statements on global affairs (see what he had to say about the Ivory Coast crisis: http://www.facebook.com/note.php?note_id=174139735949917&id=532785778) and make street anthems (check out his Heya!: http://soundcloud.com/bambooshakazulu/heya) that can move a continent.
The challenge of connecting art to policy is one of the things that Congresswoman Cynthia McKinney and I would discuss regularly when I was advising her last decade.
In essence, the revolutionary lyrical content (and the critical mass of a generation who have grown up on it) never becomes a tangible progressive or radical factor of power changing American foreign policy for the better.
That is why I am overjoyed to learn of the work of Obi Egbuna who is a member of the Zimbabwe-Cuba Friendship Association, a pan-African historian & advocate, and U.S. correspondent for The Herald of Zimbabwe (http://www.herald.co.zw/)- and Mutulu Olugbala (M1 of Dead Prez) who are working on a compilation album devoted to two causes, which they see as one: ending the 50-year United States embargo on Cuba and the U.S. sanctions on Zimbabwe, put in place in 2001. For years, I have found it inconsistent that many individuals who describe themselves as progressives, pan-Africanists, socialists, radicals, and revolutionaries have somehow found a way to very vocally support the lifting of the Cuban embargo, while yet being silent on the lifting of sanctions on Zimbabwe (the lifting of which are supported even by the man many believe has most vehemently opposed President Robert Mugabe, Morgan Tsvangirai: http://www.economist.com/blogs/multimedia/2010/09/keeping_transition_track).
[It is a subject for another day but I have had the same questions about individuals who lift the revolutionary work of Commandante Fidel Castro and Hugo Chavez but who cant muster public acknowledgement of the unparalleled support of revolutionary causes (from the I.R.A. to the Palestinian cause to the A.N.C.) provided by Libyan Leader Muammar Gadhafi.]
So I was profoundly impressed and excited when I learned about M1 and Obi Egbunas stance to not just promote an artistic expression in support of a movement but also to tie it to an objective and obtainable goal that can be measured.
Both of them shared their motivations for the effort with me recently and why Cuba and Zimbabwe matter so much:
Obi Egbuna:On the issue of Cuba it is a question of gratitude. After all the doctors who have treated Mother Africas children at home and abroad, their medical brigades – active in Africa, Latin America and the Caribbean – are, in the estimation of Commandante Fidel Castro, the greatest army Cuba has assembled. This means in his expert opinion this army is greater than the one who fought in Angola side by side with MPLA against the Portuguese and US Imperialism for 14 years, and also in Guinea Bissau, the Congo and Mozambique. Our beloved sister Assata Shakur is safe and sound in Cuba instead of a jail cell in the US, for resisting Police Terrorism stateside. The blockade is approaching 50 years old has cost Cuba 96 billion dollars, its aim is to destroy the country where Africans who are ancestral products of slavery and colonialism have a better quality of life than Africans languishing anywhere in this hemisphere, including the good ol US of A. The issue of Zimbabwe is for Africans what Palestine is for Arabs and Cuba is for Latin Americans – a rallying point no matter where we are on what Christians called gods green earth. Zimbabwe is being punished for reclaiming our sacred land from the former colonial master, who expected us to function on their timetable, and we waited patiently for 20 years from 1980 to 2000. These US-EU sanctions are a vindictive response to the land question and also preventing the extension of colonial domination in the Congo through Operation Sovereign Legitimacy. The US-EU alliance are also frolicking at the mouth to get their filthy hands on the diamonds, since it has been estimated that Zimbabwe now possesses 25% of the worlds diamond reserves. They have tried to undermine elections this entire decade and the inclusive Government, so we are combining our cultural and political resistance to end the US blockade on Cuba and the US-EU sanctions on Zimbabwe.
Cedric, there is an important connection between Zimbabwe and Cuba that people need to appreciate. Cuba is responsible for the high literacy rate of 97% in the country because thousands of Zimbabwean Teachers were trained in Cuba. Lastly, President Mugabe is the 1985 recipient of The Jose Marti Award – Cubas highest honor; the only other Africans who have had this honor bestowed on them are Mandela and Sankara.
When the history of Southern Africa is written, Zimbabwes role in helping FRELIMO and Samora Machel was just as vital as Cuba fighting side by side with MPLA in Angola. This courageous stand and sacrifice led to two CIA trained group of mercenaries – UNITA in Angola and RENAMO – in Mozambique being defeated on the battlefield.
Mutulu Olugbala (M1): We are cultural workers and activists on the frontline. I have used song to fight against police brutality and Zionist Aggression against the Palestinians, and Dead Prez has been to Cuba on three occasions. The Cultural arm of their revolution is truly breathtaking. The Cuban revolution deserves our maximum effort fighting to lift the blockade and Zimbabwe exposes how genuinely misinformed those who have reputations for being informed can be, if they are not careful. When I watched and helped the struggle in South Africa, I always felt there was unfinished business in the rest of Southern Africa, therefore defending Zimbabwe is truly a liberating feeling and I plan to build on that and get other artists who walk what Nkrumah calls a Revolutionary path to respond to the call of frontline duty on both issues Zimbabwe and Cuba.
****
There is much work to do to make the decades-long struggle on behalf of the people of Cuba and Zimbabwe relevant to the masses today. I have argued for years that the movement will have to do more to eliminate what I believe is an economic blindspot that still leaves anti-imperialist countries dependent upon the West. I wrote about this in 2009 in a blog-essay, The Crown Jewel Of Marx and The End Of The Colonial Economy Part I (http://www.cedricmuhammad.com/the-crown-jewel-of-marx-and-the-end-of-the-colonial-economy-part-i/). In addition, the economic relationship these nations form with China, Malaysia, and Turkey will also be a key to success in the game of geopolitical chess-playing.
Until a massive economic restructuring and monetary integration takes place among the natural resource rich nations of Central and South America; Africa; Asia, and the Islamic World (there are lessons still to be applied from the 1955 Bandung Conference); the colonial economy which finds nations like Cuba and Venezuela still desperately seeking U.S. dollars (and Zimbabwe dumping its hyper-inflating currency in favor of the euro, dollar and South African rand) will continue. As part of my work with the African Unions First Congress of African Economists (http://www.youtube.com/watch?v=WuP7uR2RSPk&feature=related) I have been advocating that the nations of Southern and East Africa (SADC and the EAC) form a regional currency and monetary union that Zimbabwe could join. I plan to go further into this in the near future and how it relates to the African Diaspora in the Western Hemisphere.
And while the Socialist and African liberation movements have elevated the importance of human capital through investments in the healthcare and education of the poor – their remains the work of producing and supporting entrepreneurs who can produce the progressive innovations that every country needs. I have written about this tension in both my review of Moky Makuras Africas Greatest Entrepreneurs, (http://www.africaprebrief.com/pages/posts/the-most-important-book-on-african-economic-development-28.php?g=0)and another blog-essay from this year, Minister Farrakhan, Spiritual Economist. (http://www.cedricmuhammad.com/minister-farrakhan-spiritual-economist/)
There is a serious economic conversation that socialists, pan-Africanists, progressives, and those who identify themselves as communists need to have about entrepreneurship, the nature of economic development, the transfer of business knowledge, and the cultivation of professionals into their movements. I think a great starting point are the thoughts of Dr José Bell Lara, professor at the Latin American Faculty of Social Sciences, University of Havana (FLACSO-Cuba) as expressed in an interview in September of this year, Cuba: Economic changes and the future of socialism: http://links.org.au/node/1916
Lifting the sanctions in Zimbabwe and ending the embargo on Cuba are without question significant elements of the economic liberation of Black and oppressed people all over the world, that can further other necessary steps toward economic development and growth.
*****
As often as I can, I try to regularly read the always interesting reflections of Fidel Castro (http://www.granma.cu/ingles/reflections-i/reflections-i.html). His Dec. 13, 2010 message to the participants in the 17th World Festival of Youth and Students in South Africa is well worth a read (http://www.granma.cu/ingles/cuba-i/14dic-Message.html). This portion of what he stated – regarding the activism of previous generations – I found especially relevant to Obi and M1s work, The most progressive youth were fighting for the right of all human beings to a dignified life; the old dream of the greatest thinkers of our species when it was evident that science, technology, labor productivity and the development of consciousness was making that possible.
That, I believe, is the political and international essence of Hip-Hop, and Im glad to know that this generation has produced two giants in Obi Egbuna and Mutulu Olugbala with courage, willing to sacrifice their lives, invest their talents, and lend their voice to a cause that may not be politically correct today, but one which I believe, will one day be vindicated by its success, and the accurate recording of history.
Im standing with them and I hope Hip-Hop will too.
This is a defining moment, and movement
[M1 and Obi Egbuna are currently on a speaking tour devoted to the issue of lifting the sanctions on Zimbabwe and ending the embargo on Cuba. Those interested in this and the compilation abum they are working on dedicated to this issue can contact Obi Egbuna at: obiegbuna15(at)yahoo.com]
Cedric Muhammad is a business consultant, political strategist, and monetary economist. Hes CEO of CM Cap where he provides brand management services to Hip-Hop artists: http://www.cedricmuhammad.com/cedric-muhammad-unveils-hip-hoppreneur-%E2%84%A2-advisory-service-for-international-artists/. Cedric is a former GM of Wu-Tang Management and author of The Entrepreneurial Secret (http://theEsecret.com/). His Facebook Fan page is: http://www.facebook.com/pages/Cedric-Muhammad/57826974560?ref=ts and he can be contacted via e-mail at: cedric(at)cmcap.com.
(AllHipHop News) R&B singer Kelis has been hit with a lawsuit for failing to pay a talent agency for “goods and services” for Kelis’ performances on a variety of shows, including The Tonight Show with Jay Leno, the Today Show and Late Night with Jimmy Fallon. Plaintiff Drive Talent Inc. filed the lawsuit in the Supreme Court of the State of New York on December 17th, claiming Kelis stiff them for $11, 817.91. The lawsuit claims that Plaintiff Drive Talent was hired by Kelis and her management team between March 30th, 2010 and July 13th, 2010. The company claims they worked with Kelis on a variety of television shows and non-televised appearances in the United Kingdom, France and other countries.Drive Talent claims that Interscope paid the money to Kelis, who only made partial reimbursements for travel, labor and production items purchased for her appearances.Kelis has a 16-month old baby with her ex-husband, Queens rapper, Nas.
(AllHipHop News) A coalition of Haitian community leaders are calling for the firing of popular morning show jock Cipha Sounds, after he made an on air joke about Haitian women and HIV. Cipha Sounds, who co-hosts the “The Cipha Sounds and Rosenberg Show” with Peter Rosenberg, cracked the joke on Friday (December 18th) when he stated he was HIV negative because he “don’t mess with Haitian girls.”Cipha, born Luis Diaz, has already apologized to any fans he offended with the off-color joke, but a coalition of Haitian community members want Hot 97 to fire the well known DJ. Today (December 21st), a group of Haitians will demonstrate outside of Hot 97 to call for Cipha Sounds’ dismissal. So far, Hot 97 has yet to comment on the issue.
Its 12:30 in the afternoon and Im weaving through the congested Atlanta traffic like an Indy 500 driver
trying to make it to the offices of Upfront Megatainment, and not be late for an exclusive meeting with
industry music mogul Devyne Stephens. Devyne Stephens is no ordinary individual. He is a vehicle that has been more than instrumental in
crafting, honing, and developing some of the biggest talents in the world into the megastars that we
have come to know and love. He has gone from Usher to TLC during the days of the LA Face emergence, and now in
an era of Akon, T-Pain, and event Lady GaGa. They are all, in some way, a reflection of Devyne Stephens. I finally
made way to the elevators where I was greeted by an office worthy of MTV Cribs. As I entered into the office, I was greeted by Shara,
Devynes assistant, who escorted me to the moguls private office. The walls are adorned with platinum
plaques: Lady GaGa, Mary J. Blige, Gwen
Stefani, Jagged Edge, and a host of others. It was an undeniable testament of Devynes talent, which
spans over two decades.
Finally, I am greeted by Devyn Stephen’s.
AllHipHop.com: Im going to take it back to a special that I saw on television and it showed you working with Usher,
who at the time was right on the verge of becoming who he is right now. I just remember thinking to
myself wow this guy is amazing, to be able to bring out that x-factor is quite a talent, and honestly when
I saw that show it was way before I even knew that I would be in entertainment. So, to be sitting with
you is kind of mind blowing, but more so a compliment to your longevity and abilities. How did all this
come to be?
Devyne: Well, I started out from very humble beginnings, as a little kid from the projects that always had
a love for the arts. I took that love and the belief that I could do anything that I set my mind to and it
paved the way to where I am now. In the time period that youre speaking of, I was working with LA Face, and was responsible for
about 95 percent of the talent that generated from that brand, (Usher,TLC,Toni Braxton, Goodie Mob,
Pink, and Outkast). I mean, the list goes on and on.
AllHipHop.com: Absolutely impressive, so what your main objective or responsibility with these artists?
Devyne: Working in artist development, the key objective was to refine each artist without taking away
from his or her uniqueness and find a way to make it pop.
AllHipHop.com: Okay, so how does the process work? Does someone just come to you and say hey I want to be
famous?
Devyne: (Laughs) No, first of all, they must have the talent to be able to sing or rap; I cant create the
talent, however, I can bring it out.
AllHipHop.com: And how is that done?
Devyne: Well, once the level of talent has been assessed, we bring in the best of the best as it pertains
to staging, choreography, vocal coaching, physical training, hair, make-up, and the whole nine.
Collectively, we brainstorm and create an impressive body of work.
AllHipHop.com: And that you have most definitely accomplished. So now my question to you is, what is it about
you that provides you with the ability to see something in someone that others may not see or even
get? Do you have special super powers or something?
Devyne: Naw, ha ha, its not about me, its about the artist, thats the way it should be. It puts complete
focus on the artist and creates the opportunity to really study and develop the talent in a manner that
brings out their x-factor. You know that thing that separates them all the rest.
AllHipHop.com: I see, so we know that unique is not always good, have you ever had anyone question any of your
decisions? Or have you ever had an artist that was responded to in the way that you had hoped?
Devyne: Not too often, but when I initially introduced Akon and even T-pain, some people were
skeptical and didnt think that they were going to do well. Now they are two of the biggest names in
music internationally. So to answer your question yes, there have been times when people didnt always
see my vision, but I think the thing to remember is when God gives you a vision or a dream, its not
always meant for people to understand or comprehend and thats why he gave it to you.
Devyne: Too often, we seek approval from people who give us every reason why this wont happen or
this cant work, but at the end of the day you have to believe in you. Too many dreams never
manifest, not because the ability wasnt there, but because someone said no you cant. People have to
be the driver of their own destiny.
AllHipHop.com: Man that was powerful.
Devyne: Its just the truth, little brother.
AllHipHop.com: No doubt, and I can definitely dig it, so Devyne, how do you stay so humble amidst so much
success?
Devyne: Well two things Jaiden, everything that I do and all that Im doing is a blessing from God. I dont
see how anyone could become arrogant or narcissistic about something that is Gods absolute favor.
Secondly, when you define success, if it is not perceived from a financial perspective then the ability to
stay humble is quite easy. When youre doing something that you love to do, it cant or shouldnt be
measured by monetary value.
AllHipHop.com: Define success as it pertains to you.
Devyne: Honestly Jaiden, success for me is being able to be a blessing to someone else. With me, its
always been about the people and giving back, ya know, sewing good seeds.
AllHipHop.com: And that is why your being blessed in the manner that you are, I know you have to go so I wont
keep you much longer, but I do want to know about 2011. I know that you all are looking forward to a
very vibrant year over here at Upfront Megatainment.
Devyne: Let me tell you lil bro, in 2011 we will be seeing the launch of so many amazing artists. Were
looking forward to, of course Akon and T-Pain etc, but whats even more exciting are the newer projects
like Kelly Rowland, Audio(formerly known as B5),Tuff Cookie They are going to set 2011 off in a very
major way, other than that we will be doing what we always do over here, working hard to provide
America with the best of the best in music.
AllHipHop.com: Man, I cant wait; its so phenomenal to see so much talent being birthed here in Atlanta, though
we dont always get the proper credit from other places.
Devyne: I have been here to witness decades of artist, most of which have been the biggest acts
in history, and hear me when I tell you that Atlanta has grown, not just in music, but also in corporate
America. We have HBO and Coca Cola here and so many more, not to mention Tyler Perry. And
honestly, Atlanta has a grasp on the music industry in a manner thats yet to be compared, so it s safe to
say that Atlanta is the new Mecca.
AllHipHop.com: Speaking of Tyler, youre also holding your 3rd annual Christmas holiday party this year right?
Devyne: Boy you be on it Jaiden ha ha, but yes sir I am hosting our third annual Christmas party Dec 22
in honor of Kenny Babyface Edmonds and also the accomplishments of Tyler Perry Studios. This is an
evening that will host so many well known and respected individuals in Atlanta, that this is the one you
want to be at. Its my way of paying homage to people that I respect and admire from both a business
and personal perspective.
AllHipHop.com: Oh yeah, Im definitely there.
Devyne: Somehow I figured that ha ha.
AllHipHop.com: okay so one last thing before you go, what will be under the Christmas tree this year?
Devyne: For real Jaiden, I cant even lie, I have my assistants doing my shopping for me. Im so busy with
the music and all I havent had time, but they know me like a book, so its all good.
AllHipHop.com: No doubt, I feel that, well hey, thanks for taking time. I know your very busy today; I will see you
on Wednesday.
Devyne: All Good lil brother.
DISCLAIMER:All
content within this section is pure rumor and generally have no factual
info outside of what the streets have whispered in our ear. Read on.WHO: illseedWHAT: Rumors, Funnies, Fails and more!WHERE: illseed.com, twitter.com.illseedHOW: Send your rumors, sightings and ill pics to illseed at al*************@***il.com.TREY SONGZ GETS A RAPPER DISSIN’ HIM!
I can honestly say, I don’t know how these stars do it. All sorts of crazy people clamoring for their attention or whatever, but when it gets close to home, the plot thickens. Well, it would seem that Trey Songz has a former bodyguard that has turned into a rapper. The rapper/bodyguard’s name is Mase Milli and he’s not playing. He’s got a song called “Warning Shots” and it is aimed at Trey Songz, supposedly. I wasn’t going to listen, but I decided to. He refers to Trey having issues in Chicago after the young gun dissed R. Kelly. He says he protected Trey when there was beef and got the OGs on the phone. He speaks of having a red beam on Trey! That’s not a warning shot! Anyway, I find that interesting. I didn’t know Trey had beef in the streets after he went at R. Kelly. It makes sense though. Kellz has been around the way for a long time. Also, there is some link to T.I,, but I can’t fully call it. Here is the song.
FIELD MOB RAPPER SHATTERS LIL KID RAPPER
This one is pretty funny, but it may be sad. It depends on where you are coming from. So, here is the mess. There is a producer dude named Nealante (Black folks got them names, don’t they?). Well, Nealante has a lil 15-year-old cousin and he’s an aspiring rapper. Fieldmob is a legendary group from Georgia, as you know. One if their members is Shawn Jay, who is on Facebook. Lil man rapper hit up Shawn Jay and it unfurled like this:
Well, here is the back story. Apparently, the boy has idolized Fieldmob since he was a lil’ kid, before they were even rap stars. The kid felt like he was asking help to somebody he saw as a big bro and got that above. Now, somebody even close to the situation is talking about breaking out some old info on Shawn Jay that could mess him up in the street. G-DEP’S LAST SONG
I found this song crazy, because the name of it is “6 Million Ways To Die” and it features G-Dep.
Matter of fact, go over to illseed.com and I’ll tell you how I feel about it.
LAST, BUT NOT LEAST…FOXY BROWN HAS A CHRISTMAS GIFT FOR LIL KIM!”A Christmas Massacre,” eh? Here is the language on an upcoming concert/party for Foxy Brown:
PLATINUM CAMP PRODUCTIONS in association with
BLACK ROSES CREW & BROOKLYN’S BAD GAL FOXY BROWN are excited to
announce the most anticipated response since (Jay Z’s Takeover),
CHRISTMAS MASSACRE Coming Soon!!!
FOXY AND KIM, WE LOVE YOUR HALTER TOPS! They keep us talking, but if we stop talking about them then they should worry!
“Blow Your Smoke”
“Pinky Ring”
“Hustle Hard”
“One In A Million (Remix)”
“New West (Kush)”
“Handcuffin Them Hoes”
“Lose Everything”