“Because I Can”
“Because I Can”
“Good Die Young”
Next week, Atlanta-based entertainment company Rival Entertainment will helm two special concerts featuring critically-acclaimed songstress Nneka and Hip-Hop legend Snoop Dogg.
After years of popularity overseas courtesy of her first two albums (Victim of Truth and No Longer at Ease), the Nigerian born Nneka has launched her second extensive US tour to promote her latest LP Concrete Jungle.
Equally adept at both singing and emceeing, the young singer lists Fela Kuti, Lauryn Hill, and Mos Def among her influences. Nnekas Atlanta show takes on February 9 at the Vinyl venue (www.vinyl-atlanta.com), with Rival Entertainment and Muddy Water splitting promotional duties.
Advance tickets can be purchased for $10, and $12 the day of the show at www.ticketalternative.com.
Opening for Nneka will be singer Julie Dexter, and DJ duties for the evening will be handled by DJ Salah Ananse.
Snoop Dogg will make a rare Atlanta appearance the following day (February 10) as part of his Wonderland N Malice Tour. The rapper last appeared in the city in October as part of the BET Hip-Hop Awards, where he performed some his classic singles (Gin and Juice), and shared the stage with Dorrough, Soulja Boy, Nipsey Hussle, and Jim Jones.
In December, Snoop reached a milestone in releasing his 10th studio album, Malice n Wonderland. The third single I Wanna Rock charted as a Top 10 Rap Single, and last month featured a remix with Jay-Z.
The singles Rob Base It Takes Two sample has proved popular with emcees, and has been freestyled over by the likes of Raekwon, Ludacris, Busta Rhymes, Styles P, Juelz Santana, and Crooked I.
Opening for Snoop will be The Mind Creatures, and local live band Psychi Oragami. The concert takes place from Center Stage, located at 1374 West Peachtree St, Atlanta, GA.
Tickets for Snoops one night only performance are available now at www.ticketmaster.com. For more information on other upcoming Rival Entertainment events, visit www.rivalentertainment.com.
(AllHipHop News) Queen Latifahs Flavor Unit has inked a deal with VH1 to produce a made for TV comedic drama about two best friends and their views on relationships.
The untitled flick is set in Atlanta and revolves around two African-American women, Keisha, a former video dancer and Val, an aspiring fashion mogul.
The movie was written by Stacy Littlejohn, who will also serve as executive producer, along with Queen Latifah and Flavor Units Shakim Compere.
Flavor Unit has produced a number of movies, including The Cookout, Beauty Shop, The Perfect Holiday and Just Wright.
According to Variety, VH1 is in the process of developing more original scripted content, to balance out the reality show programming that currently airs on the network.
No release date was available for Queen Latifahs project with VH1.
Shawnna may be setting herself up for an epic fail. Ludacris has changed his duet album into a compilation effort and he’s employed the newest hot chick – Nicki Minaj. The song’s got serious potential and Luda represents well with Nicki playing anchor. Check it out and download it here.
DISCLAIMER:
All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.
Soooo…I didn’t know Foxy Brown was on Twitter and I still don’t know if this is HER, but it would seem that the BK Don Diva as addressed the track that was leaked without her permission. See below.
I guess the interesting thing now is, what exactly was the nature of her Jigga relationship? Pandora’s box is wide open. Much love to Foxy. Hopefully, the issues get resolved.
FOX BOOGIE, WE LOVE YOU!!!
They keep us talking, but if we stop talking about them then they should worry!
-illseed
WHO: illseed.com
WHAT: Rumors
WHERE: AllHipHop.com, MySpace.com/TheIllseed
HOW: Send your rumors and ill pics to illseed at [email protected].
(AllHipHop News) Former Ruff Ryder rapper Drag-On recently inked a deal with Universal to release his upcoming album. Its been three years since Drag-Ons last album, Hood Environment.
Now hes ready to step back into the industry and put himself and his team back on the map.
“I got the album dropping real soon as a joint venture between Universal and my record label called Hood Environment,” Drag-On told AllHipHop.com. “Im excited that Im coming back and Im also excited that a lot of other people are excited to hear that Im coming back. That right there lets me know I have a purpose in this industry.”
Rumors have been circulating the internet for months about a possible Ruff Ryders Reunion.
With the departure of Eve, members of The LOX working on their own solo projects, and DMXs consistent legal troubles, their super producer Swizz Beatz moved on to other projects.
Ruff Ryders CEO Waah Dean has officially confirmed that the Ruff Ryder album, Ruff Ryders Evolution: Generation, is a work in progress and is almost completed.
Drag-On talked briefly about the upcoming re-union.
“We just sat at the table with all the Ruff Ryders and really got it poppin. Im really looking forward to it,” Drag-On stated.
The album will include features by Eve, The LOX, DMX, Drag-On, and a host of new members of the Ruff Ryder camp.
Drag-Ons yet-to-be title album is scheduled for release in June 2010.
The Ruff Ryders LP is scheduled for release in July of 2010.
(AllHipHop News) A judge has sentenced popular rapper Soulja Boy to a year of probation over an October 2009 incident in Henry County, Georgia.
The rapper was among a group of about 40 people who were shooting a video in an abandon house.
When police officers arrived to investigate complaints in the area, the group of people assembled fled on foot.
Soulja Boy, born DeAndre Cortez Way, was arrested and sent to the Henry County Jail, but was quickly bonded out.
The rapper admitted to the charges in court earlier this week and was sentenced to 12 months probation and given a $1,000 fine.
The arrest hasnt slowed Soulja Boy down over the past year.
He is currently working on a book titled Teenage Millionaire, he recently wrapped up shooting on two movies with actor Nick Cannon and is producing tracks on Kanye Wests new album.
I produced a few songs for Kanyes album, Soulja Boy told AllHipHop.com. Its really special for me and I think its going to be really amazing. We were in the studio in Los Angeles. I did one track that I know people are going to go crazy over.
In celebration of Black History Month, we will randomly be choosing African-American style icons to pay tribute to past and present. From actresses to rappers and political figures, we will recognize those who stand out in the world of fashion. We’re kicking it off with Andre Benjamin, aka “Andre 3000”, a man brought new exciting flavor to the hip hop world. The rapper, actor and clothing designer is known for rocking outlandish outfits consisting of fedora hats, high waisted pants complete with suspenders, bow ties, odd combinations of colors, prints and fabrics.
As AskMen.com put it, “His musical talent and contributions to OutKast are well-known and fans soon learned that his stage wardrobe was nothing more than an evolution or re-interpretation of his own personal style culled from his many interests and penchant for English-inspired vintage clothing”.
His classic preppy swag translates into his very own Benjamin Bixby clothing line, which brings “rough luxury” to menswear.
Unlike many rapper-driven clothing lines, Benjamin Bixby has a classic and sophisticated look. Initially inspired by the late 1930s Ivy League athletics, the line features tartan prints, tweed suits, rich knits, duffel coats, high quality selvedge denim and more.
For an African-American guy to be a prep, thats a dichotomy, he told The New York Times,Prep style comes from mostly affluent families who just wear these cool clothes. But when you come from a background that has more struggle, your take on it will be different. Theres a certain kind of rebel to it. I cant pretend Im from New England or Im at school at Harvard or Oxford, but when you think of mens dress, you have to give a nod to England, he said. They created it all and brought it to America. We calmed it and made it cool.
How is everything, everybody? We made it through another week. So what came out of it? Well, there was the group of American missionaries that were charged Thursday (Feb. 4) with kidnapping and conspiracy for trying to take 33 children out of Haiti, Oscar nominations being announced, James Camerons Avatar surpassing Titanic to become the highest domestic grossing film ever and the Super Bowl being played on Sunday.
Get well wishes go out to singer Etta James, who is recovering from sepsis caused by a urinary tract infection while being hospitalized in Southern California. Shout out to the sounding boards for taking time out to make time for change.
So here we go with the Last Word for the week ending Feb. 5, 2010.
1. John Legend Questions Public School System While Waiting for Superman
It looks like John Legend is directing his talents towards a deeper impact as he helps put the spotlight on Americas public school system.
The issue takes center stage in the new film, Waiting for Superman, which recently premiered at this years Sundance Film Festival. The film, which examines failing school systems around the country, offers a look at students, whose chance of a bright future depend on long shot lotteries that determine which children will get to attend a choice alternative school.For the Davis Guggenheim-directed feature, Legend contributed a new song titled “Shine.” The tune, which received high marks from Guggenheim, can be heard during the closing credits for Waiting for Superman.
“Shine was completely inspired from seeing the film and seeing the stories of the children in the film, because it follows these kids who have potential, have a certain desire to do well,” Legend told the Associated Press. “They are in circumstances where they are surrounded by failing public schools, and they see the light, they see a few schools in their area that are succeeding. But you have to win a lottery to get into these schools.”
Although he hopes Waiting for Superman will motivate the people to do something regarding public schools, Legend knows it will be a challenge to find an audience for get the documentary.
“I feel that this film is really inspiring, it’s really moving. It has all the things you want out of a good film, the singer said. The drama and the suspense and the interesting characters that you want to follow. It also teaches you something important about what’s going on in our country.”
As it stands now, the rights to Waiting for Superman have been purchased by Paramount Vantage. Look for the documentary to hit theaters later this year.
2. Chris Brown, Former and Current Day 26 Members Set the Mood With Valentines Day Mixtapes
When you think of Valentines Day, it usually involves flowers, romance and some quality time with someone special. So why not have a mixtape to put on to set the mood just right?
At least thats what Chris Brown wants you to do as he releases his forthcoming R&B mixtape on Feb. 14. The DJ Drama-hosted offering, called In My Zone, will feature Brown putting his own stamp on songs made famous by other artists.
According to the singer, “I got a lot of new songs and doing all the remixes to everybody’s records from Trey Songz to Yo Gotti. I got a lot of new songs I’m putting on there too.”
In addition to work by soul singers and rappers, Brown will do remixes to pop songs on the 32-song mixtape. The crooner recently invited fans to take a look at him working on the project as he was seen recording I Invented Head, a more explicit version of Songz hit single I Invented Sex.
Brown wont be the only person giving music to fans on Valentines Day. Former Day 26 member Qwanell “Que” Mosley will officially take the first steps to solo stardom with his mixtape, Q Files.
The upcoming mixtape comes on the heels of the recent debut of Ques first solo song, “Make It.” Not to be outdone, Ques former Day 26 comrade Will Taylor will release a mixtape of his own called Sex Tape. The lead single from that offering is a track called “Sex Conversation.”
3. Jessica Alba Seriously Embraces Latino Heritage With Spanish Lessons
Life as a Latino has finally set in for Jessica Alba. The actress, who can be seen in the upcoming all-star romantic comedy Valentines Day, is taking steps to triumph over critics who question whether shes a true Latina by fully embracing her Mexican heritage. The move comes as Alba admitted to confusing a lot of journalists when she first became famous. As a result, the critics became vocal about her lack of Spanish speaking skills and found fault with her looking Latina but not being able to speak Spanish.The feedback eventually took its toll on Alba, who confessed to having trouble handling questions from interviewers surrounding her heritage.
“I didn’t want to misrepresent Latinos and I didn’t know how to defend myself. But I went to my room and I cried all night. Since then, I’ve preferred not to comment on the subject, the entertainer told Siempre Mujer magazine. “I tried to explain to them that, in this country (America), I’m considered Latina and, thus, I consider myself Latina as well. I grew up eating enchiladas. Moreover, in my house the only American-style dish we ate was spaghetti with meat… I identify with Mexicans. It’s in my blood whether or not I speak Spanish.”
As with all things, time and experience give way to a clearer way of thinking. For Alba, that included making a serious effort to become fluent in Spanish, not only for her, but for her daughter Honor, whom she wants to have the best of both worlds.
“I know the basics, but I just hired a professor that specializes in Hispanic studies to teach me and Honor. God knows that I wish I was raised bilingual. But it wasn’t to be, said the actress, who plans on expanding her latest personal endeavor into professional waters.
“I want to make movies in Spanish… There are so many interesting themes and stories that are worth sharing, like the lives of immigrants, for example, Alba said. “There’s a whole world that hasn’t been sufficiently explored and I want to be part of it – the violence on the Mexican borders, the political upheaval in Venezuela and Bolivia and the drug trafficking in Colombia.”
4. Tyrese Co-Signs Being a Father to Your Child
Although he is going through a custody battle with his ex-wife Norma, Tyrese Gibson is quick to say that the drama does not spill over on to his 2 ½-year-old daughter, Shayla Somer.
No matter what, the singer/rapper/actor maintains that patriarchs should do the right thing and be a father to their children.At the end of the day, this is what I would say to all fathers: Dont allow the conflicts between [you and] the mother of your child to get in the way of your responsibility as a father, Tyrese shared with People.coms Celebrity Baby Blog. Your responsibility when you coexist and create a child is to be a father period because that child is affected by your irresponsibilities if you decide to be irresponsible,Tyreses stance on fatherhood comes amid ups and downs in his divorce from Norma, which he filed in January 2009. Irreconcilable differences were cited in the split, which occurred after 10 months of marriage. Through all the divorce complications, Tyreses feelings for Norma continue to remain while proclaiming his love for Shayla.
I still love the mother of my child and that will never change, the entertainer shared.
5. Mary J. Blige Rocks Out on a Stairway to Heaven
She may be the queen of hip-hop soul, but Mary J. Blige is leaning on the influence of rock music for one song on her latest album, Stronger With Each Tear.On Tuesday (Feb. 2), the songstress aligned with Blink 182 drummer Travis Barker, American Idols Randy Jackson, rock guitarist Steve Val and Orianthi (the blonde female guitarist selected for Michael Jacksons This Is It tour) for a cover of Led Zeppelins classic, Stairway to Heaven.
The tune, which is among Zeppelins array of vintage material, is considered to be one of the greatest rock songs of all time. Bliges interest in Stairway to Heaven goes all the way back to childhood as she remembered experiencing a variety of emotions while listening to it.”The one thing that I get out of the lyrics ‘she is buying a stairway to heaven’ is what so many of us have done and do, meaning we buy a bunch of material things to get peace,” the vocalist told The BoomBox. “I was a kid when I first heard it. It made me feel weird, but it made me feel peaceful, and then when the rock ‘n’ roll part came in, it made me feel charged, but at the same time that peace didn’t leave me. I was able to see into music, and fell into music, to the depths where other people can’t feel it or see it, so that made me want to do it.” Bliges version of Stairway to Heaven is set to appear as a bonus track on the international release of Stronger With Each Tear.
6. Jill Scott Relationship With Record Label Exposed in New LawsuitBelieve it or not, Jill Scott is being brought to task by her record label.The award-winning songbird is at the center of a new lawsuit that was filed on Wednesday (Feb. 3) by Hidden Beach Records. In the suit are claims that Scott has bailed on her six-album contract with the label, thereby resulting in her potentially owing Hidden Beach millions of dollars in damages.The suit goes on to acknowledge claims that Scott parted ways with the label after a more than 10 year relationship. Hidden Beach and its founder, Steve McKeever, allege they nurtured Scott into a successful singer/songwriter after helping launch her career. Scott was midway through fulfilling her contract with three albums under her belt.
The lawsuit also chronicled a rather tight relationship Hidden Beach and McKeever had with its popular star. Among the details uncovered were allegations that McKeever paid Scott million-dollar advances when he wasn’t required to as well as allowed her to keep merchandising revenue.
The complaint further claims that McKeever paid $450,000 to fund a concert DVD that Scott later asked not be released, bought her lavish gifts and indulged her desire to slow her recording schedule to pursue an acting career.
To hear the label tell it, it seemed like Hidden Beach was forced to sue Scott given her alleged diva like behavior. The claim they were “rolling the dice and betting everything it had on an unknown talent” when they first signed Scott … and are “deeply saddened” by her recent actions.
In Other Words
Its no secret that Will Smith is a supporter of President Obama. But could the Commander-in-Chiefs influence be rubbing off on the entertainer?
Could be. In an interview with Germanys Bunte magazine, Smiths wife Jada confessed that her husband is thinking about entering the true realm of aliens and weird, backward thinking creatures, i.e. the world of politics.
Will is thinking about going into politics. He once said he could imagine becoming a U.S. president, said Jada. He wasnt joking, he was quite serious about it.
If this holds up, it would be a turnaround for the Fresh Prince, who opted for the fun-filled life of a movie star rather than that of a politician.
DISCLAIMER:
All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.
MIKE JONES SHOW ENDS IN SHOOT OUT!
What up doe! I wish I was from Detroit and then I would actually sound right saying that. Nevertheless, WHAT UP DOE! Anyway, shout out to my Detroit connects. Mike Jones had a show there the other day and I heard he did his thing. The people came out and supported. The only issue is, the thugs came out and supported too. They supported so much they shot the place up before Mike Jones could even finish his show. Damn.
SOMEBODYS UPSET
I dont know how to say this. But, I will tread lightly. Somebody had a song from somebody else that they had for a long time. Well, somebody decided that they were going to put the song out even though the first somebody didnt want it to come out as such. Soooooooo somebody is upset that somebody released the record which includes somebody else, who is very powerful and important. Hmmmmmmm hopefully somebody doesnt remain mad since Im a fan.
LIL WAYNE TO FLOP?
Well, this is what they are saying. Some preliminary numbers are going around and they are saying that Lil Wayne is going to push about $150k of his Rebirth album. I know this rock CD leaked like crazy, but do you think this is an indication of waning popularity for Weezy or just a rock album nobody was so interested in? His last CD pushed a milli in a week thats a dramatic difference in sales. THOUGHTS?
G-UNIT TO GO INDIE?
I got a lil rumor from Mikey T The Movie Star. Dude hit me and told me that G-Unit may be merging into an indie label. I am definitely not sure what that all means, since they are kind of like an indie that just happens to go through Interscope Records. Its all in the distribution. From what I am gathering is this allows 50 Cent to put out as many albums as he wants and not have to go through the mess.
A GANG ACCUSES A RAPPER OF SNITCHING?
I got this in the mail:
XXXXX A MATHAF**KIN SNITCH CUZZ. THIS N#### XXXXX SNITCHED ON THE WHOLE BRITTANY HILLS POSSE IN COLUMBUS OHIO AND HE GOT NI**AZ LOCKED UP TO GET OUT OF JAIL. HE WAS SUPPOSSED TO GET A YEAR BUT WHAT HAPPEND, THE N**A GOT OUT EARLY. NI**AS TALKIN BOUT TI, THIS NI**A THE REAL SNITCH. GOT MY NI**A POPPA JOE LOCKED UP FROM COLUMBUS. XXXXX A B***H CUZZ
I must admit, I dont know what this is referring to, but I will say this. The rapper they are accusing of snitching is presently in jail. Also, Maurice Lamont Williams aka Papa Joe is not in jail at all. Hes on the lam. Papa Joe is the suspect ring leader of Operation Peach, which apparently goes from Columbus, Ohio-to-Atlanta, Ga. And this is where the rapper comes in. I cant say the name of the rapper, but its not hard to figure out and he is one of the biggest right now. So, in the streets, they are saying that this rapper told on the gang and got 28 out of 31 members arrested.
IS THIS TREY SONGZ NEW GIRLFRIEND?
My hunch is no, but a couple people told me something else.
WILL OR WONT BEYONCE TAKE THAT BREAK?
Remember how Beyonce said she is going to take that break? Now, they are saying Beyonce is looking to ride the Grammy wave for another six months. Chelsea Handler held nothing back on B.
(Take the break!)
ILLSEEDS QUICKIES
Apparently, G-Dep is going to be issuing a statement to discuss some of the rumors. Stay tuned.
Apparently, Trey Songzs former manager has wished his young friend well, even though he was left high-n-dry after many years.
Keshia Cole is very close to having that baby. She was rushed to the hospital!
Lil Wayne starts jail in NYC next week.
Lil Wayne has allegedly kicked the promethazine-codeine syrup habit so he doesnt have the jitters in jail.
Anderson Hero Cooper is reportedly going to adopt a Haitian child.
Where the hell is that Sade/Nas record? LEAK IT!
Nas is supposed to be getting his Kelis tat removed from his arm. He and JD should get a two-for-one.
Ray-Js babe Danger is reportedly cracking up. Shes been arrested or something for arson. Honestly, I cant deal with her antics. She needs help.
Gabourey Prescious Sidibe wants to take Justin Timberlake to the Academy Awards. Precious Please.
Looks like Tiger Woods has officially won his wife back. His wiz-roid fired her divorce lawyer recently. I know the lawyer was pissssssssssed!
Per TMZ: Brittany Murphy’s cause of death has been determined: An accidental death caused by “community acquired pneumonia,” iron deficiency anemia, and multiple drug intoxication.
Matt Kemp is reportedly seeing other women in addition to Rihanna. He must not know.
SIGNS THE WORLD IS COMING TO AN END
There is a lot of talk about the younger generation, but the older generation is definitely bugging too. I mean the 30-somethings. A 38-year-old mother in Georgia was not pleased with her sons report card. This is very regular. Well, how she decided to discipline the 12-year-old is the stuff legend is made of. The mother forced her son to murder his pet hamster WITH A HAMMER. Hello? What the hell? I mean, seriously what is on this womans mind? She wanted to send him a message, but what was she trying to convey? The boy snitched on his mom to the Division of Family and Child Services and then they brought in the police. This nutjob (Lynn Middlebrooks) was charged with one charge each of animal cruelty, child cruelty and battery. She needs to submit herself to a shrink and make sure nothing else is loose up there in her head. Shout out to Lil Dru for that tip!
LIL HAMSTER, WE LOVE YOU!!!
They keep us talking, but if we stop talking about them then they should worry!
-illseed
WHO: illseed.com
WHAT: Rumors
WHERE: AllHipHop.com, MySpace.com/TheIllseed
HOW: Send your rumors and ill pics to illseed at [email protected].
DISCLAIMER:
All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on.
OLIVIA SAYS 50 CENT SHOULD HAVE SPENT $4 MILLION ON HER!
Olivia where she goes in on DJ Whoo kid, clears up rumors of her sleeping with Young Buck and says 50 Cent should have spent $4 mil on her.
“
Hahahaha! She had better be joking! But in all seriousness, here is what she said and the video is after that.
“I mean, I’m worth it, You [50 Cent] should have spent four [million]. I’m just saying, if you have an R&B artist and you’re used to dealing with a whole bunch of rappers who all you have to do is get up and put on a sweat suit, like, come on. That’s not fair. I’m a girl, like you said, I’m beautiful, I don’t wanna OD and be extra cocky, but come on.”
“There’s a lot of stuff that comes with having an R&B artist, so, what’s the problem? He can afford it. I’m your artist, you love me, you gonna take care of me, you gonna take care of all your other artists so why is it a big deal for me? I don’t know what he spent, but the point is you’re supposed to be taking care of your artists. Why would you even want to throw out a number or whatever you’re doing. It’s not that serious.”
Here is what 50 Cent said before to get her to say such a thing.
If you want, here is an interview with Olivia.
OLIVIA, WE LOVE YOU!!!
They keep us talking, but if we stop talking about them then they should worry!
-illseed
WHO: illseed.com
WHAT: Rumors
WHERE: AllHipHop.com, MySpace.com/TheIllseed
HOW: Send your rumors and ill pics to illseed at [email protected].
Whutupdoe…I’m back on some Lazarus s**t. Straight up. U n****s miss me? With every bullet so far, huh?
Yeah whuteva.
F**k you,too.
For those of you who give a flying f**k, I have returned, at least until Raze or Jigsaw tell me to roll the f**k out.
I’ve had a change of heart like Chuck Taylor. For this drop I’m gonna leave all of the dissing of these clowns without make-up that we call rappers to my compatriots.
This s**t is serious.
As cancer.
Or high blood pressure.
Or stroke.
Pontine stroke to be exact. The stroke of all strokes. At 36. Yup. I stroked the f**k out. Almost got my die on.
I aint gonna get into how I survived, but I survived. I walk with the G-O-D, n***as. Yeah I couldn’t walk,talk, eat, or breakdance. F**k it, s**t happens. I wasn’t gonna finish this piece – too personal, too painful.
But s**t kept happening that urged me on.
A suprise tweet from one of my nurses, well-wishes from everyone from Everlast to BMF affiliates. Motherf**king benefit concert was one jam with n##### from New York, Philly, and California.
Cats were showing love, and I wasn’t even dead (anymore) n***as were making huge secret contributions that will stay secret.
Hey, I was in one of the best hospitals in the United States, that s**t COSTS money. Man, a lot of n***as revealed their true selves to me during this ordeal and some showed me the true meaning of the word “FRIEND,” word to Whodini.
I learned a lot my damn self. Shout out to all the writers who damn near eulogized me and shout out to all the readers who kept me in their prayers. Thank you, that s**t worked.
For my part, I’ll say this; I’m deading all previous beefs, unless a n#### wants to keep it going. I’m definitely into that too. And for the reason I wrote this depressing little ditty – dont be a dumb-ass like me.
If your doctor gives you some little red hypertension pills that give you headaches, take that s**t. Or you can take the 17 pills I take, and hope you wake up in the morning.
Take care of yourself, because I don’t want you to end up in a wheelchair with an eye patch like me. Trust me, it’s not as cool as it sounds.
Yo,I envy you.
I envy all you good walkin’, good seein’, good talkin’ muthaf**kers.
Hypertension. The silent killer.
Yo, talkin’ s**t about the f**king Grammys can wait a minute, but your health can’t. If I can convince just one of you obnoxious f**ks to get checked out, I’ll feel that all of this f**king pain is worth it. Don’t have me endure it in vain.
Twit @ me, @hexmurda – unfiltered.
Editor’s note: hexmurda hates us, but we love him. Glad to have you back, hex!
Click here for more on hexmurda and what he means to Detroit and Hip-Hop.
I gotta state right upfront that I am biased against
360 Deals. I understand WHY they exist,
I just find them unfairly oppressive in the labels favor in an industry with a
draconic history of jerking artists out of money. I stopped negotiating deals for artists in
2005 because I refuse to do a 360 Deal for any artist! How strongly do you have to hate something to
stop your own income over it?
In the early 2000s, the music industry went through a
severe change. Music sales plummeted,
the importance of the internet reigned supreme, and there was an influx of
artists into the industry causing an over saturation never seen before. Its gotten worse, not better, for the major
record labels.
Once used to a healthy profit margin that afforded grand
lifestyles for those at the top of the food chain, the major labels became
disgruntled as sales dropped while they missed the boat on less profitable
digital sales. Taking on the role of
dinosaurs fighting for survival, they tried everything from stopping the new
digital revolution, to fighting it, to suing it, to band wagon jumping too
late. Nothing worked for them. And they still havent learned from their
mistakesthey still continue to fight the ways the consumers want to receive
their music.
So to justify their continuing existence, they decided to
take an even larger share of the pie from the ONLY aspect of the equation that
they controlledthe artist (or the content provided for digital
download). Back in the day, labels took
roughly 87% of the pie while giving the artists 12% of the money AFTER the
artist paid back everything spent on them from that 12% share. This means that if the artist sold $500,000
worth of CDs, and it cost $50,000 to market and promote that CD (a very low
example), the artist share of $60,000 (12% of $500k) would be divided between
paying the label back that $50,000 and a check for the remaining $10,000. The label would receive $490,000 for its
investment and belief in that artist while the artist made $10,000. In exchange for giving up the lions share of
the sales, the labels always told the artists that theyd make 100% of the
touring. Any show money, was the
artists to keep!
When the s### hit the fan financially for the labels,
they decided to tap into the show money, and all other streams of income for
the artists, as well. After all, if your
profit margin is made smaller, you need to eat more of everyones income to
keep the fat cats at the top, and the stock holders, happy. Most 360 Deals share in endorsement income
(15% to 30% depending on the artist), performance income (10% to 30% depending
on the artist), merchandising income (20% to 50%) and Film/TV money (15% to
40%). Before I go any further, I have to
thank Bob Celestin (Law Offices of Robert A Celestin www.raclawfirm.com) for supplying me a 360
Deal contract for an indie label and the good folks at Warner Bros Records for
leaking me a major label contract for an artists 360 Deal. This enabled me to write about REAL contracts
instead of just what Id heard from lawyers, artists, and label folks.
How do labels justify taking an even BIGGER share of the
pie from artists? They complain that
they are doing all of the developing, investing, marketing, and promoting. Their argument is that they believe in the
artist when the artist has nothing, and they feel that assuming the lions
share of the risk should result in sharing in a lions share of the
profit. If the label is developing and
building the artist to a level of super stardom, they feel they have the right
to share in a percentage of everything that super stardom affords the
artist. So if they drive the artist
platinum, they feel they should get a piece of the tour that came from the fame
the label helped the artist build, and a piece of the endorsement deal or film
income that came from the fame that the label helped build. I guess I could see this argument better, if
I actually agreed that the labels did their jobs well of building artists.
I have a different vantage point of record labels. I see major labels based in tall glass
buildings in NY and L.A. that have little interaction with the streets, fans,
or the artists. I see them sign artists
that have already started to build a buzz or sell music themselves, and then I
see them sit back and let the artists teams continue to do much of the work
themselves. I dont see major labels
taking much risk with their artists, but do continue to put them through a
system that is almost an outdated cookie cutter version of how to sell
CDs. The labels rarely interact with the
fans and are quite out of touch about what the fans want or are willing to
buy. They seem to create this assembly
line of artists who all sound similar and fit a certain format at radio. They seem to throw a lot of music into the
marketplace and work whatever catches on quickly and easily. Most labels do whats best and easiest for
the label, not whats in the best interest of the artist. Now, in a way, its very unfair of me to make
this sweeping generalization, because there are some amazing people who work
inside of major labels and really go all out for the artists. But I find these people to be the exception,
not the norm, and I also find them to be frustrated most of the time because
they constantly have to fight with their bosses and the status quo to succeed
on a project.
I also find that competitor labels usually hire the best
people away from the labels who are experiencing some success, thereby breaking
up the synergy within a team once they all learn to work well together. This is why a label like Def Jam or Universal
could be so strong in the late 90s and yet be struggling to succeed today. I find that artists rarely look at the teams
working at labels and just fiend for a record deal no matter the success of the
label or whos at the label (staff or other artists).
So labels got further away from the fans, the staffs got
lazier or more frustrated (perhaps more work for less pay?), the artists took
less risk because there were more of them and they were just happy to have a
record deal, and the fans started expecting music for free because they could
just download it if they didnt feel like paying for it. Major labels continued reducing spending,
slashing budgets, cutting pay, and signing sure things (whatever that
means). And to justify the spending they
were still doing, they decided to offer deals that cut into more of the
artists income. The argument was that
out of 50 artists signed to their label, only one was successful and funding
the 49 losses. No other business on
earth has such a backwards business model.
Imagine if Ford built cars and accepted the fact that every model but
the Taurus was meant to be a loss leader, and that the Taurus sales had to make
up the loss of every other brand under their umbrella. Huh?
Or imagine if banks lent money for mortgages
expecting 99% of the mortgages to
default, and 1% of the mortgages were expected to make up the banks profits
that year. Further imagine if each
homeowner paying back their mortgage didnt actually get to keep ownership of
the house after their mortgage was paid back!
The banks argument would be that they took all the risk on the house,
so they should get to retain ownership. The
people that lived in the house would still have to pay for all the repairs and
upkeep, but the bank would own the house.
Thats how the music industry is built.
And the folks at the top with the most to lose are the ones fighting to
keep this backwards system alive.
People ask me all the time what I think is wrong with the
music business. I would like to blame
our troubles on the greed of major labels, the proliferation of bad music that
the fans dont seem to want, or the free downloading of (stolen) music. But the truth is that if the artists didnt
agree to these incredibly bad deals, there would not be incredibly bad
deals. If a bank existed that kept
ownership of your house after you paid back your mortgage, you would never do
business with that bank. Yet all day,
every day, there is a long line of artists willing to sign their lives away to
record labels because they dont understand, or possibly dont know about, the
consequences. Or maybe they just dont
care. Maybe the need for fame overpowers
the need for money until they realize they arent making money but someone else
is. I find that it takes artists 3 to 5
years to realize they are getting jerked.
In that time, a lot of money is lost and one or two things happens:
either the artist is replaced with a new artist willing to make less money, or
the artist has enough value to renegotiate their deal and share a larger piece
of the pie. Sometimes, they even start
their own labels and repeat this onerous process with their own new, unknowing
artist! They got jerked, so they turn
around and jerk someone else.
But back to 360 Deals.
This new model will exist until artists are willing to say no! and I
dont see any signs of that happening.
What I do see happening are artists becoming more entrepreneurial, and
instead of signing to major labels, I see them finding their own investors and
building their own teams who can help them succeed. There are enough laid off employees of record
labels whove experienced some success out here to hire to run and work at indie
labels. Theres a huge void in the marketplace
to deliver the kinds of music fans want and thats not just one kind of music.
What I learned from both the buzzes of Drake (lyrical
mainstream artist wholl succeed at radio) and Gucci Mane (not-so-lyrical
street artist with gutter stories and experiences to share) is that fans still
want music. Major labels are still slow
to respond to the needs of the streets and the internet is only speeding up and
splintering demand further. Theres
still a market for good music that the fans want. Our job is to give it to them. And if we do so with a fair and equitable
split of the profits, the artists can build lifetime careers and we can all
make money!
I hear the artists who sign 360 Deals say that they feel
they have to sign these deals because the label wont work their projects if
they dont give up a bigger split. I
hear the artists say they want the labels to help them land endorsement deals,
major tours, and TV Shows and film rolesbut Ive yet to see a major label do
this. Lets be realistic, these major
opportunities go to the biggest stars and the ones who apply themselves
directly in those alternate areas. If
you hire a film agent, and take acting lessons, you may get increased roles in
film and TV. If you increase your fame
through music sales, your endorsement opportunities increase. Beyonce landed a Revlon contract because she
was a star, Revlon did not make her a star.
How many new artists are the major labels building to be stars? In 2009, it was Taylor Swift and Susan Boyle
out of all of the releases that came and went.
And neither of them were developed by the major label systemone was a
product of an indie label and the other a product of a TV show. The majors had access because they did deals
with middlemen and then applied their systems behind those movements that were
already happening. Maybe that really is
the job of a major label in todays environment.
In my opinion, a 360 Deal is an excuse for a major label
to take a bigger piece of the pie without doing any additional work. Its insurance on their part. If the artist does blow up by chance, it
gives them more opportunity to make a bigger cut. And thats just smart business. I guess if they called it what it really is,
Id be less annoyed by it: the price of doing business with a major label. If they played a bigger role in building overall
success, Id be happy to see them share in a bigger piece of the pie at the end
of the day.
Example of a 360 Deal Artist (this is not an actual
artist example):
Male rapper based in Atlanta with a strong
following. He has his own team of
inexperienced friends and family around him and a very strong street
following. The DJs, fans, other artists
and industry are supporting him and propelling him forward. With no real single or CD in the marketplace,
demand is highhes getting $30,000 a show and performing three or four times a
week for the past few months. This will
last about 6 months, approximately. Hes
put out a series of mixed CDs, for free, over the past year. The label signed him a year ago to a 360 Deal
but hadnt begun to promote him yet because their roster was full. The artist got tired of waiting and began
putting out a new mixed CD every month to build his buzz.
Advance: $75,000
Album Budget once popularity increased: $350,000
Recoupable Marketing and Promotions: $750,000
Monthly Show Income: $420,000
Endorsement Deal: $50,000
Album comes out and sells a total of 350,000 copies (it
was a very commercial album but the artist had been very street, almost gutter,
up to the point of his album release so fans didnt really embrace the album as
expected).
Album income for label: $3.5 million
Artists Share after Recouping: negative
balance of $405,000
$750,000
+ $75,000 = $825,000
12%
of $3.5 mill = $420,000
$825,000
– $420,000 = $405,000
Artists endorsement Deal Share: $37,500
75% of $50,000
Artists Share of Touring Income: $1,764,000
70%
of $420,000 x 6 months
Artists Share of Publishing Income (50%): $100,000 (estimate of mechanicals and ASCAP/BMI
royalties)
Income for Label: $4,773,500 gross income on an
investment of $825,000
$3,500,000
sales
$405,000 recoupment
$12,500 endorsement income
$756,000 tour/show income
+ $100,000 publishing income
$4,773,500 gross income
Less Staff costs
Less Day to Day operating expenses
Less Taxes
Income For Artist: $1,122,375 income
$37,500
endorsement income
$1,764,000
tour income
+$100,000
publishing income
$1,901,500
sub total
-$405,000
recoupment
$1,496,500
gross income
Less 20% management fee
Less 5% Business Manager fee (Accountant)
Less Tour costs/legal costs/tour manager/DJ/Operating
expenses/taxes
Lets compare gross incomes
Artist made 1.5 million while label made 4.7 million
Artist share: 24%
Label share: 76%
Lets compare Net incomes before taxes
Artist made approximately $1 million while the label made
approximately $4.5 million
Artist share: 18%
Label share: 82%
If the label is
taking all of the risk (they are not), putting up all of the money in all of
the right places (they are not), devoting all of their attention to this one
artist (they are not), and doing most of the work (they are not), then this
business model makes sense for everyone involved. But if the artist is doing
the bulk of the work, risking their career in the hands of the label, and
coming out of their own pocket for many expenses, then this business model is
hugely skewed in favor of the major label.
(AllHipHop News) The National Museum of Hip-Hop (NMoH) has announced their 2010 Hall of Hip-Hop Awards, which annually inducts legends and icons into the organizations Hall of Fame.
This years event will be televised, and seeks to recognize icons in all of the universally recognized elements of Hip-Hop culture: emceeing, DJing, graffiti art, and b-boying.
Other contributors in the realms of production, filmmakers, and fashion will be recognized as well.
While shows such as the just-aired Grammys include several Hip-Hop themed categories, NMoH President Craig Wilson points out that many of the pioneers who laid the groundwork for the cultures commercial boom have not received their just due.
The Hall of Hip-Hop will exist as the first true beacon of homage for those who created and pioneered this great culture we call Hip-Hop, Wilson explained to AllHipHop.com. [Its] a testament to the prominence of the many who helped spawn this phenomenon but have been long since forgotten via contemporary commercial/corporate interests. We have developed an Induction Committee with enough experience to develop a system that will be world class.
That board includes such figures as mogul and former Hip-Hop artist Andre Harrell, Grammy Museum President Bob Santelli, and Rock and Roll Hall of Fame President Terry Stewart.
On April 6, KRS-One and Chuck D will host the NMoHs Hip-Hop Immortal, an invitation only event from New Yorks M2 Ultra Lounge on 530 West 28th Street.
The show will feature a special DJ set from Grandmaster Flash, and offer a silent auction, VIP gift bags, raffle, and live performances.
“Shake”
“O Lets Do It (Remix)”
“F### The Money”
“Betty Crocker”
“Ungrateful”