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Rapper/Actress Queen Latifah Sued By Stylists For $1 Mil

Hip-Hop icon and Cover Girl spokeswoman Queen Latifah is being sued by two former employees over allegations of breach of contract.

 

The two suits claim that Latifah, real name Dana Owens, employed both Roxanna Floyd and Susan Moses for work on her Queen Collection Cover Girl and Curvations lines.

 

Floyd alleges that she was employed by Latifah for over 10 years, and was responsible for “developing, producing, and marketing defendant’s Queen Collection make-up line for Cover Girl.”

 

Because she was allegedly never compensated for her work, Floyd is seeking $700,000 in damages on the grounds of unjust enrichment and breach of contract.

 

Moses’ lawsuit states she worked for 3 years on Latifah’s Vanity Fair Curvations line as a stylist and developer.

 

She claims that even after her services tab exceeded $150,000, Latifah “continues to completely fail to pay plaintiff for her services and a large portion of her expenses relating to Curvations.”

 

Moses is now seeking $300,000, also on the ground of breach of contract and unjust enrichment.

 

Although the two federal lawsuits were filed separately, both plaintiffs are being represented by Carmen Giordano.

 

In addition to herself, Owen’s Queen Latifah Inc. was also named in both suits.

 

At press time, Queen Latifah could not be reached for comment.

EXCLUSIVE: Pitbull Signs With Polo Grounds Music/RCA Music Group

Miami Hip-Hop star Pitbull has inked a deal with Bryan Leach’s Polo Grounds Music, a source has confirmed with AllHipHop.com.

 

Pitbull, who released his debut album and all subsequent releases under the TVT deal, had a public falling out with label head Steve Gottlieb.

 

Pitbull, born Armando Perez, accused the label and its executives of sabotaging his career due to the lack of promotion for several of his albums, including has last, The Boatlift.

 

Rapper Lil Jon made similar accusations against TVT Records before the company filed for Chapter 11 bankruptcy protection in February of 2008.

 

In June 2008, TVT Records was sold to The Orchard in bankruptcy court for $6 million dollars.

 

According to a source, Pitbull’s new album will be released by Polo Grounds, which was founded by former TVT executive, Bryan Leach.

 

Leach spent 11 years as Vice President of Urban A&R at TVT, where he discovered and helped develop artists like Lil Jon, Ying Yang Twins and Pitbull.

 

Artists on Polo Grounds include Hurricane Chris, Nina Sky, Avery Storm, Boxie and others.

Wale & B.O.B. Rip Down Atlanta

In an era oversaturated with Myspace and Youtube rappers, a talented upcoming emcee has to be exceptional lyrically, production, and image-wise to stand out. And of course, having a competent machine behind you doesn’t hurt. Enter Grand Hustle member B.o.B., and buzz-heavy Interscope signee Wale, who both last weekend (March 27) brought their energetic stage shows to Atlanta’s Loft venue.

 

After a seemingly endless 2 hour stream of opening acts, the 20-year old B.o.B. hit the stage. Backed by a raucous drummer and handling his own guitar duties, Grand Hustle’s youngest star breezed through his catalogue highlights “I’ll Be In The Sky” and the frenetic “Haterz Everywhere.” A witty, affable showman, Bobby Ray kept the crowd upbeat with his self-deprecating humor and acrobatic stage antics.

 

The Decatur native also used his set to showcase his various comrades from the Grand Hustle family. Killer Mike set a good tone with selected cuts from his Grind series, but the crowd’s energy began to wane as numerous lesser known Grand Hustle artists devalued and took up the bulk of B.o.B.’s set.

 

However, all was forgiven when T.I., who was sentenced to a year in prison hours earlier, joined B.o.B. on stage for a surprise performance of “On Top Of The World.” Showing no signs of exasperation at his recent fate, T.I. held regal court during his brief appearance and was genuinely pleased with his camp’s performances.

 

Over 4 hours after the doors opened, D.C.’s Wale finally blessed the patient but drained crowd. Still, the go-go rhythms of acclaimed band UCB were irresistible, and the show reached fevered pitches courtesy of Wale tracks “Breakdown,” “Ice Cream,” and “Dig Dug.”

 

Wale also dished out history lessons, quizzing fans on their knowledge of go-go bands like EU and the Junk Yard Band, and even delivering a smoothed out, go-go rendition of A Tribe Called Quest’s timeless “Electric Relaxation.”

 

UCB’s own catalogue was on display, as the band answered the calls from PG County ladies in attendance by performing “Sexy Lady,” which the uninitiated may recall based on similar rhythms to the System’s 80’s#### “Don’t Disturb This Groove.”

Surviving UGK member Bun B was the final surprise appearance in an inspired rendition of “Back In T?he Go Go.” To end, Wale implored the tired but game crowd to give one last effort for his closing hit “Nike Boots.” The audience obliged, giving the D.C. native a rousing sendoff as he mingled with fans afterward.

 

Even without the star power of their veteran peers, B.o.B. and Wale have proven to be capable performers with songs that will always translate well in a live atmosphere.

 

 

B.o.B & T.I.

“On Top Of The World”

 

Wale

“Electric Relaxtion”

 

Wale Featuring Bun B, UCB

“Back In The Go Go”

 

Wale & UCB

“Sexy Lady”

How to Make a Hit: The Age of Songwriting

While income streams for artists in the music industry have become less and less, the amount of money made by songwriters and music publishers has not seen that drastic of a decline. This is not to say that the decision to be just an artist cannot still be a lucrative one. However, it would seem there are more pronounced cons.“If you don’t feel like your song is hotter than the #1 song in the country, then it’s not even worth it.” says Dre McKenzie from G-Unit records during BMI’s “A Conversation With The Industry”, a panel discussion on March 18th regarding the state of music from a publishing perspective. The world of songwriters is just as competitive if not more so than that of artists. There are a multitude of songwriters on any given day who are working towards achieving the next chart topper. However, where an artist may have to wait a small eternity to amass riches even after chart topping hits and a platinum selling album (especially given the current state of the music industry) the pay off for a songwriter is much more immediate. With the collection of royalties and writer fees, a songwriter can see a six-figure income after penning only one song if it becomes a massive hit.“Producers and songwriters have definitely become more popular in the past couple of years,” legendary producer Kwame explains about the increase in visibility of those “behind the scenes.” There are definitely songwriters who have achieved a certain level of visibility and even fame. However, most will never see it to the extent that an artist does. An artist has a marketing machine behind them whose sole purpose is to drill them into the consciousness of as many people as possible, whereas the machine behind a songwriter (if they have one) is to drill them into the consciousness of as many people in the Music Industry as possibly. Penning hit songs helps this cause, but in most cases does nothing in terms of creating fame in the most general sense for the writer. In fact, it only makes the artist more popular. The retention of their anonymity can be a blessing for many songwriters as they get all the perks of a music industry lifestyle without the intense scrutiny that fame can bring. However, there are many who crave the spotlight as there are many songwriters who are simply artists waiting for their time to shine.“I love what I do. It’s the best profession in the world. Nothing compares to it,” gushes songwriter Frankie Storm about her job. So what is better: being an artist or a songwriter? The lucrative compromise would be to do both. Keyshia Cole, Ne-Yo, R.Kelly and many others have all made money on both sides of the fence. However, the more definitive answer probably depends on where you sit full-time.Which would you rather be?Poll Answers**To get the latest AllHipHop Alternatives Features, follow us on Twitter @ www.twitter.com/AHHalternatives**