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Cash Money Speaks on Lil Wayne’s Grammy Wins

Cash Money Records CEO’s Bryan “Baby” Williams and Ronald “Slim” Williams are still celebrating, following the 4 Grammy wins of their superstar artist Lil Wayne last night (February 8).

 

Coming into the night nominated for 8 awards, the New Orleans native snagged half for Best Solo Rap Performance (“A Milli”), Best Rap Song (“Lollipop”), Best Rap/Sung Collaboration (“Swagga Like Us”), and Best Rap Album (Tha Carter III).

 

The album award was a special moment for Wayne, who bested stiff competition in the category from Nas (Untitled), T.I. (Paper Trail), Lupe Fiasco (The Cool), and Jay-Z (American Gangster).

 

For Baby and Slim, Wayne’s success last night was living proof of the perseverance of their brand and sound.

 

“The Cash Money family is thrilled with Lil Wayne’s triumph at the Grammys,” the CEOs told AllHipHop.com in a prepared statement. “We are an independent label and this recognition is validation of all of our hard work over the last 20 years. To go from selling records out of our cars more than a decade ago to having the number one selling and Grammy winning artist, it is really hard to express how much pride we feel at this moment.”

 

To date, Lil Wayne’s Tha Carter III rests at #26 on the Billboard 200 with 3 million sold and the title of best-selling album of 2008.

 

Last night, the heavily favored album fell short of Album of the Year.

 

It lost to Raising Sand, the critically acclaimed duet album from former Led Zeppelin member Robert Plant and bluegrass singer Alison Krauss.

 

Wayne’s next foray will be his risky and ambitious all-rock album, Rebirth, presently set for release on April 7.

Mike Jones Prepping New Album ‘The Voice’

Nearly 4 years after his surprise hit album Who Is Mike Jones, Houston rapper Mike Jones will release his much-delayed follow-up The Voice.

 

Aware of the difficult sales climate in today’s album market, Jones was careful in making sure his singles generated enough buzz for the project.

 

After receiving a good reception from the tracks “Cuddy Buddy,” Drop & Gimme 50, and “Next To You,” the Houston native is confident in the LP’s momentum.

 

Jones is also hopeful this album will dispel any lingering thoughts with critics and fans that attribute his first album’s success to Houston’s 2005 mainstream popularity.

 

“This album is what I wanted my first album to be,” Jones explained. “I’m showing more of myself to the world, more of my writing skills and my personality.”

 

The Voice features a balanced combination of street and dance Hip-Hop courtesy of production from Mr. Collipark, Jim Jonsin, J.R. Rotem, and Drumma Boy.

 

On the artist side, Jones has enlisted appearances Lil Wayne, T.I., Twista, Trey Songz, Hurricane Chris, Plies, and Akon.

 

Even with the loaded guest spots, Jones is cognizant of making sure his presence is not lost on the album.

 

“There are many side to Mike Jones,” he stated. “I want my fans to get to know all of them.”

 

The Voice will be in stores April 14 via Asylum Records.

Lil Kim Joins ‘Dancing With The Stars’ Cast

Grammy Award winning rapper Lil’ Kim will be one of thirteen celebs showing off their moves when the eighth season of ABC’s Dancing With the Stars debuts next month.

 

This year’s cast was announced during a primetime event that found each participating celebrity revealed one at a time during ABC’s regular line-up Sunday night (February 8).

 

Kim, who is currently working on her fifth studio album, to be released later this year, was the first contestant revealed.

 

She will be joined by reality stunt performer Steve-O, of MTV’s Jackass and Wildboyz; Access Hollywood co-Anchor Nancy O’Dell; NFL Hall of Famer Lawrence Taylor; Olympic gold medal gymnast Shawn Johnson; Country singer Chuck Wicks; actress Denise Richards; Apple Computer co-founder Steve Wozniak; former Go-Go’s lead singer Belinda Carlisle; actor/comedian David Alan Grier; rodeo athlete Ty Murray; and singer/songwriter Jewel.

 

The new season of Dancing With the Stars debuts on ABC at 8pm EST on March 9.

 

The March 9 date is already significant for Lil’ Kim, as it will mark the 12th anniversary of the death of the Notorious B.I.G.

Nas & Slaughterhouse Rock Eastern Michigan University

As usual, Nas was incredible at Eastern Michigan University on February 6. The Queenbridge-bred rapper performed songs from Illmatic, all the while celebrating the seminal album’s 15th anniversary. Nas told the crowd, “Some of y’all were two when this came out.” A telling but true statement of how legendary of an emcee he remains to be. Still, his relevance dimmed in no way as every song her performed was a crowd pleaser.

Opening act Royce Da 5’9″ brought some big time friends along when he opened for Nas at EMU. Joe Budden, Crooked I, and Joell Ortiz rocked the packed arena as the lyrical monster Slaughterhouse. It wasn’t the first time an audience has been treated to this group. The group started out as a song of the same name. It begs the question: did one of the best songs of 2008 create one of the best new groups of 2009 or vice versa?

Complete with nifty t-shirts with their names on the back, Slaughterhouse did their thing and completely warmed up the excited college crowd. Their presence in Michigan almost guaranteed that they were recording. While nothing was confirmed, the smirks on their collective faces suggested an affirmative.

All in all, it was a great show that won’t be quickly forgotten. Here are some clips.

Slaughterhouse – “Live at Eastern Michigan University”

Royce Da 5’9” – “Boom”

Nas – “Sly Fox”

Nas “Made You Look”

Nas performs “N.I.*.*.E.R.”

Project Pat: The Realness

Project Pat, O.G. Memphis rapper and Three 6 Mafia

affiliate, has endured a lot.  Growing

up in the projects hustling to make ends meet, Pat dedicated years trying to acquire

enough wealth to escape the hood by any means necessary.  Needless to say, although heavily

involved with the Memphis movement along with brother Juicy J, DJ Paul and

other original members Three 6, Pat’s lifestyle caught up with the law which nearly cost him 30 years in federal prison. 

 

After having his sentence reduced and finishing his bid,

Project Pat released his first solo album Ghetty Green in 1999 where he goes in depth of his experiences from

surviving federal prison and his battle with a “rat” that contemplated

testifying against him. Mainstream Hip-Hop first got wind of the Memphis rapper

when he appeared on the hook of Three 6 Mafia’s famed song “Sippin’

on Some Syrup.”  Soon after Project

Pat released his second album Mista Don’t Play: Everythangs Workin’, though he

was arrested again for violating his parole in 2001. 

 

Despite numerous setbacks, Project Pat released two more albums

Crook By Da

Book: The Fed Story and Walkin’ Bank Roll after

his release from prison in 2005. As February 24th, 2009 approaches,

Project Pat is preparing to release his fifth album Real Recognize Real, dropping the first single, “Keep it Hood,”

which features OJ Da Juiceman.  As

he continues to move on from a troubled past, Pat is adamant about one thing:

making lots of money to stay far away from snitching rats.

 

 

AllHipHop.com:  You were spending time in Hollywood

with Three 6 Mafia, was it hard to adjust to that lifestyle?

 

Project Pat:  What lifestyle? What you mean?

 

AllHipHop.com:

They were in Hollywood! Was it a shock dealing with a different caliber of

people in Hollywood than what you’re used to in the music industry?

 

Project Pat:  Well, people in Hollywood are really fake.

Keep It Hood – Project Pat feat. OJ Da Juiceman

AllHipHop.com:  How fake are they? What do you mean?

 

Project Pat:  Everybody

is an actress, everybody’s a director—I mean, there’s

so many fake people out there it’s retarded.  It’s just like meeting fake people in Memphis.  It’s the same thing.

 

AllHipHop.com:  Do you think that world is a better

place with a little Three 6 and Project Pat?

 

Project Pat:  What do you mean “a better place?” I

mean, it wasn’t just supposed to be Hollywood.  I mean, we went out there—you mean from doing a

show?  Is that what you’re talking

about?

 

AllHipHop.com:  When I say Hollywood I don’t mean the

place itself, I mean the caliber of people like the actors, producers…just that

caliber of people.

 

Project Pat:  If I go to L.A. I would rotate in

Hollywood ‘cause that’s where the money at! I want to be where I can get me

some money.  I had a couple of

dudes out there in L.A. and they asked me to come through to the hood…That’s

cool, but what’s that gon’ do for me?  I need some money! I’m being real!  Everybody else can say what they want

to say and all that ol’ “Keep it real” and all of

that.  One thing a

n***a can’t tell me is he can’t tell me nothing about the streets, man.

 

These n****s are rats out here, real talk.  You can’t tell me nothing

about these streets.  I ain’t no rat, I’m stand up.  When I was in Feds, I was in Beaumont,

Texas [and] I was in population. 

You can ask anybody.  Dude ask me that out there when I was in California.  I told dude, I said, “That’s cool, but

what I’m a go out there for?”  I

been out there, but I grew up in the projects.  I was at my mama’s front door when someone got murked… Another’s words that don’t excite

me.  Now if somebody give me some money, then I need to be around him!  I’m trying to find out how I can get me

some money!   

AllHipHop.com:  What kind of

opportunities have opened up for you since you’ve been on your money

making road?

 

Project Pat:  I mean, you know, there’s

been a lot of opportunities.  There’s a lot of opportunities out

here.  [long

pause] I had come across a lot of, um, you know—not even, just, not

really out there.  Not really in

California, but I do real estate on the side and investments and, uh, I invest

in companies.  That’s in Memphis,

though.  Put it like this, it’s a

good situation.  

 

AllHipHop.com:  Going back in your past, I know you

served some time.  Do you mind

talking about the charges you acquired?

 

Project Pat:  We could talk about whatever, which

ones?  You want talk about the

guns?

 

AllHipHop.com:  Not the one that violated your parole,

but the initial one that you caught charges for in the ‘90s.

 

Project Pat:  I had a robbery charge, aggravated

robbery.  They were supposed to

give me 30 years on it, but I got it lessened and ended up getting nine.  I don’t know if you heard the album Ghetty Green, but that was a real album.  All the songs on Ghetty Green were true.         

 

AllHipHop.com:  So Ghetty Green was an actual testament of your life?

 

Project Pat:  Ghetty Green was

straight up me.  Everything I was

doing right then was everything I did maybe a few months ago or a year

ago.  I was rapping on this song

called “528 Cash” and the whole song is talking about my robbery case, how the

dudes that I wasn’t on the case with but didn’t snitch on was [trying to]

snitch on me… Like, he was sitting beside the prosecutor while I was starting

to take my stand, and I look and he’s sitting beside the prosecutor. Just in

case I did take my stand they were going to take me to trial and give me 30

years and he was going to testify on me. 

It’s just crazy, but one thing about life—your “Realness Card”

follows you throughout life. 

 

When it all boils down, dudes be

out here talking about they hard and they tough, the truth to that is they be

rats.  They’ll squeeze a trigger,

they’ll do a mission with you, but they be some

rats.  When you’re a rat, all the

street credibility you thought you had you just lost it.  If you were to go to the Feds you have

a PSI that tells everything you ever did and everyone you ever snitched on and

told on and if you don’t show your PSI when you get to the penitentiary in the

Feds, guess what?  You going to go

live in a hole or here comes 15 knives coming at you…You got real dudes out

here, but you got a lot of rats out here too. 

 

AllHipHop.com:  You violated your parole by carrying

two revolvers, how do you feel about T.I.’s case?

 

Project Pat:  I mean, I feel

sorry for the man.  It’s a mental

situation…I was around there when he got caught.  I was [about to] go to the BET Awards and the police told me

they had just got him.  I was like,

man that’s sad.  I was walking in

and the people knew who I was and he was like, “Man, they just picked up your

boy.”  I’m like, “Who are you talking about?”  He said, “T.I.” and I said, “For what?”  I thought he had gotten some wrong

information.   That’s just sad

man, but you know somebody set him up.

 

Let me tell you something about T.I., he’s not a bad dude at

all.  That man is a

millionaire.  He’s not a bad

guy.  He just had a little fetish

for guns.  S**t, I had it!  The thing is, he wasn’t [trying to]

hurt nobody.  If he came out good

in this situation, which I heard he did—why give a man 30 years?  He ain’t that

type of dude.  He probably could be

that type of dude, but he’s not on that…

 

Everybody make mistakes.  People try to look at folks like they God or something.  Nah, that man is a human being.  The thing I like about T.I. is he

brushed it off and he still out here shining, he looking good and he’s making

money.  Even though he lost one of

them endorsements, hey you win some and you lose some.  That’s how life is.  I had lost a lot of stuff when I had

gotten locked up on that pistol.  I

lost so much money, I could have been paid out here a

long time ago!  Right now I’m in

the ring battling it back out! 

That’s all I can do, I can’t do nothing else. I

can’t sit around and cry and whine and be mad at everybody else. 

 

AllHipHop.com:  Let’s lighten up the mood a bit.  You have a remix out right now that you

did on Santogold’s song called “Shove It.”

 

Project Pat:  Yeah! People been

telling me about that!  People like

that! I heard people liked that! 

Juicy told me the other day that people liked that. 

 

AllHipHop.com:  What do you like about Santogold & M.I.A.?

 

Project Pat:  Santogold’s

swag of music is kind of like European. 

I peeped the East Coast starting to employ a lot of England/European

music into their beats and stuff. 

I see a few people doing that. 

M.I.A., she’s from another country, so that’s just where she’s

from.  She brought that where she

was from to the music world and it’s working.  A lot of people in the industry are looking for something

different.   A lot of stuff be sounding the same. 

I can’t even lie and say it don’t. People been saying that about the South. Not all the stuff,

but some of the stuff sound the same. 

People like stuff that’s different.

 

AllHipHop.com:  What are you giving us in your new

album Real Recognize Real that’s

coming out?

 

Project Pat:  I’m

keeping it gutta, of course.  I got one track on there called “Horny”

and it’s got a girl saying the hook. 

She’s not singing it, she’s saying it and it goes, “The weed got me

horny, got me horny/ this liquor got me horny, got me horny/this pill got me

horny, got me horny.”  Paul made

the beat and when I heard it I had to have it ‘cause it’s different.  It’s got an Arab melody of music.  It’s hard and it’s got this bass in

it!  When I put the girl on the

hook it just shifted.  Real talk,

most of my album still got the same flavor that people like.  I got that soulful sound that keeps it

hood. 

 

That’s the thing about rap. When

you come into the rap game, you got to keep it how you listen [to music].  Real

Recognize Real  February 24th

and it’s some real congo-bongo.  It’s some real ham-wam

in the trunk, ‘cause we got to have some ham-wam in

the trunk.  All the young kids in

America got to have ham-wam in the trunk. 

 

AllHipHop.com:  What is ham wam?

 

Project Pat: Ham-wam, that’s that bass!  Ham-wam!  Going ham means going hard.  The bass is going to go hard in that trunk!  I promise you!  You’ll hear some serious ham-wam ‘cause this time I made sure I told the dude to make

sure he turns the bass up!   

 

Concert Review: India.Arie

Date: February 5, 2009 Location: Unitel Studios, New York, NY

On an arctic New York night, Neo-Soul chanteuse India.Arie marked

her return to live performance with a taping for VH1’s Soul Stage. With the

release date of her fourth disc Testimony: Volume 2, Love & Politics approaching, the two-time Grammy winner was beyond

excited.  “I’m so happy to be

here!” was the mantra for an evening where her word proved to be bond.

 

Gliding onto the small stage in a sleeveless black

turtleneck and dazzling full-length skirt, the newly shorn Arie kicked off her

ten-song set with fan favorite “Video” from her 2001 debut Acoustic Soul. Her stellar four piece band and three background

singers underscored the bonus of an additional verse for “Video” – updated

with new lyrics that reflect her personal changes since the songs original

inception.

 

Arie chatted up the crowd on her creative process between

“Grains”, a sweet, harmony filled interlude included on Testimony: Vol. 2 and “Ghetto”, her ode to the commonalities of poor

areas worldwide. “This is the first album where I see myself as I am right

now”, she offered. “This is world music.” 

 

“This is actually a political song”, Arie said before her

trio of background singers began harmonizing the opening notes of “Chocolate

High”, her duet with Musiq Soulchild. 

“A song can be sensual without

being sexual.” Her male background singer proved a more than ample stand-in for

the missing Musiq and got the multi-hued crowd swaying in their seats.   

 

Sandwiching new music between old, her background provided

the perfect blend to her alto dips on the classic “Brownskin”, given a

refreshing new arrangement with a healthy dose of heavy bass and keys. The

recent Presidential election wasn’t overlooked in song as Arie gave a sparkling

rendition of “There’s Hope”, a song included on the playlist for CNN’s coverage

of the latest Presidential election.

 

Continuing with her world music theme, Sade’s “Pearls” was

vocally injected with the rhythmic sounds of Africa without distracting from

the songs original sentiment.  Joining

Arie on stage for the reggae-kissed “Therapy”, Morgan Heritage’s Gramps Morgan

backing vocals and appropriately placed chants of “Oh” between the choruses provided

the ideal combination to Arie’s airy, crisp vocals. 

 

By the time she arrived at the song written by her mother,

“Long Goodbye”, India.Arie had nothing else to prove. Obviously never one to

rest on her laurels, midway through “Ready for Love”, Arie established her

skillfulness as a flutist, further demonstrating that her musical gifts were in

abundance and display for the evening. The audience was held hostage and

released by the voice of angel ready to soar again – and they didn’t seem

to mind one bit.  **To get the latest AllHipHop Alternatives Features, follow us on Twitter @ www.twitter.com/AHHalternatives**