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Mos Def Returns To Theater With ‘A Free Man of Color’

(AllHipHop News) Rapper Mos Def will return to world of theater this Fall, when he is featured in the Lincoln Center Theater’s production of John Guare’s play “A Free Man of Color.”Mos Def, born Dante Smith, is acting under the name “mos” and will be reunited with Jeffery Wright, who starred with Mos in the Tony Award winning 2002 play “Topdog/Underdog.””A Free Man of Color” stars Jeffery Wright as Jacques Cornet, a wealthy man in New Orleans, just before the historic Louisiana Purchase in 1804. When American rule comes to New Orleans, Cornet and all that he represents is challenged. The play is being directed by Tony Award winning director (Angels in America, Bring in ‘Da Noise, Bring in ‘Da Funk) with customes by Ann Hould-Ward and sets by David Rockwell. In addition to Jeffrey Wright and Mos Def, “A Free Man of Color” will star Peter Bartlett, Nicole Beharie, Veanne Cox, Teyonah Parris, David Emerson Toney and others. Previews for the play are slated to begin October 21st, while opening night is scheduled for November 18th at the Lincoln Center’s Beaumont Theater.

Rapper Ice-T Beats NYPD – Traffic Charges Dismissed

(AllHipHop News) Gangsta rap pioneer Ice-T has emerged victorious in a feud with the New York Police Department, as traffic charges against him were dismissed today (August 17th) in a Manhattan Court. Ice-T, who also stars in Law & Order: SVU, was originally charged with driving with a suspended license and not wearing a seatbelt on July 20th. The rapper/actor became upset over the attitude of the officer, whom he labeled a “punk b**ch rookie cop” who arrested him for no reason. According to the New York Post, Ice-T was handcuffed and fingerprinted before being released after three hours of detainment. Today, Ice-T was vindicated when a judge dismissed all the charges against the 52-year-old rapper, born Tracey Morrow.

Marc Live: Talks Eminem, Kool Keith, Ice-T and Raw Breed

Marc Live started his rap career in 1990 with his group Raw Breed, who landed their first record deal for $75,000 with the help of KRS One. Since then Marc has been the ultimate industry insider, touring constantly with his cousin, Kool Keith, and his close friend Ice-T, supporting both legends on stage as a hype man, as well as on wax as a producer, heading projects such as Analog Brothers and Black Elvis. Seven records deep as a solo artist, Marc Live’s newest album Episode III: The Revenge of Marc Rippin is currently available worldwide.

AllHipHop.com: Raw Breed was a big deal in the 1990’s, how did the major labels view the group?

Marc Live: When got signed to Warner Brothers, we got $450,000 dollars. From ’95 to ’99 major labels were giving out big budgets. They loved us at Warner Brothers. We got signed the same day we played Howie T the demo at 11 o’ clock in the morning and he loved it, but said he wanted Denise Brown, the president, to listen to it so we went to Popeye’s Chicken on Hollywood Boulevard and by the time we got home on Arnez Drive and Sunset they called and said, “Who’s your lawyer?” and they signed us that same day.

My group Raw Breed was the first rap group signed to SESAC publishing, in 1992. In ’93 we got the SESAC award for the most radio plays that year. We were naive, we didn’t know what the f**k that meant. I didn’t know how to capitalize on it or anything. My producer went to Nashville to get the award and I hung the plaque up on my wall but I didn’t know.

When I went to London with Keith on the public enemy tour in 1998 we would go to radio stations they would have all my records and I was shocked.

AllHipHop.com: How did the Analog Brothers record come about with you, Kool Keith, and Ice T?

Marc Live: Analog Brothers happened when I was in LA. When I moved out to LA adopting the LA lifestyle. I started smoking pot, I started drinking, going out, dating white girls that lived in Venice Beach who went barefoot and listened to the Doors. I met one of Ice’s buddies Pimpin Rex, he was a musician and he helped produce the first Body Count album, and we became good friends. He had this garage all full of vintage keyboards, he a had Moog, 808 drum kit, SP-1200, and he would pick me up from Hollywood every morning at around 11 o’ clock, we’d smoke our first blunt, go get some Mexican food. We go to his garage, he lived in the hood, and we’d make beats. There was a white boy named Dan who had an extensive record collection, a bunch of old breaks, and he would bring crates over and we would sample them.

Whenever I was working on a project everybody always wanted to know what I was doing. I just had that knack. So Keith was like “What are you working on with Rex?” Ice was like, “What are you guys working on?” I told them right now we were just working on beats, working on ideas, but I’ll let you know when we finish. And then Keith was like, “Yo I want to come over with my keyboard,” so Keith came over with his Korg. We started using the keyboards and making this sound, and Keith was like “We should go over to Ice’s house,” cause Ice had like the MTV Cribs house with the roof that opened up with a studio, and Keith said, “We should do a group together and call it Analog Brothers.” Keith came up with the name. So we got Ice involved, we got my homie Black Silver involved, and Rex Roland did all the singing, and I programed all the beats, all the drums, on the SP 1200, all the sampling and everything. We all went to Ice’s house and recorded the album in 4 days.

AllHipHop.com: I’ve noticed Keith coming into his own with production over the past several years.

Marc Live: Keith was always working with tracks, doing his own private stuff. Keith was always into records. He was the one who brought the beat for Ego Trippin to Ced to sample. All the hit records that Ultramagnetic had, Keith brought the records to Ced to use.

AllHipHop.com: I have the KHM record with “Copy If You Want To” where you and Keith are dissing Andre 3000, what was that about?

Marc Live: Keith felt Andre kind of took his image and didn’t give him props for it, and didn’t like the fact that the world thought Andre came out with the wigs, and that was his thing. So he was kind of p##### off. He was mad that he wasn’t getting the press that they were getting.

AllHipHop.com: So after Analog Brothers came to an end what did you do?

Marc Live: After that my next big project was Keith’s album, Black Elvis. That’s when I learned the mpc and keyboards, that’s when I got nasty, that’s when I was lethal. I became a prodigy, I made beats in 5 minutes, like overnight I was ill.

I did two tracks on Dr. Dooom, also before we would go on the road I would program all the beats for the freestyles. I did The Clayborne Family, Guerrilla Black was on that record.

AllHipHop.com: Wow, I didn’t know you worked with Guerrilla Black.

Marc Live: I helped Guerrilla Black. I used to help him rap, help him with his technique and stuff. My best friend managed him and we would smoke weed together every day and I’d give him techniques. He used to be skinny. When I was hearing his demos I loved his lyrical content. I didn’t think when he came out people would diss him, I loved him.

AllHipHop.com: So where were you doing all your writing when you lived out West?

Marc Live: We did it at Keith’s house. Back then we lived music, we all lived in Hollywood, I lived down the street. I’d go to his house, his assistant would pick me up in a cab in the morning. I’d go to Keith’s house, he would give me two big buds of weed, he’d go back in his room, close the door, I’d roll the weed, I’d start smoking, I’d start programming. About two hours later I’d have the place rocking and he would come out with his keyboard and we’d make the beats. Then we’d go in the studio that night and we’d lay it. Keith could write ten songs in one day. One-take Jake.

AllHipHop.com: What did you fellas do after a day of writing and recording?

Marc Live: Keith would go out to Hollywood Boulevard and buy p#### magazines and hang out with pimps and s**t. He was into the dark Hollywood at night. He would transform and be in his dark world. You’d go to his house and there’d be pimps, and hoes, and weird people around at night.

But I had a lot of Hollywood friends, I went to school with Terrence Howard, he was my best friend, I use to read lines with him, Donald Faison was my best friend, Dash Mihok, Tara Reid was my home girl. I’d hang out in mansions at night. After recording, when Keith would go into his eccentric world and do his weird s**t at night, I would be in the Hollywood Hills with super stars.

AllHipHop.com: Were you touring with Keith as his hype man at this time?

Marc Live: We were constantly touring. We were the headliners on Warp Tour. We did day and night gigs. There’d be like 8 or 9 people with us. Tour was funny because the first two weeks of tour everyone loved each other. The last four weeks it was like fights, and conspiracy theories, and you stole my girl, you’re hiding my girl in your bunk, someone stole my weed, I’m missing a t-shirt. Tour was crazy.

I would come home from tour with $45,000. we’d all stop in Philly on the way home and get jewelry and chains and diamonds and s**t. I’d be flying chicks in to the tour bus from Europe. We had fun. We did it big.

AllHipHop.com: Do you have any tour stories with Ice?

Marc Live: I remember Eminem was getting booed and they were throwing soda cans at him every night on Warp Tour ’99 and he was gonna leave the tour.

AllHipHop.com: Wasn’t this after he was signed to Dre and famous already?

Marc Live: This was Slim Shady! He was platinum, he was big! He came on our bus, him and Proof. He said “Ice, I look up to you, you started me rapping. You inspired me to rap. I need help.” Ice took him off the bus, walked him between buses, and talked to him for two f**king hours. The next day Eminem was a different emcee, his stage show went to a whole nother level and he never looked back. Ice T changed Eminem’s f**king life. If Ice didn’t show Eminem how to perform, he would never have been as successful as he is today. Ice told him how to do a show. He was getting booed every day.

Em was going onstage and doing 30 minutes, wasn’t addressing the crowd, had no stage persona. Him and Proof didn’t look at the crowd, they looked at each other. They ran through their set, they never stopped. They never told the crowd to put their hands up, never told them to say “Ho” they never thanked the other bands, they just did their show. And Ice said to stop after every song. Say what’s up to the crowd. Thank them for being there. Tell them to say “Ho” and do crowd response. He showed him how to be an emcee, how to do a real hip-hop emcee show.

And after that, the next day he played Miami, it was a wrap. That motherf**ker, I was like “Oh s**t!” He was destroying s**t. Before that he was getting hit in the head with Pepsi cans everyday.

AllHipHop.com: Why did the group Analog Brothers fall apart?

Marc Live: Rex, that was his group, that was his baby. Rex was not getting credit for stuff he had done in the past, he helped on a lot of the Body Count stuff, Rex was on Pusher man on Ice-T’s album, so he was a guy that felt jilted his whole life, musically. When the Analog Brothers record came out he lost his mind. He put the masters in a suitcase that he made us all sign. And he drove around with the album like it was a kid, in the front seat. He just lost his mind. We did a digital download for $50,000 and he didn’t want to give Ice any money, he felt Ice is rich already. Then I went on tour, I was living with a girl in the Hills at the time, he told the girl I was cheating on her, and that I was doing all types of crazy s**t, f**ked the relationship up. He signed a deal and tried to take all the credit for the record. Tried to take all the money. And he was my best friend, I loved that motherf**ker. And he stabbed me in the back, stabbed us in the back. We were getting offers for shows, Rick Rubin was interested. That was something we could have been touring on to this day. The way that record came together was magic. When the magic was over, we all walked away and said Rex handle the business side now, we trust you. And he spazzed. Its f**ked up but it happens all the time. Welcome to the music business.

I did a record called Project X with Kool Keith and Tim Dog (of the Ultramagnetic MCs), we did the video, we did tours in Australia, and had 20 dates in the states, but Tim spazzed out, he lost it. He saw his career coming back, he saw it as an opportunity to exploit what we were doing. And he spazzed out. We were like, dude its here, we brought it, enjoy. We’re your friends, don’t f**k your friends. Don’t go into my wallet while I’m sleeping and take $20 out and then the next morning be trying to look for the $20 with me when its in your back pocket. Don’t play me.

AllHipHop.com: What’s next for you?

Marc Live: Now I’m trying to do my own thing with my label Rap Legends. At the end of the day with Rap Legends all I want to do is put out good music and let the people find it. We are looking to do a record with Melle Mel, something with Grandmaster Caz. Looking to do something with Kurtis Blow. I got my group The Faculty. Billy Ray is being produced by Maceo of De La Soul, the kid is crazy. My latest album Episode III is out now everywhere. The theme of this record is basically the Revenge of Mark Rippin and a return to my old character from Raw Breed, raw lyrics, raw beats, more street level and less alternative. I wanted to bring it back to that time period.

Brand Alignment: Why Floyd Mayweather Jr. Should Connect With Don King

Brand Alignment: Why Floyd Mayweather Jr. Should Connect With Don King

“For him it’s all a matter of the disrespect that he’s

feeling and them not listening to him,” King said.

“It’s all about pride and dignity. I understand him

completely because we share a common background

as rising from the ghetto.

“He wants his dignity, his respect and his pride to remain intact and he wants to get paid. That’s where

I come in. I’m the mix master.”

Don King on Floyd Mayweather Jr., as quoted in “Promoter Don King says he and Floyd Mayweather Jr. are ‘hanging out to see what happens’” by Tim Smith; August 1, 2010; New York Daily News

Last week’s Hip-Hoppreneur ™ “D.O.L.N. (The Death Of Live Nation?)” (https://allhiphop.com/stories/editorial/archive/2010/08/10/22329846.aspx) produced incredible feedback which struck me because the theme that each of the numerous emails I received from AllHipHop.com readers shared was some form of respect, appreciation or gratitude for my consistent willingness to deal with business aspects. One individual wrote, “I’ve stated before Mr. Muhammad that ‘a lot of people that do business, don’t know business.’ However, if they read your weekly editorials, they’ll learn business. I thank you for teaching business through your writings.” Another sent in, “The BOTTOM LINE is we truly can’t be dreaming big but still be ignoring business (& not ‘handling our business’).”

While I am honored to receive feedback like this (though I don’t see myself as a ‘Teacher’) and it indicates that my perspective brings something of value to the world’s most dangerous website and its amazing viewership (whom I always love to hear from directly), I still, to this day, find it sad that in a culture and industry with so much to ‘teach’ about economics and business, so few artists, publications, and Hip-Hop talk show hosts are willing to deal with substance beyond the celebrities, gossip, and creative artistry, despite the fact that their fans and consumers crave this kind of knowledge.

What’s even sadder is that this is partly the case because so many ‘opinion leaders’ in Hip-Hop fear offending the wrong celebrity or industry power center by speaking truthfully. I respect (and even admire some) artists, celebrities, and the industry’s power centers but I fear none of them nor do I depend upon any of them for my credibility. Whatever credibility I have is not tied to any Hip-Hop personality or institution, and I like it that way. I think that is what people respect about my perspective, however much they may disagree with it.

I don’t say this arrogantly (and I too continue to mature) but anyone who can’t speak straight words in this culture and industry – no matter how much money they have – is still a slave to me, and will never reach a certain level of respect (no matter how ‘popular’ they may be). At the end of the day, I feel, we must strive to be self-respecting men and women who can look at ourselves in the mirror, and show someone younger than we are the pitfalls of this system and how to do better navigate it than we have.

Still more, beyond ‘navigating,’ I think we should be building an independent reality more than whining about the limitations of the current one.

I maintain that Hip-Hop is the only art form, culture and industry where public discussion of business activity (beyond sales data, record label signings and endorsement deals) is deemed as ‘over the heads,’ ‘off limits,’ or even ‘boring,’ to the degree that it is. One day soon I hope to get into why this is, as it relates to some ‘secret’ or hidden history regarding the science of business and how it has been systematically kept back from the people and communities who originated Hip-Hop and but who are still the backbone of its economic support. It is a huge subject that connects politics, economics, and culture with the 5%, 10% and 85% concept that so many of us make reference to.

There is a way to ‘teach’ business and economics to the Hip-Hop generation very easily, by using illustrations we understand from areas where we hold the most intense interest.

In this, my last column before taking a few weeks off for vacation, I highlight an example from the sport of boxing (is this not the most ‘Hip-Hop’ of all sports with its emphasis on individual talent, competition and ‘beefs’?).

As many of you know, I have a very high level of respect for Floyd Mayweather, Jr. I think he is a great boxer (his defense-first/counter-punch style based on timing is almost unreal in terms of how sophisticated it can be: http://www.youtube.com/watch?v=YqOJp9Wmayo&feature=related) but I focus as much or more on his value as a businessperson. I see him as an intellectual too. He has mastered some pretty high level marketing principles which I wrote about a few months ago, “The Genius Of Floyd Mayweather Jr.: Caricature (And Character) Outsells Talent” (https://allhiphop.com/stories/editorial/archive/2010/04/20/22176925.aspx).

But it has not come without costs or a ceiling on his appeal and marketability.

In that article I made the following points:

“In trying to balance a billionaire’s caricature, with his more genuine personality as one who gives back and who is a thinker-strategist, Floyd Mayweather, Jr. is dealing with some of what such wealthy men as Andrew Carnegie once experienced. In his excellent biography titled Andrew Carnegie (which I hope someone will give to Floyd) David Nasaw writes of the dilemma of the self-made millionaire, “He was thrilled with his success as a businessman and capitalist, but far from satisfied. He wanted more from life – and would spend the rest of his days in pursuit of it. His ultimate goal was to establish himself as a man of letters, as well known and respected for his writing and intellect as for his ability to make money.” The author sums up the challenge of the billionaire’s brand when he writes:

‘Yet for all that he accomplished and came to represent to the American public – a ferocious businessman and capitalist, a self-educated writer, peace activist, philanthropist, lover of culture, avid self-promoter, and vehement proselytizer of the virtues of American democracy – Carnegie has remained, to this day, an enigma and a man of striking contradictions.’

When you hear or see Floyd speak intelligently on the realities of race relations, poor communities, and even bringing standards to the sport of boxing you can see a bit of the struggle he faces as he wrestles to reconcile the self promoter in him with the philanthropist-activist – an image that his external business partners and associates have little interest in promoting.”

It is from that point of view that I appreciate the latest – that Floyd Mayweather, Jr. and Don King are publicly flirting with one another in a possible business courtship.

People have underestimated Floyd Mayweather Jr. for years. I have always seen more than the ‘Money’ Mayweather persona and have felt that if he were guided into a more public embrace of his consciousness, he could become a ‘Diasporic Personality’ on the path of Muhammad Ali – someone who is bigger than boxing not just because they are more entertaining than other boxers and can attract casual fans to the sport, but because their ‘story,’ and ability to represent causes and connect with cultures makes them popular at home and abroad.

In short, with the right moves and advisers, Floyd’s ‘Money’ caricature could become a ‘Movement’ character.

“Associative/Referent Power is the power that derives from an association. This power can exist when one has access or a relationship to a powerful person. The very best example I could give you is that of the Reverend in the Christian tradition. The Reverend claims to know God. You can’t name-drop any better than that! So, if a person is a Believer in God, when someone they respect says to them, ‘God told me that if you don’t do this, you will go to heaven or hell,’ that person has a lot of influence over them. But we all have this power based upon our relationships and access to others who are perceived as powerful or having that which others need or want. By associating ourselves with other powerful people we can gain influence. Another good example would be the many companies that sell products by using celebrities in television commercials. The endorsement of the celebrity can give credibility to the product or make it attractive.”

From ‘The Entrepreneurial Secret’ (http://the Esecret.com/)by Cedric Muhammad

As good as he is of a boxer, and as brilliant as he is as an entertainer ,and as shrewd as he is as a businessperson, ‘Money’ Mayweather has yet to become an international icon with a Diasporic Personality and the ability to influence social and ‘geopolitical’ change. He has a ‘positive’ image and has movement potential but no movement energy, and no movement persona, yet.

Linking up with Don King I believe could give him that.

It would add value to his storyline and name which I insist is the greatest area where we all create wealth. That is why I wrote of Mayweather – before Lebron went to Miami , “In a sense, he is the only person I would put above LeBron James (see my “The Crossover Journey: Why Lebron Comes To New York” (https://allhiphop.com/stories/editorial/archive/2010/02/24/22133531.aspx), in terms of the potential for being both a ‘billionaire’ and force for social change – answering the challenge of Jim Brown and even Wise Intelligent of Poor Righteous Teachers who perhaps framed it better than anyone in the track ‘Black Business,’ ‘Where do Blacks with crazy cash and knowledge of themselves live at? Teacher haven’t seen none. Many sold their souls for cash.’ ”

As you will remember in terms of the value of his story and name, I wrote that LeBron should only leave Cleveland, after winning a championship, and then, only for New York. I understand LeBron’s decision to move to Miami as more of a personal (having to do with the stage his relationship with his Mother has reached) and ‘love of the game’ decision. But it was clearly not the best one in terms of the alignment of his brand-image-reputation which I believe is the key to a successful career. It is what I believe makes individuals as diverse as Jay-Z and Immortal Technique as magnetic as they are – whether calculating or naturally done, they both stay in alignment.

You can say whatever you want about Don King. We all have heard the rumors and court case ‘evidence’ that many say proves he has deceived and robbed boxer after boxer. But the obvious question – that Don King has posed himself is, if these charges are true and so well known why do so many boxers continue to seek him out or do business with him?

It’s a legitimate question that I believe is not simply answered by the charges that Mr. King buys off boxers with suitcases of cash (although I don’t doubt this has happened – smile).

No, I believe what makes Don King most attractive, even seductive to boxers (and other entertainers) is the power of association and his ability to add value to their ‘story.’

The root of his appeal is the ability to add new dimensions, twists, and angles to a person’s name and storyline which can be marketed and monetized. Nowhere is this more clear than in what Don King did for Muhammad Ali by putting together the fight with George Foreman in Zaire (It should be noted that the Honorable Elijah Muhammad persuaded Ali’s manager, his son, Herbert Muhammad to give Don King a chance).

Don King understood that a fight in Africa for Ali built perfectly upon and was in total alignment with the ‘brand-image-reputation’ that Muhammad Ali’s colorful personality, boxing style, and market profile as an entertainer-leader (due to his stance on the Vietnam War and membership in the Nation of Islam) had created.

If you ever wanted to understand the value of this storyline, which Don King helped to ‘write,’ and feel the ‘movement energy’ around Muhammad Ali as a result, you only need to reflect over the words of Nation of Islam Minister Jeremiah Shabazz:

“That night in Zaire will stay with me for as long as I live. It was more than a fight. It was a vindication of everything that we in the Nation had struggled for over the years. Everything about it was right. Ali, the underdog; an awesome foe. I even thought we had a promoter we could be proud of, because Zaire was where Don King made his mark. Later, I learned that black doesn’t matter to Don, except when he’s using it to rob some fighter. The only color Don cares about is green. But in Zaire and for a short time afterward, I thought Don King was all right. And even today, I’ll give Don credit for one thing. Other promoters could have made that fight, but Don was the one who brought it to Africa.” 

How many of us when we think of Muhammad Ali don’t think of the ’Rumble In The Jungle’ or the ’Thrilla In Manilla’ – both promoted by Don King.

It is this kind of respect (even given grudgingly) for Don King that speaks louder than views of this man from Cleveland rooted more in ideology and ethics. There is a science to what Don King does, and any person with any kind of appreciation for business and marketing respects it.

In a recent article by ESPN’s Don Rafael, “Does Don King Hold Key To many Pacquiao-Floyd Mayweather?” (http://espn.go.com/sports/boxing/blog/_/name/rafael_dan/id/5445183/does-don-king-hold-key-manny-pacquiao-floyd-mayweather), Don King explains what he feels differentiates himself from Floyd Mayweather Jr.’s current representatives and team infrastructure:

”King’s point of view is that Haymon and Golden Boy do not understand Mayweather or know how to treat him.

King said he’d make Mayweather ‘a people’s champion’ and be able to create and generate more money than he’s ever had before with dignity, pride and stature. ‘Like it is now, he’s being degraded, vilified, accusations, you know. Some of it goes for the hype, but when it gets to the substance of the man, the substance is not there. And they don’t understand because they can’t communicate with him because Floyd speaks Ghetto-ese and they don’t understand because it’s hieroglyphics.

‘They look down on him and put him in disrepute and disregard, the people who’s with him. And they don’t defend him. He goes out and says, ‘Money, money, money,’ and that don’t win it. That don’t give you what you need as a human being.’ “

If Floyd Mayweather sincerely wants to evolve his image in a more ‘mature’ direction, he’ll have to do so carefully in a way that is in alignment with his brand.

Don King is outright stating that Floyd Mayweather, Jr. has reached the limits of his ‘Money’ persona and that the next place to go is from ‘colorful’ villain to underdog— a ‘people’s champion.’ Whether this can be done without Mayweather, Jr. losing first is debatable (although I think the killer right-hand shot from Shane Mosley in the second round that Mayweather, Jr. withstood has added more respect and the element of ‘warrior’ to his storyline). Perhaps an epic fight with Manny Pacquiao where he comes from behind or wins despite being cut or knocked down will do the trick. Maybe the risk of fighting Paul Williams will do it or taking on Sergio Martinez the middleweight champion, at the bigger man’s weight.

In a sense, ‘Money’ Mayweather is maybe too colorful and too much of an ‘untouched’ fighter for people to relate to. It was that way a bit with Muhammad Ali until Joe Frazier dropped him at Madison Square Garden, only to see Ali get back up (to this day Frazier still admits he thought Ali would not get back on his feet). ‘Getting back up,’ is all that some may need to see Mayweather do in order to feel that he finally represents them. Perfection is what we seek, but overcoming adversity is the universal language we all speak.

Don King, as an elder, with a track record, and an international network that Mayweather’s current team probably lacks may be the one best qualified to help Floyd Mayweather write the next, and most lucrative chapter of his career.

“Like it or not, you are a negotiator. Negotiation is a fact of life. You discuss a raise with your boss. You try to agree with a stranger on a price for his house. Two lawyers try to settle a lawsuit arising from a car accident. A Group of oil companies plan a joint venture exploring for offshore oil. A city official meets with union leaders to avert a transit strike. The United States Secretary of State sits down with his Soviet counterpart to seek an agreement limiting nuclear arms. All these are negotiations. Everyone negotiates something every day.”

– Getting To Yes by Roger Fisher and William Ury

If the talk of Mayweather and King partnering is nothing more than an attempt on the part of the boxer to obtain more favorable terms from his current representatives it would be understandable but I think a shame, but even if that is the case, Don King’s understanding of this dynamic and comfortably expressed awareness of self, shows how much of a master of the art of negotiation he is. He even seems to embrace the possibility that Mayweather may be using him.

Dan Rafael writes:

King said he when he tried wooing him last year, Mayweather ultimately went back to Haymon and Golden Boy because they gave him more money.

“He profited from me. He got more money for the Marquez fight,” King said. “He wouldn’t have got what he had. He can use me. I don’t mind being used because I understand Golden Boy, Al Haymon.”

…King said his pursuit is not a hard one as he has done with so many fighters in the past. He said he hasn’t presented him with a duffel bag of money — one of King’s favorite moves — to get him to sign. He didn’t jet off to be at Mayweather’s side. No, King is playing it cooler than that.

“Never made him an offer. If he wants me, he come and get me. I’m there for him all the time, either way,” King said. “It doesn’t matter whether he comes or he don’t come. I love him, I understand him because I’m one of him. I am one of the masses, not the classes. I’m from the hood too and I also speak Ghetto-ese. I can relate, communicate and identify. And that’s something [Haymon and Golden Boy] don’t do.”

“Floyd keeps telling me he’s free,” King said. “I keep hearing from Golden Boy and other people that he ain’t free. So who knows? They may have done tricked him and he thinks he’s free. They promise you everything and give you nothing and he finds himself in a quagmire. That’s what happened to him last time.

“So now he’s back saying he got it straightened out, and ‘me and you gonna talk; me and you gonna do this and that.’ I say, ‘OK, OK.’ I never ever disagree because he’s the man. So whatever he says, that’s what it is. But I would be delighted. It would be an honor and privilege for me to be with Mayweather.

“He has done a tremendous job of self-promotion. He’s done a tremendous job of fighting and winning. I love Floyd.”

Don King clearly understands that the best deal is the one you don’t need. It puts you in the stronger negotiating position.

I have great respect for ‘Money’ Mayweather’s current team of advisers – Leonard Ellerbeee and Al Haymon (whom I believe is the greatest concert promoter in the history of Black music) but there are places that I believe only someone like Don King could take him, in terms of his ‘story.’

Perhaps the best of all worlds would be for the three Black men to work together in this direction.

What I hope the Hip-Hop generation will take from this episode, regardless to ist outcome, is the importance of knowing how to negotiate and a concept I have harped on repeatedly – and that is the importance of keeping your brand-image-reputation in alignment, appreciating the value that an authentic story can produce for your name.

Marketing and Business.

They do not respect ideology but their natural and universal principles treat everyone equally – whether street, conscious, or ‘mainstream.’

The sooner we learn that lesson the more power we’ll have to protect art and culture with commerce.

Here’s to a ‘perfect combination’ that may be able to teach us all a thing or two about these subjects and maybe even provide a couple of great fights along the way – maybe even in Africa and the Philippines.

Floyd Mayweather, Jr. and all of us deserve that…

Cedric Muhammad is a business consultant, political strategist, and monetary economist. He’s a former GM of Wu-Tang Management and currently a Member of the African Union’s First Congress of African Economists. Cedric’s the Founder of the economic information service Africa PreBrief (http://africaprebrief.com/) and author of ‘The Entrepreneurial Secret’ . His Facebook Fan page is: http://www.facebook.com/pages/Cedric-Muhammad/57826974560?ref=ts and he can be contacted via e-mail at: cedric(at)cmcap.com.

[Cedric Muhammad’s Hip-Hoppreneur column will return the week of September 13th]

Method Man Also Injured During Insane Clown Posse Festival

(AllHipHop News) Reality TV star Tila Tequila wasn’t the only celebrity injured during the Insane Clown Posse’s annual Gathering of the Juggalos on Sunday (August 15th). Wu-Tang Clan member Method Man and partner Redman performed during the concert. While they were on stage, an audience member threw a full can of beer at the stage, striking the rapper just below the eye. Redman cursed out the crowd and encouraged Method Man to receive treatment, but the “Bring the Pain” rapper refused medical attention and stated: “Who threw that motherf**ker? My heart don’t pump no Kool-Aid. Start the music we’re continuing the show, let’s f**k these motherf**kers up.”In related news, Insane Clown Posse member Violent J. claimed he warned Tila Tequila of a rumor that she may be targeted prior to her performance. “We paid her before the show and assured her that even if things got out of hand, she could keep the money if she had to leave the stage,” Violent J. told TMZ.com. Tila Tequila, born Thien Thanh Thi Nguyen, is in the process of filing a lawsuit against the Insane Clown Posse and other organizers of the Gathering of the Juggalos. And there will be no settlements, according to Violent J. “We’re not gonna sit back and give her our money,” Violent J. stated.

Hip-Hop Rumors: Def Jam Scared Of Jeezy/Ross Beef? Game Loses One? Pause, Fabolous!

DISCLAIMER:All content

within this section is pure rumor and generally have no factual info

outside of what the streets have whispered in our ear. Read on.

WHO: illseedWHAT: Rumors, Funnies, Fails and more!

WHERE: illseed.com, twitter.com.illseed

HOW: Send your rumors, sightings and ill pics to illseed at al*************@***il.com.

DICE RAW TO DEFJAM?

You know who Dice Raw is right? Once upon a time, he was the young buck down with The Roots from the streets of Philly Town. Over 10 years later, he’s not the young buck of old, but he is still down with The Roots. I am hearing that the homey has been taking meetings up there at Def Jam and may be looking to sign. Dude is in the building now that he’s all over The newest album by The Roots. Who knows? I think he should opt for a smaller label that would be able to help him grow.

Speaking of Def Jam. Where is that Redman album?

DEF JAM TRYING TO DIFFUSE THE BEEF – JEEZY AND ROSS

SO, here is the latest on this beef between these two trappSTARS. I am hearing that this is actually getting serious and its highly likely that it is not marketing. I know people think Jeezy is just trying to get hot in the streets, but think back for a few. Remember how BIG Jeezy was when he was “down” with BMF? You may not remember the fear that was associated with that whole period of time. BMF had a huge sign as you got in Atlanta. So, now that Ross has kinda aligned himself with the “brand” so to speak….its getting serious and its not fake. Def Jam is apparently taking steps to make sure they aren’t overtly lashing out at each other. So, Ross’ “The Summa’s Mine” goes hard but doesn’t mention Jeezy’s name. Hmmmmm….we’re is LA Reid when you need him!?!

THE GAME LOSES ONE

I am being told that The Menace, one of Game’s BWS homeboys is now a defector from the crew. The rapper was one of the more promising rappers, who had an album called Menace To Society. For whatever reason, Menace is now in a new video with Big Fase 100 showing no loyalty to Game. As you know, Game really isn’t too cool with his family. Anybody know exactly what is going on here. I know I just featured somebody dissing Game, but I don’t remember dude’s name.

PAUSE, FABOLOUS!!!!!!!!

You know, I HAD to PAUSE Fabolous when I happened to be watching this freakin show Tosh.B or something. Fab popped up on the show and gave the definition of DOCKING. This ain’t new, but it is to me. Fab, I am officially pausing you late. Pause!

FAB!!!!! SHEEESH!!!!

JA RULE TALKS “UNFAIR” 50 CENT BEEF

Ja Rule feels there is a double standard with his beef with 50 Cent and others such as Rick Ross. Peep what he told VIBE.com.

On aftermath of beef with 50 Cent

“I feel like everybody deserves a second chance to do whatever. Really, I feel that my situation was an unfair situation. A very unique, very odd situation. Nobody ever seen anything like that in hip-hop, you know? I laugh when I see people say s### like, “Yo, [50 Cent] kilt Rule, but he didn’t kill Ross.” No disrespect to Ross, but he did 180-something [first week sales of Teflon Don]. I went platinum with R.U.L.E. after I made Blood In My Eye. I look at s### like that and… I don’t know, take it how you want to take it. I was a much bigger selling artist than just platinum so I guess that’s why people felt I took a hit. But the music industry was taking a hit at that time, too. You can’t really judge it or try to make an issue out of it, or an excuse. It just is what it is. To me it’s just one of the weirdest moments in hip-hop.”

Well, Ja Rule is still doing music and just released a new song called “Man Down.”

DL it here.

ILLSEED’S QUICKIES

How the devil did Bizzy Bone get a deal with Cash Money?

According to MediaTakeOut, Bow Wow is already getting his swerve on with a Latina babe, not Angela Simmons. I suspect this is all confusion.

It doesn’t look like Lil Wayne is getting out of jail early.

Waka Flocka and Gucci Mane are cool again. Deb Antney, Waka’s mom, told them they better be cool or else they are going to have to contend with HER. just kidding.

Fantasia’s married man “Cook” has been seen leaving his residence with all his stuff, suggesting that he’s out of there. Wonder if dude is helping ‘Tasia out or just out.

There is a positive rumor going around about Montana Fishburne that may see a change in her strange, lil life. I would tell you, but it may jinx it.

Wyclef doesn’t seem to have the residence credentials to run for president of Haiti. Now, it seems like Clef knew this and had an answer, but it does not seem so positive at of my writing this.

How is that new Young Jeezy mixtape? Should I go and DL it?

I heard NY radio star Egypt recently got married to her longtime fiancee. That’s a good woman off the market.

Brian Pumper, the disgraced p#### master, is reportedly refuting that his jewels are fake. Pause. Dude is countering the jokes of his p#### pals that all his jewels are as fake as the boobs on a Barbie.

T.I. had a secret show in NYC last night and Cam’ron showed up to support.

Folks in Cleveland are saying that Lebron James may have a sextape by some local girl. I cannot claim to know anything about this one personally. Seems strange.

WAKA FLOCKA HIT THE HARD GROUND!

Waka Flocka recently tried to stage dive and his fans were not with it. Dude slammed down on the hard concrete. The video is below.

THE NEXT 48 HOURS – RICK ROSS

You know the deal. Rick Ross is back and he’s on AllHipHop’s new show called “The Next 48 Hours.”

UH…EPIC FAIL?

I really don’t know what to call this one, but Eli Manning got his world rocked yesterday in a preseason game. Calvin Pace hit the NY Giant so hard, he needed 12 stitches. See?

And here is the video.

I won’t call that a fail. That’s football.

SIGNS THE WORLD IS COMING TO AN END!

My god. What are our kids coming to? This isn’t ONLY brainwashing via the media. This stuff is happening and its insane. A kid stabs his own mother over a cheeseburger.The boy’s mom came home with food and didn’t bring any for 18 year old Aaron Dean. Well, that didn’t please AD. Dude is not a small kid. He’s 6’3″ and 300 pounds. He choked then stabbed his mom in the right arm and bailed. Ugh! They caught him a block from his house. His mom claims he has a history of mental illness, but refuses to take his medicine. Sounds familiar.

DICE RAW, WE LOVE YOU!

They

keep us talking, but if we

stop talking about them then

they should worry!

Concert Review: Passion Pain and Pleasure Tour

Friday August 13th- Atlanta residents are preparing for the biggest show of

the summer. It’s day 5 of the The Passion Pain and Pleasure Tour and the next

stop is The Historic Fox Theater. Traffic is thick and excitement is in the

atmosphere. Inside the “Opera House” where more than 4,600 hundred people eager to

indulge in this sold out event. The theater quickly reached its capacity and

became saturated with gorgeous women, courting couples, celebrities, and R&B

junkies.

The show began with So So Def recording artist Dondria, who recently started

her singing career on a YouTube channel. Now, the neo vocalist is on a

nationwide tour with music professionals Trey Songz and Monica. Dondria sang to

the audience with hunger and purity. Her popular single “Your The One”

captivated the audience and brought the attendees to their feet.

 

 

The mood matured as the second set of the show approached. Monica, Atlanta’s

own, was glamorous and bedazzled with diamonds and elegantly attired. Monica was

overflowing with joy to be performing in her hometown. The songstress satisfied

fans with her romantic melodies and classic tracks that created a nostalgic

impression. Monica began with “Still Standing” and continued with songs that

pioneered her career like “Why I Love You So Much” and “You Should Have Known Better.” As the show progressed, Monica illustrated to her fans how an infamous

entertainer influenced her to initialize her own pursuit in the music industry.

Monica described Whitney Houston as an inspiration and performed a soulful

version of “I Have Nothing.” Monica’s performance was pure excellence!

As scattered fans return from the intermission, Trey’s band struck the first

chord. The suspense was elevated and the everyone was anxious to see the main

event. A translucent curtain hung from the stage as the letter “P” was projected

and illuminated, while rotating. The crowd was ecstatic when Trey Songz appeared

only as a silhouette behind the brilliant display. The curtain dropped and the

headliner was was revealed. Fanatics were hysterical, but Trey wastes no time;

he begins the show with “I Need A Girl.”The ladies were desperately devoted to

Trey as they all stood to salute him without thinking to take a seat. Trey

continued to please the audience by performing several hits from previous albums

such as “Last Time” and “I Can’t Help But Wait.”

Trey Songz branded his album with precision; Passion Pain and Pleasure was

the theme of the night. The mood intensified when Trey vocally perfected

“Neighbors Know My Name.” This set was a visual reenactment of the music video

with red and orange fire-like beams of light. Trey encouraged fans to rest their

feet as he serenaded listeners with a few songs from the Passion Pain and

Pleasure album (scheduled to be released September 14th, 2010) including, “Love

Faces” and “Massage.” At the end of “Massage,” Trey involved the crowd as he

chose a lady from the audience to experience a personal neck and back rub from

“Mr. Steal Ya Gurl” himself. The first lady to indulge in a massage was none

other than platinum recording artist Ciara. She blushed and giggled as Trey

began caressing her while whispering innuendos in her ear. Ciara’s reluctant

demeanor insisted that Trey choose another sexy Songz’ addict to receive his

royal treatment.

Trey payed tribute to Al Green by performing “Let’s Stay Together” and rapped

up the show on a high note with his latest single “Bottoms Up” and everyone’s

favorite “Say Ahh.” The P3 Tour is Trey Songz first headlining experience and is

off to a great start!

Exclusive: Bizzy Bone to Ink Deal With Cash Money Records

(AllHipHop News) Cleveland rapper Bizzy Bone is close to signing a deal with legendary New Orleans powerhouse, Cash Money Records. While details are not available at press time, a source close to the negotiations revealed that the pair will reach a deal that will see Bizzy Bone release at least one album on the Cash Money imprint. Bizzy Bone is a member of Bone Thugs-N-Harmony and is featured on their latest album Uni-5: The World’s Enemy. However, the rapper did not tour with the group during their highly anticipated reunion tour. In an interview with AllHipHop.com, Layzie Bone discussed Bizzy absence. “He has other obligations and we had a difference of opinion on how much we should get for this tour,” Layzie Bone told AllHipHop.com in March of 2010 “We looked at it like promo tour, he looked at it a little differently, which is cool, because his arrangement doesn’t require him to be there. He’s still a 1/5th member of Bone. We been together for 18 years now. We are all grown men, so we all have different arrangements within the Bone structure. The main thing about it, we don’t ever give up.”Bizzy Bone refuted Layzie Bone’s claims and stated he wasn’t offered an opportunity to tour with the group. “It don’t got nothing to do with the money because I never got the opportunity to get that far,” Bizzy Bone claimed in an interview later that month. More recently, Bizzy revealed that he was working on a heavy metal album titled Crossroads 2010, which will feature hardrock remakes of some of the Grammy Award winning rapper’s hits. The album is due out August 24th on Sumerian Records.