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Lil Kim Shocked By Dancing With The Stars Elimination

Lil Kim was voted off of the popular dance show Dancing With The Stars yesterday evening (May 5), just before reaching the semifinals with partner Derek Hough.

 

Despite receiving high scores from the judges, Kim came into this weeks show with the second lowest score of 52 out of 60 points.

 

Before being eliminated Lil Kim and Hough did the Waltz as well as the Salsa during their performances.

 

It came as a surprise to the judges and audience a like that Kim was eliminated, despite contestant Ty Murray delivering the worst performances in the nine weeks the show has aired.

 

Kim’s elimination from the show prompted the host Dancing With The Stars host Tom Bergeron to state that the evening had went terribly wrong.

 

About Kim’s performances on the show, Simon Cowell – like judge Len Goodman stated the rapper “has been one of the best dancers” to ever appear on the show.

 

“This is one of the greatest experiences I’ve ever experienced in my life. because I brought people who never watched the show,” Lil Kim said.

 

Lil Kim recently premiered a music video for her new single “Download” featuring T-Pain and Charlie Wilson.

 

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Rapper Alfamega’s Drug Past Surfaces Online

Newly uncovered court documents are calling to question the authenticity of self-appointed “Grand Hustle Muscle,” rapper Alfamega. A 1997 court order signed by United States District Judge J. Owen Forrester indicates the Atlanta rapper’s 1995 prison sentence was shortened after he served as a Drug Enforcement Administration informant and testified as a government witness in a high profile case.

Alfamega, who has made no secret of his criminal past and lengthy prison sentence, was sentenced to a federal prison term of 110 months in September 1995, after being found guilty of selling weapons to an undercover federal agent. According to documents published by TheSmokingGun.com today (May 5), following his sentencing, Alfa, born Cedric Zellars, contacted the United States Attorney’s office via his attorney Dwight Thomas, to offer information regarding “the illegal activity of several individuals within the City of Atlanta.”

Upon agreeing to cooperate with authorities, Alfamega was debriefed concerning the information he had to provide. He would go on to become a major asset for the prosecution in the trail of accused heroin trafficker Ali Baaqar, who stood accused of conspiring to distribute heroin in Atlanta and surrounding counties.

In October 1996, based on the testimony of several witnesses, including Zellars, Ali Baaqar was convicted of all charges.

Following the trial, Assistant U.S. Attorney Stephanie Gabay-Smith petitioned the courts on behalf of Alfamega, requesting that the rapper’s sentence be decreased, in light of his cooperation with the government. On July 25, 1997, Judge Forrester effectively reduced the sentence from 110 months to 92, therefore shaving off a year and a half.

Coincidentally, Dwight Thomas, the attorney responsible for brokering this arrangement with federal prosecutors, was one of the attorneys who represented Grand Hustle co-founder T.I. in his weapons case nearly ten years later.

Alfamega’s Grand Hustle/Capitol Records debut, I Am Alfamega, was scheduled for release on January 13, a date which was already three months after it’s original October 2008 release date.

At press time, a new release date had not been set.

The X Fact(her) – Promises are Hard to Keep

For a long time, when I saw kids who are out of control, hugging the

block, angry and violent I’d think, “It’s the parents’ fault.”

While I still consider the lack of parenting and solid family structure

as contributing to the demise of young people, I’ll admit that there

are other factors outside of the home that are leading our youth to

fail.

Congressman Robert C. Scott wants to save the kids or at least prevent

them from falling victim to the lack of resources in their communities

and ending up either dead or in jail. Seems as though he’s one of the

few up in Capitol Hill, who recognizes the flawed and failing

infrastructure as well as policies that are making it hard for young

black and brown kids (as well as white) kids to succeed. Scott

represents Virginia and serves as the Chairman of the House Judiciary

Subcommittee on Crime, Terrorism and Homeland Security.

If passed, Scott’s Youth Prison Reduction through Opportunities,

Mentoring, Intervention, Support and Education (“Youth Promise”) Act

will:

– Form a local council called a Promise Coordinating Council (“PCC”)

within communities facing the greatest youth gang and crime challenges

o These PCC will include representatives from law enforcement, court

services, schools, social service organizations, health and mental

health providers and community-based organizations, including

faith-based organizations

o The PCC will then develop a comprehensive plan for implementing

evidence-based prevention and intervention strategies

– Hire and train law enforcement officers as youth-oriented police to

work with PCCs, other community-based organizations, and high-risk

youth. Establishes a Center for Youth-Oriented Policing

Supported by over 40 House members, who are co-sponsoring the

legislation and more than 140 organizations across the country including

99problems.org and The League of Young Voters, the Youth Act has a good

chance of passing when it reaches the floor.

But will it do what it’s set out to do?

If you look past all the political jargon, the Youth Promise Act plans

to funnel government monies into local organizations that in turn will

create programs (mentoring, after school, gang and drug prevention

groups) to keep kids off the streets.

While this Act is commendable and has the potential to make a

difference, I think it looks at a small percent of what the problem with

our kids really is. Sure, the pressure to be paid and protected leads

some kids to join gangs and sell drugs. There is no doubt that the lack

of libraries, books, computers, etc is stifling the learning process of

kids in the hood. Either way you find yourself assed out and caught up

in some drama your mama can’t bail you out from.

These are the obvious.

I’m talking about the other factor: The kids, themselves, not wanting

anything different.

The condition of young people is so set that even their conditioning has

been conditioned. It’s like setting a caged animal free after 15

years. They might not know how to walk on grass or hunt for food. Where

is the legislation to deal with youth people’s low self-esteem,

psyches and shattered dreams? We could call it the “Youth Therapy

Act”.

Or, what about legislation that teaches parents how to parent. I’d

said it before and I’ll say it again, I strongly believe that men and

women should have to pass a written exam and provide bank statements

before being allowed to have children. There is no reason why it should

be harder to adopt a dog or rent an apartment than it is to bring

another life into the world. This would be the “Act like a Parent

Act”.

The reality is the Youth Promise Act will pump money into poor

communities, build new programs and offer support to existing

youth-oriented programs. The other reality is only a small percentage of

the targeted kids will show up. Reason being the disenfranchisement of

our youth goes deeper than lack of money, programs and opportunities.

Still in all, I applaud Congressman Scott for this attempt at making a

difference.

Now if only we can get someone in Capitol Hill to present a bill that

stops the building of prisons.

– CH

The X Fact(her) is a weekly column that appears on 99problems.org.

Started on Inauguration Day 2009 by the League of Young Voter’s

Education Fund, 99problems.org is a non-profit initiative that aims

to keep young people engaged in the political process through activism

and community involvement. Please visit 99problems.org to find out how

you can get involved right now! For more on Chloé A. Hilliard visit

www.chloehilliard.com

Jay-Z Concert Loses Nearly $1 Million

Jay-Z’s superstar presence was not enough to make a recent Arizona Stadium concert a success, as event promoters confirmed the show posted a loss of $917,000.

The Last Smash Platinum Bash was organized by the Associated Students of the University of Arizona (ASUA), who paid Jay-Z $750,000 to co-headline the event with pop star Kelly Clarkson.

The strange pairing was not enough to entice potential concertgoers.

Arizona Stadium, which is known for football, had not hosted a concert in 32 years.

According to estimates, the student union gave away over 4000 tickets in hopes of securing valuable marketing deals with newspapers and radio stations.

Despite these issues, ASUA president Tommy Bruce blamed the failure on the Recession.

“Nobody predicted the economy would be the way it is now last May,”

he told the Arizona Daily Star.

In total, the concert cost $1,420,000, while tickets and merchandise purchases only posted $503,502.

The loss forced the ASUA to empty its$350,000 cash reserve to cover the debt.

According to the Arizona Daily Star, the Arizona University’s bookstore will assist the ASUA in paying off the debt through another established emergency fund.

As a consequence, the UA Bookstore organization will also lower its contributions to the student group by $570,000 over the next 5 years.

At press time, Jay-Z’s Blueprint 3 is tentatively aimed at a September 2009 release date.

50 Cent Cleared in Arson Case

50 Cent was cleared this week of foul pay in the May 2008 blaze that destroyed his $1.4 million Long Island mansion. The mogul confirmed the verdict on his social networking site thisis50.com, stating the New York police department and insurance investigators determined there was “absolutely no proof or evidence” that 50 caused the fire. 50 Cent, real name Curtis Jackson, came under suspicion after his son’s mother Shaniqua Tompkins accused him of committing arson. Just weeks prior to the fire, 50 Cent had a successfully secured an eviction of both Tompkins and his son. Although Tompkins and Marquise were present at the time of the still undetermined blaze, both were able to escape without serious injury. Last April, Tompkins filed a lawsuit in Manhattan Supreme Court claiming that 50 Cent had promised her legal ownership of the home prior to closing. At the time, the property was estimated to be worth 2.4 million. The fallout from this situation sparked a feud between 50 and Miami rapper Rick Ross, who ridiculed the Queens emcee over the arson allegations with the track “Mafia Music.” At press time, 50 Cent is working to secure a release date for his much-delayed fourth studio album Before I Self Destruct

Grouch & Eli: “Say G&E” (Album Review)

8/10

Hip-Hop fusion at its finest, The Grouch and Eligh, both of Living Legends, crossbreed genres while meshing together their signature lyrical fluidity on their latest album, Say G&E! (Legendary Music).

From a banging beat you can’t shake from your head to a bluesy country track you’ll vibe to, The Grouch and Eligh will have you hanging on their every word.

The duo kicks off spoken word style and quickly speed up the pace on the album’s anthem “Say G&E.” The Grouch and Eligh are no strangers to pushing the limit and they do exactly that on “Push On (Push Up).” The Grouch’s verbiage lures the ear while Eligh’s verbal quickness makes the head spin. “Me and my boys had a ploy to make some noise / Underground, invisible, but not unheard our words destroy.”

Inevitably, the duo does get political on “Worried About The World.” Eligh’s Rap style is very similar to Andre3000, but his lyricism is beyond intelligent. “Captain America dug a burial plot / And you gonna end up in that motherf***er ready or not / If you’re standing in between his riches get out the way.”

With a maturity rarely seen in Hip-Hop, the duo delves into the topic of drugs and abuse on “Denial.” “You found a path off the track and you followed that / And now you lack what you had; I can’t swallow that / You were my friend to the end and now you’re hollowed out.”

Not always so serious, The Grouch and Eligh let loose on the Amp Live produced track “!BOOM!” Just as easy as it is to have fun, Grouch and Eligh smoothly transition from synthesized beats to crooning on smooth R&B tracks like “Do It Again” and “No Flowers” to rapping over classical Hip-Hop production on “Rivers Run Dry” and “Comin’ Up.” There’s not a genre of music that this duo is afraid to touch – “All In” is a successful blend of Hip-Hop’s wordplay and a country twang.

Say G&E! is a fresh sound to today’s Hip-Hop as The Grouch and Eligh cross lines and dabble in experimentation, all the while with tight lyrics that complete the album’s innovative focus.

Grouch & Eli

“Say G&E”

TOP 5 DEAD OR ALIVE: Mike Jones

Welcome to the Mike Jones edition of of AllHipHop.com’s Top 5 Dead or Alive, a reoccurring series. Mike Jones has given the world his phone number, email address and all other contact information, but he hasn’t given his Top 5 rappers. Mike wanted people to be clear that his list is just that – HIS. “Honestly, personally this is Mike Jones personal Top 5, I don’t want anyone saying, ‘Oh Mike Jones don’t know what he’s talking about,” the Houston rapper said.

His sophomore album The Voice, which features the single “Swagga Right”, was recently released to stores, but like Slim Thug, he’s already platinum. Here is Top 5 Dead or Alive: Mike Jones.

Notorious B.I.G.

“Number one, I’m going to have to go with Biggie. The reason why I go with Biggie; I know people are going to say Pac over Biggie and all that, but that’s a debate that can forever go on. Everyone has their personal opinion of why they like each individual. I love them both; it’s a hard decision. I like Biggie because he had similar things that he went through at the bottom coming to the top like I did.”

“He let people know off the gate his downfall, he let people know that he dropped out of school and people considered him a fool. Now they’re misled; now they looking at him like this. He went from Nintendo’s to not having none to whatever he wants. He went from being thirsty and now he’s popping champagne. It was a before and after, negative positive. Anybody can do it, “fat, black, ugly as ever, however; I stay Gucci down to the socks.” Like, you ain’t going to stop my swag, I don’t care if I have four bullet wounds right here; I’m still going to rock this Gucci. That’s how Biggie let it be known on “Juicy,” that was my favorite record.”

Tupac Shakur

“Second, it has to be Tupac because they’re right there with each other. Tupac, he just let it be known, “Dear Mama,” he just let it be known. Both of those artists had nothing to hide when it came to expressing how they felt musically. They had the type of audience core foundation, so when they said something people heard it. Like when Tupac, he’s the only person if everybody said it wasn’t cool to do “Dear Mama,” Tupac’s going to do a ‘Dear Mama’ and get a pass, he’s the only one that’s going to get that pass.”

“Trend setting, I don’t just sign on people’s lyrics; I’m looking at how is he able to transition or change Hip-Hop. When people are saying it’s not cool to do it, Tupac is coming out here, same thing! Everybody else says b***h, b***h, b***h, they tripping, but then Tupac come and say ‘Wonder why they call you a b***h?’ He ain’t calling you one; he’s just letting you know the reasons why they could call you that. Then when people heard, they’re ‘Like oh okay yeah like Pac said [it]’ and roll off that. So I have to give him that!”

Jay-Z

“Number three, I have to go with Jay-Z. From when everything was going down to where it’s a new [era] in Hip-Hop and he still is relevant; that’s important because stuff change in and out. He’s still not only relevant but he’s still making more revenue than a person that is the main person in the game at the time, from a business point of view.”

“You might have a Young Bug [fictional rap name] who might be the hottest thing smoking, but Jay-Z still pulled in $90 million in one year. How you do that and you ain’t a Young Bug? You feel what I’m saying? You would think that Young Bug would have brought that in because all of the talk is on him, but Jay pulled in more than him and he’s away from the camera sitting down. So you got to respect that, feel me, then you got a female [Beyonce] who’s bringing in the same thing as you! My hat of to you, homie!”

T.I.

“Number four, I ain’t going to lie; I got to go with Tip. He is like the young spokesman for d-boys-slash-you can still clean it up and make a better way for yourself. That’s the Tip-slash-T.I., he’s showing you both sides are true. It’s showing you I’m representing, I’m doing all this, I’m looking at this, he still can smooth, casual, switch it up and get a pass; that’s something that everybody can’t do neither. That’s why you’ve got to take your hat off to him.”

Lil Wayne

“You got to give the other one to Wayne. Wayne just came out of nowhere, I mean he’s been doing it from Hot Boys on, but he reinvented himself. Then while he was already doing his thing, it went from dreads, the guitar, he’s already putting the mastermind together. Y’all don’t really understand what he’s doing. In a minute, they’re going to understand, by the time people started understanding and catching to what he was doing, he was already out of here. He’s on a Rock album right now that people don’t really understand, but in time, people understand.”

“That’s what I learned in this game, from me giving the number, to him doing something that a lot of people ain’t understanding. A lot of people are behind. If it ain’t happening right now in their eyes, it ain’t it, you feel what I‘m saying. You got to have someone that takes that step out; you know what I’m going to try. So if it don’t work, it just don’t work; you got to have people that do that because if you don’t then we all following each other. Somebody’s got to take the lead! Sometimes it pays off big and sometimes it lose, anything is a gamble. Those five people are not only who are relevant right now, but have done and are still changing Hip-Hop along with the other top six through 100 people. Those are just elite!”

The Side Bar:

Jones’ honorable mention would be Kanye West.

“I give Kanye his card to because Kanye is a person who could make a track, rap on the track and master the track. I mean he don’t need anybody. When you show him love, you got to show love to Jay-Z because he opened the door for him to do that. It’s just like 50 Cent, 50 is a monster that’s my homie; he knows his business. You got to show Eminem love, because Eminem opened the door and 50 is doing his thing. Dre opened the door and Em is doing his thing. People have amnesia sometimes on how the game is supposed to go. If I open the door for you, you open the door for him and that’s how it’s supposed to go. Some people open the door, open the door and close the door!”