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Ghostface Drops Novel ‘Cell Block Z,’; New Album On The Way

Ghostface Killah has become the latest in a growing line of rapper-turned-published-authors.

 

The Wu-Tang Clan lyricist is gearing up for the release of his literary debut, due out on July 29.

 

The illustrated novel, titled Cell Block Z, recounts the tale of a fictional boxer, Cole Dennis, which is simply Ghost’s birth name in reverse.

 

Living in an unspecified future city “being held hostage to chaos and terror,” Dennis, a heavyweight contender, is considered a hero to most, until he is framed for a brutal murder.

 

Upon entering a futuristic super-prison, the main character finds himself at the center of a sinister plot to turn convicts into killing machines.

 

While the plans to control Dennis don’t pan out, he is transformed into a “towering engine of destruction,” determined to fight for his life.

 

He renames himself Ghostface Killah as he faces the most daunting opponent of his life.

 

The book, co-authored by Marlon Chapman and Shauna Garr, and illustrated by Chris Walker, is not the only new project Ghostface has in the works for 2009.

 

Def Jam announced Monday (June 13) that the seasoned rapper’s 10th career album and his sixth for the label, will be released in September.

 

The Wizard of Poetry promises to be quite different from Ghost’s previous offerings.

 

The album is being described as “an R&B-influenced rap album.”

 

On July 22, Ghostface will begin promoting his new album when he embarks on the Foot Print in Hip-Hop Tour with Wu-Tang brethren Method Man and his longtime partner in rhyme Redman.

 

The 21-city tour, which also serves to promote Red & Meth’s Blackout 2, kicks off in Asheville, North Carolina.

 

The Foot Print in Hip-Hop Tour runs through August 16, when it will wrap at San Francisco’s Mezzanine.

ChartWatch: Revenge of the Indies, Michael Jackson Stays On Top!

This last week Michael Jackson’s memorial service was held prompting every fan he ever had to hit the stores and buy his albums. He continues to dominate the charts with five albums in the top ten this week. Number Ones holds the number one spot followed by Thriller at number three, The Essential Michael Jackson at number five, Off The Wall at number seven and Bad at number eight. The King of Pop holds five spots on the top ten plus other albums charting in the top 200. He may not be with us anymore but it looks like his presence in the music industry will be felt for a long time..

Well, wow….that’s half of my job for this week done in one paragraph. Let’s see…Anybody see John Mayer play “Human Nature”? I thought that was pretty good. Ron Artest released a Michael Jackson tribute song. I thought that was pretty bad. I hear The Game released diss song at Jay-Z. Jay probably won’t respond but I guess that’s pretty interesting. There’s an opinion piece about record labels you may want to take a look at in the editorials section. Good Stuff…good stuff. Lil Wayne still has two women pregnant proving that he really does want to “F*&# every girl in the world.” Ummmm…..Oh yeah, for some reason BET is not playing Willy Northpole’s new video, “#1 Side Chick”. Don’t know why they won’t play it but we featured him a couple of weeks ago in the “Dropping This Week” section. Oh, oh!…Mase is back…again…with Cam’ron! I feel like I should be more excited but I’m not. I guess that took up enough space – back to the charts.

Maxwell returns after eight years and enters the charts at number two. His new album BLACKsummers’ night sold 311k copies this week so it’s obvious the public was waiting on this album. This is a good start for Maxwell who says the album is the beginning of a trilogy with blackSUMMERS’night coming out in 2010 and the third album blacksummers’NIGHT in 2011. The next few years should be good for Maxwell fans.

The Hannah Montana 3 soundtrack comes in at number four proving that children around the world love some pretty horrible music. This statement will probably get me punched in my sleep by one of my little cousins but I’m standing by it.

If you’ve been in a coma for the last year you may want to pick up the number six album, Now 31, and catch up with the radio. The multivolume collection of popular music always charts well. Indie rock band All Time Low holds the number nine spot with their third album Nothing Personal.

That is followed by The Black Eyed Peas who continue to hang onto the number ten spot with their fifth studio album The E.N.D. You guys must really like “Boom Boom Pow.”

DROPPING THIS WEEK

Not as many albums dropping this week as usual but we have some nostalgic throwbacks and regional mainstays from the East coast and Midwest.

First up dropping this week is a two-time Grammy award winning group. Record label Charly is releasing a live Arrested Development disc with accompanying DVD tilted Tokyo,1994 [Live]. You guys remember “Mr. Wendal”, “People Everyday”, and “Tennessee.” All I remember about them was that it looked like they had more members than Wu-Tang. Plus they had an old dude and everyone dressed in African garb. If you miss them then pick up the album.

Since we are already in the past let’s look at some Hip Hop legends. The Beastie Boys reissue their 1994 album Ill Communication. (Right now the intro to “Sabotage” should be playing in your head). The New York based band is often said to be one of Hip Hop’s most influential groups and now those who missed their historic rise can take part. If you’re a fan or just want to find out what all the hype is about this is the album to pick up.

Next up Twista continues his attempts to gain the success of his 1994 jam with Jamie Fox and Kanye West. His new album Category F5 has everyone on it including Lil Boosie, R. Kelly, Gucci Man, OJ Da Juiceman, Busta Rhymes, Do or Die, Johnny P, and Akon. This man wants (needs?) a hit and is working hard to get it. His single “Wetter (Calling You Daddy)” is already getting some spins. But I can hear rumbling out there already…”What happen to old Twista and the Speedknot Mobsters?” I’ll tell you what happened — you didn’t buy their record. But he sold a bunch of copies of “Slow Jam” so that’s how it’s going to be. You’re lucky he didn’t do another song with Kanye…wait…nevermind. He’s on the album too. (Itunes bonus track).

Now we have Kno, Deacon The Villian, and Natti who make up the Kentucky Hip Hop trio CunninLynguists. The group releases a new live album, Strange Journey Vol 1 with volume two planned for a September release. The fifth album from the group features Killer Mike, Kujo, Slug of Atmosphere, and Fish Scale of Nappy Roots to name a few.

Longtime Tech N9ne collaborator Krizz Kaliko returns with his sophomore album Genius. Tech N9ne’s record label, Strange Music, released Krizz’s first album, Vitiligo, and it made some noise on the independent charts last year. Besides Tech N9ne and Krizz making my top ten list of people I would care not to run into in a dark alley (based on album covers alone) they have done a good job of representing Midwest Hip Hop.

New York MC Ill Bill had some affiliation with record label Strange Music but went on to release an album on Uncle Howie. Now he is working with Everlast, Danny Boy, and DJ Lethal from House of Pain (Jump around!!!…anyone?…ok back to the column) and Boston MC Slaine. They call themselves La Coka Nostra and are releasing their debut album A Brand You Can Trust In. The album features B-Real, Snoop Dog, and Bun-B. If you liked House of Pain or Limp Bizkit you should check this one out.

It was a short chartwatch this week. Try to pick up some of the albums that are dropping this week and support some of the artists.

Nathan: Young Blood

On June 25, 2009, the king of Pop Michael Jackson passed

away, leaving a legacy that will remain in the world forever. From his lyrics

to beat samples and dance moves, our generation will continuously pay homage to

the late king. The death of Michael Jackson effected people all around the

world, especially those whose music he inspired.

 

Nathan, a 22 year-old singer-songwriter hailing from the UK,

is a budding star who cites Michael Jackson as one of his key influences, along

with Marvin Gaye and Will Smith.

With artistic genes in his blood, the young singer’s break

into the entertainment industry was not by luck, but more so by destiny. After

winning a contest allotting him time at Sony Studios and penning his first song

at the age of 14, Nathan’s path was being tailored to fit his unique journey.

 

Nathan’s catchy records created a buzz on the UK Urban radio

airwaves. He later released his debut album Masterpiece independently on Mona Records, in both the UK and

Japan. His single “Do Without My Love” earned him a 2006 Urban Music Award

(UMA) for Best R&B Act, which he won over artists such as Ne-Yo and Akon.

In 2007, Nathan won another UMA for Best Music Video for the track “Cold As

Ice,” which featured Miami rapper Rick Ross.

 

With some experience in the game and a few accolades under

his belt, Nathan is hard at work on his next LP. Currently residing in the

U.S., his first single “Superwoman” is one for the ladies, and the track “Dirty

Sexy Money” is definitely receiving radio love.

 

We spoke with Nathan about how he got his big break, the

singer-songwriters that inspire him, and creating his sophomore album!

 

AllHipHop.com Alternatives: When did you fall in love

with music?

Nathan: That’s crazy

that you ask me that; Michael Jackson is the person who made me fall in love

with music. For me that was a gift that he had and there’s not a lot of artists

that have done that before or since then. My mom is a Reggae singer, so I was

always around music; I love what she did. When Michael released the song “Remember

The Time,” that’s when I really started to like music. Until this day that’s my

favorite song just because of the feeling it gave me.

 

That song is responsible for me wanting to make music. That

song made me want to give people the feeling that I felt when I heard that

song. It had loads of feeling; it had loads of emotion. When he sang he could

make you believe anything, since he was a young boy. Like in “Who’s Loving

You,” he was like eight! How can an eight year-old make you believe that he’s

missing someone, you know? That gift that he had from a very young age and I

believe that was the reason why he touched so many people, because he could

make you believe anything he said in a song.

AHHA: For the most part this is a difficult industry to get in. How did you

get your start?

 

Nathan: Since my mom

was a singer, she was always performing, so I would love to go on stage and do

what my mom did. I was always performing from a very young age. I used to live

in Jamaica and New York as well. When I moved to the UK, I used to enter

competitions doing what ever I could, dancing, singing, acting and everything.

When I was 13, I entered a competition and the prize was to win 1,000 pounds

and record your own songs. You got to perform in front of 3,000 people, so I

entered it and I sang my favorite song at the time Musiq’s [Soulchild] “Just

Friends.”

 

I did well and I loved performing in front of people. I

didn’t win that year though, so the next year I wanted to enter again and they

called me and said you were really good last year so come back. So I performed

“You Got It Bad” by Usher, which was my favorite song at that time. I ended up

winning and recorded a song called “What’s Ur Name,” which got radio play and

the rest is history.

AHHA: So “What’s Ur Name” was the first song that you

ever wrote? That’s pretty big for your first written song to jump off like

that! What was the inspiration for the song?

 

Nathan: Yes, that

was the first song that I ever wrote. I eventually re-produced it and it went

on my first album that came out in the UK called Masterpiece. So

it has really done well for me. For it to get radio play and then to end up on

my album; it was a real achievement for me

 

I remember I was in my bedroom after I had one the competition

and I thought to myself that I should write this song because I have to have

studio time soon. I was thinking about Musiq, that type of feel and it didn’t

come out sounding anything like a Musiq song. That was really my inspiration,

but it came out feeling totally different

AHHA: Since your mother is a Reggae singer how does that factor into your

music? In addition, how does your culture factor in?

Nathan: The one way

I would describe my style is international because I have lived in Jamaica, America

and the UK. There are so many different music elements that you listen to

throughout all of those places. That’s what I really like and what sets me

apart. I want to be different! I want to have an international sound that no

one else is going to have, influences from Reggae and Hip-Hop. Being from the

UK, our boundaries are really kind of blurry, so we mix things a lot. We mix

the Euro-Pop, Techno and Hip-Hop.

 

AHHA: As a singer- songwriter, who are some other

singer-songwriter’s that you admire?

Nathan: There are a

lot of people that I really admire, definitely Ne-Yo because being a he’s had a

few songs that I thought were written perfectly like “So Sick” and

“Irreplaceable” for Beyoncé. Currently, I’m feeling The Dream as well. These

guys Claude Kelly and James Fauntleroy are also dope writers. For me,

singer-songwriter wise the two people that I really admire from recent times

are definitely Michael Jackson and R. Kelly.

 

The reason I picked those two is because in contrast to all

of the others, they were able to have success writing songs that were

different, not just the same type of songs. That’s what is really creative, to

make a hit like “I Believe I Can Fly” and then “Snake.” To me diversity is the

key; I’m a big fan of diversity and versatility. That’s the type of artist that

I want to be. To have a song that’s influenced by Hip-Hop, Reggae, and R&B,

but all of them are hits. All of them have a common thread itself like the way

I deliver it, because that’s what all of my favorite artists did.

AHHA: What are some things that influence your writing?

Nathan: With me, I

definitely don’t have a routine when I’m writing songs; I just like to let it

flow. There are a couple of things that I use, my mother is an actress now so

she taught me a lot; I went to drama school and everything like that. One thing

I learned to do when I’m writing songs is put myself in someone else’s position

and kind of make a movie. Then write a song from a movie standpoint.

 

Like create a character, create a situation, put yourself in

that situation, put yourself in that character’s shoes and then write a song

about it! It’s very artistic, you find yourself thinking of things and

challenging yourself. So that’s something that I’ve done on quite a few

occasions. A lot of the times I just feel the music and what does it make me

feel, for me that’s the best way to invoke feeling. People like Marvin Gaye and

Michael Jackson were the kings of making people feel what they were saying. So

the music itself has a large part to do with that.

 

AHHA: I must say I love your track “Cold As Ice”

partially because my nickname is Ice [laughs]. How did you hook up with Rick

Ross?

Nathan: So I

actually made the original version in London. I flew over to Miami to work with

Salaam Remi on the first album and that was surreal. We were doing the “Cold As

Ice” remix and he was like I want a rapper on here. He asked me what rapper did

I want and I said Rick Ross. He came to the studio, heard the beat and went

crazy. He laid his verse in like five minutes and his verse is dope too!

AHHA: What are you working on currently?

Nathan: We’re

working on the album right now. I’m having fun because this is the second time

I’ve made an album and this time I really know what I want. This time I know

what type of songs I want to make, I know what type of sound I want to go for.

Very international, I want all of my influences to come out. It’s going well,

its really rewarding when you go into the studio with a goal and then you

fulfill it.

 

AHHA: So let’s say you had to assemble a team, you need a

producer, a female singer and a rapper. Who would your team consist of and why?

Nathan: That’s a

dope question! I love people that can play a bunch of instruments, so I

actually think my producer would be Ryan Leslie. I definitely think he’s a

genius; all you have to do is watch him work. The rapper would be Graph, he’s

definitely underrated. I’ve wanted to do a song with Graph for a long time, so

hopefully we can make that happen.

 

I’m trying to think of someone who might be the new Beyonce,

but really, she just shut that whole spot down. Looking at artists and their

career, she’s the most current template of what I would want to do. Just like,

I was saying about Marvin Gaye, Michael Jackson and R. Kelly. If you listen to

the songs off her current album from “If I were A Boy,” “Single Ladies,” Diva,”

to “Ego” look at how different they are and she’s the common thread. Beyoncé’s

definitely winning, so that would be my team!

 

AHHA: Lastly, where do you see yourself ten years from

now?

Nathan: To me sky’s

the limit and there’s not point in dreaming if you’re not going to dream big. I’ve

always grown up believing that you can do anything that you want to do. In ten

years time, I want to be an established artist. One of the best

singer-songwriters that can just take a break and come back when ever they

want. I’m into fashion, so I want to have a clothing label, I want to set up my

own record company, my own studio, and I definitely want to be in film. That’s

not it because I want to do loads more, but that’s like a summary.

Dirty Sexy Money – Nathan

Police In New Zealand Lash Out At The Game Over Upcoming Concert

Police in Rotorua, New Zealand, have expressed their disappointment and concerns over an upcoming concert featuring Compton rapper The Game.

 

On August 15, The Game is due in New Zealand as part of his tour across Europe.

 

According to New Zealand’s Daily Post, police are organizing a special “operation” and will have a more noticeable presence when The Game performs.

 

“I understand [the] concerns of a lot of people. We know from experience having these sorts of performers is not helpful in terms of community safety,” Rotorua Commander Bruce Horne stated. “His message is a very bad one. He is certainly not someone I would be promoting as a role model for our young people. In fact, he is quite the opposite. He encourages them to get themselves into trouble.”

 

The Game’s gang ties to The Bloods -which he openly acknowledges – and his criminal past have local authorities up in arms over his upcoming appearance.

 

The rapper’s criminal background is being questioned as well, after an incident in which The Game pulled a gun on a man during a game of pick-up basketball in Los Angeles.

 

Last year, The Game served a brief sentence in the L.A. County Jail, after he pleaded no contest to a felony charge of possession of a firearm in a school zone.

 

The Australian promoter who booked The Game called the rapper “a positive role model for youth,” and revealed The Game would visit at least one high school during his stay in the country.

 

In the past, The Game has been involved in violent feuds with 50 Cent and G-Unit.

 

He is currently involved in a war of words with chart-topping rap star Jay-Z.

Labels: Make A Record Deal Worth Something Again

It is pretty common knowledge that it is high time that the recording industry re-evaluate its practices and business M.O.

 

This is a direct result of the digital era, however I have an archaic response to the resurgence of the new indie and internet movement.

 

Record labels need to make the record deal worth something again.

 

Right now, with all eyes on the artist, the artistry, the sales and the business, the labels are going to need to raise the bar instead of lowering it. In recent history, record deals have been given out like cheap candy on Halloween night. The dude co-signed by the DJ gets a deal. The bum best friend of the multi-platinum rapper gets a deal. The trash rapper that does a few thousand out-of-the-trunk can get a record deal. There’s a clearance sale on record deals, it seems and the industry “got it for cheap.”

 

These unqualified people are getting signed for all the wrong reasons and very little of it is based on talent or ability. Can we agree that that is most important aspect of an album? I mean, most of these folks don’t even have an interesting story to sell to the people or media. I’m sorry, but even getting shot isn’t enough anymore. The “deal” has been devalued so badly that your average artist boasts about being indie, not even fully grasping he gravity of that. (That’s another topic, but indie is short for independent.) The point is, nobody really cares about getting signed to a deal anymore…they have options.

 

Don’t confuse this as an anti-indie statement or even a pro-major labels commentary. I firmly believe that we only recently fundamentally got off track, but it seems like Pandora’s Box is completely broken open. Artists as recently as 50 Cent, Young Jeezy and wise older artists like Master P grasped the notion of crafting a full-circle look at their art way before they hopped in bed with the labels. Then, other artists already signed to majors took meticulous care of their likeness and their art, which often extended well beyond their music. That care doesn’t exist anymore, from the artist or the labels. Artist development, A&Ring and other once-essentials are now fundamentally dead.

 

That can change for the betterment of the business and the future stars of music, if the deal is harder to attain. Getting signed must be a rite of passage of sorts, where only the best of the best emerge victorious.

 

With the barriers to entry gone, and access readily available, I’m not suggesting that the music game shut down the doors to anybody. In fact, this idea would open up doors to the talents all over the nation and the world that have the goods, but don’t have the inroads. There are more ways for an artist to create energy around themselves and you don’t have to sit in front of the Def Jam building to get somebody’s attention. So, I’m talking about the artists in Detroit, Delaware, Baltimore and Chicago getting in. I’m talking about the MC’s in Rotterdam and South Africa. The labels have to understand, this is what is out there. The artists have to be ready to answer the door when opportunity knocks.

 

Essentially, what I am suggesting is that – for the fans’ sake – artists must assume control of their own destiny and when they have gone through that industry trial by fire, everybody is a winner.

 

If the deal is just given out, even the “nobody” doesn’t respect it. The goal: creating the next generation of superstars and salvaging a business that enables potential greats to fulfill their destiny.

 

Solutions:

 

Artists: Labels will be labels. Create value in what you do and what you are. Have a total package as an artist and, more importantly, as a commodity. Know the digital landscape in detail, but don’t completely abandon traditional forms of promotion and marketing that work. Have a team.

 

Labels: We’ve seen what happens when artists are JUST signed. Nobody wins, because many of these immensely talented individuals sit on a shelf, only to get released years after their buzz is the highest. Others do get release dates, but suffer from wackness or simply from neglect. From a business point of view, there will always be an urge to sign the next hot thing on the spot, but treat the artist like a flower and help them blossom. There aren’t many Michael’s, Mariah’s and Madonna’s out there, but there are many reoccurring lessons to be learned from these artists.

Chuck Creekmur is the founder of AllHipHop.com, a cultural critic, public speaker and has been independent for several years.  Sometimes, he can be found at www.twitter.com/chuckcreekmur.

TOP 5 DEAD OR ALIVE: Scarface’s Extended Edition

When legends put their Top 5, Scarface is on there. What does the man have an affinity for? Hip-Hop has come to mean different things to different people. It originated as an authentic form of expression, one that ‘Face has utilized to the fullest. Through powerful, reflective, and uplifting lyrics Hip-Hop defied the odds and embraced the years as it has became a widely appreciated and celebrated genre of music. Hip-Hop at its best carries our aspirations, our struggles, our bliss and our betrayals. In a perfect world we entrust our MCs to demonstrate a level of awareness of our community. Candid lyricism in conjunction with tangible real life experiences is part of the amalgamation that is Scarface. Scarface, a man who needs no introduction, is one of our living lyrical icons. In an unbridled interview, he reveals his extended edition of AllHipHop.com’s Top 5 Dead Or Alive, Top 5 Southern MCs and Top 5 of Right Now.

 

RAKIM

 

Scarface: The way that Rakim put words together is like no other.

 

AllHipHop.com: For the younger generation who may be unfamiliar with Rakim; which track do they really need to listen to? Do you remember what made you first gravitate towards him?

 

Scarface: Listen to [Eric B. & Rakim’s] “Follow The Leader.” The main said, “…A furified freestyle, lyrics of fury/ my third eye makes me shine like jewelry… [chuckles] g#####! N****s talk about chains; the man said his third eye makes him shine like jewelry!

 

KRS-ONE

 

AllHipHop.com: What about KRS makes him stand out amongst others?

 

Scarface: “Criminal Minded.” To me KRS-ONE had that pause—it picks back up—he had a swagger from that “Criminal Minded” album. You know, that was really our star.

 

KOOL G RAP

 

AllHipHop.com: What about Kool G Rap earned your respect?

 

Scarface: …He had a song called “Truly Yours”—and that’s really the best girl diss that I ever heard.

 

AllHipHop.com: [laughs]

 

Scarface: He dissed somebody and I was like, damn. [starts emceeing] “This I dedicate to the girl I hate…” [mimics the DJ Polo beat, uh uh uh uh uh uh] “This I dedicate to the girl I hate…” Man, that is a fantastic come line—

 

AllHipHop.com: You think it’s been timeless?

 

Scarface: It’s timeless. Yes, “Truly Yours”

 

ICE CUBE

 

AllHipHop.com: What made you become an Ice Cube fan?

 

Scarface: [starts reciting a verse from Cube’s “A Bird in the Hand”] “Fresh out of school I was a high school grad/ had to get a job because I was a high school dad…/ but there was no SC for this youngster/ I didn’t have no money /so I had to punch the clock…” That boy Cube is cold; that boy Ice Cube is sick!

 

AllHipHop.com: Which MC is your last pick?

 

Scarface: I really have to think about that last one. S***, of all time, you got to say LL Cool J, dawg.

 

AllHipHop.com: LL?

 LL COOL J

Scarface: Yep! Top five of all time, you got to put LL in that top five of all time.

 

AllHipHop.com: Now, if there were a top 6:

 

NAS

 

Scarface: Nas. I think Nas is a bad motherf***er.

 

AllHipHop.com: What do you think about his evolution as an MC? Does he still possess the same hunger he had with Illmatic? Is he more lyrically potent now or has he grown complacent as his wealth has increased?

 

Scarface: I like Nas as an MC. I like Nas period. It don’t matter.

 

AllHipHop.com: You know I have to go here; it’s interesting that you didn’t name any Southern MCs. Why didn’t any of those make the list?

 

Scarface: Of all time, there’s not a greatest Southern MC of all time that could be in there, in my opinion.

 

AllHipHop.com: I love you’re being real even though you’re from the South.

 

Scarface: I mean of all time— If I did one for [the] South MCs I would say— Top five of all time, it’s 3000—

 

ANDRE 3000

 

Scarface: I really like Andre 300, right now. Because his word usage, his word play.

 

JUVENILE

 

Scarface: Let’s see, Juvie said, “The District Attorney don’t give a f### about y’all/she got to run again for office again in the fall…” That boy Juvenile was a damn fool!

 

BUN B

 

Scarface: …Did I say Bun B? S**t, Bun, Juvie,  Who am I forgetting?

 

AllHipHop.com: It’s hard. I’m thinking. Z-RO got lyrics; but, to consider him at the top. I dunno. That’s a big distinction.

 

Scarface: Cee-Lo Green

 

AllHipHop.com: Check you out. So, we’re traveling to Georgia with that Dungeon Family. Do you like Cee-Lo with Goodie Mob or with Gnarls Barkley?

 

Scarface: Both.

 

Scarface: [snatches Cee-Lo’s voice] “You got to get up, get out/ cut that bulls*** out/ain’t you sick and tired or have to get up and get out..” That boy is cold.

 

DEVIN THE DUDE

 

AllHipHop.com: Devin, I love Devin. But why is he so slept on; what about Mr. Copeland is overlooked?

 

Scarface: That’s the f###### Bill Withers of Southern Hip-Hop. Devin can put a wash in a n**** from our day.

 

AllHipHop.com: What I love about Devin is the ease that he can go from a party song like “Don’t Get Me Wrong” with the Coughee Brothaz to crazy lyricism like on “Write & Wrong.” I absolutely love Devin as a lyricist and as a man; he’s good people.

 

Scarface: That m########### says, “When you’re wrong/ m############ want to talk about you/ when you’re wrong/ m############ want to criticize you…”

 

AllHipHop.com: Any more lists?

 

Scarface: My top five of Right Now (Rappers presently active, in no particular order).

 

JAY-Z

 

Scarface: I like Jay-Z right now

 

AllHipHop.com: Do you think that the Blueprint 3 is going to live up to the hype?

 

Scarface: I dunno, man. You said, ‘will the Blueprint 3 live up to the hype,’ I think it will to answer your question. I need to talk to him. I just want to talk to him and let him know where we’re at [MCs in the game] right now. You know what I mean? Jay-Z is serious though. I like Jay-Z. Now the Blueprint 3—I need to talk to him bad, man.

 

AllHipHop.com: Let him know if he’s still looking for features he can holla at me. Or you can call him on three way.

 

Scarface: [laughs]

 

YOUNG JEEZY

 

AllHipHop.com: What about Young Jeezy do you like?

 

Scarface: I like Young Jeezy, man. I like him a lot.

 

AllHipHop.com: What do you say to the critics who question his dope boy motif? How long can you rhyme about work?

 

Scarface: They’re just critics, man. They can’t rap a f***ing lick. They don’t know the game at all. They don’t know s*** about it.

 

AllHipHop.com: So you feel as long as people can identify with Jeezy he’ll be appreciated?

 

Scarface: S***, I appreciate him. I love Young Jeezy. [adopts Jeezy’s cadence] “I’m young by the way…” [starts singing hook from “Get Allot”] “I get a lot of that/put your hands in the air if you get a lot of that…”

 

AllHipHop.com: That says a lot coming from you. That beat by Nicco is incredible.

 

Scarface: Yeah I like it.

 

LIL WAYNE

 

AllHipHop.com: What about Lil Wayne; is it just his word play?

 

Scarface: Wayne can play. Young Moula [laughs]. His rhyming is very nice.

 

AllHipHop.com: What do you think about him challenging the boundaries of Hip-Hop?

 

Scarface: I like it; I like that s***, man. He went there.

 

BEANIE SIGEL

 

Scarface: I like Beanie Sigel; he’s nice. Who else is bad?

 

EMINEM

 

Scarface: Yeah, Elvis, put Elvis in there. Elvis has left the building, f****ing Elvis, man. That g##### Elvis [whistles], whoa. Eminem is awesome; he’s outside of the box. We’ve never collaborated; but, I like that dude, man. You know, we’ve kicked it a few times. Eminem sent me a few beats.

 

The Sidebar

 

A malevolent force is possessing Hip-Hop. Afflicted by parasitic corporate greed, an art form that was once celebrated and galvanized by community spirit, has been abducted by killer clowns from outer space. These malignant jesters offer mere pence as they greedily extract Hip-Hop’s incredible essence. A catastrophic rouge paints the mouth of these callous clowns; creativity drips from the edges of its disposal. The constant pillaging of Hip-Hop has it on life support. Hip-Hop lay in ruins; it’s a putrid abyss of what it once was. What do we do when our most respected MCs grow so disheartened that they prematurely resign? Scarface, we want you back!

 

Rapper 50 Cent Removes Tattoos For Film Career

Curtis “50 Cent” Jackson has opted to have some of his very prominent tattoos removed, to better accommodate his burgeoning career in Hollywood.

 

“I took some of the tattoos off because on the movie set, if we got a six o’clock call time, I have to be there two o’clock the night before,” 50 Cent told AllHipHop.com. “I gotta go through four hours of make up before we go ahead and play the role. So, I just took it off my arm. My right arm.”

 

The G-Unit founder has not completely done away with his tattoo. He still bears the two on his back, the signature “50 Cent” and “Southside” tattoos.

 

The move may be working for 50 Cent as he stars in upcoming film Streets Of Blood.

 

The drama, which stars Val Kilmer, Sharon Stone and Michael Biehn, portrays the street gangs and corrupt law enforcement in post-Hurricane Katrina New Orleans.

 

Outside of Hollywood, 50 Cent’s current single “Ok, You’re Right” from his highly anticipated album Before I Self Destruct, continues to receive heavy radio rotation.

 

The rapper also recently dropped his new mixtapes, War Angel and Forever King, the latter being dedicated to the late King of Pop, Michael Jackson.

Pharrell In Legal Dispute Over Leaky $14 Million Condo

Neptunes producer Pharrell Williams is currently embroiled in a legal dispute regarding water leaks his $14 million dollar, Miami condominium.

 

The Virginia broadsmith has been named in a lawsuit against Ugo Colombo, the developer of the Bristol Towers complex, and the individual who sold Williams the condo back in 2007.

 

The lawsuit was prompted by Hector Lopez, whose unit has been damaged by the unfixed leaks in Pharrell’s 40th floor penthouse unit.

 

According to his separate 2007 suit, which names Colombo, Williams, and the condo association as defendants, Lopez alleges he has not been able to live in his property for the last 2 years due to persistent water leaks.

 

The association settled the case for $525,000, and is now pursuing Colombo and possibly Williams to cover the costs.

 

In court records, the waters leaks are estimated to be coming from at least six sources in the home, such as the penthouse pool, plant watering system, and Jacuzzi.

 

Pharrell’s attorneys argue that their client was aware of his neighbor’s lawsuit at the time of his purchase, and Ugo Colombo agreed to cover any subsequent legal judgments from the water issue.

 

“We’re hoping they get fixed in the next six months,” said Karl Sturge, attorney for Pharrell’s PW Continuum company.

 

In his defense, Ugo Colombo is arguing that the pipe’s water leaks are the responsibility of the condo association.

 

At press time, Pharrell Williams has confirmed he’ll be collaborating with Rihanna on her forthcoming album.