Tyler, the Creator surprised fans when he announced a brand-new album would drop Monday (July 21), and I couldn’t help but feel drawn into the mystery. Coming off the critical success of CHROMAKOPIA, this new release felt like a hard pivot. It was an intentional break from that world and a step into something entirely different.
Before I even hit play on Don’t Tap The Glass, Tyler set the tone with a Twitter PSA: “Yall better get them expectations and hopes down this ain’t no concept nothing.”
With that kind of message, it was hard to tell what exactly he had in store. Then came another social post, this time stating the project “was not made for sitting still. Dancing, driving, any type of movement is recommended to maybe understand the spirit of it.”
That’s when it all started to make sense.
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From the first track, Don’t Tap The Glass gave me the same electrifying feeling I had when I first heard Beyoncé’s RENAISSANCE. This is music that wants to move. It’s a record that helps you shake off the world, let loose and experience freedom through sound. Tyler samples everything from Busta Rhymes to Crime Mob to Gangsta Boo (RIP). Blending those pieces with house music textures and Pharrell-inspired grooves will hypnotize fans over the album’s tight 28:30-minute run.
Despite its brevity, Don’t Tap delivers—big. Tyler blends lyricism with groove, giving listeners a project that makes you want to nod your head and hit the dance floor at the same time. Personal standouts include “Ring Ring Ring,” “Big Poe” and “Don’t You Worry Baby.”
Even though Tyler claimed there’s “no concept,” I’d argue otherwise. There’s a clear theme threaded throughout. He’s giving various tones of release, escape and shared motion. It feels like he’s built a space where people can gather, dance and just exist without expectation. While there are satirical overtone, he seems to be most resolute in breaking Hip-Hop convention.
Tyler’s refusal to conform continues to be one of his greatest strengths. He’s carved a lane in Hip-Hop where he can release music on a Monday morning and still spark conversation the rest of the week. His dedication to experimentation, risk-taking and creative freedom sets him apart in a genre where many feel boxed in.
I rate Don’t Tap The Glass a strong nine out of 10. My only complaint? It’s too short. But in its short span, Tyler showcases his ear for quality, production wizardry and lyrical proficiency. This album is both a statement and vibe. And once again, he’s made us move on his own terms.