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Craig G & Marley Marl: Ultimate Alliance

Friday, June 20, 2008 10:15 AM | 35 comments
By Martin A. Berrios
It is one thing to come into the Rap industry as an astute pupil of the game; knowing the history and always paying respect to those who came before you. It is another when kids jump into the business clearly for reasons other than the love, in turn representing the culture incorrectly. The latter are who producer Marley Marl and original Juice Crew member Craig G. are trying to set straight with their new collaborative album Operation Take Back Hip-Hop on Good Hands Records.

After two decades of history together, the Queens legends have reunited on wax. Both have lived through both golden eras in Rap, and want to show all these knuckleheads how it is really done. AllHipHop.com speaks to Craig and Marley about the new album, what Hip-Hop isn’t, some of the culprits, what needs to be done to save it and why they’re still the ultimate alliance.


AllHipHop.com: You titled the album Operation Take Back Hip-Hop. In your mind who took it away from us?

Marley Marl: Ignorance took Hip-Hop away.

Craig G.: I would agree 100%. It stems from no one being original and cool anymore. It’s not cool anymore. The people that are coming into Hip-Hop, and it’s not their fault as far as artists or producers or whatever, feel that to do something original is not going to be financially viable or give them the proper light. At the same time you look at an OutKast or Kanye, it’s perfect to stand on the outside because you may get noticed more. A lot of people [are] scared to do that.

“My kids will not be listening to Hip-Hop, I’m sorry. That’s a quote… It’s too illiterate, it’s too dumb… A straight educated dude can’t make a hit record right now because he’s too smart.” –Marley Marl

AllHipHop.com: While most agree that we needed something else to offset the thug shoot them up die slow talk, all of this nerd Rap with the tight clothes is a little much, no?

Craig G.: Well you know what’s funny man? I think one of the biggest mistakes is fusing fashion and Hip-Hop in the first place. We had a uniform back then. Everyone has Sergio Taccini’s and Starter jackets. It was the music, it wasn’t what you wore. And now as far as Hip-Hop goes, it’s about the presentation to the people. It has to do with clothes and everything else. If Kanye and Lupe did the same exact music and wore regular clothes people would probably still accept it because at the end of the day it’s still the music.

Marley Marl: That part of Hip-Hop is not even as popular as the ignorant part of Hip-Hop. For me I don’t even let my kids listen to Rap. I don’t want my kids talking like most of these rappers. I’m ashamed, I don’t even want my kids hearing that s**t. I want my kids going to college. The college kids getting an education can’t identify what these motherf***ers are saying right now. My kids will not be listening to Hip-Hop, I’m sorry. That’s a quote.

I’ll let my son listen to some classic stuff, but the stuff now I mean really. It’s too illiterate, it’s too dumb. What’s sad is our kids are growing up and learning this language, copying it and think that’s what to talk. A straight educated dude can’t make a hit record right now because he’s too smart.

Craig G.: It’s funny, everyone is saying the same thing but no one is saying anything.

Markley Marl: I feel like Bill Cosby right now (chuckles).

“We’re Hip-Hop artists. The culture didn’t start with just going in the booth. There is no more feeling in these records. Don’t get me wrong, there are a handful of artists that still do it. I think T.I. captures that mood, but it’s not many.’ –Craig G.

AllHipHop.com: When do you think things started to go downhill?

Marley Marl: I would say the late 90’s. We doing Operation Take Back Hip-Hop. I don’t even consider that Hip-Hop. I consider that Rap. N****s is just rapping.

Craig G.: When you listened to an EPMD it had a feeling; it felt like a force. Now it feels like a dude went into a booth and jumped on a track with baby bottles on it and just started rhyming. That’s all it is.

Marley Marl: We taking back Hip-Hop. Ni***s be battling on the street and that ain’t even Hip-Hop. That’s just talking. They not rhyming; they just talking. That’s garbage to me!

Craig G.: A lot of people have misconstrued the album title. Like why is he mad at all these rappers? Ya’ll can rap your heads off because we never considered ourselves rappers. We’re Hip-Hop artists. The culture didn’t start with just going in the booth. There is no more feeling in these records. Don’t get me wrong, there are a handful of artists that still do it. I think T.I. captures that mood, but it’s not many.

Marley Marl: Yeah if they don’t [get] past that first or second single it’s over. Where is Hurricane Chris? Where’s he at right now? No disrespect, but everyone has one little hit but where they at? The only one that has been holding it down and has been consistent is Lil Wayne. He is consistent and keeps popping and popping, but he just rapping.

“Where is Hurricane Chris? Where’s he at right now? No disrespect, but everyone has one little hit but where they at?” –Marley Marl

AllHipHop.com: Other than the obvious, what prompted this album?

Marley Marl: Nothing prompted us to make an album. This is what we do. When me and Craig get together we just get in the lab, we’ll just burn out and put beats on and rap, rhyme, scratch or whatever. This is what came out of it. We didn’t say let’s do something to take Hip-Hop back. This is how we vibe.

Craig G.: That’s what it was based on back then. You didn’t purposely go and do something. You just do it and it came out. All our classics happened that way.

Deep Down - Craig G & Marley Marl

AllHipHop.com: Let’s talk about the album.

Craig G.: We just did joints. I think once people take out the intentions of hitting it big, that’s when it will get better. We just did songs. As far as getting the people on them boils down to that I’ll never do a song with someone I don’t respect. With Talib whenever I’m somewhere he’s at he always pulls me on stage. As far as Dilated, it’s amazing to me how a West coast group can take all the elements of the golden era and be successful. Cormega is another whole story, he’s a dude me and Marley watched grow into the game. Sadat X, I don’t have to say anything more.

“I want to thank the new rappers for that. Thanks for sucking so hard people want to still know what’s going on with [The Juice Crew].” –Craig G.

AllHipHop.com: How’s the Juice Crew movie coming together?

Marley Marl: I think once it gets done, it’s going to be great. It’s going to show how we lived in the golden era as kids. That era in Hip-Hop for some reason people can’t let it go.

Craig G.: I want to thank the new rappers for that. Thanks for sucking so hard people want to still know what’s going on with us.

AllHipHop.com: Speaking of new rappers, do you think any group has come close to compiling that much talent as the Juice Crew?

Marley Marl.: Wu-Tang, we both agree on that. I think the Juice Crew was a group of cats that could hold their own on their own. There were a lot of careers made from those guys. I got to give it to the Wu.

Craig G.: A lot of dudes around don’t like to pay homage. But never once they did not say they didn’t base it on the Juice Crew. I always respected them for that.

AllHipHop.com: Would you guys ever consider doing a Juice Crew album now?

Marley Marl: Ehh, I think the only way we would do something like that is for the soundtrack for the movie. I don’t think we are trying to come out and battle the forces of evil and come out with a new Juice Crew album. But a song or two for the soundtrack, I could see.



Comments

 

youngface said:

thats whats up



Attention   RAP,R&B, Soul artist
Looking for  Industry connects

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June 20, 2008 10:20 AM
 

YellaMach1 said:

First.....I think
Old School teach these Nu Skool heads!
June 20, 2008 10:21 AM
 

beatbrothersproduction said:

that what up

Good music is hard to find Right, So here yall Go. Enjoy Yourselfs!!!

It's The Brothers "BeatBrothers"

http://www.wemix.com/Hollyrockhood
June 20, 2008 10:21 AM
 

youngface said:

Attention   RAP,R&B, Soul artist
Looking for  Industry connects

If You are a artist looking to get a record deal
my connect list will help you , djs , A&rs , Radio Shows ,Magazines , Distribution ,$$$Digital deals$$, ringtone deals for your album
and more. it took me years to build this. Save all the hard  work
by buying The Connect list Low Price
send a paypal payment to thecrackshop@gmail.com
you will get it email to you. or email for money order arrangements

Package
Silver 32.99   Gold 64.99    Platinum 94.99

The Studio show is looking for artist we have
that connect in our connect list
Sign up for the studio video show
if you have Video or freestyle
on mini dv   they want you on their show
get connect list it comes in  Gold an up package
June 20, 2008 10:22 AM
 

SPATE Magazine All Day said:

Shout out to Marley

SPATE MAGAZINE IN THE BUILDING
http://www.spatemag.com
Join the community
http://join.spatemag.com
June 20, 2008 10:24 AM
 

D.O.C said:

Can't wait 4 dat album to drop
June 20, 2008 10:25 AM
 

disconnexions said:

Pre-order the album @ Craig G's official myspace: http://www.myspace.com/emce3e

Juice Crew movie updates @ http://www.disconnexions.com

TAKE BACK HIP-HOP!!!
June 20, 2008 10:52 AM
 

odeisel said:

if they are going to be shadows of their former selves i don't really want to hear it.  KRS was right in his interview the other day.  You don't have to respect no one that ain't out anymore JUST because of that they did.  What are they DOING??  I hope it's dope.  
June 20, 2008 12:42 PM
 

BlackPeople 1 said:

marley is the god of the dope beat.

i wonder if a vinyl edition of this album is gonna drop.
i still haven't seen a vinyl version of the jawn he did with KRS.

that means i still ain't got it.

i'm in violation.

yo, people scared to talk about who and how hip hop got fucked up.

it's 3 components.

boom.

1) puff daddy and jay-z made it cool to focus SOLELY on money.
this is from 95 on.

2) corny country muvafuckas from down south and the midwest latched on to the money and materialistic focus and gained success by rockin ice but not rockin rhymes and dope beats. or scratchin. see all the corny down south dudes dissin DJs?

3) the united states is a country nation. the majority of black folk in the U.S. are country. not coastal like NY, NJ & Philly. Therefore the country dumb shit caught on and spread like wildfire.

call a spade a spade.

sometimes you gotta fight first before everything is all cool.
June 20, 2008 1:20 PM
 

odeisel said:

thats very ignorant of you.
June 20, 2008 1:33 PM
 

Neven said:

I still play the 80's shit daily.  youngins are always asking  who this .  hip hop lives was a great album.  just too bad nobody listen  

o yea cosing blackpeople 1.  as soon as fans started to see and hear $$$ they forgot about the music.  C.R.E.A.M.
June 20, 2008 1:42 PM
 

Fallback93 said:

good interview, and for the dude who was looking for vinyl release of this album,

http://www.undergroundhiphop.com/store/detail.asp?Item=Craig-G-Marley-Marl-Operation-Take-Hip-Hop-Back-Good-Hands-Records&UPC=TEG2454LP

aiight chill
June 20, 2008 6:43 PM
 

BogishNiggarosis said:

@blackpeople1
1st of all lil gayne and jergayne dupri djs not all southern artists!
2ndly it was when congress came out against so called "gangsta" rap and other emcees distanced themselves that the seeds for raps decline were planted! Before than everything was hip hop, Eazy E was tha Hip Hop Thugsta!
Then labels started promoting entertainment over substance, and rappers started getting paid real money. The 1st million $ rap video was by Hammer. Without notice or much fanfare labels thought it was cost effective to not pay the dj as a member of the group for the album unless he produced, and the emcees went along!
Until '92-'93 hip hop had everything; Lyrical(Rakim) Conscious(Public Enemy) Gangster(NWA) Southern(Scarface) Radio friendly(Heavy D) and Pop(Jazzy Jeff&The Fresh Prince) all kinds of acts, all kinds of styles, nobody bumped heads,unless it was personal(and it stayed on wax) and everybody made decent money. Now because the music industry (not the hip hop industry) puts more money behind one style, we want to attack each other. Back when the industry didn't notice rap they had to hustle on their own. They didn't have radio spins or video budgets and they didn't need it, they didn't wait on the labels cuz hip hop is a music of the people. But mu'fuckas is lazy now and its easier to complain than to do something!!!

ReAl hiphop will Never Die yALL!!!
June 23, 2008 3:40 AM
 

muhammed ali said:

Craig G.: When you listened to an EPMD it had a feeling; it felt like a force. Now it feels like a dude went into a booth and jumped on a track with baby bottles on it and just started rhyming. That’s all it is.

Marley Marl: We taking back Hip-Hop. Ni***s be battling on the street and that ain’t even Hip-Hop. That’s just talking. They not rhyming; they just talking. That’s garbage to me!

Ok im waiting for the first ignorant young nigga to call them old school.yall young fools juz rappin today ya aint got the first clue bout Hip Hop.Vouching for Soilder Boy over Ice T iz yall stupid?seem Hurricane Chris cant get no props from nobody.(ha,ha)thats how yall wack young rappers gonna be looked at by all the OGs.
Only thing i cant agree with Marley & Craig on is Lil wayne.Wayne is juz as bad  as Hurricane & Soilder Boy.Wayne juz got a lot more hype behind him.also a lot more stans.

June 23, 2008 7:11 AM
 

jojodove77 said:

BlackPeople 1 said:
marley is the god of the dope beat.

i wonder if a vinyl edition of this album is gonna drop.
i still haven't seen a vinyl version of the jawn he did with KRS.

that means i still ain't got it.

i'm in violation.

yo, people scared to talk about who and how hip hop got fucked up.

it's 3 components.

boom.

1) puff daddy and jay-z made it cool to focus SOLELY on money.
this is from 95 on.

2) corny country muvafuckas from down south and the midwest latched on to the money and materialistic focus and gained success by rockin ice but not rockin rhymes and dope beats. or scratchin. see all the corny down south dudes dissin DJs?

3) the united states is a country nation. the majority of black folk in the U.S. are country. not coastal like NY, NJ & Philly. Therefore the country dumb shit caught on and spread like wildfire.

call a spade a spade.

sometimes you gotta fight first before everything is all cool.


^^^ Great assessment...funny how black folk haven't changed:

1700 A.D. - Africans captured and sold each other into slavery in exchange for worthless trinkets provided by white men (WHITE FOLK WON)

2000 A.D. - African Americans willingly degrade and portray themselves as coons via music/mass media (despite the alarming decay of the African American community) for the declining US dollar, worthless jewelry, cars, expensive clothing,sneakers, etc. (WHITE FOLKS STILL WINNING!)

Hope those expensive whips are fast enough to run from massa if/when the declining state of the U.S. economy starts to make re-enstating slavery seem like a good solution.
June 23, 2008 8:13 AM
 

EA Da Gucci Wizard said:

You Knows What Crazy Marley Marl Is the new generation of the people in his time talking shit about hip hop music im pretty sure the older heads in his time that was older then him  was the same way he was on how they felt about hip hop music in a negative light im not bad talking him but its the truth http://www.myspace.com/eaofficialmusic
June 23, 2008 8:52 AM
 

Stand_Alone said:

....arrrrgghhh!!!

This interview is too short! Damn, I wanted to read more.

@BlackPeople 1: I agree somewhat. That whole Diddy with the shiny suits thing focusing on money toward the end of the 90's was the start to me. Shortly after I remember Cash Money showin up with them songs like "Bling, Bling" and the success of those kind of records started the ball rolling down hill...

I remember the Gangstarr album "Moment of Truth" coming out and that shit was dope, but niggas was too gone off of all this wasteful spending of money and appearing to be rich. At that point I started thinking..."Uh-Oh!'
June 23, 2008 9:37 AM
 

Way2Kool said:

Marly Marl and Craig G is speaking the truth about the state of Hip-Hop.  It's been on the decline way before these chicken-noodle-soup rappers appeared on the seen though.

I'm a Westcoast (NW) inhabitant through and through, but I know bullshit music and this Crack (Rap) Music got to go.  We got lyricist with something to say (e.g.,Medusa, Lifesavas, Silent Lamb Project [( http://www.youtube.com/watch?v=jUV6qaT1XOg )], Abstract Rude, Myka Nyne,etc) out this way but unfortunately New York City is where 99.9% of the record companies is located causing a lot of our MC's, musicians,singers,etc to go overseas to make that paper or staying underground where only a few encounter their music.  Like minds need to link up regardless of what region we live in and put a cease to this bullshit. Black children's mental development is being attack from all fronts whether we acknowledge it or not and the entertainment industry is the main culprit in dumbing down the youth.

Dope Boys, Street Hustlers and Gangbangers: just cause you got dough to spend on studio time don't mean you should be rappin'; majority of ya'll is garbage.

HIP-HOP IS BEING POLLUTED FOR THE MAINSTREAM-Jayne Doe
June 23, 2008 10:38 AM
 

funkytechnician said:

Marley is the godfather of hip hop productions.
Few people know he was the first to employ sampling kicks and snares from records, this dramatically changed the sound of hip hop beats thus ushering in the golden era of hip hop.

Previous to Marly we had Pumpkin and the all stars. Pumpkin produced records for Enjoy Records. He was a dope drummer and played live music , samples of his work is Superrapping by Grand Master Flash and the Furious Five, Love Rap by Spoonin Gee and Feel the Heart Beat by The Treacherous Three ,his productions was so dope because the drums sounds was solid, and the production was sparse and funky.

Marley created the equivalent of live drum sound by using early samplers and crates of breakbeats, thus streamlining production cost but retaining the real drum sound on his beats.
Because of his musical innovation, hip hop production peaked sonically.
Every hip hop  producer who from Dr Dre to The Rza and everyone in between own a debt to Marley Marl.

At this time rhyming was also going through some innovations through the work of Big Daddy Kane, Kool G Rap, Craig Gee,  and believe it or not with The Jaz and his partner Jay Z ( speedrapping before Twista)the music was not dominated by thugging and negativity it was based on pure lyrical wittiness and a tightass flow, example for the youngsters, listen to Big Daddy Kanes "Set It off" pure lyrical genius

This culmination of rap flow and realistic beat production ushered in the golden era.

Currently hip hop is all about thugging and negativity.  It seems to be dominated by felons and perversion, It lost diversity, where is the Biz Markie's of today  to lighten up the darkness or The Tribes Called Quest's. Even Fresh Prince contributed to the spectrum of hip hop.

Hip hop is probably the most important musical and cultural phenomenom to come about recently. Lets save it by getting back to the values that pushed it to the point where it is at.
If it continues on its course the music is doomed, and so is the state of the urban youth, this music has a direct effect on influential youth, whether it's good or bad.
June 23, 2008 2:27 PM
 

funkytechnician said:

Beat is classic Marley Marl , Craig G lyrics are dope, but the hook sound like some average ignorant shit that I heard on ten other records.
need to fallback on overuse of the word nigga.
June 23, 2008 2:35 PM
 

Craig G & Marley Marl: Ultimate Alliance - The BN Village said:

June 23, 2008 2:45 PM
 

HTyson said:

That song posted on the interview sounds mad dope!
June 23, 2008 4:14 PM
 

V12D said:

They r right wtf happened to real hiphop? muthaf*s just go into the booth and just make songs to make money not cause they love it. Money is now more important than having fun and doing what you love to do. I hate all of these dudes like soulja boy and hurricane chris, they each made one song that made some money were r they now?
June 23, 2008 4:31 PM
 

Nex Gin said:

@BlackPeople 1

Interesting analysis.  There is a lot of validity in what you're saying.   I'm sure there will be others than disagree.

@jojodove77
Cosign.

@BogishNiggarosis
You're also correct.  It is pretty much a combination of what you and BlackPeople 1 stated.  

I think the new generation does not want to admit where it dropped the ball.  The industry is also at fault for taking yet another cultural item and diluting it for the sake of monetary gain.  Our people have historically sold each other out for centuries.  The corporate leaches ultimately control how we are depicted to the world via music and movies.  They do not care whether we are degraded or looked upon as unintelligent.  And guess, what......for some 20 inch rims, gold fronts and a bottle of champagne, neither do most of us.  

~"Our forefathers passed the baton we just dropped it
& said, fuck this shit, I need money in my pocket"
June 23, 2008 4:33 PM
 

Way2Kool said:

ED Da Gucci Wizard said:

You Knows What Crazy Marley Marl Is the new generation of the people in his time talking shit about hip hop music im pretty sure the older heads in his time that was older then him was the same way he was on how they felt about hip hop music in a negative light im not bad talking him but its the truth

@ ED Da Gucci Wizard

I agree that there were older people that knocked hip-hop music during its infancy stage, but those older people were from a whole different music genre/culture.  Youngsters' throwing around the term "old-man" in relation to older folks speaking out against the lack-of-quality rap music being put out presently doesn't change the fact that these "old-men" are from the same music genre/culture (hip-hop) that they're speaking out against.
June 23, 2008 4:48 PM
 

Unseen said:

I fuckin love hearing scratching on a beat. Deep Down is tight. Might cop this shit
June 23, 2008 5:06 PM
 

muhammed ali said:

I think the new generation does not want to admit where it dropped the ball.  The industry is also at fault for taking yet another cultural item and diluting it for the sake of monetary gain.  Our people have historically sold each other out for centuries.  The corporate leaches ultimately control how we are depicted to the world via music and movies.  They do not care whether we are degraded or looked upon as unintelligent.  And guess, what......for some 20 inch rims, gold fronts and a bottle of champagne, neither do most of us.  

~"Our forefathers passed the baton we just dropped it
& said, fuck this shit, I need money in my pocket"

DA REALIST WORDZ EVA SPOKE HOMIE (in Tupac Voice)
June 23, 2008 5:37 PM
 

DeAkino said:

I think E.P.M.D said it best. Beware of the crossover! But younger people wanted that money. And if you confused about what im sayin check out E.P.M.Ds' CROSSOVER. See the golden era knew what was gonna happen, and they wouldnt allow it. they tried to school the new cats coming up but as we can see they didnt listen. Now hip hop is mostly commercial and controlled by sales. Its a shame! But hip hop aint dead, just went underground.
June 23, 2008 10:45 PM
 

shani said:

MARLEY MARL SAYS: My kids will not be listening to Hip-Hop, I’m sorry. That’s a quote… It’s too illiterate, it’s too dumb… A straight educated dude can’t make a hit record right now because he’s too smart.” –Marley Marl

but what about

THE HOOK IN THE NEW MARLEY MARL/CRAIG G SONG "DEEP DOWN":
"deep down nigga you gotta respect this
throw your blunt in the air if you feel me nigga,
feel me nigga

_______________________________________________


SO THIS IS YOUR VERSION OF BEING EDUCATED?????

PRACTICE WHAT YOUR PREACH this shit doesn't sound educated to me
dudes on some Ice T shit

June 24, 2008 12:43 AM
 

EA Da Gucci Wizard said:

Way2Kool said:
I agree that there were older people that knocked hip-hop music during its infancy stage, but those older people were from a whole different music genre/culture.  Youngsters' throwing around the term "old-man" in relation to older folks speaking out against the lack-of-quality rap music being put out presently doesn't change the fact that these "old-men" are from the same music genre/culture (hip-hop) that they're speaking out against.

Ok But what it all balls down too is the same thing and when you actually the hear music they doing is nothing i would look forward too either no disrespect and this is coming from a dude that grew up on Real Hip Hop Or the So Called Golden Era of rap

Its a new era things changed
June 24, 2008 7:17 AM
 

Way2Kool said:

ED Da Gucci Wizard said:
Ok But what it all balls down too is the same thing and when you actually the hear music they doing is nothing i would look forward too either no disrespect and this is coming from a dude that grew up on Real Hip Hop Or the So Called Golden Era of rap

Way2Kool said:
Yeah, I agree with you about the track they posted on here.  Not really feeling the chorus and heavy use of the N-word and reference to throwing blunts in the air.  I just listened to the track for the first time.  No disrespect taken brother; I prefer people disagree with me.  I respect your opinion.  

ED Da Gucci Wizard said:
Its a new era things changed

Way2Kool said:
More things change, the more they stay the same.  Like I'm seeing kids rocking Vans, classic Nikes, Addidas, Reeboks, tight jeans, fat laces, and doo-rags.  That's what I was wearing back in 1986 when I was 10.  I support the youngsters bro, but a lot have been exposed to ignorance far too long and it shows in what's considered a new era.  
June 24, 2008 1:56 PM
 

BogishNiggarosis said:

THA "FUNKY TECHNICIAN" WHO AINT LORD FINESE SAID:

Jaz and his partner Jay-Z(speedrapping before Twista)

"THE ORIGINATORS" BY JAZ featuring JAY-Z CAME OUT IN 1990
IN '88-'89 TWISTA WAS SNYPIN(WHAT ITS CALLED IN CHI-TILLA)AS A SHORTY. SO GETCHA FACTS STRAIGHT!
June 27, 2008 4:54 AM
 

Operation Take Back Hip-Hop Has Begun « Keepers of Da Funk said:

July 2, 2008 8:30 AM
 

DNTZ said:

Two things:

One: Mad Money and Good Art are mutually exclusive. Period. Point Blank. That means you don't have one when you have the other. Hip Hop is, among other things, an art form. The stuff on TV, on the Radio, in Wal Mart, that stuff is PRODUCT. You wouldn't confuse, say, Supreme Clientele with a tube of toothpaste or a bottle of vitamin water. You could easily confuse %100 of the crap on the radio with the music they play in a (whatever product you want to name) ad (hell, half of the best punk rock recorded between 1979 and 1982 is being used in car commercials, so maybe I'm on shaky ground here...), but c'mon. The Real Shit is where it's always been, which is NOT on mainstream radio, NOT on TV, not being shoved down yr throat to peddle Erectile Dysfunction meds or Laundry Soap. It's out there in people's heads, more of it leaking out every day, and the truth? Most of the stuff going on in people's heads is not something some douchebag with a job in marketing knows how to deal with as a product; when they have to deal with it they have to dry hump the life out of it until it's slimy and salty enough for the masses to swallow whole, because like my three year old son, they either want it all in one bite or not at all...
The true test to me when I hear something new (or just new to me) is this: I ask myself, is this coming from an artist as her or his free and true expression? Or is this just another asshole trying to relieve me of my paycheck? The former is what keeps me from just going postal and taking out everyone on my shitlist (which is a long one), and the latter, well, I get enough calls from telemarketers and bill collectors already, I don't need to listen to weezy or anyone else tell me why they deserve my money more than I do. Besides, just my opinion? Weezy can write like a beast, but his so called "unique" voice is too irritating for words and he has the worst ear for beats of any of these hacks yet. But that's just my opinion. My friend Dave will sell you a copy of that album for 5 bucks and If you ask me, that's a total rip off and a waste of a perfectly good CDR. Ok, you didn't ask me, but the hell with it, go ahead and disagree with me if you want. But if you do I seriously doubt you and I mean the same thing when we say "Hip Hop", I don't care what kind of Authority you think you are or have. I love hip hop, have for ten years, but I been a Punk Kid (as in punk rock, for those uninformed, so don't offer me yr cigs in the pokey, ok? I don't plays that. [BTW anyone looking to see how money and mainstream success destroys music scenes need only look at what the Major Labels did to punk rock from 1978 on with the whole "new wave" genre, the whole "Crossover" scene (DRI etc... but I doubt anyone here is going to know what the hell I'm talking about right now), on through to green day and newer horrors like avril lavigne and fallout boy]) for almost twenty and that means no gods, no masters, no bosses, no idols, no authority, period. And you'll get a riot up yr ass if you try to tell me how to feel. There's my two cents, now you got like .7 cents Canadian.

Two: Ok. Now this is where I maybe make myself look like a fool, but one thing that is mos def true about this whole idea of needing to "take back hip hop" is that people need to learn about the roots and the and the originators and the innovators. Not just learn about them, but hear them, hear the music and listen to them speak, at the very least via this glorious leaking asshole we call the internet. There's no excuse not to, unless you live out in the boonies where there's no broadband (for those that don't know or don't remember - youtube SUCKS on a dial up connection). I'll be straight up - You don't have to LIKE all of the older stuff, but to do the culture justice you need to learn about it. Like "paying dues" when you start hanging out in a new scene - For a punk kid in, say, Cleveland in the early nineties, that meant that you probably got your ass kicked a couple of times and if you stood yr ground for a week or two the same people who beat you would kick the shit out of someone else for say saying a sideways word at you. If you are some white kid from the suburbs talking hip hop to heads that are really passionate about this shit, it means being honest about what you know and not being opinionated about shit you don't know -
Probably sounds like I'm pointing a finger here, but if I am, it's at a mirror. And maybe this is my way of doing penance - Long story short, like I said, I've been on this hip hop tip for some time, but by some freak chance, I slept on Pete Rock.


I left some space there for that to sink in.
I've had my MPC 2000XL for 9 years. That's not an excuse - If anything it makes it more inexcusable. The only stuff I had heard were the Soul Survivor stuff, and the Petestrumentals. I wasn't impressed. Mecca and the Soul Brother? I've known about that album for 6 months. And I am deeply ashamed of that, and even more so at having said to a certain knowledgeable head that Pete Rock's production work left me unimpressed. My ass was put in place. Quickly. And I owe thanks, not only to that certain head, but also to the culture that instilled in him the willingness to shine the light for those of us wandering out here in the darkness. That is what Hip Hop really is and that is also why it will never die.

Sorry for the rant, but it's seven in the morning and Billy Xane is all crusty in my nostrils, if that makes any sense at all to you, i.e. I'm all ready to ramble. Peace.
July 21, 2008 7:02 AM
 

DNTZ said:

Bah. I got my mpc in '01 - that's 7 years, so now I'm a Punk AND a Liar. Ha. Somebody beat my head in so I can get some sleep already.
And while I'm posting again, I just want to say that this is probably one of the most thought provoking message board threads I've ever read or commented on. No one here should be worried about the state of hip hop, if for no other reason than that it is still possible for this conversation to take place, even with the madness that we are living in this country and this world.

"If we Smoked out, Hip Hop is gonna be smoked out. If we Doing alright, Hip Hop is gonna be doing alright."
July 21, 2008 7:26 AM
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