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EXCLUSIVE: Gugu Mbatha-Raw Talks Starring In ‘Concussion’, Will Smith’s Off-Camera Humor & Being A Fan Of ‘Hamilton’

On August 9, sports legend Frank Gifford passed away. It was later determined the Pro Football Hall Of Famer was yet another former NFL player to have suffered from the degenerating brain disease known as chronic traumatic encephalopathy (CTE).

Gifford joined Junior Seau, Dave Duerson, Terry Long, John Mackey, Jovan Belcher, Lou Creekmur, Chris Henry, and dozens of others on the list of ex-football players that battled life altering symptoms such as depression, memory loss, impulse control issues, and suicidal thoughts caused by CTE.

The first NFL star to be posthumously diagnosed with CTE was Pittsburgh Steelers great Mike Webster. The post-mortem condition was initially discovered by neuropathologist Bennet Omalu. The story of the Nigerian born immigrant’s breakthrough medical work and conflict with the NFL is now being told through the new film Concussion.

Golden Globe nominated actor Will Smith stars as Dr. Omalu with Gugu Mbatha-Raw playing his Kenyan wife Prema Mutiso. The Peter Landesman directed movie also features Alec Baldwin, Albert Brooks, Paul Riser, Luke Wilson, Adewale Akinnuoye-Agbaje, and Hill Harper.

Concussion plays out as part medical drama, part murder mystery, and part love story. Mbatha-Raw’s Prema is an essential supporting force for Smith’s Bennet as the determined doctor battles against a multi-billion dollar corporation that one character rightly declares “owns a day of the week.”

AllHipHop.com spoke with Gugu Mbatha-Raw (Belle, Beyond The Lights) about her role in the powerful new film and the impact Concussion may have on the American public’s view of its present favorite pastime. The Oxford, England native also shares an amusing behind-the-scenes moment with Smith as well as her love for the award-winning Broadway Hip Hop musical Hamilton.

[ALSO READ: Questlove & Black Thought Discuss Broadway Hip Hop Musical “Hamilton” (VIDEO)]

Can you talk about your character’s significance to the film?

I play Prema Mutiso who then becomes Prema Omalu. Prema is the wife of Bennet Omalu. From my perspective, Prema is the emotional driving force of the film and the moral compass for Bennet’s character. When they met, they’re both foreigners to America. They meet in church, drawn together by their faith.

They bond over their similar own ways of assimilating into America. Bennet is very much more ahead of Prema. He’s enamored with becoming accepted as an American, and I think Prema is a bit more grounded in her own culture.

It’s sort of an unconventional love story in many ways. They kind of come together almost as an arrangement, and then they fall in love. As Bennet makes these discoveries about CTE and bringing them to the NFL, Prema suffers these emotional, personal costs of taking on the truth.

You spoke about both characters having to learn to assimilate to American culture. As a British national could you relate?

Absolutely, growing up in the U.K., we didn’t have American football in our culture in the same way it is here. So I certainly related to Prema’s journey on that level, because I was really starting from square one with football just like my character in the film. [laughs]

There’s something about the movie where it explores the idea of the American dream. Bennet says in the film he believes America is where God sent all of his favorite children. As funny as that sounds, I think there’s a definite quality to Bennet and Prema. They are both in the country for opportunity, to make the best of themselves, and for a new life.

Obviously, I’ve had some fabulous opportunities in America with work. My cultural leap from the U.K. to America is not as vast as coming from Kenya to America, but I think that immigrant story and what perspective you have to contribute to a new culture is interesting. As well as also trying to stay true to yourself, I relate to that for sure.

The concept of the film is very timely. Especially coming off the recent news Frank Gifford suffered from CTE. How do you think this movie will impact the conversation about head injuries in football?

I hope it will spread awareness. I think it’s about information. That’s the wonderful thing about a movie. Not many people will read a science textbook about CTE. It’s not a documentary. It’s definitely entertaining and a very powerful film.

It’s a chance for people to understand, on a graphic level, the truth of the situation. When people understand the potential risk of football, then they can make an educated choice if they want to pursue the sport or their family members to pursue the sport.

As far as the impact, it’s just the tip of the conversation. In terms of us understanding the brain in general, there’s a lot we don’t know about how the brain works from concussions, mental health, and all sorts of issues that could be related to brain trauma.

Football is still the most popular sport in America. What would you say to someone that hasn’t seen the film, but just off the talk around it may think Concussion is “anti-football” or “anti-NFL”?

It’s definitely not an anti-football film. I would say the film is for the evolution of football and the players. Who wants to live in ignorance? We all appreciate and celebrate the game of football in the film. There’s some wonderful football footage in the film that’s described as “beautiful” and “Shakespearean.” There’s no denying this is a movie that is also in love with football.

But because of it being in love with football, there’s also a need to be transparent. [We need] to say, “If football is still going to be around in 20 years, we need to be aware and maybe adjust how it’s played.” It’s not about operating from a place of fear. It’s about operating from a place of knowledge and understanding.

This is for AllHipHop, so I did want to ask you about music. Were there any particular artists you found yourself listening to a lot this year?

I actually saw a Hip Hop musical last night – Hamilton. That was really fascinating to me, because I was a musical theater obsessive as a kid.

I explored Hip Hop for my research for Beyond The Lights. I was never a major Hip Hop fan, but I certainly learned to appreciate it when I was playing Noni. So to then see a musical on stage that mixed my childhood musical self with the elements I learned doing Beyond The Lights – it was a wonderful fusion. [laughs]

I bought the [Hamilton] soundtrack. I’m looking forward to listening to that again. The way the lyrics are spoken and the fact that it’s historical and also modern at the same time is a really interesting combination.

I recommend it, if you can get a ticket. [laughs] If you’re a Hip Hop aficionado, you really have to see Hamilton, because it takes Hip Hop and puts a historical spin on it. It’s really very unique.

You played a singer in Beyond The Lights. Do you have any interest in doing like Jennifer Lopez or Jamie Foxx and become a double threat actor-singer?

[laughs] The music in Beyond The Lights was written for that character. The-Dream wrote some amazing songs for Noni. It wasn’t really me as Gugu becoming a Hip Hop artist. Although the way that we researched it, it did almost feel like me and the character were molding at one point.

But you never say never. Right now I don’t really write music, but I learned a lot from working with artists in the industry. I enjoyed the process of playing Noni but not having to be her all the time. I think it would be hard work to be an artist full time. I like acting where I could be one character and then move on to the next.

Going back to Concussion, Will Smith started off as a rapper/musician, and then he transitioned into acting.

We have a dance scene in the club, and Will’s character can’t dance. I knew that was really hard for Will to pretend that he couldn’t dance. [laughs]

We were shooting this club scene for hours with the same song on a loop. All of the extras had to dance all day, and everyone was really lagging. At one point Will jumps up on the desk and starts singing The Fresh Prince of Bel-Air theme song. The whole club started singing along.

It was really fun. Watching him having to pretend he couldn’t dance all day, and then to have that moment, was a great morale booster. It was a very generous way to perk everyone’s energy up for the rest of the shoot.

I hope that’s on the DVD extras. [laughs]

 [laughs] I don’t know if the behind-the-scenes people caught it or not.

Finally, what are you looking forward to next year?

I have the movie The Free State Of Jones coming out in May which I am really excited about. It’s a true story, historical epic set in the Civil War with Matthew McConaughey. I had a great time shooting that in New Orleans.

I just got back from South Africa after shooting an episode of Black Mirror for Netflix. It’s a really unique story written by Charlie Brooker. He’s a complete genius. If you haven’t seen the show, check it out. Black Mirror is really cool.

[ALSO READ: EXCLUSIVE: Tessa Thompson Discusses Her Role In ‘Creed’ & The Film’s Historic Fighting Scene]

Gugu Mbatha-Raw in Columbia Pictures' "Concussion" starring Will Smith.
Gugu Mbatha-Raw As Prema Mutiso In ‘Concussion’

Concussion hits theaters nationwide on December 25.

Follow the movie on Twitter @ConcussionMovie and Instagram @concussionmovie.

Watch the trailer for Concussion below.

All photographs courtesy of Columbia Pictures.

Whoopi Goldberg, Selita Ebanks & More Join The Cast Of Nicki Minaj Sitcom

(AllHipHop News) The cast of the upcoming ABC Family series Nicki based on the early life of Nicki Minaj has been announced. Oscar winner Whoopi Goldberg (The Color PurpleGhost) will guest star as Miss Martha, the young Nicki’s neighbor.

[ALSO READ: Nicki Minaj Scores New Show Based On Her Teen Years]

Model/actress Selita Ebanks (Real Husbands of Hollywood) was selected to star as Nicki’s mother Grace. Wesley Jonathan (The Soul Man) will play Nicki’s father Vincent, and McCarrie McCausland (Army Wives) will play Nicki’s older brother Jaylen. The sitcom will feature Ariana Neal (Fruitvale Station, Get Hard) as the Trinidadian born superstar-in-the-making.

The “Anaconda” rapper is also expected to appear on the show. She has signed on as an executive producer as well. In addition, fans of the Queens representative will be able to see Nicki in the upcoming Barbershop 3 film due out on April 15, 2016.

“I am honored and excited to announce that I’ve literally hand picked the main characters of my scripted series Nicki,” Minaj wrote on Instagram. “I’ve been going to the auditions falling in love with some incredible people. Looking forward to unveiling this groundbreaking new show for you guys in 2016!”

I literally cried watching her taped audition. I demanded to meet her! Sat in a room with her teaching her how to rap by doing a beat on the table & forcing her to stay on beat! Lol. Then pulled out all the attitude she had in her lil body. Haha! She's tough! And so sweet & cute. #ArianaNeal #LilNicki Welcome to the family lil lady bug! ??????? #ABCFamily #Freeform #Nicki

A photo posted by Nicki Minaj (@nickiminaj) on

[ALSO READ: Nicki Minaj Reportedly Did Not Bail Out Her Brother Arrested For Raping Child]

50 Cent Appears To Respond To Ex-Girlfriend Shaniqua Tompkins Blasting Him (PHOTO)

(AllHipHop News) 50 Cent once again found himself in a major online controversy after he and his ex-girlfriend Shaniqua Tompkins exchanged insults via Instagram. The Queens rapper posted a picture with his eldest son Marquise Jackson which included a caption that read, “This kid is gonna hate his mother [Tompkins] when he realizes what she did to him.”

[ALSO READ: Shaniqua Tompkins Goes Ham On 50 Cent, Reveals “Secrets”]

Tompkins fired back with a response claiming 50 lied about getting shot 9 times and the G-Unit boss got an “order of protection” from his Murder Inc rivals Ja Rule and Irv Gotti. She also wrote, “Take accountability for your actions! You don’t have a relationship with my child because you choose not to, you want to bully him, threaten him and talk about his mother in a disparaging manner.”

After the story exploded on the internet over the weekend, 50 returned to IG with a new pic this morning. The latest photo was of his other son, but it seemed to include a message to Tompkins and anyone else that had something to say about the back-and-forth between the two parents. He deflected from the entire ordeal by focusing on the holiday season.

50 posted, “What the fu?k are these people talking about, we going shopping it’s CHRISTMAS. LOL”

50IG

[ALSO READ: 50 Cent Blasts “Angry Black B*tches” For Asking About His Son Marquise Jackson]

EXCLUSIVE: Raven-Symoné Talks Being A Lyrical Hip Hop Fan (VIDEO)

(AllHipHop News) Who would have thought Raven-Symoné is a Hip Hop head? Turns out The View panelist leans more toward lyrical rap than Trap anthems. AllHipHop.com caught up with Raven on the Growing Up Hip Hop premiere red carpet in New York City. The Cosby Show star let it be known she can turn up on occasion but just easily drop bars from one of Jay Z’s album cuts.

[ALSO READ: Children Of Rev. Run, Master P, Jam Master Jay, Dame Dash & More To Star In “Growing Up Hip Hop”]

Watch Raven-Symoné’s interview below.

A$AP Ferg On Rap Battles: “The Internet Makes People More P*ssy” (VIDEO)

(AllHipHop News) At one time conflicts among emcees played out in songs. In today’s world, a “rap beef” is more likely to take place on social media than on diss records. New York City’s A$AP Ferg recently told Hot 97 the online spats have allowed people to avoid lyrical competition.

[ALSO READ: A$AP Ferg & Future Get On A “New Level”]

“I think the internet makes people more p*ssy,” said Ferg. “I think nobody wants to compete against each other. I think nobody wants to have interactions anymore.”

The A$AP Mob member was also asked about his friend Meek Mill’s much talked about feud with Drake. While most observers believed the battle was one-sided toward Drizzy, Ferg still valued the two stars going head-to-head for the culture.

“I felt like it was good for Hip Hop. Where I come from battling, – that’s what we did,” Ferg stated. “It was fun just being competitive. I thought [Meek vs Drake] was good for Hip Hop.”

[ALSO READ: Members Of The Battle Rap Community Share Their Thoughts On “Meek Mill Vs Drake”]

Watch A$AP Ferg’s interview below.

Shy Glizzy’s Chain Reportedly Snatched In Memphis (VIDEO)

(AllHipHop News) There are stories floating around the internet that DMV rapper Shy Glizzy had his chain snatched during a stop in Memphis over the weekend. The supposed jewelry has shown up on several Instagram pages.

One video from a local rapper named Big Mota claims the chain was taken because the “Awwsome” rhymer refused to do a feature with his crew. The clip includes Mota saying, “We asked you nicely to do a song, you said get the f*ck out your face.”

Glizzy has yet to comment on the alleged incident.

[ALSO READ: Shy Glizzy Was Arrested By Maryland Police]

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WORD IS BOND: BLACK GIRLS MATTER

In part 2 of her exclusive series “Word Is Bond,” DJ Beverly Bond tackles systemic devaluation of Black girls. This piece is particularly significant, because it addresses American girls of color being aggressively “pushed out, overpoliced, and underprotected.” As a father and a man, I feel more needs to be done locally and globally to protect them.  –

– Chuck “Jigsaw” Creekmur, CEO | AllHipHop.com

The artwork in this series has been created by award winning Designer and Creative Director Fuse Green (www.fusegreen.com.)


WORD IS BOND: THE CHARADE | Part 1 of 5
WORD IS BOND: BLACK GIRLS MATTER | Part 2 of 5

“Black Butterfly, set the skies on fire. Rise up even higher so the ageless winds of time can catch your wings.“ ~Deniece Williams


As a woman who advocates for the safety and empowerment of Black girls, I was in complete shock and utter outrage when I viewed the recent viral video of a school resource officer’s violent attack on a 16-year-old high school student in Spring Valley, South Carolina.

Officer Ben Fields, a full-grown muscle bound white man, chose to use brute force to remove Shakara, a young Black schoolgirl, from her classroom as she sat at her desk quietly without posing a threat.  Despite the fact that the student did not provoke or resist the attack, officer Fields was alarmingly aggressive and handled Shakara like he wanted to annihilate her. Fields showed no concern about the possible consequences of his actions — as if he believed his vicious behavior toward this child was justified.

Fields was angered and amped-up way beyond the disciplinary requirements for the situation. His actions seemed to suggest that there was something else at play here — something beyond the simple removal of a student who was not participating in class. Was it Shakara’s Blackness that prevented Fields from recognizing that this was a child, a girl, a student, or a human-being as he whipped her around the room like a rag doll?  His behavior was insanely violent like he had a vendetta — not against Shakara personally, but against what her Blackness and subtle defiance must have represented in that moment: an audacious refusal to automatically obey and yield to White male authority. Officer Fields did not hesitate or think twice about the grave danger he put Shakara in, the criminal implications of his actions, or the psychological damage to the other students in the classroom. It was as if he was assured that Shakara’s Black skin and modest resistance automatically branded her as the “angry Black girl”,  the disobedient aggressor, or someone possibly diagnosed with an ‘oppositional defiant disorder’ — a problem child worthy of extreme disciplinary action. It was as if he already knew that there wouldn’t be a penalty or consequence because the body and skin that Shakara possessed already labeled her guilty by default.

The Spring Valley High School Assault should have been a tipping point driving everyone regardless of race, gender, and ethnicity to examine the over-policing of Black kids in urban schools. It should have raised more awareness about the racial and gender biases that uniquely impact Black girls, the racial disparities in the school to prison pipeline, and it should have illuminated the urgent need to assess the cultural literacy and child development competencies of all adults who are working with our children in schools. While I am appalled that this incident happened altogether, I am also flabbergasted by the people who saw Shakara’s “defiance” as the primary problem here. The comment sections of the viral video are filled with venomous victim blaming! Many Americans weighed in and agreed that “[Shakara] was being disobedient so she deserved the punishment” or that “Officer Fields should not have been fired for his actions.” This public response exposes the subtle ways in which many people in our country devalue Black girls and fail to see them holistically.

If the racial dynamics were reversed, I am sure that the extreme madness of Officer Field’s actions would have been critiqued universally and the outrage against him would have been unanimous. Let’s imagine. If the student was a White girl who was manhandled by a big, Black, adult, male resource officer there would have been mobs of parents, students, and faculty to the defense of that child and there wouldn’t have been any questions regarding what the child did or did not do to deserve the attack. Seeing or hearing about any child attacked in school by a herculean man should automatically result in outrage! Period.

The suggestion that Shakara did something wrong in this scenario or that she deserved to be violently beaten by a grown man sends Black children a HORRIBLE message that can negatively impact their self-esteem, agency, and self-advocacy. The message is that in order to survive in America, Black children must learn to be quiet, passive, subservient, and docile — always being conscious of the need to be compliant at all times.

Black youth don’t have the right to protest unlawful assaults against their peers or unwarranted dismissal from class without being punished. Black youth don’t have the liberty to question authority without the threat of severe consequences. While it is normal and developmentally appropriate for teens and young adults to practice agency, to push back a bit, and to question authority occasionally, this process is automatically revoked from Black children or treated as a severe behavioral disorder. They don’t have the privilege to simply be kids. They are essentially taught that their very presence is a threat or a disturbance. This psychological burden is extremely taxing on our youth.

What is the psychological impact for a Black girl who witnessed this viral video depicting another Black girl being beat up by a grown man in school while the majority of the classroom watched without protest?  Or seeing a Black male teacher and teacher’s aid stand silently and unmoved as a Black girl is battered before their eyes? Or seeing that the only person who was actually brave enough to speak up and intervene — Niya, another Black girl — was immediately silenced, criminalized and arrested for trying to stop the brutalization of her classmate? What type of voicelessness, worthlessness, hopelessness, and spiritual malaise is birthed from such a scene?

What is the psychological damage to any Black child who witnessed the students — black and white, male and female — stage a #bringbackfields protest in support of the officer responsible for putting Shakara’s arm in a sling? What is the message being sent to the rest of the world regarding the worth of a BLACK GIRL when we turn on the news and see major Black media personalities reporting on the incident and critiquing the victim’s behavior, but absolving and excusing the aggressive assailant from his violent violation of a child. Is Stockholm syndrome and ‘Tom-ism’ “the new Black”?

What is the psychological cost of being a Black boy in that classroom — a Black boy who may have wanted to help, but was frozen in fear due to the clear and present danger of rigid white male authority? This is a palpable example of our society’s perpetual mental and emotional castration of Black men — rooted in plantation psychology — that has historically deterred Black men and boys from coming to the aid of their sisters when in crisis. How does this example of the inaction of the boys in Shakara’s classroom impact the relationship between all Black boys and girls longitudinally? Does it send an everlasting message to Black girls that their male counterparts don’t have their backs? Does it catalyze a practice of internalized violence and self-hatred for Black boys and men, who in realizing that they cannot rise above the foot of white male supremacy — turn their anger and frustration into a nebulous cloud of rage that results in patterns of self destruction?

What is the message being reinforced to the White students witnessing this unwarranted and ruthless act of violence against a Black girl? What cycle of behavioral norms and belief systems does this incident begin to set in stone for them? Does it feed into the negative stereotypes that they may have already started to develop about Black people? Does it support the beliefs that Black youth have some innate propensity toward delinquent behavior that needs to be kept in check by brute force? Does it affirm that Black girls are lesser and do not need to be handled with care? Does it contribute to a feeling of omnipotence and superiority that justifies inhumane beliefs and practices against people of color?

The physical attack on Sharkara mirrors the overarching societal attack on Black women and girls. There is a systemic devaluation of Black womanhood — our narratives are constantly pushed to the margins, our value is frequently overlooked, our safety is often compromised and the notion that Black women belong at the bottom of a social hierarchy is the predominant message entrenched in our society. The harsh disciplinary action against Shakara is not simply an isolated infraction. According to BLACK GIRLS MATTER, a report released by the African American Policy Forum, Black girls are being over disciplined and pushed out schools and are suspended at a rate six times greater than white girls and two times more than white boys. Black women and girls also experience institutional and interpersonal violence at higher rates and are more susceptible to gendered violence than other women. The Black Women’s Blueprint reports that 60% of Black girls experience sexual assault by the time they reach 18-years-old and according to the Bureau of Justice Statistics (2010) for every black woman that reports her sexual assault there are at least 15 Black women who do not report their experiences of abuse. In cases of domestic violence, in 2005 Black women accounted for 22% of the intimate partner homicide victims and 29% of all female victims of intimate partner homicide, but only comprised 8% of the U.S. population.

When Black girls are abused, molested, trafficked, murdered, raped, assaulted or go missing at alarming rates and there is minimal media attention or public outrage about their stories, it reinforces the idea that Black girls’ safety, well-being and lives don’t matter as much. Our society is so desensitized to violence committed against Black women and girls that there isn’t any real concern — even for the most horrific cases.

Recently, former Oklahoma City Police Officer, Daniel Holtzclaw, was convicted of 18 counts of felony rape and sexual assault. Holtzclaw who was accused of 36 counts of assault against 13 Black women, manipulated his power as an officer by strategically preying on vulnerable women of color in the very neighborhood he was paid to patrol and protect. Despite the number of victims and the severity of the case the Holtzclaw trial received minimal media attention. The lack of National media coverage on this troubling and tragic story is emblematic of our society’s disregard for Black women and girls’ lives, bodies, and overall worth.

There are countless examples showing that when high profile public figures violate and abuse Black women and girls, they are repeatedly excused and forgiven by the masses (because that’s their favorite rapper, athlete or R&B singer), while their victims are forgotten, blamed or shamed with comments like, “she must have done something to deserve it”, “she is trying to set him up for money” or in the case of underage victims, “she looked like she knew what she was doing”.

Famous and influential men are hardly ever penalized or scrutinized for their indiscretions when Black women and girls are assaulted by them. In most cases the victims are somehow held responsible for the attacks made against them, while their perpetrators are relieved of accountability and continue to be celebrated or embraced by the public. The recent Huffington Post Live interview with alleged child-sexual-predator and R&B singer R. Kelly strongly demonstrates this point. Defensive and irate, Kelly refused to answer a series of questions about his history regarding lawsuits and allegations of inappropriate sexual relationships with minors. Before abruptly ending his interview, Kelly exploded at journalist Caroline Modarressy-Tehrani with “since you are the one who brought it up, I will respond to you because I don’t hear that from anyone else. Everywhere I go from bars, to restaurants, to sold-out concerts overseas, and back… I get nothing but love.” Not only did R. Kelly’s response display a level of denial and lack of accountability for his disturbing history of abuse against young Black girls, but his words suggest that the support and fanfare that has continued around his career — despite public knowledge of his serial sexual abuse allegations — confirms his belief that the masses are not as critical of his pedofilic behavior as the journalist who interviewed him. Kelly’s behaviors  have ultimately been excused, suppressed and swept under the rug by many people for decades. Rather than being held accountable for his actions, criminally and socially, he has been enabled by the general public and exonerated by the justice system. Unfortunately, the pass that R. Kelly received as a celebrity came at the expense of multiple underaged Black girls.

Media platforms that produce content that denigrates Black girls are also rarely held accountable for the constant barrage of demeaning, destructive and dehumanizing messages that diminish the value and worth of women of color as whole beings. These damaging messages reinforce negative stereotypes that shape the way our society perceives Black women and girls. They also present a narrow “standard” of beauty and identity formation for young Black girls, which enables dangerous self-fulfilling prophecies and can contribute to a broad range of social-emotional issues for millions of our girls across the Diaspora — issues that affect their self-image, esteem, academic performance, risk-taking behaviors, and other important life decisions.

Black girls also have to deal with the paradoxical message that says their Black is not beautiful, but their features can be bought and sold to enhance the beauty of other women. When the Black-girl aesthetic and Black-girl swag is only dope without the Black girl, but skyrockets in value and is put on a pedestal when appropriated, purchased, “cash-cropped” and placed on other’s bodies — our girls internalize the message that they are less beautiful, less important, less desirable, less valuable and therefore less worth defending or safeguarding.

Then, when Black women and girls make efforts to affirm our own aesthetic, cultural identity and value, we are met with unwarranted negativity for having the audacity to express self-love. Such was the case with 8-year-old Makiyah-Jae whose school principal recently forced her to change her BLACK GIRLS ROCK! T-shirt, which her mother purchased to boost the child’s confidence, pride and self-esteem. The predominantly white school’s principal told the parent that he made an executive decision to remove the child’s shirt because he felt it was no different than “a rebel [Confederate] flag.” The fact that the principal compared BLACK GIRLS ROCK! — an affirming mantra of empowerment — to a flag that is heavily tied to a history of domestic terrorism is very telling. The fact that the principal’s immediate course of action was to remove the shirt, rather than to explore the school-culture that made it necessary for the child’s mother to purchase the shirt is also telling.

Perhaps the principal of this predominantly white school had a blind spot — perhaps he did not consider the dearth of diversity in mainstream media; the overall lack of discourses about Black women’s historic and contemporary accomplishments; the negative impact that media messages have on the identity development of Black women and girls, and the importance of girls affirming their our own beauty, power, value, strength, sisterhood and self-worth. By removing the shirt, not only did the principal violate the child’s personal space and rob her of her agency, but he also sent a dangerous message to Makiyah and her peers that there wasn’t any space for her to celebrate her identity. The act of celebrating Black excellence, beauty, and brilliance is automatically treated as a threat to others — and this resistance to any manifestation of our confidence and consciousness reveals the lasting impact of white supremacy in our country. This type of reaction does not only exists in small cilos. First Lady Michelle Obama was lambasted after she delivered a powerful speech during the 2015 BLACK GIRLS ROCK! Awards on Black Entertainment Television. The first lady — a Black woman and a mother of two dynamic Black daughters — was brutally criticised for reinforcing an uplifting message and supporting a movement that empowers Black women and girls around the world.

I’m often asked “what do I see for the future of BLACK GIRLS ROCK,” and my answer is always the same. It is my hope that we are creating a world that is so progressive that there will no longer be a need for BLACK GIRLS ROCK to exist. It is my hope that we are creating a cultural paradigm shift resulting in a society that protects and values Black girls along with everyone else. Unfortunately, I don’t see that day in the near future so BLACK GIRLS ROCK! will continue to exist in order to nourish the next generation of young women — to help them understand that their BLACK GIRL MAGIC is the epitome of beauty and magnificence; to remind them that they are worthy of bountiful and meaningful lives; to encouraged them to know that they are exceptional, brilliant and extraordinary; to affirm that they have significant purpose and gifts to reveal to the world; and to remind Shakara, Niya, Makiyah-Jae and all Black girls that BLACK GIRLS do MATTER. Black girls are beautiful, important, and worth protecting.

 

Nicki Performs In Angola Despite Human Rights Protests

Nicki Minaj took home a cool $2 million to perform in Angola, even though human rights activist vehemently opposed her concert.

Activists say that the South African nation’s leader José Eduardo dos Santos is one of the most corrupt in the entire continent. The remainder of the of the continent reportedly lives off of .2 cents per day, but there is still enough money to pay Minaj $2 million.  According to New York Post, the event was hosted by Unitel, an Angolan company owned by the country’s dictator Jose Eduardo Santos.

Nevertheless, the fans of the rapper seemed to enjoy the concert, which took place on Dec. 19.

Thor Halvorssen, president of the Human Rights Foundation, wrote Minaj stating, “The payment you are receiving from your Angolan sponsors is the result of government corruption and human-rights violations.”
Santos has ruled Angola since 1979.

Minaj went on to say, “Angola has my heart” in a most on Instagram and posted several pictures of the performance.

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A post shared by Barbie (@nickiminaj)

Nicki Minaj’s refusal to cancel her Angolan performance follows her efforts to endorse the Black Lives Matter movement, this was something that the HRF’s president pointed out after her performance:

“Minaj’s payday is all the more jarring given that she and her managers joined the chorus of the Black Lives Matter movement. It appears that when those black lives happen to be in Angola, their lives matter less than a paycheck from a dictator.”

The rapper has not commented on her decision to perform at the African-dictated country.

 

Lupe Fiasco Plans To Release 3 Albums In 2016

As Lupe Fiasco’s previous album Tetsuo & Youth turns 1 year old next month, the Chicago rapper isn’t slowing down one bit in 2016. Today, Lupe announced that he will release three albums next year. The rapper went to Twitter to make the announcement, and also told fans the title of his next album DROGAS.

Lupe also spoiled fans with a possible sequel to his lyrical Tetsuo & Youth track, “Mural.”

The rapper will also be on tour starting on January in Seattle, Washington.

Young Thug Robs a Bank In New Video “Big Racks”

Young Thug has had some very weird videos, but this one is a bit different from the rest. Today, the ATL rapper released his official set of visuals for “Big Racks.” Directed by Be El Be, the concept of the album features Thug and Lil Uzi Vert robbing a bank with a few buddies. “Big Racks” was originally off of Thugga’s latest mixtape, Slim Season 2. 

Check out the video below:

https://youtu.be/dNKRTikqTc8

TDE Announces Free Holiday Concert

TDE has always been a group that gives back to their fans, from free original content to free concerts. Today, the record label has announced their second annual free concert for the holidays, featuring all of the members possibly performing at the event. The concert will also include a toy giveaway, and will be located at Nickerson Gardens in Watts, CA. TDE’s free concert is scheduled to happen December 22nd. Just in time for the holidays.

TDE has had yet another successful year in 2015, releasing Kendrick Lamar’s 11-time Grammy-nominated album To Pimp A Butterfly as well as Jay Rock’s critically acclaimed LP 90059.

Meek Mill Loses Role In Will Smith Movie Over Legal Woes

When it rains, it pours. I think it may be snowing for Meek Mill right now. Despite his many blessings, it seems like the implosion is real. The Philly rapper’s legal issues may prevent him from being in a Will Smith movie.

The rapper was violated by a judge last week because he failed to report some of his travel, a stipulation in his parole.
Meek missed a meeting for the upcoming film 12 O’Clock Boys, based on a documentary of the same name. The original movie is about dirt bike riders in Baltimore and Meek was set to play one of the lead characters named Wheelie Wayne, a source told the New York Post.

[ALSO READ:Chris Brown Criticizes American Justice System In Defense Of Meek Mill; HotBoy Turk Responds]

Meek is an avid dirt bike rider and his skills are world renown.

In addition, Meek was slated to appear with his girlfriend Nicki Minaj in Las Vegas, where he would have made $140,000.

 

Shaniqua Tompkins Goes Ham On 50 Cent, Reveals “Secrets”

This is one of the worst scenarios I have ever seen between parents. 50 Cent & Shaniqua Tompkins are at WAR! Not taking sides, but I am going to let the words and pictures speak for themselves. 50 Cent posted something on Instagram and here it is:

50 Cent Instagram
When he posted it, Shaniqua responded and then 50 Cent took the whole image down. #deleted

Shaniqua went IN. The text in her #clapback was sent directly to us.

BUT…here is the real s**t.
In her post, she makes some major “reveals.” First of all, she says that 50 Cent lied about getting shot 9 times. She says he’s a liar and he really got shot 5 times and lied so he wouldn’t get compared to Tupac. She also says she was THERE when 50 Cent went and got an “order of protection” from Ja Rule, Chris and Irv Gotti. She says “[You are] #CB4 you are not God.” ANYWAY, for those that don’t know Shaniqua was there when 50 Cent was an upstart rapper and had their first son Marquise Jackson.

Here is Shaniqua:

When you post something and delete it shows how much Of a coward you are !! @50cent I know you and know your tactics! I appreciate it ,because the judge will get to see how much of a bully you are. Take accountability for your actions! You don’t have a relationship with my child because you choose not to, you want to bully him, threaten him and talk about his mother in a disparaging manner. I don’t try to mentally abuse my son like you do! I don’t talk about you, your actions speaks themselves. Who threatens to shoot their son on Instagram ? I don’t have to talk about you, again your actions speaks for themselves !Bitter? About what ? I left you!!! I know longer wanted a relationship with you! You’re a fraud and you’re upset I know it ! You created this fictitious character and you try to discredit me because I know the real! I know you made up you got shot 9 times and it was actually 5 because you didn’t want to be compared to Tupac! Remember I was there! I went with you to the police percent to get an order of protection out if Ja Rule, irvGotti and his brother Chris . So please stop! I know you are jealous because, Marquise has a mother that actually cares and loves him and you never had that. You always lived with your Grandparents even when your Mom was alive! I’m not one to ruin someones grandiose idea of themselves but keep my name out your mouth! I will keep posting Boo vs. 50 cent facts I have receipts! #CB4 you are not God, maybe to others but not me!!!

One time, AllHipHop interviewed 50 Cent and asked him to address the rumors that he had not been shot 9 times and he offered the following:

So, this ain’t THAT new, but…it still gets the Sunday warmed up a bit.

Migos Drops Official Video For “Look Dab At My Dab”

Migos has made the Dab Dance one of the biggest dance crazes this year, and now they’ve finally released their set of visuals for their banger “Look At My Dab.” The Atlanta Trio’s video shows the three and a whole crew of people jamming out to their dance banger. Their Dab dance has been everywhere lately, from football fields (Cam Newton to be exact) to Christmas sweaters.

Check out “Look At My Dab” below.

 

Check Out Pusha T’s Unreleased Track “Switch It Up”

While Pusha T is still getting his fans ready for King Push, he currently is trying to hold people off with his latest album Darkest Before Dawn: The Prelude, which released Friday. Now, there’s been unreleased music roaming the internet that might turn out to be new music from King Push. The unreleased song is currently titled “Switch It Up,” a song that showcases vocals from Pharrell as well as production from The Neptunes. Although the song is currently not finished, according to HYPETRAK, “Switch It Up” only showcases where Pusha is going with his music.

Check out the track below.

https://soundcloud.com/wjktt/king-push

Star Wars Creator George Lucas Goes “Thug Life”

The Tupac movie is on the way, but that doesn’t mean fans cannot get their daily dose of “thug life.” George Lucas has the hottest movie out right now in “Star Wars: The Force Awakens.” Technically, its Disney’s now, but we still praise George! The movie is GREAT! You might think that George has softened up after selling the franchise for billions and passing the director duties to JJ Abrams. NOPE. Check out this video and see what George says when the dude from “Jurassic Park” steps to him about who is number 1.

Young Thug Hits On Parent And Thinks Son Is Sexy

When I saw this picture, I was thinking it was some kind of joke. However, I don’t think it is. It seems like Young Thug hit on somebody’s parent and called the parent’s SON sexy. Now, I don’t know if the parent is a man or a woman or a trans or something else. But, everybody is talking about the son at the moment. I looked at the image (seen below) and determined that it was not some weird parody on the iPhones. No…dude trolled us again.

thug gay

The Hot List: AllHipHop & DJ Just Dizle’s The Best Of 2015 Playlist

Don’t sleep – 2015 was percolating with extreme highs. DJ Just Dizle aka Le Champion assembles 55 songs that represent the wealth of music that the year offered. As usual – in AllHipHop – fashion we are dropping the best of the best lists of 2015. Listen and enjoy. (If there are songs you think should have been included, let us know…we may do another mix just for YOU!)

Best of 2015 Hip-Hop by Dj Just Dizle Aka Le Champion on Mixcloud

01 – Vic Mensa – Drive Me Crazy (featuring Kaytranada)
02 – Mac Miller – Break The Law
03 – The Game – Last Time You Seen (Ft. Scarface & Stacy Barthe)
04 – The Game – Magnus Carlsen (Ft. Anderson .Paak)
05 – Camp Lo – It’s Cold
06 – Tyler, The Creator – Smuckers ft Kanye West
07 – Rick Ross – Silk Road
08 – Scarface – Do What I Do (Feat. Nas, Rick Ross & Z-RO)
09 – Mello Music Group – The Run (feat. Red Pill & Oh No)
10 – Future – Trap N#####
11 – Hit-Boy – Thats What I Get (Feat. James Fauntleroy)
12 – Jay Rock – The Ways (Feat. Sir)
13 – Statik Selektah – All You Need (feat. Action Bronson, Ab-Soul, and Elle Varner)
14 – GoldLink & Falcons – Vroom
15 – Dayne Jordan – The Hustlers
16 – Oddisee – Meant It When I Said It
17 – Rick Ross – Smile Mama, Smile (Feat. CeeLo Green)
18 – Onra – Love Tip (feat. MC Melodee)
19 – Puff Daddy – Everyday (feat. Jadakiss, Styles, Pusha T)
20 – Sean Price – Planet Apes
21 – Lupe Fiasco – Mural
22 – Curren$y – Bottom Of The Bottle (Feat. August Alsina & Lil Wayne)
23 – Pusha T – Untouchable
24 – Jay Rock – Necessary
25 – Stalley – Voila
26 – ASAP Rocky – Back Home
27 – Big K.R.I.T. – In The Darkness Feat. Wolfe de MCHLS
28 – Dr. Dre – Genocide (feat. Kendrick Lamar, Marsha Ambrosius & Candice Pillay)
29 – G-Unit – Doper Than My Last One
30 – Fashawn – It’s a Good Thing (Featuring Aloe Blacc & Choosey)
31 – Goldsmith – Onesy & Slippers (Feat. Action Bronson)
32 – Rick Ross – Money Dance ft The Dream
33 – Jadakiss – You Don’t Eat (Feat. Puff Daddy)
34 – J. Cole – Wet Dreamz
35 – Kendrick Lamar – How Much a Dollar Cost (feat. James Fauntleroy & Ronald Isley)
36 – Raekwon – 4 In The Morning (Ft. Ghostface Killah)
37 – Redman – Bars
38 – Audio Push – Peace Pipe
39 – Drake – 6PM In New York
40 – ¡MAYDAY! – Ten Thirty Three
41 – Currensy – Rhymes Like Weight
42 – Dave East – L.O.X. (Living Off Xperience)
43 – lute – Still Slummin’
44 – Joey Bada$$ – Like Me (feat. BJ the Chicago Kid)
45 – Skyzoo – Luxury (Feat. Westside Gunn)
46 – Joe Budden – Love For You (feat. Emanny)
47 – Med Blu and Madlib – Peroxide Feat Dam-Funk and DJ Romes
48 – Styles P – Hate It Or Love It (Feat. Dyce Payne)
49 – Freedie Gibbs – 10 Times (feat. Gucci Mane & E-40)
50 – NxWorries (Anderson Paak & Knxwledge) – Droogs
51 – Rapper Big Pooh and Nottz – Memory (feat. Novej)
52 – Your Old Grood – Wave Rider
53 – Puff Daddy – Auction
54 – A Tribe Called Quest – Footprints (Cee Lo Green Remix)
55 – King Los – Glory to the Lord (feat. R. Kelly)

Unreleased DJ Timbuck2 Mix Celebrates The Life Of The Hip-Hop Great

The world lost a great man today in DJ Timbuck2. The young, affable DJ broke many records and gave countless artists their first shot in the Chicago. Today, he passed away after a bout with cancer. One of his good friends, SeyfLife, said that Tim gifted him with a mix that went unheard before today. Now, it serves as a way for us all to celebrate the life of a young, talented man named Timothy “DJ Timbuck2” Jones.