Teyana Taylor gave Aaron Pierre a birthday shoutout that read more like a love letter than a friendly post.
And now there is speculation about their relationship, following months of public appearances together. The singer and actress posted a pair of cozy photos to Instagram on Saturday (June 8) to celebrate the Mufasa star’s 31st birthday.
“Cheers to Thirty-WON & many more wins around the sun. Happy birthday Woody,” she wrote, adding two photos that left little room for interpretation.
In the first image, Taylor is seen blowing a kiss toward the camera while Pierre leans in close, smiling. The second photo shows the Rebel Ridge actor standing between her legs on what appears to be a set, gazing directly into her eyes.
Pierre responded in the comments with a short but telling message: “Now and always. Thank you Tey.”
The post drew attention from several of Taylor’s celebrity peers, including Taraji P. Henson, Gabrielle Union and Andra Day, who left supportive comments.
Romance rumors between the two began swirling in February after they were spotted sitting together at the American Black Film Festival Honors. A month later, Taylor appeared to confirm the relationship when she posted black-and-white photos of the pair at the 2025 Oscars, captioned, “Oscar night in black & white, no grey area.”
Taylor, a mother of two and known for her work in music, film and fashion, has not officially confirmed the relationship, but her recent posts have done little to quiet the speculation.
Pierre, who voices the young Mufasa in Disney’s upcoming Mufasa: The Lion King, has also kept details of his personal life under wraps.
Doja Cat will lead a historic moment in global sports and music when she joins J Balvin and Tems as the headliners for the first halftime show in FIFA Club World Cup history, set for Saturday, July 13, at MetLife Stadium in New Jersey.
The performance marks the debut of a Super Bowl-style musical showcase at the FIFA Club World Cup Final, a collaboration between FIFA and Global Citizen, with Coldplay frontman Chris Martin overseeing the creative direction.
The event will stream live and free on DAZN. Colombian reggaeton star J Balvin expressed his pride in representing Latin culture on such a massive stage.
“From Medellín to MetLife – I’m honored to headline the first-ever halftime show of the FIFA Club World Cup final,” he said. “It’s a historic moment, for me, for Latin culture and for every kid who dreams big.”
Nigerian singer-songwriter Tems echoed the sentiment, highlighting the event’s global unity and charitable mission.
“We’re going to bring the world together for a beautiful moment,” she said. “To celebrate football, feel the unity that music brings, and improve the lives of millions of children through the FIFA Global Citizen Education Fund. I can’t wait – see you at the Club World Cup final.”
The halftime show is part of a broader initiative by Global Citizen to raise $100 million to combat extreme poverty and expand educational and sports opportunities for children worldwide.
According to Reuters, the fund will support access to learning and football programs in underserved communities.
The 2025 FIFA Club World Cup will be the tournament’s most expansive edition yet, running from June 14 to July 13 across 11 U.S. cities.
It will feature 32 of the top club teams from around the globe, making it a major lead-up to the 2026 FIFA World Cup, which the U.S. will co-host with Mexico and Canada.
Snoop Dogg is trading verses for vending as he plans to launch a burger truck at Celtic Park in Glasgow, blending his love for Hip-Hop and Scottish soccer into a sizzling side hustle.
The Hip-Hop icon and longtime Celtic supporter told The Sunday Mail he’s eyeing a food venture at the stadium, and he’s already looped in celebrity chef Gordon Ramsay for advice.
“I would love to bring a pop-up burger to a sports stadium to show fans that food at stadiums can be good,” Snoop Dogg said.
Snoop Dogg, who has previously expressed interest in investing in the Scottish Premiership club, said he was inspired by Ryan Reynolds and Rob McElhenney’s ownership of Wrexham FC. Now, he’s ready to put his own flavor on the pitch—literally.
“It’s got to be Celtic Park, man,” he said. “The secret to a good burger is the love in the preparation. The ground beef has got to be mixed with some secret spices, then add a good quality cheese and some maple-cured bacon.”
Snoop Dogg also made it clear where his loyalties lie. When asked if he’d consider setting up shop at Rangers’ stadium too, he didn’t mince words.
“Am I going to bring my burgers to Rangers as well? Nah, I think we will give that a miss.”
The rapper added that he plans to serve the burgers himself to ensure they’re done right. “The Celtic fans are gonna love it, and to make sure they are just right, Snoop is going to be serving them himself.”
Snoop’s burger truck plans come as he continues to expand his business ventures beyond music, including cannabis, wine and breakfast cereals.
The burger truck would mark his first foray into the Scottish food scene. No official launch date has been announced, but the rapper’s enthusiasm suggests the grill could be fired up soon.
Lin-Manuel Miranda brought Broadway nostalgia and star power to Radio City Music Hall on Sunday (June 8) as he reunited with the original Hamilton cast for an exceptional 10th-anniversary performance during the Tony Awards.
The five-minute tribute opened with Miranda and Leslie Odom Jr. performing “Non-Stop” before transitioning into a medley of fan-favorite numbers like “My Shot,” “The Schuyler Sisters,” “You’ll Be Back,” “The Room Where It Happens” and “History Has Its Eyes on You.”
The performance earned a standing ovation from the audience packed with theater royalty and industry insiders.
“In this business, you keep moving so much that you don’t often take the time to recognize how special something is while you’re in it. It was really special. Obviously, the response was special, but that group of people is pretty singular. I’ve never been in a room like it,” Diggs said.
Goldsberry echoed the sentiment, saying, “I walked in there, and every single person that came into the room, just tears of joy bubbled up from my soul. We group hugged a million times. We just love each other so much.”
Groff, who played King George III, poked fun at his brief role in the tribute.
“It’s like the easiest thing ever – and then I’m just watching in total awe. It was such a reminder of the genius of that show and the genius of that original cast. It’s such an incredible group,” Groff told Variety.
Hamilton premiered on Broadway in August 2015 and quickly became a cultural phenomenon. The show expanded to London’s West End in 2017 and continues to run in both cities.
A Standout From His Debut EP Ollywood BLVD, Now Streaming Everywhere
Los Angeles, CA – June 12, 2025 — Artist and actor Olly Sholotanis set to release the official visual for “I Go Dey Vex”on June 12, offering a new layer of intimacy and depth to one of the most emotionally resonant tracks from his debut EP, Ollywood BLVD. The EP, released earlier this spring, has introduced Olly’s distinct musical voice — a cinematic blend of Afrobeats, Hip-Hop, and R&B.
“I Go Dey Vex was actually the first track I wrote off my new EP [Ollywood BLVD] and I finished producing it while shooting the second season of Bel-Air,” Olly explains. “It’s this really intimate song about coming to terms with the fact that even though I can feel on top of the world, my work still isn’t done. I’ve achieved so much and I still have so much I’m yet to do.”
-Olly Sholotan
Watch Here:
With warm Afro-fusion rhythms, Hip-Hop-influenced drums, and soulful R&B vocals, “I Go Dey Vex” is a quiet anthem about ambition, purpose, and emotional transparency. The forthcoming
video captures that feeling — the tension between gratitude and restlessness, success and striving.
Following the success of Bel-Air and the critical reception of Ollywood BLVD, Olly is proving himself as a multidimensional artist with something meaningful to say — and the creative tools to say it well.
About Olly Sholotan
Olly Sholotan is a Nigerian-American artist, producer and actor. Blending elements of Afrobeats with Pop, R&B, and Hip-Hop, Olly is really in a genre of his own; releasing under his record label Lamintin Records. His work as a writer and producer also makes him one of the most exciting up and coming musical artists to watch.
He co-wrote and produced Virtual Reality for Lamintin artist rey which went viral on Tik Tok and has climbed to almost 2 million streams across all platforms.
As an actor, Olly can be seen playing Carlton Banks in Peacock’s new hit show “Bel-Air” as well as various movies and other projects on TV.
Influences: Don Toliver, The Weeknd, Khalid, Burna Boy, Davido, Labrinth, Pharrell Williams, MIKE DEAN & More.
Brittany Renner confirmed her split from Kevin Gates during a radio interview in Los Angeles, just 52 days after their marriage, telling listeners that she “gave 100 percent” and that “all is well.”
The 33-year-old influencer and Basketball Wives personality revealed the breakup during a sit-down with Bootleg Kev.
The couple tied the knot on April 6 and officially ended their marriage on May 28, according to Renner.
No specific reason was offered for the short-lived union, but Brittany Renner made it clear she had no regrets. “I gave 100 percent,” she said during the broadcast. “All is well.”
“What I also will add is that I followed my heart, and that’s more than what most people can say in this world. And I have no shame in that… as you can see, I’m out here on this blacktop by myself,” Renner said.
The relationship had drawn attention due to Brittany Renner’s recent conversion to Islam and Gates’ high-profile status in the Hip-Hop world.
Their whirlwind romance went viral after they got married, when Kevin Gates started taunting Los Angeles Lakers star LeBron James. During the one-sided feud, Kevin Gates and Renner were caught sitting courtside and being ignored by LeBron.
Renner didn’t elaborate on the cause of the divorce but appeared composed and at peace with the decision during the interview.
A YouTuber known as Finny Da Legend was gunned down alongside a companion late Sunday (June 8) near the Bellagio fountains on the Las Vegas Strip in a deadly confrontation that played out live on YouTube.
Authorities say the violence stemmed from a digital feud between content creators. The victims were killed on the scene after an altercation with the alleged shooter, identified by witnesses and online chatter as fellow YouTuber SinCity‑MannyWise.
On the night of June 8, 2025, a fatal shooting occurred near the Bellagio Fountains in Las Vegas, captured live on a YouTube livestream by YouTuber Finny Da Legend. The incident took place shortly before 11:00 p.m. PT in the 3600 block of South Las Vegas Boulevard, outside the… pic.twitter.com/nnu6yqtlm7
The incident, which unfolded in real-time during a livestream, captured the escalating tension before the broadcast was cut off by police.
Viewers reported hearing at least seven gunshots just steps from one of the most heavily trafficked tourist spots in Las Vegas. According to NBC News, officers arrived quickly but were unable to save the victims.
Authorities described the shooting as an “isolated incident” between the YouTubers and not a random act of violence. Investigators believe the suspect and victims had a prior dispute that originated online and spilled into real life.
No arrests have been made as of Monday (June 9), but police stated they have identified the suspect and are actively searching for him.
“At this point, every effort is being made by members of the Las Vegas Metropolitan Police Department to locate, apprehend and arrest the suspect who is responsible for this crime,” police said in a statement.
Police are urging anyone with information to contact Crime Stoppers or the LVMPD Homicide Section.
President Trump escalated tensions in Los Angeles and Sacramento on Monday (June 9) after deploying 2,000 National Guard troops to quell unrest tied to federal immigration raids.
The protests erupted across downtown Los Angeles on Friday (June 6) following a wave of ICE raids that led to at least 44 arrests.
Demonstrators blocked freeways, set self-driving cars ablaze and hurled concrete and fireworks at law enforcement. Police responded with tear gas, rubber bullets and flash bangs.
Authorities declared parts of the city an unlawful assembly zone. Over the weekend, the unrest spread to Compton, Paramount, and Pasadena, with related protests in San Francisco resulting in 60 arrests.
Buildings across downtown were vandalized, including LAPD headquarters, the U.S. Courthouse and the old Los Angeles Times building. At least one store was looted and several fires were set in trash bins and dumpsters.
In a statement, President Trump defended the federal response and launched a personal attack on California’s leadership, even calling for Newsom’s arrest.
“We made a great decision in sending the National Guard to deal with the violent, instigated riots in California. If we had not done so, Los Angeles would have been completely obliterated,” Trump said. “The very incompetent ‘Governor,’ Gavin Newscum, and ‘Mayor,’ Karen Bass, should be saying, ‘THANK YOU, PRESIDENT TRUMP, YOU ARE SO WONDERFUL. WE WOULD BE NOTHING WITHOUT YOU, SIR.'”
He continued, “Instead, they choose to lie to the People of California and America by saying that we weren’t needed and that these are ‘peaceful protests.’ Just one look at the pictures and videos of the Violence and Destruction tells you all you have to know. We will always do what is needed to keep our Citizens SAFE, so we can, together, MAKE AMERICA GREAT AGAIN!”
Newsom and Bass both condemned the deployment, calling it a violation of state authority. Newsom said the move had inflamed tensions and vowed to take legal action to regain control of the National Guard. Bass criticized the federal presence as “political theater.”
According to CNN, the protests have started calming just hours before the BET Awards take place, which are still on track to take place nearby, according to an organizer who said they are monitoring the situation.
Sly Stone, the legendary frontman of Sly and the Family Stone and funk-rock pioneer, has died. He was 82.
His family released a statement on Monday (June 9) that read, “After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend and his extended family. While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.”
Stone, born Sylvester Stewart, was a revolutionary force in American music, whose vibrant blend of funk, rock, soul and psychedelia shaped an era and influenced generations. As leader of Sly and the Family Stone, he broke racial, gender and musical barriers in the late 1960s and early ’70s. With hits like “Family Affair,” “Dance to the Music,” “Everyday People” and “Thank You (Falletinme Be Mice Elf Again),” the band’s electrifying fusion of sound and integrated lineup made them emblematic of the Woodstock generation.
Stone’s unique vision and infectious energy helped redefine popular music and culture, influencing artists from Prince to Public Enemy. He was inducted into the Rock and Roll Hall of Fame in 1993 along with the Family Stone.
At the height of their fame, Sly and the Family Stone were festival favorites, most memorably at Woodstock, where their early morning set became a defining moment of the event. Their 1969 album, Stand!, propelled them to superstardom, but drug use, erratic behavior and no-shows began to tarnish their live reputation. Stone’s increasingly insular lifestyle led to the dark and brooding 1971 masterpiece There’s a Riot Goin’ On, an album that reflected both national disillusionment and Stone’s own unraveling mental state. Despite continued creative output, the band’s cohesion disintegrated, and by the mid-1970s, Stone’s career and personal life were in sharp decline.
After his Epic Records tenure ended, Stone’s output slowed significantly. Sporadic releases, minor guest appearances and failed comeback attempts marked his later years. Legal troubles and drug-related issues dominated headlines, and a 2011 report revealed he was homeless, living in a van. Despite a few brief reappearances, including a bizarre 2006 Grammy cameo and scattered live shows, Stone largely vanished from the spotlight. Lawsuits over mismanaged royalties and erratic public appearances underscored his troubled final decades.
Sly Stone’s musical journey began early, rooted in gospel and expanded through his work as a DJ and producer in the Bay Area. Forming the Family Stone in 1966, he fused various genres with a lineup that defied the norms of race and gender in the industry. Their early records struggled, but the success of “Dance to the Music” in 1968 changed their trajectory. Stone’s innovative production and songwriting pushed musical boundaries, and his use of the drum machine and layered textures prefigured hip-hop and modern pop production.
Despite personal and professional struggles, Stone’s impact on music remains profound. His songs were widely sampled by rap icons, praised by jazz legends like Miles Davis and Herbie Hancock, and emulated by future funk pioneers. His chaotic genius paved the way for artists who blurred genre lines and championed diversity.
The documentary Sly Lives! (The Burden of a Black Genius), directed by Questlove, premiered at the Sundance Film Festival in January and was followed by a wide release in February. André 3000, D’Angelo, Chaka Khan, Q-Tip, Nile Rodgers, Jimmy Jam and Terry Lewis, George Clinton, Ruth Copeland and Clive Davis were among the many who appeared in the film, a testament to his seismic impact.
The family concluded, “Sly was a monumental figure, a groundbreaking innovator and a true pioneer who redefined the landscape of pop, funk and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable. In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.”
Diddy is once again at the center of disturbing claims as two anonymous plaintiffs in a sex trafficking lawsuit say someone recently appeared at their secluded property, taking photos, which they believe was an attempt to locate or intimidate them on behalf of the disgraced mogul.
Jane Doe stated in a sworn declaration, “We recently had someone on our remote property taking pictures and believe that individual was connected with one of the Defendants in this matter.”
The mother and son, known in court documents as Jane and John Doe, say they’ve changed their names, moved to undisclosed locations and live in constant fear.
They filed a motion asking a federal judge to allow them to proceed anonymously in their civil case against Diddy and several alleged accomplices.
Their request comes amid growing concerns that their safety is still at risk.
They believe the people who trafficked and harmed them—including Diddy and his associates—are still dangerous,” the filing reads. The Does allege that some of Diddy and his associates are tied to organized criminal groups.
The lawsuit, initially filed by Ashley Parham and amended in March 2025 to include the Does, accuses Diddy of orchestrating a network of sexual abuse, trafficking and violence.
The plaintiffs claim Diddy directed associates to kidnap, assault and sexually exploit them.
During an interview, Ashley Parham told NewsNation’s Ashleigh Banfield that she first encountered Diddy through Shane Pearce, a man she met at a bar. During a FaceTime call, she said Diddy overheard her say, “I wasn’t impressed by him and wasn’t a fan, and that I thought he killed Tupac.”
She later found herself in Pearce’s home, where she alleges Diddy and others assaulted her. “
“He basically started threatening me with human trafficking and that they could take me anywhere and sell me,” she said.
“They took turns raping me, and Sean Combs raped me anally,” Parham stated. “Shane Pearce also raped me, but vaginally, and the bodyguard guy he, he raped me as well, while Sean Combs was sitting in a chair, naked, filming it and jerking off to watching me being raped.”
As for the Does, they claim they were abducted outside their Las Vegas home at gunpoint and forced into a black SUV under the pretense of extradition for warrants in California.
They allege they were trafficked and abused at Diddy’s direction and now live in hiding to avoid further harm. The plaintiffs argue that revealing their identities would expose them to “danger, trauma, and severe emotional distress.”
Diddy is currently on trial for separate federal charges tied to similar trafficking allegations, adding weight to the plaintiffs’ fears of retaliation.
The court has not yet ruled on the motion for anonymity.
The rap community is mourning the loss of Atlanta Hip-Hop staple D.R.E.S. Tha Beatnik, who died on Monday (June 9). From Killer Mike and Pete Rock to Sol Messiah and AllHipHop‘s Chuck Creekmur, those who were fortunate enough to cross paths with the charismatic personality are feeling the impact of his passing.
D.R.E.S. had been sick with chronic kidney disease for some time, but people were optimistic he’d pull through. Needless to say, the shock from the sudden turn of events is rippling across social media.
“U are cornerstone of Atlanta, hip-hop and underground culture,” Killer Mike captioned his post. “You will be mourned forever, loved and cherished always and celebrated in this realm and beyond! We have lost a hero @dresthabeatnik we have lost a leader and library of history in losing you. Forever my love and respect. Job well done and thank u curator of culture and leader.”
Trackstar the DJ, who tours with Run the Jewels, added, “Such an amazing dude, and was a huge part of our journey. I miss him already,” while Goodie Mob’s Big Gipp reacted with “wow.”
Atlanta radio legend and longtime publicist Fiona Bloom tells AllHipHop, “Gutted to learn that Dres Tha Beatnik has passed. He lit up every room he walked into and was an acrobat in his lyrical flow and bonkers on the beatbox. One of the best hosts on the planet. Warm and charismatic and hilarious!! This is a huge loss not just for Atlanta but the Hip-Hop Planet.”
D.R.E.S. shared a couple of health updates in March via Instagram and revealed he’d been in the hospital for kidney issues. Despite his ailments, he was still upbeat.
“Good Morning World!!!” he wrote. “Well today is the day for Surgery #2. I’m kinda excited about it because of the benefits of it towards my overall health. Whatever or However it goes down please pray for me. Thanks In Advance.”
He followed up with, “Got home from hospital at 11:30 PM last night. I’m tired. I’m hurting of course, but the surgery was a success. I drove myself to the hospital yesterday. So my car is still at EMORY. I gotta go and pick it up today. If anybody in the area can give a brother a ride that would definitely help. Just looking forward to the next step and thanking all of you for your prayers and your positive thoughts, so give a call if you can… give me a shout out if you can I’ll see you guys soon. I got work to do these bills don’t pay themselves LOL.”
Originally from Philly, D.R.E.S. Tha Beatnik established his reputation in Atlanta as a distinguished beatboxer, MC and cultural ambassador. His stage name—an acronym for Divine Real Essence of Sound—reflects his deep connection to Hip-Hop culture and commitment to using his voice as both an instrument and a tool for community engagement. D.R.E.S. is renowned not only for his musical talents—winning the Amateur World Beatbox Championships and collaborating with mentors like Rahzel and Scratch—but also for his role as a host, event producer and lecturer, often serving as a bridge between generations within the Hip-Hop community.
Beyond his individual achievements, D.R.E.S. Tha Beatnik played a pivotal role in shaping Atlanta’s Hip-Hop scene, particularly through the creation and hosting of the World Famous Mic Club at Club Apache from 2002 to 2008. The event set new standards for freestyle battles by emphasizing fairness, audience participation and respect over commercial incentives, influencing the culture and inspiring elements seen in mainstream portrayals like the film 8 Mile.
D.R.E.S. also invested in community-building through unique events such as “Beats, Brews and Views,” which combine music, film and culinary experiences to foster connections among Atlanta’s diverse creative communities. He leaves behind a legacy of artistry, scholarship and dedication to cultural uplift.
Diddy was the focus of harrowing testimony Monday (June 9) as his former girlfriend, known only as “Jane,” returned to the stand in his federal sex trafficking and racketeering trial, describing a pattern of emotional coercion, sexual pressure and psychological distress she says defined their relationship.
Jane recounted a series of alleged incidents involving Diddy that prosecutors say support their claim he operated his business empire as a criminal enterprise.
Jane testified that Diddy would often surprise her with new male entertainers, sometimes without warning and expected her to engage in sexual acts with them, often in his presence.
She described one such night in New York, where she was driven to the Trump Hotel after suggesting they go elsewhere. Once there, she said Diddy arrived late, they argued and later, a man named Sly joined them in the room.
Jane said she contacted Sly beforehand because she felt she needed to “make it up” to Diddy. She confirmed under oath that she had sex with Sly in front of Diddy that night.
The testimony continued with Jane detailing another encounter in Miami, where she said Sly was again involved. After returning to Los Angeles, she said a fight erupted when she discovered Diddy was spending time with an ex-girlfriend.
Jane said Diddy wanted her to organize a party and reach out to entertainers, which she refused to do.
She read aloud text messages from October 2023, expressing frustration over being compared to other women and feeling pressured to perform sexually to maintain her relationship.
She said she told Diddy she was not a p### star and that the experiences were desensitizing her to sex. Jane also described a disturbing night at the L’Ermitage Hotel, where she said she vomited after being pressured to take drugs and later had sex with a man named Anton.
Jane testified that Diddy responded by saying she would feel better after throwing up and wanted her to continue with the freak-off.
Throughout the testimony, Jane said she often felt emotionally manipulated and spiritually exhausted. She said she pleaded with Diddy to stop involving her in these sexual setups and told him she needed a break.
In one exchange, she said she told Diddy he had her “on constant pins and needles” and that she was now sick and wanted to be left alone.
Jane also testified that she asked Diddy to fulfill a promise related to a home they had discussed and told him not to contact her again. She said he accused her of writing a “whole book” about what she hated about him and warned her she was “burning a bridge.”
Dave Chappelle lit up the stage in Jamaica with an unexpected performance of “Bam Bam” alongsideBritish singer Estelle and reggae star Kranium during DJ Trauma’s fifth annual Trauma Unit Retreat, turning a laid-back night into a viral celebration of music and comedy.
The surprise moment unfolded during the retreat’s dancehall show, where Chappelle jumped into the spotlight, singing and dancing with Estelle and Kranium to the reggae classic.
“Something special happened in Jamaica!!!!” DJ Trauma wrote on Instagram, sharing a clip of the performance. “Sometimes you can’t plan for this type of magic to happen. We were blessed to have greatness at the retreat, having downtime, having fun!!!”
Jesse Williams had his X account compromised Sunday night (June 8) with explicit and offensive posts referencing Sean “Diddy” Combs and Drake, which appears to be a security breach.
The former Grey’s Anatomy actor’s account, which boasts 2.1 million followers, was used to share crude messages involving nudity and inappropriate jokes about race and pedophilia.
The posts remained live as of Monday morning.
One of the more disturbing messages read, “Diddy had cute butt cheeks (loved-up emoji),” followed by “I miss diddy,” suggesting a personal relationship with the embattled Hip-Hop mogul. Combs, who is currently under federal investigation and facing lawsuits alleging sex trafficking and racketeering, has denied all accusations.
Another post dragged Drake into the chaos, stating, “Shoutout @drake for hooking me up with youngies.”
The line appears to reference Kendrick Lamar’s diss track Not Like Us, which accuses the Canadian rapper of inappropriate behavior.
Drake has denied the allegations and is currently in a legal dispute with Universal Music Group over the track’s release.
The hacker also mocked Williams directly, writing, “Jesse williams twitter so dead where the fans at,” and claimed his password was “jesse123.”
Williams, 43, has not commented publicly on the incident. The breach comes just days after A$AP Rocky experienced a similar attack in late May.
In that case, the alleged hacker claimed Rocky’s password was “rocky123,” raising speculation the two incidents could be connected.
Lil Baby barely had time to blink before catching an overwhelmed woman who seemingly fainted at his meet and greet in Atlanta on Saturday (June 7) following his concert at State Farm Arena.
The moment, captured in a now-viral clip, shows the rapper’s reflexes kicking in as the woman suddenly collapses in front of him.
He instinctively reached out to break her fall, preventing her from hitting the ground. Security quickly stepped in to help, and the woman appeared to recover while still smiling and holding onto him.
Lil Baby’s expression shifted from startled to puzzled as the fan clung to him mid-fall, clearly still thrilled despite the chaos.
Fans never cease to amaze as a fan passes out on Lil Baby after throwing herself at him, however, the hilarious part is her smiling mid-fainting 😂😂😂 pic.twitter.com/CewddS8xfU
The incident added another viral moment to Lil Baby’s week, coming just days after he posted a video of his youngest son, Loyal, rapping along to Rob49’s#### “WTHELLY.”
The rapper captioned the Instagram Story, “Who told him wthelly ain’t no curse word?”
Rob49 is currently one of the openers on Lil Baby’s WHAM World Tour, which kicked off Tuesday (June 3) in Houston.
The tour supports his fourth studio album, WHAM (Who Hard As Me), which dropped in January and debuted at No. 1 on the Billboard 200.
The North American leg of the tour stops in major cities, including Nashville, Miami, Brooklyn, Chicago and Los Angeles, where it wraps up July 1 at the Intuit Dome. Joining him on the road are Rob49, BigXthaPlug and Loe Shimmy.
Edgardo Miranda-Rodriguez is not your typical comic book creator. He’s a cultural architect, a community-rooted storyteller, and a Puerto Rican superhero universe builder. Best known for La Borinqueña, Edgardo has spent nearly a decade crafting a universe that uplifts Afro-Latinx identity while boldly addressing the racial void in mainstream comics. Long before launching his own IP, he cut his teeth working with legends like Darryl “DMC” McDaniels of Run-DMC and actor John Leguizamo, helping them bring their visions to life in graphic form. His creation, La Borinqueña, is more than a comic book; it’s a movement rooted in diaspora pride, family, and independence. And yes, he just dropped an action figure too. We caught up with Edgardo at Fan Expo in Philly to talk about owning your narrative, working with Hip-Hop royalty, turning down Hollywood, and the kind of cookies DMC used to bring to the comic conventions.
AllHipHop: For the people that don’t know, who are you?
Edgardo Miranda-Rodriguez: I’m the writer and creator of the graphic novel series La Borinqueña. I’ve been doing this for nine years now, independently, out of my own studio. Before launching my own IP, I worked with legends like Darryl McDaniels and John Leguizamo—creating entire comic book universes for them. That gave me the confidence to build my own.
AllHipHop:What lessons have you picked up along this journey?
Edgardo: Flexibility. Evolution. Collaboration. Those three things. You have to be flexible when you’re indie—publishing when you can, building your own model. I wear all the hats: storyteller, creative director, publicist, marketer. And the biggest lesson? Power comes from community. I created a Black Puerto Rican superhero, so naturally our fans include Black folks, the Latin community, the Caribbean… we’ve found love across the diaspora.
AllHipHop:That’s deep. Nine years and still buzzing. What’s next?
Edgardo: We’re coming up on our 10-year anniversary. We’ve got a new comic dropping—introducing a giant robot called Ante, which means “giant” in Spanish. It’s part of a larger expanded universe we’ve been quietly building.
AllHipHop:A whole La Borinqueña Universe?
Edgardo: Yup. We’ve created our own cinematic universe—on paper first. And it’s a family affair. My son, who’s about to be a senior at Connecticut College, is out here right now managing the sales booth. That’s legacy.
AllHipHop:That’s beautiful. Speaking of legends, what was it like working with DMC of Run-DMC?
Edgardo: Man, that was one of the most fun and inspiring experiences of my life. Darryl has this youthful, 16-year-old gleam when he talks comics. It wasn’t a vanity project—he really loves the culture.
AllHipHop:Any memorable moments from those days on the road?
Edgardo: [Laughs] Oh yeah! One time, you and I got this futuristic SUV in L.A., and neither of us could figure out how to start it. It felt like we were sitting in the USS Enterprise. You eventually got us on the road! But the best part was Darryl always looked out—he’d bring us cookies at conventions. Real oatmeal joints!
AllHipHop:That man is the Hip-Hop Cookie Monster.
Edgardo: And a healer. Most people don’t know this, but when we started touring, DMC had literally lost his voice. We watched it come back in real time. He got so much joy from doing these comics, it was like therapy. That’s how powerful storytelling is—it brought his voice back.
AllHipHop:Incredible. I’ve seen La Borinqueña characters at Comic-Con. What about a film?
Edgardo: Listen, who wouldn’t want to see their creation on the big screen? But let’s be real—studios invest hundreds of millions and want to own your IP. That’s not an option for me. La Borinqueña is like the daughter I never had. If a studio tried to whitewash her? Nah. She’s Afro-Latina. Period.
AllHipHop:So no Hollywood sell-out?
Edgardo: Never. I’m a father. I’m a creator. And I’m loyal to our fans. I’ve turned down deals because they came with too much compromise. I’ll wait until the right opportunity comes—one where I’m still at the table.
AllHipHop:You’ve done more than just create a comic—you’ve built a movement.
Edgardo: Facts. It’s not just about entertainment—it’s about empowerment. Representation. Pride. Ownership. We’re building our own tables. And we’re setting the place cards for our community.
Ciara tried her hand at matchmaking when she ran into Jim Jones and used the moment to nudge him toward the altar with longtime partner Chrissy Lampkin, telling him straight up, “Let’s just seal it properly because you know what? She deserves it. You deserve it. why not?”
The Grammy-winning singer didn’t hold back during the impromptu exchange, which quickly made waves online.
“Y’all have lived life in every capacity anyone could live it in. You’re living like you already done it,” Ciara said, praising the couple’s two-decade-long relationship. “I look at y’all, and I’m like, they’re so fly. Chrissy is so beautiful and so dope, and she holds you down like down down down. This is the spirit talking through me right now.”
Ciara prefaced her heartfelt plea with a light disclaimer, telling Jim Jones, “I don’t want you to be mad at me,” but made it clear she felt compelled to speak her truth.
The moment struck a chord across social media, with many applauding Ciara for voicing what others have long thought about the couple’s never-ending engagement saga.
The public has followed Jim and Chrissy’s relationship since 2004, watching it unfold on VH1’s “Love & Hip Hop: New York,” where Chrissy famously proposed to Jim in 2011.
He returned the gesture the following season, but despite two proposals and multiple reality shows—including “Chrissy & Mr. Jones” and “Jim & Chrissy: Vow or Never”—they’ve never made it down the aisle.
Over the years, Chrissy has made it clear that marriage isn’t a priority anymore.
Hitmaka took a walk down memory lane during a livestream with Ray J when he revisited a strange moment at Diddy’s Miami mansion that led him to keep his distance from the embattled mogul.
Hitmaka, formerly known as Yung Berg, recalled an eyebrow-raising exchange where Diddy allegedly approached him with the line, “Come here, you little pretty m###########,” and followed it up with, “Imagine when I put my arms around your little fine ass.”
The producer said he was taken aback by the remarks and didn’t know how to respond.
“I kind of like… went the opposite direction,” he said during a later interview on “The Breakfast Club.” “I didn’t know how to think that.”
Despite the awkwardness, Hitmaka said he didn’t interpret the moment as a come-on.
“I don’t think he was hitting on me,” he said, suggesting Diddy may have been intoxicated. “He was high and drunk.”
The livestream also featured Ray J urging Hitmaka to bury the hatchet with Diddy. Hitmaka declined, saying, “Diddy be doing some real wild s###.”
Hitmaka Says Diddy Should Be Freed
Still, Hitmaka made it clear he doesn’t believe Diddy should be behind bars. “I don’t think [Diddy] should be in jail,” he said, describing him as “just a freak.”
He added, “Free him,” but admitted he doesn’t know the extent of the allegations against him.
“I don’t approve of nothing that he did or whatever,” he added. “But I just think that he was just doing some nasty stuff, bro, from what I heard. I might not have all the intel.”
The clip quickly gained traction online, especially as Diddy continues to face mounting legal scrutiny over multiple allegations.
Sean “Diddy” Combs is facing five federal felony charges—including racketeering conspiracy and sex trafficking—under a sweeping RICO indictment that accuses him of using his business empire to run a criminal operation involving abuse, trafficking, and drug distribution over 20 years.
Kamala Harris denounced the Trump administration’s decision to deploy National Guard troops to Los Angeles during protests against immigration raids, calling it a “dangerous escalation meant to provoke chaos” and part of a broader “cruel, calculated agenda to spread panic and division.”
The former vice president and ex-California attorney general issued a sharp rebuke after 2,000 troops were sent to the city under a presidential order, bypassing state authority and intensifying already volatile demonstrations.
“This is not about public safety — they’re about stoking fear,” Harris said, accusing the administration of targeting immigrant communities and undermining civil liberties.
Her comments arrived as tensions flared across Los Angeles, where protests erupted in response to surprise ICE operations.
Demonstrators blocked streets in neighborhoods like Paramount and downtown, clashing with law enforcement who used tear gas and flash bangs to break up crowds.
The LAPD’s use of force drew international attention after Australian journalist Lauren Tomasi was struck in the leg by a rubber bullet while reporting live outside the Metropolitan Detention Centre on Sunday (June 8).
WATCH: “You just f*cking shot the press!”
Australian Journalist @LaurenTomasi shot by LAPD with rubber bullets live on air.
Kamala Harris stood firmly with the protesters, describing their actions as “overwhelmingly peaceful” and “a powerful tool” for justice.
“I continue to support millions of Americans who are standing up to protect our most fundamental rights and freedoms,” she said, echoing support from the LAPD, Mayor, and Governor Gavin Newsom.
The deployment, authorized under Title 10, placed the National Guard under federal control, a move California’s governor blasted as “unlawful” and “an abuse of power.” Newsom announced plans to challenge the order in court.
Meanwhile, the Democratic Governors Association, representing all 23 Democratic state leaders, released a joint statement Sunday (June 8) calling the federalization of California’s Guard “an alarming abuse of power.”
The White House defended the decision, citing the need to “address lawlessness” and protect federal assets.
Defense Secretary Pete Hegseth warned that active-duty Marines could be called in if unrest escalated.
Cardi B fired back at critics and praised creative collaboration while accepting the ASCAP Voice of the Culture Award during a private ceremony in Los Angeles on Sunday (June 8).
The Bronx rapper used her moment on stage to address long-standing criticism over her songwriting, making it clear that teamwork doesn’t erase authenticity.
“I hate that I hate the idea that if you don’t write every line on your own that it makes what you have to say not real,” she said. “Music is a collaboration it has always been. The biggest hits, the greatest records come from teamwork. They come from sharing experiences, energy, pain and joy. It’s not about ego, it’s about impact and I love my team.”
She continued, “I write, I co-write, I rewrite. I speak to what’s true to me. My pen, my mind, my feelings are in every verse and in every hook and I respect every writer who brings their magic to the table. This award is not just for me. It’s for the culture, for every writer who help shape it and make us do something. Let’s keep pushing our pens and the power that comes with it.”
The comments come amid ongoing backlash from some Hip-Hop purists who believe rappers should pen every bar themselves.
One critic wrote, “This is embarrassing to the culture.”
Another added, “So she basically saying – she don’t write her RAPS – it’s a collaboration/ team work. Man helllll nahhh!”
Still, not everyone was critical. Supporters praised Cardi B for her honesty and impact. “I’m proud of you @iamcardib. These flowers and recognition you get for your writing and talent, that’s what matters. Not what haters say behind these pages. Please always remember that,” one user posted.
ASCAP Chairman Paul Williams applauded Cardi B for “redefining and challenging the norms for women” in Hip-Hop and called her “unapologetic authenticity and talent” a force in the culture.