(AllHipHop News) Turk is suing his former label Cash Money Records. AllHipHop.com has learned the suit includes the original Hot Boys member claiming he has not received any royalties from the company since signing with the label in 1998.
Defendants have also failed to pay Plaintiff any advances, any royalties, any artist royalties orany music publishing, whatsoever in connection with the Exclusive Artist Recording Agreement.
Money Mack Music is also named as a defendant in the lawsuit. Turk entered into a contractual agreement with Money Mack in 1999. The lawsuit states the company was to assume payments of publishing advances and music publishing royalties for the artist’s recordings.
The suit also asserts Cash Money and Money Mack failed to register artist shares of his 2001 album Young & Thuggin’ and numerous individual songs he appeared on, such as “Ha (Remix)” and “Welcome To The Nolia,” with Broadcast Music Inc. According to Turk, the result of not having those recordings BMI registered on his behalf was the loss of “publisher’s share” and “writer’s share” of performance royalties.
Turk is requesting the defendants provide accurate accounting in order to properly determine payments owed to him. He is seeking damages of at least $1.3 million.
Most people have forgotten that Mayor Ras J. Baraka is a strong affiliate of Hip-Hop, most notably for his appearance on Lauryn Hill’s debut solo album.
Nevertheless, the Honorable Baraka launched a new Performing Arts Program for youth aged 17-21 yesterday and he will utilize rap mistress Rah Digga and producer Peter Hadar to teach the kids.
The program is being offered by The Newark Youth One Stop Career Training Center and will teach “out of school” youth acting, photography and music.
“To change the city, we need to mobilize our youth and the power of culture to enhance life,” Mayor Baraka said. “This program will connect our young artists with the skills they need to become successful in their fields of interest and in life. They will be mentored by Newark natives who have distinguished themselves as artists. When the young men and women complete this program, they will be the generation of artists that transforms Newark’s culture – and that of America – into the City and nation we can all believe in. As a long-time Newark educator, I am both proud and excited by this program.”
The program is mean to develop, build self-esteem. and foster entrepreneurial skills.
The program will also utilize the talents of Newark native and Arts High School graduate, actor JD Williams and veteran industry photographer Brett Melius, BFA.
The movie “Annie” was a big hit for kids of color, particularly young Black girls. Well, the movie is about to hit shelves in the DVD and Blu Ray form. I received a message from a young person that brought it to my attention that one of the popular orphans in the movie, a teen of color, was not included on the cover art of the DVD art. Eden Duncan-Smith was well-received by fans and yet she is not getting the love she seems to be deserving of! She even has a fan club! LOL! I may have to join the fan club just as a show of support! Better yet – I may bring her over to the AllHipHop family, because there aren’t enough young actors as it is! Peep the cover!
By the way, Sony Pictures co-chair Amy Pascal has resigned after the big revealing email hack.
Emerging R&B/Pop group Epic has just released their first visual to their new single “Hold On,” a new-aged rendition of En Vogue’s classic ’90s hit. The California-native quartet comprised of Monie, Yei, Stixx and Blue introduce a strong vocal performance with a relatable sound to an old school classic.
Produced by Kevin “She’kspere” Briggs, best known for his work with Whitney Houston, Pink, Destiny’s Child and TLC, who manages the group along with Dynasty Records’ president Doe Henderson, featuring Kentucky artist Simms.
Epic starts with a vocal delivery of a famed a cappella verse and transitions into a united front of girl power mixed with jazzy choreography, fancy cars, and defining hair colors and wardrobe.
Check out the video below:
AllHipHop also caught up with Epic to discuss their endeavors and the new wave of R&B.
What do you think R&B is missing right now? What happened to the R&B group era?
I think we have to show up and show the world that it’s missing an impactful girl group so when they see a girl group singing four part harmonies like it was in the ’90s they are going to be like omg we are really missing this. R&B needs to return to talking about real life situations; I feel like that’s what’s really missing the connectivity to people’s lives. It’s really repetitive. Like what’s happening in our generation’s life that we all need to talk about? Girl groups that try to come out today they don’t influence others; they just do what the trend is, but no one is really inspiring anyone. EPIC plans to inspire.
EPIC is unique because you also are all musicians? So one by one tell me which instrument do you play?
I’m Blue: I play the bass guitar.
Monie: I play the keyboard.
Stix: I play the drums.
Yei: I play the lead guitar.
Do you feel the pressure to conform to what’s popular with R&B going pop or Hip Hop?
We try to balance it out but stick to quality with our own twist. That makes it EPIC. They will love who we are because we want to give them something they will love.
Arguably people say the ’90s early 2000s was the last era of timeless R&B, so a lot of R&B artists are leaning on covers because it resonates well with fans. Is that what inspired the En Vogue “Hold On” cover?
Yes because that was a popular song in the ’90s. People loved when Jackson 5 did that intro and they redid it and that’s years of music history. We are bringing it back for this generation to hear and understand.
Are you working on any other covers?
We are working more on original music, but we probably will do more covers.
With Epic everyone is gorgeous, has vocals, and plays instruments but what else separates you from the whole and makes you different?
We truly love each other. We really are one; when people see us they automatically can see that. Our foundation is so strong and we have a church background as well.
I feel like it’s really important for R&B artists to come together more on a united front because of what’s going on with the genre. So are you working with any other R&B artists currently?
We worked with Sims who is featured on the song and we work with Mishon. He (Mishon) always comes in our session and helps us there. Mishon is like our big brother; he helps us with our visions and our creativity. It’s amazing when you come together with someone who wants to bring back R&B and who have that same passion and drive.
So what has it been like working with She’kspere?
We love him; it’s really been a great experience. It can only go up from here. We all just connected, and we started recording the first day. It’s crazy because She’kspere has worked with a lot of great girl groups, so it meant a lot to us. It’s amazing for him to believe in us.
So She’kspere what made you believe in them…. you worked with Destiny’s Child, TLC, Pink Whitney etc?
They had the look, quality, and the foundation. I saw the same thing that I saw in a Destiny’s Child and a TLC.
So an influential producer such as yourself has the ability to create hit after hit even when the genre is struggling so what’s your secret to success?
Always do great music and give great music to stars. You can have great music but you have to have great stars; you can have great stars but bad music…. you have to have both.
What do you think is going to make Epic come to the forefront and last?
The foundation. Most of these other groups didn’t have that training and development to stick together. Most of these groups fall apart before they get started. The others don’t have the training to withstand the pressure and havoc that comes along with the music industry. They have a really strong spiritual and disciplinarian background.
What do you think is the problem within the R&B genre right now? There is a lot of finger pointing.
Great music always prevails, and stars sell. It has to be great music. With music now you have to switch up the way you look at the approach. The capacity of what it does is different. I’m very comfortable where music is. It’s really an even playing field for everyone. Whomever comes out with the best product and package will be seen and rise to the top.
Epic, What’s your favorite behind the scenes moment?
Working in the studio, and we have fun. When we get sleepy late at night and early in the morning we all do crazy and silly things.
Azealia Banks is ruffling feathers once again, defending her use of derogatory terms.
Banks posted a message to Instagram for fans to hear her argument, but we’re not sure if they’re feeling the reasoning or not.
Now Banks has gone toe to toe with a few names in the industry including blogger Perez Hilton, it’s just a matter of time before he or someone else claps back for this one.
Holy Crap! A knock out is a knock out, but a slap that turns into a knockout is another story totally! There is a contest somewhere in America where dudes slap each other into oblivion. One dude…just dropped. See it below.
Turk, one of Cash Money’s original stable, has decided to sue the iconic label for $1 million.
On Instagram, Turk explained his reasoning.
“The Reason Why I’m Sueing Now Is Because I Realized That Me Being Loyal Has Gotten Me No Where In This Business!! Its My Attorney’s Decision That It Was In My Best Interest To Sue After Several Attempts To Settle This Matter Privately.Now We Wait For The Next Chapter!! #Wodie”
Turk feels that Cash Money has not fully disclosed all the money that he is owed. Turk wants to void his contract and collect his monies.
Lil Wayne has sued Cash Money for $51 million dollars.
In the midst of the tragedy currently surrounding daughter Bobbi Kristina, father and former R&B heavyweight Bobby Brown turned 46 today. With albums like King of Stage and 1988’s mega hit Don’t Be Cruel, take a look at some of the hits that got him crowned the Bad Boy of R&B.
Lenny Santiago, known to many as Lenny S, has been down with Jay Z and The Roc for quite sometime. He’s now set to marry Cheetah-Girl-turned-talk show host Adrienne Bailon.
Adrienne Bailon, 31, made the announcement while taping her show “The Real” and a will tell her TV audience on Friday in a taped episode.
According to E!, she wowed her her co-hosts Loni Love, Jeannie Mai, Tamar Braxton and Tamera Mowry-Housley with her chunky ring.
Brownsville, Brooklyn’s own Sonnie Carson is back and not afraid to speak his mind with his new single “NIxxER” where he takes an unorthodox approach to uplift his fellow inner city black youth. By pointing out age old flaws within urban communities’ his plan is to “wake them up by slapping them in the face”.
Karrine Steffans infamously known as “Superhead” is back.
Are you going to buy Karrine Steffans’ new book? It has been 10 years since she set the rap world and a lot of rappers on fire. The ONE thing I will say is this…she never got sued. And, I bet that is why her book is called “Vindicated.”
Peep it.
I wonder if she will be able to raise hell in the industry again or if that era is dead and gone.
Looks like rappers here have an issue. The issue is once the images and sounds go across the world, those that are mere observers take and then create. The only thing is they create based on – what seems to be – STEREOTYPES. After seeing OC Maco’s most recent video, it seems some Koreans tried to emulate and only succeeded in pissing of Maco.
Because when I was growing up going to the so-called best public schools in Jersey City, from kindergarten to the 12th grade, my total page count in terms of Black history, in math, science, English, social studies or history, and on and on, might have been 2 pages in 13 years of schooling. Yup, slavery, George Washington Carver, Rosa Parks, and Dr. King’s dream. #WhyBlackHistoryMonthMatters Because I grew up hating myself profoundly, my hair, my skin color, my eyes, my nose, my lips, my everything. Because although I knew I wanted to be a writer since I was a boy of about 11 thanks to reading Ernest Hemingway, I never knew a single Black writer existed until I got to college and discovered the Harlem Renaissance, the Negritude Movement, the Black Arts Movement Amiri Baraka Sonia Sanchez Langston Hughes Zora Neale Hurston Maya Angelou Haki Madhubuti Nikki Giovanni The Last Poets and on and on. #WhyBlackHistoryMonthMatters Because I desperately needed to see myself and people who look like me doing this that everything, because we did. Traffic light? Black person invented that? Gas mask? Black person invented that too. Folding chair. Black person invented that too. The grid for what is now Washington, DC? A Black person invented that too. #WhyBlackHistoryMonthMatters Because it is enthusiastically ignorant for folks in 2015 to say Black History Month is racist, or does not mean anything to them, or why is it in the shortest month? Because if we read, if we study, we would know that a Black man named Carter G. Woodson created “Negro History Week” in 1926. He picked February because folks like the great Frederick Douglass were born in this month and you do not get more Black history than Mr. Douglass, escaped slave, abolitionist, amazing speaker, abolitionist, freedom fighter. Carter G. Woodson, great Black scholar and historian who did not even get his high school diploma until he was 22. Carter G. Woodson who, after W.E.B. DuBois, was only the second African American to get a PhD at Harvard University. Carter G. Woodson who wrote many scholarly articles and books, including his most famous, THE MISEDUCATION OF THE NEGRO. A title so profound that Lauryn Hill’s THE MISEDUCATION OF LAURYN HILL cd was inspired by it. Yes, that Carter G. Woodson. #WhyBlackHistoryMonthMatters Because Africa is the cradle of all civilization, where life began. Because in Africa, before the Romans and the Greeks, there were revolutions and innovations and inventions and governments and universities. You do not think so, then read Lerone Bennet’s BEFORE THE MAYFLOWER to understand Black history does not begin with American slavery. Read the works of Ivan Van Sertima. #WhyBlackHistoryMonthMatters Because we are saying in 2015 (still) #BlackLivesMatter because there are folks in this planet who do not know these things just like many Black folks do not know these things, thus they think Black lives are worthless, worthy of being chokeholded to death, with no punishment whatsoever. #WhyBlackHistoryMonthMatters because all people and all people’s histories matter. No matter who you are you should know who you are. Because if you do not then you will not know what to bring to the table of the human race, of the human family. Which we should be ashamed of. There is no excuse, in the era of Google, for not reading, not stuyding, not thinking, not asking questions, not finding answers, and not falling in love with your beautiful self. #WhyBlackHistoryMonthMatters Because you matter, and if you are still saying, in 2015, someone has good hair or bad hair, someone is more attractive because they are lighter than the darker ones, then that means you are practicing profound self-hatred because you think this history is not you, not about you, not for you. And it is.
First things first: Prayers to the Brown and Houston family. As a parent, this is unimaginable pain. Hopefully it is God’s will that she survives this.
Like most, I was momentarily in disbelief when I heard that Bobbi Kristina Brown, the daughter of Whitney Houston and Bobby Brown, was being kept alive by life support. I thought to myself, “How did this happen?” We can run through the “what if” scenarios all day.
I am not the one to judge the Houston Family or Bobby Brown’s, but I just feel that collectively we have to think differently about how we raise children into adulthood. Bobbi Kristina was 18 when her mother died tragically. She is 21 today. By most people’s accounts she was an adult, but I disagree.
A young adult that is faced with perilous or extraordinary circumstances must be coddled and mentored extensively, in my opinion. Shoot, some regular kids need this under normal circumstances. This is not the American way any more. First of all, African American families are under duress more and more just to survive. So, we often have adults trying trying to get by and the kids are often left to fend for themselves. Imagine having an inheritance of $15 million and still longing for familial and psychological support.
www.usmagazine.com
This is a prime example of how we are failing our children.
Bobbi Kristina and those like her are microcosms – real world examples – that it takes a village to raise a child. With the turbulence surrounding Bobby and Whitney, I’m not certain of how Bobbi was raised or looked after in her earliest days. When Whitney was alive, they seemed vibrant and happy together. How she was reared (as an adult) after Whitney was found lifeless in a bathtub? Who was checking on her in the aftermath of that personal catastrophe? Who was protecting her during the period her parents were going through their tumultuous, public relationship? We do know she needed some good solid love and care.
When my family lost my dad, it was a god-awful situation for the family and we were never the same. I’m not chastising anybody, but there were times when nobody was there. I remember like yesterday, I told a good friend, “I miss my dad” and she continued to talk like she didn’t hear it (maybe she didn’t – I never asked). My brother was a boy when my dad passed and I am certain the both of us should have had some sort of counseling or mentorship. But we didn’t have much of that. It was different when I went through my divorce, which was hard on my daughter. I have to thank my close friends that looked out for my kid (Shout out to the Brown and Fisher Families), because I believe their intervention and love made all the difference. In hindsight, we had minor life issues compared to Bobbi Kristina, but when these matters happen, everybody looks around for blame.
For Bobbi Kristina, the Angela Bassett-produced TV movie “Whitney” has come under fire. This one movie didn’t do this. Certainly, if we want to place blame, then we have to look at how we approach celebrity. The public is fixated on celebrity until their lives, and possible deaths, resemble pigs in a feeding frenzy at the trough. People watched Whitney melt down and it was a raving obsession to see every detail of her life. Some publications even ridiculed her death and the surrounding details.
Bobbi Kristina was also fodder for blogs to eat up and poop out.
Squirm G and Ryan Legend trade verses over Lil Wayne’s “Grindin” instrumental on their latest video directed by Cody Coyote. Be on the lookout for Squirm G’s upcoming Blood & Money mixtape coming soon.
King Yowda remixes “California Rari” for the third installment of his AR 16 tapes. The Vegas rapper who signed with MMG in recent months plans to unleash a bunch of new material for the fans. For those not aware, the AR 16 tapes have been a mix of jackin for beats tracks as Yowda runs through a host of current radio and club hits. Check the “California Rari” (Remix) below:
Singer/songwriter BJ The Chicago Kid drop a brand new concept video for “Strawberry Bubblegum” inspired by Hype Williams’ Belly. There’s not much to be said other than the fact that BJ and director Davy Greenberg use the classic film perfectly to bring the song to life. “Strawberry Bubblegum” appears on BJ The Chicago Kid’s 2014 The M.A.F.E. Project.
As her buzz continues to heat up, Raven Felix drops “Clock Strikes 12” off of her upcoming mixtape Valifornication. The San Fernando Valley native who at the age of 19 has already worked with a number of heavyweights including Snoop Dogg, Problem, Chevy Woods, Too $hort and more was recently featured on TMZ Live with Harvey Levin as well as Snoop’s GGN Show. Produced by C-Ballin.
Not many artists in Compton, CA got the street cred that Problem holds. Check out the new music “Compton” produced by Salva. The track is help promote their upcoming Peacemaker Tour dates together. The tour kicks off tonight in San Diego. Problem is featured on Salva’s Peacemaker album.
