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Mike Brown Recognized at Agenda Trade Show in Las Vegas

Mastermind Stevie Williams brought “magic” to the AGENDA Trade Show in Las Vegas Tuesday by assembling fashion designers, fellow celebrities and tastemakers for an iconic moment to acknowledge #MikeBrown and the victims of the #Ferguson riots. Stevie Williams, fitness guru/model Rosa Acosta, Diamond Supply owner Nicky Diamonds, Pink Dolphin co-founders Neima Khaila and Cena Barhaghi, TMT skater prodigy Lil’ Rome Diddy and more gathered together for a moment of respect amidst the popular trade show.

The #MikeBrown acknowledgement was a significant highlight and further proof of Stevie Williams’ influence in the industry. The brand unveiled the newest collection of rising street wear brand Asphalt Yacht Club (AYC) as the line’s Brand Ambassador at AGENDA on Monday and Tuesday, attracting a steady stream of fellow skaters, celebrities, and tastemakers to the AYC booth, and was spotted with VH1 Love & Hip-Hop’s Benzino, actor Michael B. Jordan and MTV show host Steelo Brim, to name a few.

AYC’s new collection features one-of-a-kind premium designs on hoodies, tees, long sleeve crewnecks, sweatpants, hats and more – made with only the finest of materials. AYC continues to make headlines as one of the most popular rising street wear brands with Brand Ambassador Bow Wow rocking the brand on BET ‘s 106th & Park show every day, and spotted on celebrities including Diddy, Snoop Dogg, DJ Drama, Waka Flocka, and more.

6 Dope Artists Performing At Afropunk Fest 14'

AfroPunk Fest is coming, and there’s a lot of anticipation for the music festival, especially since D’Angelo will be headlining it. However, there’s a slew of acts that hold up the strength and uniqueness of Afropunk’s lineup. Whether you’re digging the smooth sounds of the Internet, or may like the hardcore sound of punk band Trash Talk, AfroPunk Fest has a lot to offer. If you haven’t heard of anybody on the lineup, it would suck to be wandering aimlessly to wait for D’Angelo to perform. So, here are a few dope artists to kep an eye out for to in this year’s Afropunk Fest.

SZA – SZA is an artist with a new eclectic sound to R&B. Though the TDE songstress’ sophomore project S help acquire critical acclaim, SZA’s latest project Z solidified her dominance in the alternative scene. Along with her own project, SZA has also collaborated with her fellow TDE members for vocal background, including ScHooly Q’s Oxymoron and Ab Soul’s project These Days… Recently, SZA has released new single “Divinity” with Grammy award-winning singer Jill Scott. With her emergence as alternative R&B’s most prospective artists in the prior year, SZA’s set at Afropunk Fest will definitely be worth the time and excitement.

Gordon Voidwell – This Bronx songwriter might seem like a newer face compared to the other artists on this list, but don’t get it twisted, he’s been in the game for a while.T Gordon Voidwell’s style of music is a fresh new take on funk and new age soul, and his set is one to check out at Afropunk. His latest EP Bad Etudes rejuvenates the sound of 80s pop and R&B, and turns it on it’s head with a modern perspective. Ever since Voidwell’s project dropped earlier this year, it’s been acquiring so much critical acclaim that it’s been put on the best of 2014 (so far) lists for both Complex and NPR.

The Internet – A lot of the times, California based group, Odd Future, is called out for their odd, often darker perspective to hip hop. However, The Internet is an alternative band that instead of following the sound of Tyler the Creator and Earl Sweatshirt, they go a different route, and turn said route on it’s head. The 5-man band, lead by vocalist Syd the Kid and producer Matt Martians, provide a smooth and soulful edge to R&B and Neo-Soul. The mixture of the band’s live instrumentation and spaced-out production made their sophomore album, Feel Good, a favorite for several critics.

THEESatisfaction – Stasia “Stas” Iron and Catherine “Cat” Harris White makes THEESatisfaction, a Seattle duo with a lot of soul and the rap skills to back it up. At first glance, THEESatisfaction has the vocal sound of the 00s neo-soul duo, Floetry. However, the upbeat production along with Stas’ flow takes THEESatisfaction to another level, combining experimental soul with dope rhymes. The Seattle duo only had a collaboration with their fellow Sub Pop Records artist, Shabazz Palaces, but their 2012 debut album aWe naturalE captured an image that only the two artists can establish. Speaking of Shabazz Palaces…

Shabazz Palaces – So, remember Butterfly from the classic group Digable Planets? Well, he’s obviously not Butterfly anymore, and he damn sure ain’t “cool like that” anymore either (all puns intended). However, he’s still making good music, only as Palaceer Lazaro in the alternative hip hop duo, Shabazz Palaces, along with his instrumentalist Tendai “Baba” Maraire. Like THEESatisfaction, Shabazz Palaces is representing Seattle, but instead of the upbeat and soulful sound of their label colleagues, the Palaces take a direction in a more bass-heavy and exotic sound with their rhymes. The Palaces’ long-awaited second album Lese Majesty, dropped July 29th. So, anticipate on hearing some new songs from Shabazz Palaces along with their already critically acclaimed projects: Eps Shabazz Palaces and Of Light, and their debut album Black Up.

 

Mista Selectah & Mane Squeeze – These two DJs have been buzzing a lot this summer, especially in Washington, DC (where both are based out of). These two DJs throw in a plethora genres within their mixes, and what comes out is a unique art of mixing. Whether it’s electronic music, reggae, mamba, or hip hop, you’ll find it in a clever mix made by both DJs. Lately, Mista Selectah and Mane Squeeze has  been popping up around a lot in the DC, also earning a set at local music festival, Trillectro. When these two hit the stage at Afropunk, be ready for anything.

Tameka "Tiny' And Her Hairdresser Set To Star In VH1 Series "Weave Trip"

(AllHipHop News) From one hustle to the next. Reports have surfaced that VH1 has ordered a spinoff series to T.I. & Tiny: Family Hustle involving Tameka “Tiny” Harris and her hairdresser Shekinah Jo.

The show is tentatively titled Weave Trip and reportedly involves Tiny and Shekinah opening mobile hair salons in Los Angeles and in Atlanta, according to Deadline. The pair will also drive the mobile hair salons across the county.

There is no set air date to Weave Trip, however it is expected to debut in October. The fourth season of T.I. & Tiny: Family Hustle airs this Monday (August 25th).

Hip Hop Rumors: Joe Budden Denies Domestic Violence Accusations

A story broke yesterday that allegedly Joe Budden beat his newest girlfriend after finding pics of her showing out at the club. Audely, (the chick’s name) claims Joey allegedly beat, dragged and pretty much kidnapped her after seeing the pics.

Now we all know this isn’t his first go-around with domestic violence, his former girlfriend Esther Baxter also claims Budden beat her and sat on her stomach forcing her to have a miscarriage.

 

Well now Joey is clapping back and letting everyone know of his innocence via Twitter.

Screen Shot 2014-08-22 at 1.22.39 PM

 

Do you think Joey laid hands on the girl or does she want attention?

joeybudden

Trick Daddy Talks Getting Gov’t Funding For Eat A Booty Gang + Responds To People Calling Him Gay

(AllHipHop Features) Trick Daddy has faced some “wtf” backlash for his decision to name his crew the Eat A Booty Gang. The “Nann N***a” rapper then even went further to publicly announce he is a proud participant in performing a### oral sex on women.

[ALSO READ: Hip-Hop Rumors: Uh. Trick Daddy’s New Crew Name Has People Wondering…]

Part of the public criticism involved some people questioning if Trick and his group are gay for promoting a### sex acts. It was that particular charge that seems to have gotten under Trick’s skin the most.

AllHipHop.com spoke with Trick Daddy, and the never shy Miami native had both comedic and serious comments for his critics. He also shares that he wants the Eat A Booty Gang to be officially funded by the United States government and claims he opened the door for men everywhere to please their ladies beyond just c##########.

[ALSO READ: Lord Jamar Says Trick Daddy’s “Eat A Booty Gang” Promotes Sodomy As Being Natural (VIDEO)]

You know you started a huge uproar when you announced your Eat A Booty Gang.

I want to get it government funded. They fund the KKK. Why can’t they fund the Eat A Booty Gang? If the government funded the Eat A Booty Gang, as the CEO and founder of the Eat A Booty Gang, I promise not one clean booty will go unate [laughs].

[Laughs] Trick, some people feel like this whole thing with the Eat A Booty Gang is just you trolling for attention.

I’m a man. Real men love women. I’ve been talking since 96-97… I was the first one that got on a record and ate the p***y. On “I’ll Be Your Player” I said, “I’ll eat your coochie with your legs up, down your back, up your crack.” See, I already ate the booty. I just didn’t say it yet. But I did say it.

I don’t eat p***y no more. I eat the booty, and I suck the p***y. When I’m sucking the p***y, and the booty is right there, I just might say, “Hey, how you doing?” [laughs].

Did you see Chris Brown posted about eating booty on his Instagram page recently?

No, but I heard about it. These dudes been doing this, but now it’s cool to say it. Women DM (direct message) me and tell me “thank you.” They be like, “Damn, 15 years ago he got n***as eating p***y, and now they’re tryna eat the booty. I’m going to buy me some baby wipes.”

chrisbrown_booty_lick
CB Joins EABG On IG?

So do you think in 15 years everybody is going to publicly talk about how they eat booty?

I think they already do [eat booty]. They just don’t say it. I’m that person that says whatever. They tell me, “You got no filter Trick.” I just say things everybody else wanna say, but everybody ain’t got the heart to say. That’s all.

Somebody was trying to make a joke that those dudes must be funny. Be careful, you can’t use words like “f#####,”  “sissy,” “punk” no more, because these people are embracing the gay stuff so hard. I’m afraid to let my kids go on the computer and watch TV.

I’m watching Sportscenter, and they keep showing [Michael] Sam got his first sack. It’s a lot of rookie n***as that got their first sack. Ya’ll didn’t bring it up. But y’all show him kissing a white boy and that’s so exciting to y’all.

I don’t have nothing against gays. I’m not homophobic, but don’t be promoting it in front of these kids. Give kids their opportunity to be who they want to be in life.

So that’s why I got offended by [people saying] these dudes must be funny. Ain’t nothing funny about me. Ask your momma and your sister am I funny.

And for all these dudes just talking in their raps about their cars, their jewelry, and f**king somebody else’s girl. They think their b***h is loyal. I’ll cook for her, suck her p***y, and eat her booty. She’ll never remember him.

The Eat A Booty Gang
The Eat A Booty Gang

Follow Trick Daddy on Twitter @305MAYOR and Instagram @trickdaddydollars.

The Breakfast Club Leaks Audio Of Floyd Mayweather Jr Struggling To Read

(AllHipHop News) American illiteracy is a problem…except in Hip Hop. Earlier today (August 22nd), Power 105.1’s “The Breakfast Club” leaked audio of Floyd Mayweather Jr struggling to read following 50 Cent challenging the acclaimed boxer to read a page of grade-school level books.

Last May, Floyd Mayweather Jr appeared on The Breakfast Club and recorded a promotional “drop” for iHeartRadio’s “Show Your Stripes” campaign, which debuted the month after. Following 50 Cent’s reading challenge to Mayweather Jr, The Breakfast Club released audio in which Mayweather Jr had trouble pronouncing “iHeartRadio”, saying the full promo without error and various complications.

Check out Power 105. 1 “The Breakfast Club”‘s leaked audio of Floyd Mayweather Jr’s reading struggles below:

Remy Ma Reveals New Mixtape Title And Possible Release Date (VIDEO)

(AllHipHop News) There is still something about Remy and everyone wants to find out what it is. On Wednesday (August 20th), Remy Ma revealed the title to her upcoming mixtape and what her solo songs will  focus on.

Remy Ma stated in an interview with MTV that she is simultaneously working on a new mixtape and her follow up to her 2006 debut album There’s Something About Remy. According to Remy she’s planning to release the mixtape first and is “trying to have it done by this weekend, so I can put it out next week.”

Remy revealed that the mixtape would be entitled I’m Around. She’s only been around for three weeks since being released from prison earlier this month and states that her upcoming music will reflect that transition:

It’s kind of impossible, after being in prison for six-and-a-half-years, and being home for 19 days, to only talk about what I’m going through right now. It’s very hard not to bring up what I went through. Even though, in the future, I don’t want to keep dwelling on the past.

Check out the interview below:

Veteran Vixen Melyssa Ford Debuts New Musical Play "For Vixens

Melyssa Ford hit the streets of NYC last night to debut her first off-broadway play, For Vixens Who’ve Considered Homicide When the Video Was Too Much.

Co-produced by famed director and “American Gangster” actor, J. Kyle Manzay and “Love & Hip Hop” star Yandy Smith, the new hip-hop musical comedy uses satire to candidly explore the lives of women in the music industry, countering the stigmas surrounding it and denouncing the all too-common stereotypes of video models.

Ford narrates the story of 16-year old Lil’ Bitt, as she journeys out of the overbearing grip of her religious father to the world of video model stardom. For Vixens portrays the glamour, turmoil and exploitation that reigns supreme over the industry.

On her inspiration for creating a play:

“A particular book came out that kind of defined any woman that ever participated in a music video, and I just found myself at loss with the fact that I seem to be the benchmark or the standard but yet no one had heard my opinion of what I thought happened or what my experiences were…It’s not nearly as t##### as people wanted to believe that it was. Yes there were some bad things that happened but there were also some really great things – there was camaraderie, there’s sisterhood, and I don’t think that’s focused on enough. I wanted to think of an innovative way to get people’s attention…”

For Vixens Who Considered Homicide When the Video Was Too Much is playing at the American Theatre of Actors in New York through August 24, 2014.

Will you be watching?

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The Revolution May Not Always Be Televised, But It Damn Sure Will Be #Tweeted

This story originally appeared on The Huffington Post, click here for more.

When we hear the word revolution, one usually tends to think of images of rioting, unrest and utter chaos. But a revolution can also mean a break from traditional thinking; a revamp of the way we view things, accept stated norms and conduct ourselves. At this very moment, there is a national and global revolution taking place concerning a host of issues: how we gather news and information, the way we disseminate that information, rights of civilians, police (mis)conduct, freedom to assemble, the right of self-expression, the Israel-Gaza conflict, militarization of police, war and much more. And what is one main underlying thread among all of these shifts in public opinion? Young people.

Like almost all other movements and changes in history, the youth are the ones primarily pushing for reform and holding people accountable. They are connecting with one another in unprecedented ways, raising awareness, driving the conversation and making social change happen via social media. In other words, the revolution may not always be televised, but it damn sure will be tweeted.

On August 9, Twitter began buzzing with word that an unarmed Black teenager had been shot and killed by police in the town of Ferguson, Missouri. Some had witnessed the horror; others had filmed it or taken pictures of it. Soon enough, these images and first-hand accounts were being posted and shared online. While so-called 24/7 news networks were pretty much checked out for the weekend, places like Twitter literally broke news as information from Ferguson began pouring in, and then was RT, RT — and RT some more.

By Sunday, grassroots activism and citizen journalism from people like Antonio French, not only had people paying attention to developments on the ground, but they galvanized many to call out traditional media for their failure to cover the story. Slowly, some journalists and producers began tuning in because the advocacy was so brilliantly executed online. Many of the top trending hashtags on Twitter began to reflect the situation in Ferguson or were related to it in some form. And then, something truly remarkable happened: a massive social media campaign by mostly young people of color called out the press for its failure to properly depict them on a regular basis.

The hashtag #Iftheygunnedmedown took off like a firestorm and quickly became a top worldwide trend. Not a national trending topic, but a worldwide one. In essence, people would take a picture doing things like graduating college or serving in the army, or other ‘positive’ things, then juxtapose them with pictures where they were dressed in a street or thuggish manner, or doing ‘bad’ things. They would then pose questions like: #Iftheygunnedmedown which picture do you think the media would use?

Too often, many mainstream outlets act as innocent bystanders when covering a major event like the situation in Ferguson; as if they have no role to play in how societal norms and preconceived notions develop. But when major media consistently depict minority groups in a negative fashion, or don’t provide enough balance in terms of images, shouldn’t they then be called out as the smart folks behind #Iftheygunnedmedown did? When the primary portrayal of young Black men, for instance, is that of some sort of a criminal to be feared, are we really shocked to learn that they are profiled more, targeted more and arrested more by police? What’s worse, consistent negative messaging can even subliminally influence the mind of someone who would never utter a racist remark but can still subconsciously behave in a way that has dangerous or deadly consequences.

Now, for much of this summer, our collective attention was also centered on another part of the world — the Middle East, specifically the situation in Gaza. This wasn’t the first time that the Israeli military killed innocent Palestinian civilians during the process, and this wasn’t the first time that the United Nations and most of the globe condemned Israel’s harsh actions. There were no shortages of Israeli Prime Minister Netanyahu’s TV appearances on our cable shows, just like there was no shortage of various spokespeople from his administration and the military inundating our airwaves and our print outlets. Punditfact even did a study on this very topic, indicating that on a network like CNN for example, appearances by Israeli officials outnumbered Palestinian officials by more than four-to-one during the first two weeks of the crisis. So why is it that this time, during the summer of 2014, did so many young Americans blame Israel more than Hamas for the conflict?

For decades, the narrative of the Gaza-Israel crisis at home has been extremely controlled and one-sided. Before the advent of things like Twitter, viewers were subjected to a litany of appearances from the Israeli government without a way to call out the unbalanced coverage. Thanks to social media, Americans — especially young Americans — saw images of dead children, mothers and other civilians directly from reporters and human rights workers on the ground. Creating hashtags like #GazaUnderAttack, people in Gaza and around the world were able to share pictures, videos, reports and information with one another while pretty much bypassing traditional media. It’s no wonder that a Pew Research Center poll in July found that among 18-29-year-olds, 29 percent blamed Israel for the conflict, while only 21 percent blamed Hamas. More young Americans blamed Israel — let that marinate for a minute.

Whether it’s Ferguson, Gaza, or anywhere for that matter, information is emerging and spreading like never before. No longer can corporately controlled media put out skewed narratives and push agendas (which they sometimes do, i.e. the Iraq war in 2003) without being called out. Social media and places like Twitter not only allow details to reach the masses instantaneously, but they also allow the masses to hold traditional news, journalists, networks and producers accountable.

Some may argue that Twitter, Vine, Instagram and others are filled with too much noise and everyone somehow thinks that he or she is a journalist. While citizen journalism can’t replace the work of researching, fact-checking and interviewing that trained journalists do, it can highlight under-reported stories and ideas that today’s journalists too often glance over. And the interconnectivity and exchange of ideas online has created a beautiful platform for intellectual debate that a truly democratic society should welcome.

To be clear, I am in no way endorsing violence anywhere when I say the word revolution. But challenging the status quo through engagement, participation and active expression of thought is the kind of revolution I’m talking about.

As I write this piece, the protests in Ferguson continue. The people of that neighborhood, especially the youth, have long felt ignored, silenced, oppressed and disconnected. The majority of the young people there just wanted their voices heard — and now the entire nation is listening. They are still driving the conversation, and have a tremendous opportunity to push for real change. As journalists are often restricted in their movements, they are the ones sharing pictures, livestreams and reports from the ground. Many of these may never be televised on cable news, but rest assured that they will be #tweeted.

AllHipHop & DJ Hustle Presents: The Jump Off Mixes #8 (Nate Dogg Birthday Mix)

Our own DJ Hustle has jumped on the turn tables giving you a Birthday Mix, The Jump Off Mix Volume #8. In this mix DJ Hustle has the Legendary Nate Dogg songs in the mix, DJ Hustle is blending and mixing on AllHipHop.com. Listen to DJ Hustle’s Jump Off Mix. Weekly mixes will be posted for your weekly enjoyment. Let DJ Hustle know what you want to hear in the mix @AllHipHopcom or @DJHustle.

Kid Cudi Criticizes Lupe Fiasco Selling $500 Verses, Lupe Calls Him His "Competitor"

(AllHipHop News) The rap game is something like the crack game, and sometimes you need a serious discount to increase profits. Yesterday (August 21st), Kid Cudi criticized Lupe Fiasco for selling customized verses for $500 and Lupe made sure to respond.

Lupe Fiasco recently stated he can’t wait to get off of Atlantic Records and yesterday (August 21st) he offered to make customized verses for his fans for $500. Kid Cudi took to his personal Twitter account and stated he felt Lupe was swindling his fans:

Lupe went to his personal Twitter account and responded to Cudi’s criticism. According to Lupe, his verse sale is not a swindle but a way to give fans “total control over what you want to hear”:

G-Unit Talks Nicki Minaj Being In "The N*gga Section", Bobby Schmurda's "Hot N*gga" + MORE

(AllHipHop News) The only thing 50 Cent and G-Unit have more of than money are opinions. During an upcoming G-Unit Reunion special on SiriusXM, the Unit explains Nicki Minaj’s return to urban radio, Bobby Schmurda’s “Hot N*gga” and more.

One of the most surprising transformations of this year is Nicki Minaj from multi-colored wigs to her natural look. According to 50 Cent, Nicki’s recent remixes on street singles such as “Chiraq”, “No Flex Zone” and her own single “Looking A*s N*gga” are a result of her being placed in the “ni*ga section”:

It’s going to change. They going to put you back in the ‘ni*ga section’. Trust me, you can be hot as a motherf*cker and then eventually they’ll put you back and you’ll find yourself at Urban Radio fighting your way into Top 20 crossover radio. You see it over and over. You see Nicki [Minaj] come from Barbie to being like ‘you a hitta a*s n*gga, n*gga, n*gga.’

Bobby Schmurda’s breakout single “Hot N*gga” gained an extra source of notoriety when it was revealed that the beat used for the song was originally Lloyd Banks’ “Jackpot” While Banks says he is ok with the success of “Hot N*gga” because “I’m secure in where I’m at.” 50 Cent had a different take on Schmurda’s success, comparing him to the recently independent Trinidad James:

I think he needs work. The artist needs work. It’s like the Trinidad James thing. When a guy doesn’t actually have song structure. [Banks-It’s not like he knew it was going to happen.] Nah, he just did the dance. Then when I looked at it, it felt like Diddy. It felt like [Micheal Jackson] a little bit in that “Remember The Time” video.

G-Unit’s upcoming EP does not have a release date as of yet.

Ty Dolla $ign Ft. Dom Kennedy & Rick Ross "Lord Knows"

Ty Dolla $ign hits up Dom Kennedy and Rick Ross for “Lord Knows”, from his new project $ign Language set to be released on August 25th. This will also land on DJ Carisma’s upcoming album dropping September 29th.

Report: Mariah Carey Barred Nick Cannon From Talking About Divorce

(AllHipHop News) A long running joke about the Nick Cannon/Mariah Carey six year marriage was that Mariah wore the pants in the relationship. Even as the union between the two entertainment stars appears to be collapsing, it looks as if MC is still in charge.

[ALSO READ: Mariah Carey Cuts Ties With Jermaine Dupri]

According to TMZ, Mariah and Nick have signed a confidentiality agreement as part of their pending divorce, but reportedly Cannon is the only one who is not allowed to speak about the split.

Apparently, Nick can talk about how the two are now living separately, but he cannot talk about the actual divorce or face “severe financial penalties.” Mariah is allegedly open to announce the divorce on her terms.

Recently, Nick did publicly confirm the couple has been estranged for a while. He told The Insider they are going through a “rough patch” and have been living in separate homes for months.

[ALSO CHECK OUT: Mariah Carey and Nick Cannon Divorce ‘A Done Deal’?]

Pusha T Explains Referring To Himself As "The New Hov"

(AllHipHop News) “Sold more dope than the old Jigga. Now n***as calling me the new Hov,” rapped Pusha T on his “No Flex Zone” verse. The Virginia emcee was asked about that line during an interview with XXL, and Push contends it represents that he is close to Jay Z’s level as a rapper.

[ALSO READ: Pusha T & No Malice Discuss Drug Dealing Past, Parting Ways & More On CNN (VIDEO)]

“Ay man, me personally, I’m just following that mold,” said Pusha. “I feel like when it comes to my taste level and my intricacies of rap, I’m on par with that. That’s how I’m molding my whole everything.”

The G.O.O.D. Music representative also name dropped Jay on his My Name Is My Name track “King Push.” The song included the bars, “Best d-boy, all I’m missing is a dash. Difference between my and Hova.”

King Push happens to be the name of Pusha T’s forthcoming sophomore solo album as well. He discussed the project during the interview.

“I’m going for album of the year, man, that’s it; straight up, lyric-driven of course. I feel like My Name Is My Name was very stripped down—on purpose— because I just felt like people weren’t rapping enough for my taste,” stated Push. “I didn’t want to be in that category and I wanted to show people this is what I’m about. I want to infuse more elements of music into King Push; paint the pictures and smash them with the lyrics.”

[ALSO CHECK OUT: Pusha T Decodes “King Push” (VIDEO)]

Listen to Pusha T’s verse on Rae Sremmurd’s “No Flex Zone” below.

Lord Jamar Says Trick Daddy's "Eat A Booty Gang" Promotes Sodomy As Being Natural (VIDEO)

(AllHipHop News) When Trick Daddy announced his new crew was going by the name EataBootyGang and discussed his love for the sexual act, many people were shocked the Miami rapper was fully endorsing the idea so publicly. The always outspoken Lord Jamar has now added his opinion on the subject.

[ALSO READ: Hip-Hop Rumors: Uh. Trick Daddy’s New Crew Name Has People Wondering…]

In interview with VladTV, Jamar suggests all the infatuation with a### sex in music and pornography is an attempt to lead people to accept sodomy as natural. According to the Brand Nubian member, it all leads to the goal of getting people to eventually embrace homosexuality.

“They’re psychologically making you feel like sodomy – and that’s what it is, a### sex – is part of natural sex,” states Jamar. “So if they get you constantly f**king a girl in the ass, how could you complain about when guy does it to another guy? If you’re eating a girl’s a**hole out, how can you complain when this guy is eating that guy’s a**hole out?”

Jamar goes on to explain that a### sex between a man and woman is not a “gay,” but it is sodomy. He also adds that anyone who participates in oral sex is technically a “sodomite” as well. Jamar even admits to being a sodomite at times, because he has had oral sex with women.

“The sodomy they’re trying to get you accustom to is not just the f####### part. Even though that’s helpful because a man has a mouth and man has an ass. So if we could just remove the p***y from the eqution – see that’s what they want to do. They want to remove the p***y from the equation,” said Jamar. “They want to remove that and say, ‘Aw, this is just as good.’ Trust me, you got guys that be like, ‘Man, I’d rather get some head, than some p***y’… If that’s the case a man could give you some head. Right Mr. Cee?”

[ALSO READ: Lord Jamar Says He Represents Hip Hop Conservatives]

Watch Lord Jamar’s interview below.