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The Creation of Chief Keef: Fixing Chicago’s Teen Murder Culture

“She said you left ya kids and they just like you/They wanna rap and make soul beats just like you/but they just not you.” -Kanye West, “Home”

Chief Keef is the son of Kanye West. Not biologically, of course, that progeny will soon be delivered by Ms. Kardashian. But, metaphorically speaking, Kanye, Keef is yours to claim. The age is right, at 35, Kanye could have a 17-year old child who grew up watching their parent mature and change. A child who likes all of the same songs and movies, who at times feels like a sibling, but is your own seed, the product of your youthful indiscretions whom you love, but who also represents everything you should have done differently when you were their age.

And young Keef grew up without his metaphorical “father.” By the time, he was walking, Kanye was producing. As Keef entered kindergarten, Kanye entered the mainstream making records for Roc-a-fella Records and headed for superstardom. And he never looked back. It was a chance encounter that would reunite the two. The “I Don’t Like” remix launched Chicago’s Drill music scene into the mainstream, kicked off dozens of signings by record companies looking for the next hot thing, and, arguably, contributed to a bitter rivalry that has resulted in death.

In honor of Lil’ JoJo, JayLoud, and Johnny Boy Da Prince, AllHipHop examines three potential causes and solutions for the violence in Chicago.

Chicago Has a Rich History… of Youth Violence.

In 1984, Chicago was rocked by the untimely death of high school student and basketball superstar Benjamin Wilson. His death brought national attention to Chicago’s crack-fueled murder rate. He was the 622nd murder victim that year.

ESPN’s 30 for 30 documentary, “Benji,” recently depicted the tragic story of the 17-year-old, gunned down on his way home from school after an argument. His convicted killers; two teenage boys. Wilson’s death is still a painful memory for many Chicagoans. Three young lives, just beginning, snuffed out before they each had a chance to fulfill what was clearly destined for them.

Last year, there were 506 murders in Chicago — the highest murder rate in 20 years. Unlike in the 80s, there is no clear culprit like crack. Most murders are taking place in Chicago’s poor, predominantly black and Hispanic West and South sides. They’re also considered to be gang-related. One disturbing trend fueling the current violence in Chicago, especially among young African-American males, like Lil JoJo, is retaliatory violence.

To combat the violence, the University of Chicago Crime Lab drafted a Youth Violence Prevention Plan which called for the launching of various prevention, intervention, and response initiatives, including a Gang School Safety Team where members of the Chicago Police Department Gang Enforcement unit and school officials work with and provide counseling to affiliates of shooting victims to discourage them from retaliation. The plan is important when one considers these numbers:

  • In 2010, 1,109 school-aged youth were shot
  • 216 of those were killed.
  • Nearly half of Chicago’s homicide victims are young people between the ages of 10 and 25

 Source: National Forum on Youth Violence Prevention.

Young People Feel Invisible

In his masterpiece novel, Ralph Ellison wrote about an Invisible Man. The nameless character was smart, talented, but found himself surrounded by one bad situation after the other. He was rarely seen — unless being used to push someone else’s agenda –, stereotyped and misunderstood until he self-destructed.

By the time Chief Keef’s video for “I Don’t Like” hit the internet, he was already a rising star in his hometown. The 4-minute clip was polarizing.  Blunt after blunt was being smoked, lidded eyes, guns, and male posturing from a bunch of little boys who were on house arrest instead of in school. While some accepted it as entertainment, others saw past the music to a larger issue. Reality sets: For every Chief Keef we see on Youtube or hear on the radio there are thousands of young “invisible men (and women)” who go unnoticed until something bad happens.


Keef was accused of being connected to murder even sending tweets that mocked the death of enemy rapper Lil’ JoJo. We called him careless and a troublemaker. He couldn’t speak, couldn’t rap. We rooted for him to go to jail, for his album to flop; we damn near wrote his obituary. Record executives saw a cash cow and signed him to a reported $6 million deal.

We treated him like a grown man while ignoring the fact, “He’s only 16.” He’s no Diggy Simmons. Keef was in the big leagues, where most of the stars are twice his age.

As hip-hop gets older, its artists get younger.  Their knowledge of hip-hop’s origins and principles are limited. Being part and respecting the legacy isn’t important. Therefore, when 50 Cent and Young Jeezy tried to mentor Chief Keef, he snubbed their mentorship. Now Keef is left on his own surrounded by inexperienced peers and enablers while he spends 60-days in an Illinois youth center for violating parole, fights a child support case and navigates a music industry that cares more about instant sales than longevity.

Real mentorship has to be put in place for rising stars, and they have to accept it. In Chicago, programs like Becoming a Man (B.A.M.) teach young men socio-emotional skills and train young people to understand their thoughts and actions. Mentorship can and will help young people realize the value of their own lives making them less likely to take someone else’s.

Gun Laws are Largely Ineffective in Inner Cities

After the tragic mass shooting in Newton, Connecticut — which killed 26, including 20 children — President Obama’s quickly set the ball in motion for stiffer gun controls. The President’s plan includes:

  • Criminal background checks for all gun sales
  • Reinstating the assault weapons ban
  • Restoring a 10-round limit on ammunition magazines
  • Eliminating armor-piercing bullets
  • Providing mental health services in schools
  • Allocating funds to hire more police officers
  • Instituting a federal gun trafficking statute

The plan will be debated for its effectiveness in stopping mass shootings. But, it clearly will have little to no effect on inner city violence. Most urban gun violence is committed with illegal or stolen guns, experts agree that what will be required in cities is a change of culture. In Black and Brown Chicago, with its high number of broken homes, a high unemployment rate (contributing to robbery homicides), and a strong gang culture,  no political plan is enough to reverse generations of violence. Add to this, thousands of illegal guns, a culture of anger and a lessening sensitivity to violence and the powder keg erupts.

Chicago is a tale of two cities.

There’s are the high murder rates and violence in the hood. Then, there the city that President Obama and Oprah call home; the city where the First Lady and First Daughters were born. The President was a Senator from Illinois before his meteoric rise to the White House. Now, former White House Chief of Staff, Rahm Emmauel is Mayor of Chicago. There was a hope he would bring some of this Obama power to help change the city. No such luck. Perhaps, people don’t know how bad the situation is. When the media focuses its attention on gun violence, it’s on mass shootings, deadly, but rare. Not cities like Chicago where more locals were killed in 2012 than American soldiers in Afghanistan.

It’s easy to point fingers or ignore what is going on in Chicago. Tweeting RIP isn’t enough to evoke change. It’s time that we recognize the young people growing up on our music and acknowledge that some of it may be affecting them in a negative way. It’s time to mentor emerging rap artists. It is time for hip-hop to put less emphasis on guns and murder in lyrics. It is time for hip-hop to establish a true social agenda and use our power for the good of the communities from whence we came and to whom we speak. Because Chief Keef, belongs to all of us, and his story is all of our story and the ending is ours to write.

ALSO READ: A History of Violence: The Black Gangs of Chicago

A History of Violence: The Black Gangs of Chicago

…It’s a war going on outside we ain’t safe from/I feel the pain in my city wherever I go/314 soldiers died in Iraq, 509 died in Chicago…” Kanye West, Murder to Excellence

Money, Power, and Respect three key ingredients to cooking up the perfect story, be it a gritty street novel from Donald Goines, or street dreams of a corner boy trying to be the man. The allure of the street life has been synonymous with hip-hop since the days of Kool G. Rap and Slick Rick.

Hip-Hop’s obsession with gangs, crime and tales of rise to power keep us hooked. Look at how many rappers who’ve been influenced by films like Scarface and Paid in Full.  However, there is a big difference when the violence you see on TV or hear in song is played out in real life and the both the victims and culprits of children.

The city of Chicago is under attack! Not by insurgents, or terrorists but by misguided youth who have no remorse for gunning down another human being in cold blood.

Chi-town has a rich history in the arts and culture, but there is also a darker history that Chicago is known for — Violence.

Black Gangster Disciple Nation

hoover
Leader of the Gangster Disciples

“Supreme Gangsters” was the name 12-year-old Larry Hoover and his friends adopted as they ditched school riding the trains through Chicago. In the late 1960s, The Disciple Nation lead by David Barksdale (pictured below), and the Gangster Nation lead by Hoover merged to form The Black Gangster Disciple Nation. Under the leadership of both men, an array of other gangs formed. Hoover adopted the moniker  “Prince Larry.”

History of The Gangster Disciples:

David Barksdale

Also Known As: Folk Nation, GDs, BGD’s

Colors/Symbols:  Major symbols include a three-point devil’s pitchfork pointed upward and a heart with wings. The use of several colors, including black, gray, silver and white.

Known Rivals: Vice Lords or The Almighty Vice Lords

Rapper Rick Ross made Larry Hoover a household name with the chorus of his song “(BMF) Blowing Money Fast” off the Teflon Don Album.

Vice Lords

Vice Lords

In the late 1950’s in the Illinois State Training School for boys, the Vice Lords came to be a full-on gang running in the west side of Chicago. Before coming the “Almighty Vice Lords” or “Conservative Vice Lords,” they were an athletic club called “14th St. Clovers”. The Clovers began getting into trouble which led to incarceration.  There, they united with others from Northside, Westside, Southside Lawndale Boys to form The Vice Lords under by Edward Pepilow Perry. It wasn’t until many of it’s members were released from prison that the gang began to wreak havoc on the citizens of Chicago making it the most violent gang of the mid-1960’s.

Also Known As: People Nation, ACVLN, VL’s, Unknown, Traveling, Insane, Conservative and Four Corner Hustlers.

Colors/Symbols: 5 Point Star/Bunny with a bow tie/ Tophat and pimp cane/Crescent moon/Champagne Glass/Ring of Fire with a pyramid around it. Colors include black, gold and red, as well as Pittsburgh Steelers/Pirates attire.

Listen to the “One Blood Remix” with just about every hip-hop notable from Nas, Styles P, Jadakiss, Bun B, Snoop Lion (Snoop Dogg), and more.

4 Corner Hustlers

4

The Four Corner Hustlers was founded in Chicago, Illinois in 1969 by King Walter Wheat and Freddy Malik Gauge. The violent gang became a close ally of the Vice Lords in 1977 and began extorting area drug dealers in Chicago’s west side. As hundreds of the gangs members found themselves in state prison, the gang decided to alliance itself with the All Mighty Vice Lords Nation in 1986 as a form of protection against its rival, the Gangster Disciples Nation. The gang remains small in prison but is known for its brutality and organized gang structure on the streets of Chicago.

Also Known As: All Mighty Vice Lord Nations

Colors/Symbols: 4CH logo or a black diamond. Colors are black and gold.

These gangs were at the forefront of the changing Chicago over from a heavily Mafia run city to one overrun by young black gangs. As the years passed, their direction and tactics may have changed but their impact on the young men and women of Chicago continues to grow. Reports of young murdered kids in Chi-town have begun to fall on deaf ears but. However, there is no way to ignore the problem if we first acknowledge its origins.

ALSO READ: The Creation of Chief Keef: Fixing Chicago’s Teen Murder Culture

New J. Dilla Lands In Stores February 5, In Anticipation Of Album “Music From The Lost Scrolls”

(AllHipHop News) New music from legendary producer J. Dilla will land in stores next month, just in time to honor his birthday (February 7, 1974) and his passing (February 10, 2006).

Music From The Lost ScrollsThe family of the late J. Dilla, born James Yancey, is preparing for the full length release of Music From The Lost Scrolls Vol.1 , which feature all unreleased material created by the late producer, who died from complications of Lupus.

The first release from the project is a special 10″ vinyl record featuring the songs “DeWitt To Do It” and “Smack A B**ch” while the B-side has contains Yancey Boys single “The Throwaway” (featuring Frank Nitt) and another J. Dilla track titled “Ruff & Rugged.”

Music From The Lost Scrolls Vol.1 is an album officially sanctioned by J. Dilla’s mother Maureen “Ma Dukes” Yancey and his Estate.

The album, which is being assembled by Frank Nitt from the Hip-Hop group Frank N Dank,is being released in partnership with Hip-Hop label Delicious Vinyl.

Most of the music will come from material that incredibly, was discovered in April of 2012, in a storage bin which contained tapes, manuscripts and other possessions owned by the groundbreaking producer.

The new 10′ vinyl from J. Dilla’s Music From The Lost Scrolls Vol.1 will be released on February 5.

On February 9, an all-star group of Hip-Hop artists will honor J. Dilla in his hometown of Detroit.