homepage

EXCLUSIVE: Soulja Boy Accused Of Stealing “Swag Daddy”

(AllHipHop News) Rapper Soulja Boy has been hit with a lawsuit from a Miami producer, who claims the rapper stole the track for his single “Swag Daddy.”

Hip-Hop Frat House and Michael J. Garcia filed the lawsuit against Soulja Boy and his label S.O.D. Money Gang Entertainment Inc.

The lawsuit, which was filed on September 14, claims that Hip-Hop Frat House and Garcia attempted to develop a relationship with Soulja Boy.

A representative for Hip-Hop Frat House submitted the copyrighted track “Racks,” which was produced by Michael J. Garcia, for Soulja Boy to consider.

A copy of the song was submitted to Soulja Boy’s email address, So**********@***il.com.

Despite attempts to follow-up, a representative for Hip-Hop Frat House received no reply from the rapper or his representatives.

They were shocked when they heard Soulja Boy rapping over the track “Swag Daddy,” several months after submitting the musical composition.

“Swag Daddy” was released for commercial sale on the album “21:EP.”

The lawsuit claims that Soulja Boy has created a new brand called “Swag Daddy,” based on the musical composition Hip-Hop Frat House and Garcia own.

They are suing the rapper for damages and attorney fees, to be determined by a jury.

Check out copies of the lawsuit below:

Hip-Hop Rumors: Amber Rose Tweets Provocative Bare Belly Pic!

Wiz Khalifa and Amber Rose utilized the MTV VMAs and told Sway exclusively that Amber was pregnant. Not a big surprise, being that she had put on weight, was walking around with her hand on her belly, and was dressing very frumpy lately – and Amber has never been one to cover up.

Well, now that her secret’s out, Amber is going back to the sexy beast that we know and love – and she’s not letting a little baby in her belly stop her from showing off that hot bod. Check out the photo she posted yesterday on her Instagram.

I know we’ve seen Amber in less clothes than this, but she’s with child now. Do you think the photos are a little too provocative now that she’s going to be a mommy?

Email me your rumors at Sy***********@***il.com

GET INTERACTIVE WITH ALLHIPHOP.COM!

Follow us on Twitter! Like us on Facebook!

Email Sydney Lace rumors: Sy***********@***il.com

CONCERT REVIEW: 5th Annual Akron Showcase Features De La Soul, Pete Rock & CL Smooth, Special Ed And More

While many during early September were in Philadelphia for Jay-Z’s Made in America Festival, another event was happening 400 miles away, and it was no less historic.

Akron, Ohio was the location for the Fifth Annual Akron Hip-Hop Showcase, and while the city was smaller in size, the show’s impact was not. Put on by Keepers of the Art, the annual showcase featured performances from De La Soul, Pete Rock & CL Smooth, Special Ed, Jeru the Damaja, and Mick Boogie making this night of nostalgia feel more like New York in 1994 rather than Ohio in 2012.

“It was off the hook, man. It was a dope party tonight. I hope they keep it going,” Maseo of De La Soul said.

For the first time in a very long time, Pete Rock & CL Smooth hit the stage together on American soil and didn’t seem to miss a beat. Performing all of their classic hits together, the legendary duo prompted an audience of old school heads to reminisce in their glory days.

“I find it funny that the music that I made as a youth is still relevant today,” CL Smooth said. “It’s timeless, it’s outlasting, it’s doing the things it needs to do because we picked such rich music, and when everybody was going right, we were going left.”

By the time the producer/MC combo hit “T.R.O.Y. (They Reminisce Over You),” the crowd was loud, proud, and repeating every word Pete and CL transmitted through the speakers. The duo says they feel their message is one that is important and have always been in a position to speak for those who can’t.

“Any time you have a platform that you can talk to people in the masses, it’s your obligation to be a gentleman, to be a lady, to be responsible – not because of you, but because of the position you have. And so many people want to be in your position,” CL said.

Before the duo hit the stage, the showcase of legends began with an extremely live performance by Jeru the Damaja, as he performed classics like “One Day” and “Da Bitchez”, finishing with the prominent “Come Clean”, which received appropriate crowd reaction.

Special Ed subsequently continued to keep the show rolling, performing some of his more well-known songs.

The show finalized with a surprise as Dres from Black Sheep – and now EVITAN – made an appearance onstage during headlining De La Soul’s set and performed “The Choice is Yours” to an electric standing ovation from the audience. De La didn’t disappoint, trotting out anthem after anthem and finishing with “Me, Myself, and I.” All performers distributed their classic material as if it were Rock the Bells, and they helped remind those in attendance that timeless music never gets old.

“It makes the songs feel new again,” Maseo said. “We tour about six to eight months a year for the last 24-plus years, and songs can get old to you, you can get tired of doing the same stuff. But when the audience is out there engaging in the material and the show, it makes the songs sound fresh.”

With Keepers of the Art hosting the event, preserving Hip-Hop culture became an expressed concern by many of the acts performing. Hip-Hop music’s vibrancy has been growing ever since its commercial exploitation during the early 1990s, and now, its popularity is as high as ever. With this, a lot has changed in the genre and those who were on top during the “Golden Era” wanted to have their say in the matter.

“I think right now the scale is leaning heavy on business and that’s cool,” Trugoy of De La Soul said. “It’s good to see young dudes and women making money and launching some amazing things, but when you’re talking about music, it shouldn’t always be about the dollar.”

“I think what we do need is a bit of balance,” said Maseo. “If they can bring a little more creativity to the plate, take some more chances; you’ve got a lot of artists consciously going into corporations and delivering what the label wants.”

Production was also a focal point as the instrumentals of the night were a flashback but nothing short of inspiring. Sampling and record digging have slowly become less and less popular in Hip-Hop today but is only second nature to all of Hip-Hop’s greats.

“Coming from Pete Rock you’ll always hear something raw or funky, that’s just the way I am, that’s just the way I was raised,” Pete Rock said. “We grew up off of Isaac Hayes, Barry (White), James Brown, all the important groups. All of that did something to us when we were kids.”

The Hip-Hop Showcase was also a time for the artists to reminisce themselves providing a reminder of why they do what they love.

“I love these dudes, I can’t see myself doing it with nobody else,” Maseo said. “Overall, we came in with a common goal, to be a group, and we friends from high school. I’m not going to sugarcoat it like we don’t have our problems, but one thing about being family is being able to work through your trials and tribulations with any problems.”

“More than anything, I get acknowledged for something I did so long ago. It’s a lot of love, and that’s sincerely how I felt,” said Dres. “These are the cats you want to model yourselves after, they do real Hip-Hop. It’s never about how much money I spent on this chain or rims on a car that you’re never gonna own. It’s about relating to the people and bringing it forward.”

“It was about being unique, it was about being original and about being yourself,” CL Smooth said. “It’s hard work and dedication. What you put into something, that’s what you gonna get out of it. If you plan is to be the best basketball player than you gonna stay in the gym and shoot a thousand jump shots a night.

“There’s so many cats from my block that never leave it so it’s like taking them here to play land to see anything else so that’s the blessing of it.”

Epic Fail Of The Day: Teenager Tweets HIV Results And Mistakes Being “Positive” For Being “Clean”

A 19-year old girl did the right thing and got tested for HIV; unfortunately she did not understand her results and posted it on Twitter, thinking that she was in the clear.

The young woman tweeted, “My HIV results came back positive. I’M CLEAN.” Her Twitter followers quickly gave her the bad news and told her that “positive” meant that she had contracted the disease. MediaTakeOut grabbed a screen shot of her tweets. Check them out below:

This is an epic fail of the day for a number of reasons. First, who in the world tweets their STD results. Second, how does she not know what HIV Positive means? Third, why would she think that the doctor wants to “congratulate” her on her status, even if it was negative?

People post way too much personal information on social networking sites. ‘SMH @ #thisgirl’

(AllHipHop says be safe. Get tested.)

Email me your rumors at Sy***********@***il.com

GET INTERACTIVE WITH ALLHIPHOP.COM!

Follow us on Twitter! Like us on Facebook!

Email Sydney Lace rumors: Sy***********@***il.com

Hip-Hop Rumors: Wyclef Says Lauryn Hill Lied On Paternity Of Zion – “She Led Me To Believe The Baby Was Mine”

If you ever thought you would someday see the Fugees get back together, you can kiss that dream goodbye. In Wyclef’s new book, Purpose, which is in stores tomorrow (September 18), the talented artist and producer blows up Lauryn Hill’s spot, and reveals that she lied to him about the paternity of her child, Zion.

In the new book, Wyclef claims that although he was married, he and Lauryn carried on an affair that led to her getting pregnant. Wyclef says that Lauryn told him that the baby was his up until the baby was born, and that’s when he found out it was actually Rohan Marley’s child and not his. Take a look at how he explains it in his book:

“In that moment something died between us. I was married and Lauryn and I were having an affair, but she led me to believe that the baby was mine, and I couldn’t forgive that,” Jean writes in “Purpose,” at which The Post got a first look yesterday.

The Haitian-born Jean says the betrayal by Hill led to the band’s 1997 breakup. “She could not longer be my muse,” he wrote. “Our love spell was broken.”

Wow!!!!!!!! Do you think Wyclef should have revealed that tidbit of information? OR, should he have gone to the grave with that one???

Source: NY Post

Email me your rumors at Sy***********@***il.com

GET INTERACTIVE WITH ALLHIPHOP.COM!

Follow us on Twitter! Like us on Facebook!

Email Sydney Lace rumors: Sy***********@***il.com

J Diggs Due in Court In Hawaii Today; Charged With Assault and Attempted Murder

(AllHipHop News) Thizz Entertainment President J Diggs is due in court today, after he and three members of his entourage were arrested in Hawaii and charged with assault and attempted murder, after a brawl in a bar on the island of Waikiki.

The men were arrested last weekend after they were thrown out of the Big Kahuna bar & grill. As they left the restaurant, a confrontation with security guards ensued.

J Diggs and his associates stood across the street from the establishment and when the security guards approached them away from the venue, a violent altercation erupted.

“Me and three of my entourage got kicked out of Big Kahuna bar and grill. The security punched of my dudes in the jaw as the police were pulling up, so we went across the street and posted on the strip,” J Diggs explained. “Four large island security guards came across the street demanding us to get off the strip and that’s when it turned into an all-out brawl on Waikiki beach. I was charged with slapping and beating a 6 foot 4, 320 pound security and his friend with a board. Another dude throat is cut. And three out of the four went to the hospital with major head back and neck wounds. The dudes wrote statements against us and we were all charged.”

According to reps for J Diggs, the rapper has security footage that will prove the security guards were the aggressors.

J Diggs was released on $150,000 bond.

AHH Stray News: Nipsey Announces New Victory Lap Mixtape; Talib Releases POC Tracklist; Chief Keef Instagram Shut Down

(AllHipHop News) Nipsey Hussle has announced that he will be releasing the third installment in his “Marathon” series of mixtapes with the release of the “TM3: Victory Lap” mixtape.  No word on if this will be the final project in the mixtape series, since Nipsey merely Tweeted the anticipated release date for the project. “TM3 Victory Lap 12.21.12 rt now,” Nipsey Hussle said from his Twitter account @NipseyHussle.  In addition to his own work, Nipsey has been busy as of late as Game announced that Nipsey would be on his Jesus Piece project, and DJ Drama recently released a single off of his forthcoming album,Quality Street Music that features the Crenshaw representer.

Chief Keef had his Instagram shut down over the weekend after posting a photo of him receiving sexual favors. This is the second time in as many weeks that Chief Keef has had issues with his social networking platforms. Twitter got the “I Don’t Like” Chicago rapper in hot water with the Chicago police, after a series of controversial tweets about slain Chicago rapper Lil JoJo. Based on Instagram’s terms of use, there are to be no nude photos posted, thus Keef was in violation of the application’s terms of use.

Talib Kweli recently released the tracklisting for his highly anticipated project Prisoner of Conscious, set to be released on his own imprint Blacksmith Music. The project features the likes of Melanie Fiona, Nelly, Miguel, Curren$y, Kendrick Lamar, Busta Rhymes, Seu Jorge and many others.  Prior to the release of his Prisoner of Consciousness album, Talib released a mixtape earlier this month called  Attack the Block with the famed DJ Z-Trip.  The Attack the Block project features Mac Miller, Lil Wayne, Killa Mike, Black Thought, Ab-Soul, Jay Rock, Styles P, Skyzoo, John Forte, Maino, Posdnous, Fashawn, Cory Mo, Maino, Das Racist and others. Tracklisting below.

01. Human Mic
02. Prisoner Of Conscious
03. Ready Set Go f. Melanie Fiona
04. Upper Echelon
05. High Life f. Rubix & Bajah
06. Kilo’s of Love
07. Before He Walked f. Nelly
08. Come f. Miguel
09. Push Thru f. Curren$y, Kendrick Lamar & Glen Reynolds
10. Hold It Now
11. Delicate Flowers
12. Hamster Wheel
13. Rocket Ships f. Busta Rhymes
14. Favela Love f. Seu Jorge
15. Can’t Barely Breathe f. Amber Strother

Hip-Hop Rumors: Mariah Carey And Nicki Minaj Already Beefing On American Idol! Deacon DMX?

This show ain’t big enough for the two of us!

This is like an old fashioned show down from the Cowboys Days. Mariah vs Nicki. It would seem that the good folks over there at TMZ have sources that reveal that these two are fighting. Now they aren’t actually throwing blows. But, the show is in the earliest stages of voting and they are clashing as they are evaluating singers/performers. So, for example, Nicki may be talking to a contestant and Mariah will cut her off and essentially disrespect the rapper.

I don’t think Nicki wants Nicki Cannon to jump in the fray like he did when Eminem stepped out of line!

Here is that diss from back in the day.

“Well I NEVER!”

DEACON DMX?

According to rumors, DMX has gone and become a Deacon at a church! Now, this is just a rumor report, but I’m not sure I believe it. Why? Becoming a deacon is serious business and its not easy. I know people that have tried and are still working on it. So, could a hardcore, Henny-drinkin, Drake-hatin’ rapper be a deacon? I’m not sure. But, they are saying that the church that gave him this appointment is the same church he grew up in. DMX told AllHipHop that he’s going to one day give himself to the church, but not in a Ma$e way. He won’t be flipping back and forth between Hip-Hop and the church. He will be the church or bust! Meet me outside…THE CHURCH!!!!
By the way, DMX just released a new album, click here to cop it!

Email me your rumors at ki*********@***il.com

GET INTERACTIVE WITH ALLHIPHOP.COM!

Follow us on Twitter! Like us on Facebook!

Email illseed rumors: ki*********@***il.com

Rappers Dominate Nominations For 2012 MTV EMA Awards

(AllHipHop News) American Hip-Hop artists dominate the nominations for the 2012 MTV EMA Awards, which will take place live in Frankfurt, Germany.

Jay-Z and Kanye West landed three nominations each, bested only by Justin Bieber and Katy Perry, who have for EMA nominations.

Pitbull and Chris Brown’s single “International Love” is up for Best Song of the Year, while Nicki Minaj will battle Katy Perry, P!nk, Taylor Swift and Rihanna for Best Female.

Jay-Z, Kanye West, Flo Rida and Pitbull will take on Justin Bieber for Best Male.

Other notable nominees include Drake, Nas and Rick Ross who are up for Best Hip-Hop Act, as well as A$AP Rocky, who will battle Taylor Swift, Jack White, Rihanna and Nicki Minaj for Best Look.

B.oB. will take on Snoop Dogg, Flo Rida, Sean Paul and others for Best Stage, while Pittsburgh rapper Mac Miller is up for the Best Push Award.

The 2012 EMA Awards will air on Sunday, November 11 at 9:00 PM from FestHalle in Frankfurt.

Hip-Hop Rumors: Did Meek Mill Get Dropped By Previous Manager?

 

This is an interesting rumor that I just picked up off the streets of Philly. Now, this is something I didn’t know. Charlie Mack, a Philly legend, was the previous manager for the young bull before he got down with Roc Nation.

RELATED: Hip-Hop Rumors: Meek Mill And Roc Nation Beefing Already?!

So, for those of you that don’t know Charlie Mack – from what I know – got his start as the bodyguard for Will Smith and Jazzy Jeff. Well, since those days, he’s grown into a positive pillar in the local community and remains to be well respected to this day. I heard that at a community event that he was doing, a girl asked Charlie Mack how he could manage a rapper such as Meek Mill that is seemingly opposed to all the positive things he does in the ‘hood. It was told to me that Charlie Mack had no response to the query. About a week or two later, he stepped down as the manager for one of the hottest rapper in the game. Shortly thereafter, Meek got down with Rock Nation.

What do you think of that? Crazy.

And with that, I present: “1st Out The Limo” in all of its corny glory! LOL!!

Email me your rumors at ki*********@***il.com

GET INTERACTIVE WITH ALLHIPHOP.COM!

Follow us on Twitter! Like us on Facebook!

Email illseed rumors: ki*********@***il.com

Project Pat Returns With “Belly On Full Part 2”

(AllHipHop News) Memphis rapper Project Pat is releasing the follow-up to his belly on full mix tape with Nasty Mane, titled Belly On Full Part 2.

The release of Belly On Full Part 2 also marks the launch of Project Pat’s own company, Money Train Management. Money Train Management is being distributed by Memphis – based distributor, Select-O-Hits.

Project Pat tapped his brother/long time collaborator Juicy J for the lead single “P.O.L.O. (Horse Power).”

“I’ve been fortunate enough to maintain a career and produce music that people love for over a decade now,” Project Pat said. “I feel like in this digital era there are opportunities at every turn to reach new ears, and I hope that Belly On Full 2 continues my reputation for giving the people what they want.”

Check out the track list for Belly On Full 2 below:

01. Ratchet Bish
02. Check The Forecast
03. Kush Ups
04. Shotz
05. F#ck a Bish
06. POLO ft. Juicy J
07. Hatin Azz Ni**as
08. She Rollin
09. Never Kno
10. I Got It
11. I’m An Alien
12. Don’t Judge Me
13. Ain’t It Mane
14. Smoke on this Purple
15. Pop This Pill ft. Gorilla Zoe
16. Better When U High

Absolute Reason: What Do You Want With My Girlfriend??

Lamborghini Mercy,
Your chick she so thirsty.
I’m in that two seat Lambo,
With your girl she tryna jerk me.

Maybe it’s just me, but doesn’t it feel like every rapper wants in, on your relationship? There’s just something about your girlfriend these rappers can’t get enough of. They want to drive your girlfriend around in their Lambo. They want to take your girlfriend on shopping sprees on Madison Ave. They want your girlfriend to engage in sexual relations, with their male parts. All as a show of disrespect to their foes, their haters, and – let’s be honest here – their fans. And there’s a perfectly good explanation for it.

First of all, you could say just about anything on broadcast radio except for metaphorically killing people on your songs. What else is there for an MC to do if he can’t lyrically murder you? He could get at your woman. Your woman is a direct link to your pride. She is the heart and soul of your ego. It is through your woman that your strength is amplified. So ultimately, your foes see your woman as your weakness; get to her, tell the world about it, and you’re credibility takes a huge hit. But where did the increase in lyrically girlfriend thievery begin?

Did it all start with Positive K? Positive K wasn’t trying to take “No” for an answer in his 1992 hit “I Got a Man”. And right before you try to say that I’m reaching, if every young rapper today is claiming to be 25 years old, they were five when this song came out. The song reached #14 on the Billboard Top 100 in 1993, which meant it played enough to plant a seed at a time when Radio was King. Positive K never got the girl. But his outright arrogance and perseverance inspired an entire generation to not taking 20 no’s for an answer.

Or, do we place the onus on Tupac Shakur’s 1996, 6x Platinum diss record, “Hit ‘Em Up”? Rap fans and Urban Media were sideswiped and in awe of Tupac’s aggressive tirade against an old friend turned foe, The Notorious BIG. The moment we heard:

You claim to be a player, but I f*cked your wife…

Rap fans went ballistic. ‘Pause’ and ‘Rewind’ buttons were broken on cassette decks and CD players across the nation. We just couldn’t believe it. He did what?! Is it true? It must be true because we heard it on a Rap song (insert sarcastic look here). True or not, it was a cold-blooded line. At the time, you couldn’t say anything more ill-mannered to another man. An East Coast/West Coast feud kicked into high gear (side note: the East Coast still loves you, Snoop Dogg), and we all know the heartbreaking outcome. But did it truly begin with shots being fire at or from Tupac? Don’t answer that.

Five years later, Jay-Z raised the “your girlfriend is hot in bed” bar, with the release of “Super Ugly”, the uncharacteristically emotional answer to “Ether”.

Me and the boy AI got more in common,
Than just ballin’ and rhymin’, get it, more in Carmen,
I came in your Bentley backseat, skeeted in your jeep,
Left condoms on your baby seat.

In all, Jay-Z name dropped Nas’ ex, threw a few logs on the fire of Iverson’s declining personal life, and distastefully involved Nas’ daughter. Although the diss took disrespect on wax to another level, the results of the song backfired for “God MC Jr.”. For the first time in his career, Jay-Z appeared to be frazzled, vulnerable. And nothing showed how dark “Super Ugly” turned than a call to the station from his mother. In this case, women of all ages paid the price.

Of course, you have 50 Cent vs. Rick Ross. And we saw how far 50 took it. I’d rather not talk about it because children were literally brought into it. Only in Rap music, you’ll find people taking disrespect to a whole new level and being rewarded for it.

Wait! How I could’ve forgotten the one song which epitomizes “I’m a rapper and I want your girlfriend”, Nelly’s 2002 record breaking hit, “Dilemma”. Nelly achieved where Positive K failed 10 years prior; he got a piece of the girl (who had a man) and was celebrated for it! Not to mention, he ‘Bone Thugged’ his way through ratchet lyrics such as:

I like your steeze, your style, your whole demeanor,
The way you come through and holler and swoop me in HIS two-seater.

That’s not gangsta-a-AH. Yes, the song was catchy. Billboard ranked it #11 for the past decade of music. A rapper crooning to a bored not-so-single mother. But really? You’re both about to risk life and limb for the thrill of driving around the city, only for Nelly not to adjust the seat back to how your boyfriend remembers it to be. Ladies, we remember those things.

And here is my Absolute Reason:

If we could learn letters and numbers from yellow birds and purple dinosaurs, we could learn deceit and dishonor from an optimistic letter, the son of a Black Panther, Mr. East Trenton Grew Me, Unicron, and a Nelly. Theme music comes in all forms. Music can teach us how to steal or be stolen. Rap music could make what is unacceptable for one generation, the only thing that matters for the next. And, while rappers wanting our girlfriends won’t go anywhere anytime soon, we all can learn a lesson from them: Women are EVERYTHING.

They wouldn’t want your girlfriend if they didn’t feel you cherished her. They wouldn’t test your “Boss” by trying manipulate your girlfriend or ex-girlfriend (which shows you the level of desperation to make their foe look bad) if she wasn’t special to you. They’re willing to ruin their own relationships, to hurt another man’s feelings out here. There are better ways to place our women on pedestals than this. And far better ways to talk smack. You’re a writer, be creative for once.

Editor’s Note: Check back for more of Deshair’s new “Absolute Reason” column. Beware, industry. He’s calling out ratchetness, jankiness, corniness, and other forms of Hip-Hop wackness. And, well…we love it!

Homecoming or Homecoonin’: Can HBCUs Save Hip-Hop?

“She’s so self conscious/has no idea what she’s doin’ in college” – “All Falls Down” – Kanye West

On the block, he was once known as “Big Ferg.” Now, after a couple of years at Hillman College, he prefers to go by his government name, Hamilton Winston Ferguson III. He no longer has time to kick it with the homies like he did back in the day. Nah, he’s too busy discussing philosophy, economics, and heavy intellectual stuff with his new, upwardly mobile college chums. However, every homecoming weekend you can find him in the club, gettin’ tipsy, and rockin’ to Rick Ross. No different than the brothers on the block he left behind…

It’s that time of year again. A time for football, elections and most importantly, college homecomings. Matter of fact, at most HBCUs (Historically Black Colleges and Universities), homecoming even surpasses graduation weekend as the social event of the year.

However, the question that I have always had is, how do our institutions of “higher learning” always manage to find the lowest form of entertainment for their homecoming shows? Is there some unwritten rule that you have to get straight ig’nant every homecoming weekend ?

Don’t get me wrong. I get it. After spending four hours a day slavin’ over books in boring classes, every homecoming weekend (or in many cases, every single weekend), students feel the need to get their party on, and blow off some steam. But some people have to cope with harder situations. What about the Brothers and Sisters trapped in the ‘hood who say that the reason that they walk around with a 40 and a blunt all day, with Gucci Mane blastin’ through their headphones, is to escape the pain of ghetto life ?

What is sad is that Black colleges have always been viewed as the breeding grounds for future leaders who are gonna take African Americans to the next level. So why do they support rappers who are hell bent on leading our children down a path of destruction by paying them major dollars to perform at their homecoming shows every year?

Contrary to popular belief, Hip-Hop artists (unless they are 50 Cent status) don’t make their money from CD sales. The newer artists make their dollars by touring clubs and college campuses. And homecoming season is their time for cashin’ in.

So although, we try to blame the current state of Hip-Hop on Hen-Dog from the ‘hood who is always downloading Waka Flocka Flame CDs, or Lil Bobby from the ‘burb’s who gets $15  from mumsy very Tuesday to vicariously rep the ‘hood through Lil Wayne, the real culprits are the college brainiacs who actually bankroll the mysogynistic, minstrel murda music.

Some like to give rappers like Chief Keef a pass, sayin’ that they are just reppin’ their hoods. Problem is, if you are reading this while chillin’ in your dorm room, listening to a Chief Keef mixtape, you ain’t. Actually, you are guilty of exploiting the people who really have to live that way for your own entertainment pleasure.

Traditionally, college students are supposed to be representing the best hopes and aspirations of an entire race. Although many students are beatin’ people over the head this fall about how our ancestors “died for our right to vote,” what about those who died for our right to read a book? What is your responsibility to them?

This is not to say that all college students have neglected their responsibilities.

Back in 2004, a group of women at Spelman College protested against Nelly’s “Tip Drill” video, causing the rapper to abort his visit to the campus instead of facing the music. Also, back in 2009, students at FAMU and NC A&T demanded to know why their student funds were going towards modern day minstrel shows.

The responsibility also rests on Black students on predominantly White college campuses, as they also have the worst forms of Hip-Hop at their homecoming events. If Black college students on these campuses allow rappers to run across stage droppin’ the N-bomb all homecoming night, they should not be upset when their college professors greet Biffy the next Monday morning with “ good morning Mr Armstrong, “ but give Tyrone a fist bump and say, “what up my n*****.”

Can Black college students really change Hip-Hop? Of course they can.

There are many examples of entertainers who became superstars based solely on the support that they received from White college campuses. (Hootie and the Blowfish being just one example.) They even created their own genre called Frat Rock. That begs the question, why have Black college students not rallied behind political Hip-Hop artists that kick knowledge, instead of supporting every hot new artist on the radio talkin’ nonsense? Maybe they could create a genre called “HBCU Hip-Hop” that represents the mission statement of their schools?

Bun B at Rice University

Also, perhaps they could use their Hip-Hop classes for forums to develop ways to use rap music as a way to make social, political, and economic changes in society, instead of as a way to get an easy A or kill time discussing who is the greatest lyricist of all-time, Jay-Z or Biggie?

Fortunately, on every campus, there is always that courageous person who is not afraid to speak the truth. There is that small group that appreciates real Hip-Hop. Somewhere, there is an underground organization that is willing to go all out, to make sure that Black children have a future. This is the movement that will bring change. And when those revolutionists link up with like minds on other campuses, you will see not only a change in Hip-Hop, but the condition of the Black community in general.

Unfortunately, most college students are tryin’ too hard to be like “the streets” instead of inspiring the streets to be like them.

Rakim told us back in the day that “follow the leader is the title, theme task.” But what happens when there are no leaders to follow?

TRUTH Minista Paul Scott’s weekly column is “This Ain’t Hip Hop,” a column for intelligent Hip Hop headz. For more information on the “No Warning Shots Fired” lecture series, contact in**@*****************ed.com or visit No Warning Shots Fired.com. Follow on Twitter (@truthminista).