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Hip-Hop: Home of the Brave

Hip-Hop andAmerica– they’ve almost become synonymous these days for the unapologetic pursuit of happiness (a.k.a. the American dream) that’s fostered in their patrons. While some may argue that Hip-Hop’s sentiments which rage against the establishment are anti-American, others stand convinced thatAmericais diametrically opposed to Hip-Hop as well. Yet, in reality, they’ve come to represent the same sad detriment of what can happen when a movement which began with noble intentions becomes warped – driven by greed and opulence.

Over the years, I’ve openly voiced critique of both Hip-Hop andAmerica. I’ve written poems and articles that explore my frustrations with the current state of affairs and the politics and policies of each which I feel are undermining the most valuable resources of our community: the youth (or in some adult cases, the young-minded). The decisions that are being made by Hip-Hop’s artists and American congressmen have strayed from benefiting the constituents of these institutions in favor of lavishing themselves with opulence under the auspices of a “power for and to the people” mantra.

While this sickens me, what turns my stomach even more is the apparent approval of the majority who take what is shoveled into their eyes, ears and throats and crave for more! From Republicans who can rally up support for a tax system that burdens the have-nots and rewards the haves to rappers who can get us to sing along to and defend being ignorant, we seem to crave having our situations remain worse as long as someone can spin a few li(n)es into cool sound bites through the media. I’d be remiss if I didn’t mention Democrats as well who, akin to the Hip-Hop community, seek to exercise the right to express the freedom to choose what we say, listen to and act upon in our lifestyles; which when not wielded properly, can compromise one’s morals and integrity.

But for the purposes of this article, I’d like to forego the usual diatribe of the negative impact stemming from American capitalism and the commercialism of Hip-Hop. Instead, I’d like to focus on traits that, at their core, are the best of what Hip-Hop andAmerica have to offer. Offerings that have become easy for their biggest critics (such as myself) to overlook as we target their worst traits in order to redirect and aim for the best. Offerings that I liberally enjoy and utilize on a day-to-day basis myself.

In that, I present “The Best of Both Worlds Between Hip-Hop and America” (in no particular order):

Free(dom) for All: 

The ability to do things such as speak or openly exercise faith in a particular religious belief is a shared commonalty that links back to civil liberties. Americabecame its own country because of a desire to break away from the suffocating rulership of kings who chose what their subjects would read and worship based on their preference. In like manner, Hip-Hop became its own culture to branch away from and rage against an environment that was suppressing them; thus becoming a voice for a marginalized and voiceless people – free to celebrate the best while exploring and exposing the worst of their surroundings to the world.

The ‘Isms:

Capitalism and commercialism have aided Americaand Hip-Hop respectively by allowing free enterprise and a free market. ForAmerica, free enterprise set up the basic premise of entrepreneurship; allowing anyone with an idea to create or take over a market with their brand and… make money. Making money became a call to the American Dream, which Hip-Hop began to fully embrace in a free market where supply and demand has fueled the explosion of purchasing songs online – bypassing the red tape of record industry royalties and helping Hip-Hop continue to diversify its message to please and reach the masses. In other words, Hip-Hop’s fan base is growing and evolving thanks to commercialism.

Common Individuality/Moving the Crowd Beyond the Great Divide:

Americaand Hip-Hop both allow an individual to be who they are and, ironically, create a culture from said individuality. Coined as the “melting pot of the world,” America is supposed to accept those who are “the tired, the poor, the huddled masses yearning to breathe free, the wretched refuse of your teeming shore” (somebody should check Ellis Island to see if that statement is still there!) from all over the globe.

If we question whether or notAmericastill does that, there’s no denying it within Hip-Hop. Through its commercialism, Hip-Hop has unified cultures across the world that would otherwise never interact or share a commonality of differences beyond race, creed, and societal pressures. It is also a curious spectacle to note thatAmerica, in recent times, has inspired and united the world to both hate and love us; according to who’s been in office over the past two elections, respectively. A la Patrice O’Neal’s comedic commentary (God bless for a speedy recovery), the hate that people had for us provided its own international theme music!

Generations of Wealth:

In the spirit of capitalism, Americahas a “pull yourself up by your bootstraps” mentality that Hip-Hop embraces as well.  Generations of impoverished immigrants and poverty-stricken urban youth have embraced this emblematic concept to the point where they are able to generate wealth for the next generation. Look no further than the Will and Jada Smiths and Shawn and Beyonce Carters of the world. Coming up with poverty surrounding you should not dictate your children being exposed to it.

*

Granted, there are loopholes and exceptions to these circumstances but the opportunities are there inAmericaand Hip-Hop. And although we need to check these universal platforms for the content and moral compass being spread to the masses, there is no denying that there is no place I’d rather be and no music I’d rather embrace and be impacted by quite like America and Hip-Hop in their Golden Ages. That being said, let’s fix what we’ve inherited yet corrupted from our forefathers.

– excerpted from The Marred, Mangled Banner as published in Steel Waters VOLUME I:  DUPLicate AuthentICITY :

‘…It’s satirical it seems – how they could

celebrate the 4th with fireworks,

While they segregated our force with desired thirst

As they conspired and searched to

expire our worth with lynch mobs.

They drenched sod with red

that bled from open wounds

Then bleached it with white lies

which they hoped would consume…

But the notes that exude from

such tombs extol our tunes –

held within blue blood tainted from winced sobs.

Not even a casket, hearse and dirt nap

Could trap us worse than that.

Such a drastic curse damages the very theme

of The Star Spangled Banner.

I’m not anti-patriotic –

I’m just creating opposing ruckus

For the system that supposedly upholds the justice…

The one that’s slowly bludgeoned the flag

into a marred and mangled banner…’

– excerpted from The Struggle as published in Steel Waters VOLUME I:  DUPLicate AuthentICITY :

‘…Kweli knew enough to dub it best –

“Hip Hop’s the new WWF.”

Like Doug E. Fresh, it’s been beaten and boxed into a corner.

But this isn’t about Hip Hop per say –

It’s about one fan’s flip flopped survey…

One fan who both disses and jocks the wordplay of its top performers.

Instilled in my letters and entrenched in vents,

Rap’s a source of guilty pleasure and innocent discontent.

I’m vehemently rent between The Rock and hard-bassed Blues.

And as it’s publicized in publications,

Rap’s republic eyes utter a guise of repugnant hatred…

As its numbest patrons snub my statements –

unable to spot that their hearts ache, too.

With my pen as a monolith

To both model and topple it,

I’ve been pinned by the dogged grip of rap music.

So like a fickle fan who’ll promptly switch

From sycophant to taunting quips…

I’ve moved from astonishment to admonishment of its wack usage…’

Field Mob Member Shawn J. Responds To Ludacris Tracks

(AllHipHop News) Atlanta rapper Ludacris set the hip-hop world buzzing yesterday with his track “Bada Bing” which is a diss record to rappers Drake and Big Sean.

The track, which is from Luda’s new mixtape “1.21 Gigawatts,” is the rapper’s searing diss to the two newcomers, who have been taking credit for a technique of delivering punch lines in recent interviews.

Big Sean even accused Ludacris of copying the style of delivery, which resulted in Luda’s diss track “Bada Bing.”

Luda also goes in on an unknown individual on the track “Say It to My Face.”

The first reply to the record comes not from Drake or Big Sean, as one would logically assume.

Former friend/associate Shawn J., of Field Mob, had some choice words for Luda.

“Luda is pu**y and I will say it to his face,” Shawn J. said.

The last line of the song “Bada Bing” may have been directed at Shawn J., although Ludacris never mentions his name in the track.

“I seen my ringtones on sale on BET and wanted to know where my check at,” Shawn J. said. “Ludacris is a b**ch, he’s pu**y and I’m going in on him from here on out.”

This is not the first time Field Mob has expressed their discontentment with Luda and his record label, Disturbin’ Tha Peace.

In February Field Mob dropped the song “Stack A Million,” which claimed Ludacris owed them money.

The group was signed to Disturbin’ Tha Peace from 2005 until 2008 and released one album for Luda, titled Light Poles and Pine Trees.

Check out Shawn J.’s reply to Ludacris’ song “Bada Bing” below:

http://www.youtube.com/watch?v=XIZBZXZ4a8I

Daily Word: Claim Your Victory!!!

Happy Victorious Thursday! 


Today's Daily Word is dedicated to claiming your victory! Life has always been and will always be exactly what you make it! We will always have winners and losers in the game of life, and the difference between the two are those who think they can and those who think they can't! 


Some of us don't realize that a battle is usually won way before the battle has really even started!! It begins in your mind and those who are prepared mentally whether it be through practice or self-confidence are those who eventually win! CLAIM YOUR VICTORY!! In order to be a winner, you must begin to act like a winner, talk like a winner, and be a winner way before it actually comes to fruition! You get out of life exactly what you expect, so expect Victory and Victory will be yours!!! NOTHING CAN STOP YOU EXCEPT YOU!!! GET OUT OF YOUR WAY AND GET WHAT YOU DESERVE!! -Ash'Cash


“We find what we expect to find, and we receive what we ask for.” -Elbert Hubbard 


“Whatever we expect with confidence becomes our own self-fulfilling prophecy.” -Brian Tracy 


“Expect victory and you make victory.” -Preston Bradley 


“If you can accept losing, you can't win.” -Vince Lombardi 


“Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory.” -Arthur Ashe 


“To move ahead you need to believe in yourself...have conviction in your beliefs and the confidence to execute those beliefs.” -Adlin Sinclair 


“Success means doing the best we can with what we have. Success is the doing, not the getting; in the trying, not the triumph. Success is a personal standard, reaching for the highest that is in us, becoming all that we can be.” -Zig Ziglar 


“Today marks the start of a brave new future filled with all your dreams can hold. Think truly to the future and make those dreams come true.” -Unknown

TO HEAR THE AUDIO VERSION OF THE DAILY WORD – CLICK HERE.

Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.


5 Reasons Why Busta Signing To Cash Money Is Good

Yesterday, Busta Rhymes took control of the Internet conversation, as it was clear that he had signed to Cash Money. The revelation created a firestorm of discussion. Many people opposed the move, and others were all for seeing the New York Giant get down with the house that Baby, Slim, and Wayne built. I believe this is a great move for Busta Rhymes as long as he is able to remain “Busta Rhymes” as we know him along with the added the muscle of Cash Money. Here are the “5 Reasons Why Busta Signing To Cash Money Is Good.” Read it, then love it or hate it. Either or.

1) Access to the hottest talents in the game…for free. Up front, your hate or distaste for CMYM doesn’t matter. They have Nicki, Wayne, Drake, Baby, and a bunch of others. They are winning. Busta Rhymes has been a winner, but has seen a strain on his long career. Stop hating, and I mean hating. Those the balk at the signing said nothing when he was on Aftermath, under that umbrella. So, why care about this one? At least, he’ll get a release date and top-notch features.

2) Busta has done well with staying in the public eye. You have Jay-Z and a few other 90’s that are still playing in “the league,” but very few. This now gives him an opportunity to be re-introduced to the 14-year-olds that weren’t even alive when Busta killed “The Arsenio Hall Show” with A Tribe Called Quest. (Google that!)

3) Speaking of the youth, these days, they don’t get to enjoy the spoils of lyricism that some of us grew up with. Perhaps Busta Rhymes, with his CMYM pals, can help usher in a new appreciation for lyrics. Nobody, and I do mean nobody, is spitting like Busta on records like “Look At Me Now,” which was actually Chris Brown’s#### record.

4) Given the opportunity, you would sign to Cash Money, too. Don’t front.

5) Last, but not least, it’s just a good look for Busta Rhymes. Looking at the tweets, people act like this is the the mid-90s we’re talking about. The Flipmode Squad is gone. The Bushi clothing line is gone. Even the super expensive video budgets have dried up. But, Busta Rhymes is still here…and he’s an awesome lyricist. He’s a rapper that has done what only a few have done, and that’s stayed relevant in Hip-Hop for over 20 years. That’s right, Busta debuted with a group called Leaders of the New School in the late 80s/early 90s.

Some people plead that he’s a legend and shouldn’t be signing under another banner, especially one as commercially ubiquitous as Cash Money/Young Money. Busta is a grown man so why shouldn’t he – at this stage of his career – be making moves that further secure his family’s future? How many of you copped his last album in 2009? He’s never been a business man in the manner of a Jay-Z, so why pretend to be? He’s never once shown a penchant for the indie rapper life. So let Busta live. He’s an artist! He’s got the lyrics, he’s tenured in Hip-Hop and now he’s got the added industry clout to add nine more lives onto an already incredible career.

Long live Busta Rhymes.

Hip-Hop Rumors: Busta Rhymes Joins Cash Money?

BUSTA IS CASH MONEY!

Busta Rhymes has signed with Cash Money Records, the veteran rapper sorta confirmed on the Funk Master Flex show. Busta Rhymes has experienced a tremendous resurgence in Hip-Hop recently, namely as a multiple award winner for his appearance on that Chris Brown record last year. Well “look at him now.” Busta is certainly down with the winning team. Apparently, there were some limitations on his confirmation, but he’s good to go! His appearance at the BET Hip-Hop Awards was crazy! Busta also premiered a new song with Chris Brown and Justin Beiber…which is weird to me. But, get ya money, Buss! Congrats!

More on this later!

Love & Hip-Hop Scores High Ratings For VH1

(AllHipHop News) The controversial second season of “Love & Hip Hop” scored high ratings for VH1 upon its debut earlier this week.

The network released stats today (November 18) about the show, which attracted over 4 million viewers.

“Love & Hip Hop” scored high in the 18-49 demographic, making it the most watched episode out of the two seasons.

“Love & Hip Hop” follows the romantic lives and careers of Chrissy Lampkin (Jim Jones), Olivia Longott, Emily Bustamante (Fabolous), Somaya “Boss” Reece, Kimberly “Kimbella” Vanderhee (Juelz Santana) and Yandy Smith (Jim Jones’ former manager).

The dramatic episode, which debuted on November 14, ended in a brawl between Chrissy Lampkin and Kimbella.

“Love & Hip Hop” is executive produced by Mona Scott-Youngthis for Monami Entertainment.

Love & Hip Hop Season 2 airs Monday nights at 9pm ET/PT on VH1.

Erykah Badu: Storytelling in Spain With Red Bull Academy

After enormous success in the United States last month with the “Five Out of Five” series, Red Bull Academy took their series to Madrid, Spain, to speak some to some more influential entertainers. The event featured seminal New York Hip-Hop groups like Mobb Deep, Wu-Tang, Black Moon, and the Diplomats all sitting down for discussions about their history, their successes, and their futures, as well as performing  for sold out crowds.

The Madrid event kicked off with one of the biggest names in R&B and music in general, Ms. Erykah Badu, who spoke on everything from her albums, to her thought processes and creative inspirations, as well as her thoughts on the music industry as a whole, and what she thinks about her contributions to the entertainment industry. Check out the full video below:

Erykah Badu needs little introduction. Her seminal works like ‘Baduizm’ and the ‘New AmErykah’ series have successively upped the ante in terms of what can be done within the soul spectrum. Erykah fuses cosmic b-girl bravado with the forward-thinking sounds of producers like the Soulquarians, Madlib, and more recently, Academy grad Flying Lotus, to create a sonically varied body of work – selling millions of albums in the process. She also heads up her own record label, Control FreaQ, and has even been caught on the ones and twos recently, under her moniker DJ Lo Down Loretta Brown. Watch her tell the story to Eothen ‘Egon’ Alapatt at the Red Bull Music Academy 2011 in Madrid.

For more videos from the Madrid event featuring MF Doom and Tom Ze, visit Red Bull Music Academy.

Russell Simmons Defends Jay-Z’s “Occupy All Streets” T-Shirt

AllHipHop News) The controversy surrounding the Occupy Wall Street movement has hit the fashion world, thanks to a controversial T-shirt that was supposed to be released by Jay-Z.

Hip-Hop mogul Russell Simmons, who was seen with Jay-Z the night he debuted the “Occupy All Streets” T-shirt, weighed in on the matter in an interview with Billboard.biz.

“What’s wrong with selling goodness? There’s nothing wrong with it,” Russell Simmons said.

“Jay-Z didn’t make a T-shirt [that said] ‘F**k the Bums on the Street,” Simmons continued. “He wrote a T-shirt ‘Occupy All Streets’ – I’m happy, it furthers the movement, it inspires the movement.”

Simmons, who is worth over $250 million dollars, has also been the subject of criticism for his association with Occupy Wall Street.

But the mogul defended his fortune, by noting his track record for consistently giving back to poor and disenfranchised people around the world.

“I’m going to get every corporation that wants to support us to get branding as part of the process,” Russell Sioms said. “No one’s against business. We’re against business having too much control over our government.”

An Uncanny Resemblance… Is This a Preacher or a Rapper?!!

As I wrapped up my comparison of the best that both Hip-Hop and America have to offer in my blog entry Hip Hop: Home of the Brave, another juxtaposition came to my mind that I’d like to explore: rappers and preachers.

You may scoff at such seemingly disparate individuals, but I ensure you, there are more similarities than meets the eye.  While I’ll leave the final discernment to you, the readers, I will offer up a few questioning assessments regarding these similarities. Questions, not statements, that should beckon us to consider whether or not such parallels between secular and spiritual community leaders are wrong or point to a prophetic anointing/calling shared by these individuals which they walk in. Whether that walk is and will remain straight or crooked is another blog entry all together!:

Uncanny Resemblance #1:

S/he has the freshest whip on the lot, threads on his/her back, and jewelry on his/her wrist… Is this a preacher or a rapper?

Uncanny Resemblance #2:

S/he has a following that cosigns EVERYTHING s/he has to say without testing its validity… Is this a preacher or a rapper?

Uncanny Resemblance #3:

S/he has an obligation and accountability to said words yet seems to rely a bit too much at times on “being human” as a scapegoat/loophole for repeated actions that s/he refuses to change… Is this a preacher or a rapper?

Uncanny Resemblance #4:

S/he has on overused/abused reliance on secular vernacular for the sake of maintaining their “street cred”… Is this a preacher or a rapper?

Uncanny Resemblance #5:

S/he has followers that quote and cop his/her sayings as their own… Is this a preacher or a rapper?

Uncanny Resemblance #6:

S/he has followers who namedrop his/her nomenclature is if they have a special relationship going back to childhood that nobody else has… Is this a preacher or a rapper?

Uncanny Resemblance #7:

S/he has lines with internal and external rhyme schemes built into everyday language that put Mother Goose to shame… Is this a preacher or a rapper?

Uncanny Resemblance #8:

S/he has the ability to “move the crowd” with prompts of throwing hands up in the air and sing-along call & response… Is this a preacher or a rapper?

Uncanny Resemblance #9:

S/he possesses charisma that borders on flirtatious interactions with members of the opposite sex (not always, though!) which s /he seems to welcome without seeing the need to set boundaries… Is this a preacher or a rapper?!!

Final thought:

If any of these shared traits concerns you, especially the content(ment) regarding the things that proceedeth from their mouths – if we don’t stop feeding/living off potentially hollow rhetoric – how will these prophets ever reevaluate the source of their talents/gifts and infuse substance into words that lack content?

Church!

An Uncanny Resentment

When they present like

Rappers, should preachers repent

Resented fractures?!!

*

Broken Anguish

If rappers and

preachers were raptured as speakers,

who’d breach the masses?!!

*
– as published in Steel Waters VOLUME I:  DUPLicate AuthentICITY :

Critical Mass Exodus
a.k.a.
Mass Appeal

Unless delegated by God,

I can’t be led or baited by mobs.

I’m not like the rest of the flock that blindly follows.

Feeling my way through Braille passages

By stealing away with groups to hail the masses

Simply seals my faith into frail packages that are decidedly hollow.

Such methods of exodus plannin’

Leads to textbook and reckless abandon.

To be restless and stranded are its awful aims in the long term.

Though I reckon this madness

Is wretched and drastic…

Its essence is massive as it attracts traffic

like moths to the flame caught in the cloth as it burns.

Compacted in drafted winds, it’s like fledgling child liars.

Rather, the pattern can spread like wildfire.

Grounded higher, the proper vantage brings it all into focus.

So instead of drudging through drowning mires

Where sudden moves create crowd divers…

Be crowned and sired – move the crowd beyond being throngs of locusts.

If you want to gather a crowd,

Organize it against what’s happenin’ now!

Don’t leave ‘em scamperin’ chasin’ bandwagons down bound to be left behind!

Don’t feed ‘em reruns of empty rhetoric –

Don’t beat lead drums into empty crevices…

Don’t be a bum like emcees with no messages – let your destiny shine.

Be at the head as a lead guide.

Leave Red Seas 20,000 leagues behind.

Lean against the grain – seek and find your irreverent relevance!

Dare to show different strokes of genius.

Dare to lead indifferent folks to Jesus…

Evoke a provoking thesis lined with eloquent severance.

Don’t react to systemic stimulus –

Detach roots from insipid kinship.

Use the given wisdom sent from Him – reject groupthink fallacies.

Challenge what’s known with solid research.

Seek the chalice of thrones with a knowledge rebirth…

Acknowledge and reverse ghetto mindsets blinded by hoodwinked mentalities.

Cause conflict! – contradict the dismal plight

Of unconsciousness that haunts the critical might

Of flocks the size of the Israelites – at least they had Aaron and Moses.

We’ve let our souls follow pitiful guides essentially

Because we’ve got role models who pivot their liability…

Which leads to abysmal strife and misery from plentiful errors chosen.

We’ve been called out to be taught different –

So fall out from dream walks into vision.

Like Stephen Hawking, exceed the limits of your surroundings.

Don’t let corporal forces coagulate and congeal you.

Push court ordered warrants for mass appeals through

Before such tactics kill you with the kindness of kindred crowding.

Hip-Hop Rumors: DMX & MGK Working Together?! Tyler’s Making Hippie Music! “Watch The Throne”-Inspired Shoes?!

DMX and Machine Gun Kelly Getting Ready to Work On New Track!??

When AllHipHop.com interviewed Machine Gun Kelly last month after his signing to Bad Boy Records and Interscope, he was asked who his dream collaboration would be with if he could work with anyone. His answer was DMX. Guess dreams really do come true, as the video below shows both MGK and DMX in an Arizona studio together working on some new material:

This will either end up on the new Ruff Ryders compilation that drops next week or on MGK’s Bad Boy/Interscope debut Lace Up that will be released in early 2012.

Tyler, the Creator is Done With Rape and Dead Bodies, Moving On to …Hippies!?

Hard at work on his follow-up to 2010’s Goblin, Tyler, the Creator has let it be known that he’s done “talking about rape and cutting bodies up.” In the newest issue of SPIN, with his Odd Future crew on the cover, he said “it just doesn’t interest me anymore … I can’t rap about the same s###.” When asked about what kind of music he does want to make, he answered, “weird hippie music for people to get high to.” Tyler’s new album, Wolf, is slated for release sometime next Spring.

Watch the Throne Shoe!

tumblr_luq75bwYya1r1ccz6o1_500

Any sneaker heads out there? The Watch The Throne inspired, Nike Lebron 9, is currently in the works, although no official release date has been announced. For now, just stare.

tumblr_luq78iUF2u1r1ccz6o1_500.pngtumblr_luq7by96m91r1ccz6o1_500.png

Introducing Chris Webby: The Lyrical, Suburban Commando

If you don’t know who Chris Webby is, well than it’s time to get familiar with the 23 year-old , Norwalk, Connecticut native who has been selling out shows across the country for the past couple of years. Webby, who helped usher in a new school Hip-Hop movement and mentality several years ago, has been steadily building upon the grassroots foundation he created while simultaneously honing his skills. Having worked with artists like: Freeway, Mac Miller, Joell Ortiz, Big K.R.I.T., and more, Webby has shown and proven his worth time and time again.

AllHipHop.com got a chance to speak to Webby as he prepares for the release of his first commercial project, There Goes the Neighborhood, which will drop later this month. Webby  spoke on his come-up, his thoughts on other white rappers, his work ethic, and most importantly, what’s next for the “Suburban Commando.”

Introducing, the newest addition to the Breeding Ground, Chris Webby… 

AllHipHop.com: Tell me a little bit about yourself. Who is Chris Webby?

Chris Webby: I started rapping in 6th grade, so I’ve been rapping now for 12, going on 13 years, so more than half my life which, I think, speaks volumes about at least my lyrical capacity because there’s a lot of dudes who just see rappers blowing up nowadays and they think they can do it by putting a couple of songs on YouTube, and on occasion some of them do do it. You know, the Internet is a great thing. It’s made artists like me possible but it’s also made a ton of sh*tty artists possible too. I have been doing it for a very long time though. I grew up ciphering, and freestyling has always been a huge part of my forte. I grew up doing that and battling back in the day and the music has come over time and it’s just been a crazy experience. All of the grassroots growth, from the bottom to where it’s at now, which definitely isn’t the top but we’re getting there.

AllHipHop.com: Would you say that going back a few years, that you always wanted to rap and you used the outlets of parties and school functions at college to show your skills, or were you just messing around and realized that you could make a career out of rapping?

Chris Webby: Definitely the first option. I’ve always wanted to do this and I used all those parties as like my first audiences, you know, freestyling at keg parties. I mean drunk people are easy to entertain, everybody knows that, so you throw out a couple punch lines and get all the sorority girls going crazy, get with them later that night. Battling used to also be a huge part of what I did, but I barely do it anymore. There’s nothing more gratifying then just lyrically slaughtering someone in front of a crowd, like some modern day gladiator’s.

AllHipHop.com: So did you end up graduating college?

Chris Webby: Not even close. I got kicked out of Hofstra [University] sophomore year when my buddies robbed a drug dealer and I drove the car like a dumb*ss of course and then got ratted out and went through a real nice legal situation which sucked *ss. In retrospect though, the reason that I am where I am is because if I was trying to balance classes and this, it just wouldn’t work.

AllHipHop.com: Sounds like a major blessing in disguise.

Chris Webby: It absolutely was.

AllHipHop.com: So since you just mentioned the robbery, I have to ask if you have heard anything or have any thoughts on the supposed shot that Mac Miller took on his Blue Slide Park song “One Last Night” where he raps “A million people in the world, I don’t hate one,
even them dummies robbin people with some fake guns, make mistakes young boy”?

Chris Webby: Yeah, I heard about that and checked it out cause I have to stay on top of what people are saying. I don’t think he would take a shot at me, I really don’t, the last time I checked me and Mac were cool, it’s not like we talk everyday but you know. I don’t see any reason why he would. We’re not like buddy-buddy on the phone all the time but it’s not cause we’re not cool, we’re just busy doing our own sh*t. I see him around every once in awhile; it’s good, you know, it’s love.

AllHipHop.com: Well it’s just interesting because it’s coming on the heels of the whole Machine Gun Kelly and Yelawolf “beef” that the Internet ran away with recently. We don’t need all these dope white rappers going at each other, what’s the deal?

Chris Webby: Exactly, exactly. As far as I know, Me and Mac are cool. I met Yelawolf in Atlanta the other day, I saw Machine Gun Kelly at a XXL showcase last week, I try to keep it pretty cool with everybody. I’m not a fan of Sam Adams, but those that are my fans know about that.

AllHipHop.com: Well since we’re on the topic of white rappers, what are your thoughts on these artists individually starting with Yelawolf?

Chris Webby: He is very dope. I really, really like his music. That new Kid Rock song he just released, “Let’s Roll,” is sick. He’s got Shady Records behind him, that guy is about to make things happen, he’s not going anywhere.

AllHipHop.com: What about Eminem?

Chris Webby: Eminem is my favorite rapper of all time. In my opinion, he’s the greatest rapper of all time; I know everybody has their opinions but I mean, to not have him in your Top 5 is ludicrous if you ask me.

AllHipHop.com: And Machine Gun Kelly?

Chris Webby:  MGK is cool too. I know a little bit less about him, cause he kind of popped up recently. He’s got the Diddy backing which is interesting, and it’ll be interesting to see how that whole situations pans out. But yeah, he’s cool, he’s got a dope flow. The comparison I hear the most is between me and Mac though because we have a fan base that overlaps so much. But you’d be an idiot to say that we sound anything alike; our styles are so different. It’s really skin color, that’s the only thing in common there.

AllHipHop.com: Well you have to know that everyone is going to go to that first anyway, that’s just a part of the whole game.

Chris Webby: Of course, of course. I understand how people think.

AllHipHop.com: You actually got to perform at a CMJ showcase in October with Machine Gun Kelly. What was the whole New York music festival scene like?

Chris Webby: It’s an interesting vibe because it was at Highline Ballroom, which I’ve personally sold out as my own headlining show, so there was definitely a big Webby following there but there were also people who were like “get this f*cking white boy off the stage,” just because people are very quick to judge. I feel like a lot of people who don’t like me, really haven’t given me a chance or they’ve been hearing the wrong songs, because it’s not just about smoking weed or f*cking b*tches, I mean I do talk about that, I like to do that sh*t, but there’s a lot more to it then that.

AllHipHop.com: What does it mean to you when you look at yourself in the mirror and can say “holy sh*t, I’ve sold out Highline Ballroom by myself and I don’t even have a deal”?

Chris Webby: That sh*t is mad gratifying and I really think it’s the best way to do it ‘cause you can just look back at your accomplishments and know that you f*cking did it yourself. I would say, between me and my manager Dana, the two of us, we really linked up last year around July and that’s sort of how everyone… I kind of already had a little fan base put together but before that we were kind of just spinning the wheels and then in the past year we’ve taken it to a lot of new levels. Me and Dana are just tag-team independent and just been going at it. We have other people obviously who assist and help and sh*t, other boys who drive and sh*t, I’m just here chilling, playing Call of Duty with my DJ right now.

AllHipHop.com: So you’ve pretty much done the whole independent hustler thing on your own for a few years with great success. What is it about the work ethics of new, emerging artists that has worked so well for you guys?

Chris Webby: Well, I mean, I definitely have to attribute a lot of it to the internet; most of it, cause it’s just a new outlet to get your s### up there, like anybody can put something up on YouTube and you could blow up because of it nowadays, you really can. So, I mean, how many times have we been seeing that happen over the past couple of years, you know?

AllHipHop.com: More like in the past couple months.

Chris Webby: Yeah, exactly. It’s very interesting and like I said, it’s a double-edged sword. I think it’s great cause it lets a lot of artists who might not be able to get out there, get out there. Kids like me who didn’t have connections growing up. We don’t know the President of Universal Records, we don’t really have a shot without the internet, so I mean that’s great but it also allows a lot of f*cking sh*tty artists to get out there too, but what are you gonna do?

AllHipHop.com: Are you personally looking for a major deal or would you prefer to stay grinding on the independent, hustler route that you’ve been on?

Chris Webby: Honestly, one of the dudes I look up to most, especially business wise is Tech N9ne, I think that guy is a f*cking genius.

AllHipHop.com: That’s interesting.

Chris Webby: He makes a sh*tload of money, he works his *ss off, but honestly, as lazy as I may be, I never stop working for Rap. This is the one thing that I really do love and for me it’s not work. I’ll be up in the studio till four in the morning and that’s not work, that’s fun. We had a 20-stop tour in July; it beat the sh*t out of me, it was tough you know, we had to get up, we drove from New York to Cali and back, like that was no walk in the park but it was fun. That hour and fifiteen minutes on stage each night makes everything worth it.

AllHipHop.com: Are you currently still touring or did you just wrap one up?

Chris Webby: I had a West Coast tour booked for this month that we rescheduled for when the EP drops, so we’ve got a lot of new music. The EP, There Goes the Neighborhood, is really going to be the best product that I’ve put out thus far. It’ll be the first one on iTunes, so it’ll be the first time I actually see money off of my music, and I want to wait for that to drop before we go out on that tour and then I’ll probably hop on a big-*ss tour after that that’ll make like 30 or 40 stops, something like that.

AllHipHop.com: I got you. You’ve released something like five or six mixtapes in your career; for someone who is about to discover Chris Webby, which is thee mixtape that you want a potential fan to hear?

Chris Webby: I would say the last two tapes for different reasons. Webster’s Laboratory is the most recent, and that is in like the classic mixtape form, there’s some industry beats, there’s some original sh*t, but it’s got a real mixtape feel to it, and then I would say that after you hear that, go check out Best of the Burbs which is the one before that. That has a much more album feel to it because everything is original on that one and the songs are a lot more album driven. So I would say those two, and then you’ll get a good understanding of what I do and what I’m all about.

AllHipHop.com: In terms of production and guest verses on your projects, do you tend to keep it mostly in-house with your crew or do you accept a lot of stuff from other people?

Chris Webby: I mean, I’m open to working with whoever, especially when it comes to producers. I’ve worked with some awesome producers like Statik Selektah. A hot beat is a hot beat though, so it really doesn’t matter who makes it. When it comes to artists, I’m still working on getting myself up. I’m not really in a position to be helping out upcoming dudes right now, like throwing verses to people. So I’m working with whoever really wants to work with me. Without a label backing, it’s all hard to get sometimes because they might not know who you are, your managers asking, it’s not like you’ve got some super powerful dudes asking but for people that want to really look, they see the hustle and they can’t help but to respect what I’ve done whether they like the music or not.

AllHipHop.com: Absolutely. Well that’s the perfect segue-way into talking about the EP, There Goes the Neighborhood, which will be your first commercial release. What can you tell me about the project?

Chris Webby: It’s going to be on a level above anything that I’ve produced thus far. The sound quality, to the songs, the beats, you know, it’s going to pretty f*cking crazy. I mean, we have a Statik beat on there, we have a couple of Sap beats, that’s the dude who made “Donald Trump” for Mac, and he’s a cool dude, I’ve been f*cking with him. I’ve got more beats from a bunch of people, it’s just going to be a dope release, I’m excited for it and to see how it does.

AllHipHop.com: What about in terms of features? You’ve been on tracks with the likes of Freeway, Joell Ortiz, Big K.R.I.T, and many more. Did you call in any favors for the EP?

Chris Webby: Actually, a bunch of the features are going to be last minute, we’re working on them now. You’re just going to have to wait to see and hear it, but yes, there will be some big features on the EP.

AllHipHop.com: Let me get something exclusive…

Chris Webby: Well, one that I know for sure that is definitely going to be on there is the track that I recorded with Statik down at his spot, and that is going to be with Slaine, who’s an underground legend from Boston. I love underground Hip-Hop, so as much as my fan base may not have been ready to hear the same kind of music, cause they’re a lot younger and sh*t, that for me was dope and the track with Slaine is f*cking crazy. That one’s going to be real tight. And the others, I don’t want to say anything without everything being finalized before I have an actual verse in my computer.

AllHipHop.com: You said you listen to a lot of underground Hip-Hop, do you mean artists like Necro and Ill Bill?

Chris Webby: Yeah man, Ill Bill, Jedi Mind Tricks, Apathy, who is actually a close friend at this point because we both rep Connecticut; that’s my dude and it was really cool for him to extend his hand to me.

AllHipHop.com: Well he is someone who is been around for awhile on both ends of the spectrum both as the artist and as the businessman so that’s definitely a great person to have in your corner.

Chris Webby: Of course, of course. I listened to him when I was in middle school, like that’s pretty sick you know what I mean? That’s one of the coolest things; getting to meet and work with other people that I grew up listening to. It’s really a crazy concept.

AllHipHop.com: I can only imagine. Who are some other artists that you’re feeling right now? Is there anyone that you’re listening to more of now than you were before?

Chris Webby: I love J. Cole; his new album is crazy. I can’t wait to hear Yelawolf’s album. I just discovered this dude Hopsin recently, someone told me download his album, and I checked it out and that dude is f*cking nice. I just like dudes who are very lyrical ‘cause that’s what I grew up listening to; it’s kind of like the East Coast thing. Punchlines have always been a huge part of what I do.

AllHipHop.com: Who is Chris Webby in three words?

Chris Webby: Motivated. Lyrical. Goofy.

AllHipHop.com: Perfect Webby. Thanks for your time.

Chris Webby: Thank you!

Download “Chris Webby – Webster’s Laboratory” Mixtape!

For more information on Chris Webby visit ListentoWebby.com


Hip-Hop Rumors: Did Shaq Marry Hoopz Without A Prenup!?!

SHAQ AND HOOPZ MARRIED?

Look what we spotted over at MediaTakeOut! Take it for what its worth!

MediaTakeOut.com just received some EARTH SHATTERING information. This weekend Shaquille O’Neal and his fiance Nikki “Hoopz” Alexander ELOPED.
A rock solid snitch told MediaTakeOut.com that the couple wed on a whim. The insider explained, “There was no planning or anything They just went and got married. [Shaq] didn’t talk to his accountants or lawyers . . . there’s no pre-nup.”
DAYUMMMMMM Hoopz you came up GIRRRRL!!! We can’t hate on you ONE BIT.
We told y’all that 2011 is the year of the HEAUX BE WINNING. All y’all women of LOOSE MORALS better step up your game. There’s less than TWO MONTHS left to 2011 . . . time is a wasting!!!

Let Shaq be happy!
Source: MTO