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[Check out Part 1 of our Occupy Skid Row coverage HERE]
The journey back in time through the history of L.A. Hip-Hop continued at the “Occupy Skid Row” Music Festival this past weekend, with a performance by The Freestyle Fellowship. The group performed their Jazz-inspired song, “Inner City Boundaries,” which was a staple on Yo! MTV Raps back in 1993.
The musical time machine then traveled deeper into the past as the crowd was treated to a performance by The Egyptian Lover, an original member of the legendary Uncle Jamm’s Army DJ crew and one of the first notable rap names to come out of Los Angeles before there was a fully-established West Coast scene. Fans partied through a medley of tracks like, “Egypt, Egypt,” “What Is A DJ”, and “My Beat Goes Boom.”
The audience was then introduced to Darryl “Big Dad” Pierce and Dwayne “Muffa” Simon who, along with Bobcat and DJ Pooh, formed the infamous production team known as The L.A. Posse. Big Dad and Muffla gave a brief history lesson about their past work with Def Jam Records – namely, LL Cool J’s Bigger and Deffer album. The duo then brought out MC Breeze, for whom they produced his 1990 single, “L.A. Posse.” It was a homecoming for Breeze, who hadn’t performed the song in Los Angeles for over 20 years, according to Muffla. Once Breeze finished, The L.A. Posse introduced their next protege, The Lady of Rage, who they introduced to the business prior to her Death Row Records days. Rage rocked the party with her 1994 single, “Afro Puffs.”
West Coast producing legend Sir Jinx, most noted for his work on Ice Cube’s early albums, introduced General Population, made up of two young artists named Tri-Star and Big Hop. After their quick performance, Chuck D ushered out one of the first Los Angeles rap groups to ever release a record – Disco Daddy and Captain Rapp. The two performed their song, “Radio Activity”, and then gave the crowd a special treat by bringing out out Ronnie Hudson, who recorded the West Coast Old School classic, “West Coast Poplock.” The homecrowd went wild as Ronnie sang the infamous “California knows how to party” chorus, which was later made popular by the late Roger Troutman on Dr. Dre and Tupac’s####, “California Love.”
As night fell over the Occupy Skid Row Music Festival, Compton legend King T rendered a heartfelt tribute to Nate Dogg, leading into his verse off of Dr. Dre’s Chronic 2001 song, “L.A. N*****.” Closing act Kurupt finished the evening off – the Dogg Pound member lit up the enthused crowd with his verse from the Snoop Dogg classic, “Ain’t No Fun,” and he even brought out former enemy BG Knocc-Out – a one time member of Eazy-E’s Ruthless Records – as a show of West Coast unity.
Occupy Skid Row was positivity mixed with nostalgia, shining a much-needed spotlight on the plight of the homeless in Los Angeles and many other cities nationwide. Special recognition is due to General Jeff for serving the backbone of the Skid Row festival, and for his daily fight for the causes of the Skid Row community.
Check out more event photos below, and get involved in helping out the homeless by visiting LA CAN at http://www.cangress.org/we_lacan.htm !

Brother J of X-Clan

Chuck D, General Jeff, and Flavor Flav

Yo-Yo

Money B of Digital Underground
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Carmen Bryant, the woman who notoriously started the Jay-Z and Nas beef back in 2001, is back and talking reckless on Twitter. If you all remember, Carmen is the mother of Nas’ daughter, Destiny, and legend says that she was creeping around with Jay-Z behind Nas’ back. Nas found out, and he unleashed one of the best diss records ever, “Ether”! Jay-Z came back with “Super Ugly,” which had so many low blows in it, he publicly apologized for it.
Anyway, Carmen has gotten herself a little Twitter account, and she’s talking all kinds of craziness on there. Check out a few of her tweet below:
“Awe Camel wrote a letter to his daughter…..Why didn’t he write one to his SON?”
Carmen even goes in on Alicia Keys, calling her a “homewrecker”. Nas come get your baby mama…it looks like she’s not done embarrassing you yet!
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(AllHipHop News) Rappers 50 Cent, Lil Jon and Pitbull will bring their star power to the Super Bowl XLVI this year, as headliners of the Bud Light Hotel concert lineup.
The rappers will perform at the Bud Light Hotel, which is the official destination for Super Bowl XLVI week entertainment.
Bud Light, which is the official beer sponsor of the NFL, has transformed a 180-room downtown Indianapolis hotel, into an entertainment hub.
The Bud Light Hotel is hosting parties for EA Sports and Playboy, in addition to performances by 50 Cent,
Lil Jon and Pitbull, who is sponsored by Bud Light.
Check out the line-up of events:
Thursday, Feb. 2 – EA SPORTS Madden Bowl XVIII (invitation only)
Friday, Feb. 3 – The Playboy Party (invitation only)
Saturday, Feb. 4 – 50 Cent, Lil Jon and Pitbull (doors open at 8 p.m.)
Sunday, Feb. 5 – Barenaked Ladies (doors open at 2 p.m.)
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(AllHipHop News) Hip-Hop legend LL Cool J will serve as host of the 54th annual Grammy a
Awards this year.
This is the first time LL Cool J has served as host of the Grammys and it’s the first time in seven years, that the Grammy’s have had an official host.
LL, who has won two Grammys of his own, is already associated with the Grammys.
In addition to hosting the “The Grammy Nominations Concert Live!! — Countdown To Music’s Biggest Night” since 2008, LL also serves as co-producer of the pre-Grammy performance show.
“I’m thrilled to be part of Music’s Biggest Night,” LL Cool J told AllHipHop.com in a statement today (January 18).
“I will always have fond memories of my first Grammy Awards and to now be hosting the Grammy show, in the company of so many other incredible artists, is a dream come true,” LL said. “Great performances and great music — it’s gonna be a great night!”
Artists who will take to the stage during The Grammy Awards include Jason Aldean, Kelly Clarkson, Foo Fighters, Bruno Mars, Taylor Swift and Nicki Minaj, who will perform at the ceremony, for the first time.
The 54th annual Grammy Awards air on February 12, live from the Staples Center at 8:00 PM on CBS.
“He’s got a big ego, such a huge ego…” – Beyonce, “Ego”
In rap, ego is everything. Whether you’re literally boasting, or merely outshining your opponent lyrically, ego is the energy drink that catapults the best MCs beyond the rest.
So, it comes as no surprise that Tariq “Black Thought” Trotter might have an extra healthy perception of himself. And yet, unlike the glitz and gravitas that most other rappers lean heavily upon, Black Thought chooses to do his bragging with his fiercest weapon – his rapping. His undeniably-one-of-the-best-who’s-ever-done-it brand of rapping.
Google him and you’ll find one word that keeps cropping up after all these years – and it must be almost annoying if you’re Black Thought. ‘UNDERRATED.’ By definition, it means “to rate or evaluate too low; underestimate.” And by rap terms, it means not getting your full shine, props, respect, due, and so on. Ask the proud Philadelphia native, however, and Black Thought will assure you that there’s nothing underrated about him. Besides, he has the catalog, Grammys, epic collaborations, and uber-comfortable lifestyle to prove it.
If you’re Black Thought, though, the spotlight is somewhat unwanted, and the self-knowledge that you’re one of the best is plenty. Plenty to fuel an ego that still effortlessly slays microphones and MCs after 25 years in the game. Check the video clip below, as AllHipHop.com interviews Black Thought at his home, where he talks about “Watching Thrones,” the person who DOES enjoy the spotlight within his crew, and returning to his Roots past:
In case you’ve been sleeping lately, this is “Black Thought Week” on AllHipHop.com! Check in tomorrow for more on his latest ventures, and read up on his previous “Black thoughts” about MLK and the undun album!
On Dr. Martin Luther King, Jr.’s birthday this past weekend, Public Enemy (PE) frontman Chuck D teamed up with Skid Row activist and former Hip-Hop producer, General Jeff, to present the first ever “Occupy Skid Row” Music Festival.
Occupy Skid Row was a festival, not a concert. Onlookers were reminded of this countless times by Chuck D of Public Enemy throughout the positive evening, which took place on the outskirts of Downtown Los Angeles. It was a festival about more than the music, as the message was to raise awareness of the ever-growing and notorious homeless rate in the L.A. area. Festival goers were reminded constantly that after the show was over, the pervasive poverty in “Skid Row” would still be there:
And yet, this did not stop PE from rocking the crowd – a crowd that was anxious and supportive, yet only a few feet away, as the stage was literally on the street, smack dab in the middle of Skid Row. Performing cuts like “Bring The Noise”, “Fight The Power”, “By The Time I Get To Arizona”, and “911 is a Joke”, the anti-establishment tone was set, emphatically.
Eager to show the crowd that they were human, too, Flavor Flav and Chuck D, along with the rest of the PE crew, reached out in support local acts and movements. Originally, the last act on the bill, PE performed first; demonstrating that it was not about them, but about shedding light on hometown performers and issues. Not that they needed to stick around and perform throughout anyway; as the radical tone had been set with their brief showing.
After PE rocked the crowd, the stage was then set for X-Clan’s own Brother J, who took the crowd through a groovy experience with “Heed The Word Of The Brother,” and then finished off with the all-time classic, “Grand Verbalizer.” At the finale of his set, Brother J gave a touching tribute to his former partner and mentor, Professor X, by leading the crowd with their “This is protected by the Red, Black and Green” signature line.
Members of the Skid Row community were also given the chance to share their unfortunate experiences onstage and show their appreciation for programs such as LA CAN, which donates time and resources to provide for the area’s homeless.
Although he’s from New York, Chuck D offered the Southern California crowd a history lesson in L.A. Hip-Hop, as he introduced blasts from the pasts such as Kid Frost and Yo-Yo. Frost, who recently recovered from a mild stroke, took everybody back to 1990 as he performed his classic Hispanic anthem, “La Raza.” Yo-Yo trasported the crowd back to the early ’90s with “The Bonnie and Clyde Theme” minus Ice Cube, along with her breakout single, “You Can’t Play With My Yo-Yo.” Longtime friend and fellow Lench Mob member Sir Jinx backed Yo-Yo on the wheels of steel.
Check out the event photos below and come back tomorrow for Part 2 of AllHiphop.com’s recap from Occupy Skid Row!

Public Enemy

Flavor Flav

Lady of Rage and her lookalike daughter

Kurupt