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Shyne To Drop New Single Next Tuesday

(AllHipHop News) Shyne is gearing up to release the first official single from his upcoming album via a new deal between his Gangland Records, and Island/Def Jam. According to reports, Shyne will drop the single next Tuesday (April 13th), making it his first new single in almost 10 years. In February, Shyne inked a seven-figure deal with Island/Def Jam and began recording his album in Belize, where IDJ CEO L.A. Reid hosted a press conference announcing the new business deal.  Shyne is barred from entering the United States and was not allowed to enter the United Kingdom in February, due to his criminal record.  Shyne, aka Moses Leviy, was released from prison in October of 2009, after serving over 9 years in prison for his role in a nightclub shootout in 1999, involving Bad Boy Records’ CEO Sean “Diddy” Combs and his then girlfriend Jennifer Lopez. Shyne was supposed to be featured on DJ Khaled’s album Victory, but the track, named “All My Life,” featuring Akon and Mavado, was dropped for legal reasons. According to reports, Shyne  is collaborating with Scott Storch, who is said to be producing a large portion of the album.He is also working with producer Coptic, who has confirmed that he created a track for Shyne titled “Hand on My 45.”

JD Era: Reign Of Era

Something

has to be said for those artists North of the Border, they put the work in.

Vying for radio love on Canada’s only urban station is a battle in itself, but

getting the folks down south and across the water to open their ears to your

product can make even the strongest man falter.

But

when you put JD Era under the spotlight, you conclude that this disciple of

Hip-Hop is determined to make sure those doors opened by the likes of Kardinal

Offishall, K’oS, Swollen Members and his home-boy Drake stay open. This is not

a passing phase for JD, he isn’t doing this because he can’t do anything else,

repping Toronto and creating music is simply what he enjoys the most.

Upon

recognizing that this was the path he was going to take, JD ERA set to

infiltrating the streets with a collection of mixtapes. His most recent Th1rt3en has been welcomed by fans and

critics a1like. It gives folks a chance to gravitate to the consistency he

exudes and at the same time anticipate the as of yet untitled album which he

will be releasing later this year through his own imprint.

As

competent in the boardroom as he is in the booth, JD Era is proof that the

crème de la crème from T-Town doesn’t necessarily need that major label love.

They are just going to get on and do it anyway.Music:Th1rt3en Mixape“Champagne Nights”

AllHipHop.com: Was rapping always the plan?

JD Era: Well as a kid I always used to do MC

battles and was always good at it. So it took over because it was what I was

always doing.

AllHipHop.com: 

What was it that made you realize it was going to be more of a

profession as opposed to a hobby?

JD Era: 

When I was doing more music stuff than anything else. I mean I played

ball too and when it started taking over everything it took over my life and it

was all I was focusing on.

AllHipHop.com: 

Were you parents supportive?

JD Era: 

Yeah they were. I have Ghanaian parents so their focus is school, school

and school. So at first it was like they were saying there was no future in it.

But they are definitely 100% behind it now and I have a good family.

AllHipHop.com: 

Were you born in Toronto or Ghana?

JD Era: 

I was born in Toronto.

AllHipHop.com: 

There is quite a big Ghanaian population in Toronto isn’t there?

JD Era: 

Yeah, there is a big community in Toronto. It is such a multi-cultural

place Toronto and for my parents there was just so much opportunity here.

AllHipHop.com: 

Now you have just released your new mixtape, Th1rt3en, what has the response been so far?

JD Era: 

So far it has been crazy and I have been pleased that all the feedback

has been positive. The haters have been quiet [laughs]. Yeah they have been

silent. I am feeling blessed right now and I am enjoying this and building off

it.

AllHipHop.com: 

Is there a lot resting on this tape?

JD Era: 

Not so much because I have a lot of music tucked away as I am in the

studio a lot and it’s a case with this tape that people know there is a

movement happening. There is talent in Toronto that people need to hear and we

chose to go hard with it and show the world.

AllHipHop.com: 

It came out through Black Market Music Group right?

JD Era: 

Yes that’s my organization, me and my cousin Fase.

AllHipHop.com: 

Are you looking to do what Drake did by signing an out of country deal?

JD Era: 

We are independent, so it is more about looking for distribution. The

mixtapes have opened a lot of doors already and I am open to everything right

now and just looking to see what is out there for us.

AllHipHop.com: 

Has the indie route always been the plan for you?

JD Era: 

Yeah because we come from a mixtape background, so our mentality is ‘do

it yourself .’ If you are doing it on your own, you make sure the people hear

it and that’s how we’ve always operated. No point in changing it now, that’s

the way to go.

AllHipHop.com: 

So if someone waved a big check at you from a major, what then?

JD Era: 

Of course I am not a fool, but at the same time if it doesn’t happen it

isn’t going to slow my grind.

AllHipHop.com: 

We’ve watched the decline of big deals over the last ten years, is this

why you chose to do it your way?

JD Era: 

That and the Internet changed the game. I am definitely one of the

people who have seen the changes and Drake’s mixtape being so big, it wasn’t a

surprise to me; I saw all the signs for that to happen. I have a bit of a

different perspective being from Toronto and seeing all the groundwork we were

putting in. I love the fact that I can use the Internet as a tool to reach a

bunch of different people and places. You know you’re interviewing me from the

UK for a US site; the Internet makes it so much easier for the music to

communicate as well as us.

AllHipHop.com: 

Was the mixtape route you keeping you in tune with the streets?

JD Era: 

Yeah and that’s how it started. We came up in the streets and I actually

remember coming out to the UK to push my first mixtape, Black Market Volume 1 and that was six years ago. I met Shortee

Blitz and was on his show, so I have always been a person who is out pushing

their music; my team is always out with the people as that is how we started

out.

AllHipHop.com: 

Was it understanding how important a global fan base was that encouraged

you to travel to places like England?

JD Era: 

What I love about the UK is that you were open to listening to the

music. It’s a little different in the US in terms of getting people to take a

good listen to your music and give you an actual chance. You are open to music

plus you do so much different stuff. I love the Drum n Bass and the Garage.

AllHipHop.com: 

Has the US been a hard market for you to tap into?

JD Era: 

Yes, it’s been a gradual thing and it has been like the UK in the sense

that you have to put in your work into breaking into markets. Plus they are

open to the music a lot more nowadays, which is good. I think that is part of a

generation change as well. With my generation of music we have the Kid Cudis,

the B.o.B’s; they are doing Hip-Hop a bit different to the traditional style

and I think people appreciate that.

AllHipHop.com: 

You have a BG alum on your tape and a long time fave of mine Freddy

Gibbs. How did you hook up with Freddy?

JD Era: 

Gibbs is crazy. I hooked up with him through the kid who does my

artwork, Heinze, he is a huge fan of Freddie Gibbs. When he first him me up

about him he told me there was another rapper that looked like me, because

there’s not that many dark rappers. So I was like ‘whatever’ and that was how

it started out. He asked Gibbs management if he could jump on the record and he

did and he killed it. Gibbs verse on that track is crazy.

AllHipHop.com: 

And on Don Cannon beat.

JD Era: 

Yeah had to go big with that one [laughs]. Shout out to the kid. I

connected with Cannon through someone else who works for me. He got me some

beats and when Cannon heard the record he co-signed it.

AllHipHop.com: 

Have you faced many obstacles thus far in your career?

JD Era: 

Every day is an obstacle until everyone else has heard the music and

that is how it is going to be. But I guess one of the challenges has been

breaking into the US market. Everything comes in good time and with work. I am

just going to keep on working over here, nothing stops.

AllHipHop.com: 

Coming from the mixtape era but with a strong Internet presence, how

influential have the blogs been on breaking you, as some say they have

literally replaced the DJs?

JD Era: 

They definitely helped a lot but you can’t deny the importance and

relevance of the DJ playing your record in a club. As much as people are

getting it and putting it on their IPods, a big record is a record that is

being played everywhere. So you need the DJ just as much as you need the blogs.

They are both good ways to get the music out but you can’t cut the DJ out.

AllHipHop.com: 

Securing airplay in Toronto is pretty tough right?

JD Era: 

Yes for some people but the issue is that we don’t have many Hip-Hop

stations. There is only one urban station in all of Canada and if you are on it

you’re on it and if you are not on it, then you have to make some Top 40 music.

AllHipHop.com: 

Was it easy for you to make those hits to get you airplay?

JD Era: 

I think because I came into the game really young, I got to see a lot of

things and understand the music business while I was getting better with the

music. So from early on I got to see how radio works and because of that I took

it upon myself to figure out how that all works. I mean it’s still a grind.

They are receptive to new artists and new music which is why I have been

blessed. There could be a lot more radio stations, which would encourage out

scene a lot. There is a good energy going on right now in Toronto and people

are putting in work right now and it is good to see the results. Kardinal has

opened the door and set the pace for us but not we are seeing it a little

differently.

AllHipHop.com: 

He is on the new Estelle joint, is that something we can see you doing

on your impending album, a few collabos?

JD Era: 

I got a couple of joints, the Bobby Valentino joint ‘Cover Girl,’ which

I am holding on to. But some things will start to surface soon.

AllHipHop.com: 

When is the album scheduled?

JD Era: 

Looking at summertime. We are just working over the plan for the album

right now. You know we push the tape out to a great response and now we are

going to breathe for a minute, then get back into the studio and it will all be

figured out.

AllHipHop.com:  Like you said there is a great energy in

Toronto now, so egos haven’t kicked in yet?

JD Era: Yeah definitely; everyone sees the

potential and no one wants to be the idiot that ruined it [Laughs]. I hope no

one is dumb enough to do that. That’s a warning [laughs].

 Please Visit JD Era at:twitter.com/JDERAwww.myspace.com/jdera

 

 

 

Dr. Dre Hints at Kraftwerk Inspiration on Detox

With the long-awaited first single from Detox set to debut later this month, Dr. Dre has alluded to several possible musical influences on the project. In an interview with Reuters, the acclaimed producer disclosed his focus has been on studying the avant-garde artists of the 1960’s and 70’s. “I’m just keeping my ear to the concrete,” Dre revealed. “I’ve been listening to a lot of old 60s and 70s music. Things like Kraftwerk, and Parliament Funkadelic. I’ve really been listening to a lot of Kraftwerk.” The work of the Germany-based Kraftwerk in the 70’s and early 80’s were important building blocks for the emerging culture of Hip-Hop. Their innovative use of synthesizers and robotized vocals on the songs “Trans-Europe Express” and “Numbers” formed the sampling foundation for many Hip-Hop records, such as Afrika Bambaataa’s seminal 1982 single “Planet Rock.” “Kraftwerk had a really big inspiration on the beginning of Hip-Hop,” Dre continued. “My tastes change with the season. Right now it’s Kraftwerk. I’ll see what happens this summer.” While Dr. Dre has extensively sampled and worked with George Clinton’s Parliament Funkadelic on previous tracks such as “Let Me Ride” (“Mothership Connection”), “Dre Day” (“Knot Just (Knee Deep)”), and “B###### Ain’t S###” (“Adolescent Funk”), the Compton native has not extensively utilized Kraftwerk’s music before. The band’s work can also be heard in songs from Jay-Z (“It’s Alright,” “Sunshine”), Kool G Rap (“Rhymes I Express”), De La Soul (“Ghetto Thang”), and MC Lyte (“Cha Cha Cha”). Detox’s Jay-Z assisted “Under Pressure” single features additional production credits from Scott Storch and No I.D, and vocals from Ester Dean. It’s expected to drop within the next two weeks. 

Pitbull Launches Biggest Tour To Date This May

(AllHipHop News) Miami, Florida rapper Pitbull has announced the launch of his biggest tour to date, with the “Mr. Worldwide’s Carnaval” tour. The rap star will hit 19 cities across the United States starting on May 25th at Denver’s 1stBank Center and ends June 27th in Chicago at the Aragon Ballroom. According to Billboard, Pitbull will tour with a troupe of Brazilian dancers in addition to a live band to promote his two upcoming albums Armando, which will be released in June in both English and Spanish. “He is very much that universal party act,” said Rebeca Leon, VP of Latin talent for AEG Live/Goldenvoice. “Because he’s so universal and he plays to so many audiences, it’s very hard to put your arms around it. It’s a blessing but you have to be really savvy.”Over 3,000 people are expected to attend each one of the concerts, which are being produced by AEG Live. Pitbull currently has four songs on the Latin Rhythm digital song chart.

Hip-Hop Rumors: Nicki Minaj and Rihanna Beefing Over Tour?

DISCLAIMER:

 

All content within this section is pure rumor and generally have no factual info outside of what the streets have whispered in our ear. Read on. SEE SOMETHING? SAY SOMETHING!!!!!

      

       

DID RIHANNA CUT NICKI FROM TOUR?

Whoa…Whaaaaa?

Now, I must admit, that excuse for quitting the tour seemed flimsy to me. Nicki would exponentially grow her fanbase touring with a international star like Rihanna. But it seems that there’s more to this. Rumor says, Nicki really wanted to do this tour and so did Rihanna’s people. Who didn’t? Word is Rihanna didn’t want Nicki on the tour with her. So, is this shade being throw at Nicki? Not sure. But, you would think this would have been settled before an announcement was made. There is another theory that Nicki’s folks at Young Money felt their New York stallion was too big an artist to be opening for anybody anyway. You think? That’s got top be falsetto. When she heard she was being cut from the tour, rumor says, Nicki called RiRi and a huge fight ensued. What do you think? I don’t know what to think, but I think RiRi should have used this song Nicki wrote! It goes hard!

LOOK AT NICKI’S FUNNY FACES!

HAHA! That’s actually Nicki Bitchie aka blogger Necole Bitchie.NICKI AND RIRI, WE LOVE YOU!!!

They keep us talking, but if we stop talking about them then they should worry!

-illseed

WHO: illseed.com

WHAT: Rumors

WHERE: AllHipHop.com, MySpace.com/TheIllseed

HOW: Send your rumors and ill pics to illseed at [email protected].

Quincy Jones Taps Top Rappers, Singers For Brand New Album

(AllHipHop News) Snoop Dogg, LL Cool J, T-Pain, Ludacris and a host of other artists have teamed up to celebrate the legacy of pioneering musician Quincy Jones on the new album Q: Soul Boss Nostra. Jones, who serves as executive producer of the project, called upon the top artists and producers in the music industry to create Q: Soul Bossa Nostra. In addition to the aforementioned rappers, the album features appearances by Usher, John Legend, Talib Kweli, Mary J. Blige, Akon, Jamie Foxx, Jennifer Hudson, Robin Thicke, Wyclef Jean, Q-Tip, Three 6 Mafia, David Banner, BeBe Winans, Scott Storch, Mervyn Warren and Jermaine Dupri. Each artist picked a song to remake from Jones’ vast catalog, which spans six decades. “Each artist picked a song that really resonated with them for different reasons – some of them having a connection because they remembered their parents playing the track when they were growing up,” Jones told AllHipHop.com in a statement. “I am honored that everyone wanted to be a part of this celebration of these songs. They all made them their own, and knocked them out of the park.”The first single from the album is Akon’s remake of “Strawberry Letter 23,” originally a hit for The Brothers Johnson in 1977. Jones has collaborated with a number of top artists during his legendary career.  In 1989, Jones released Back on the Block, which featured songs by artists like Ray Charles, Chaka Khan, Big Daddy Kane, Ice-T, Prince and others. In 1995, Jones released Q’s Juke Joint, which featured appearances by LL Cool J, Dizzy Gillespie, Stevie Wonder, Patti Austin, Sarah Vaughn, Gloria Estefan, Kid Capri, Funkmaster Flex and others. Throughout his career, Jones has worked with everyone from Miles Davis and Frank Sinatra, to Will Smith and Michael Jackson. Quincy Jones’ Q: Soul Boss Nostra is due in stores in May or June, on Interscope Records. 

Friday Fashion Feature – DrJays.com Exclusive: Yelawolf x ZOO YORK

Yelawolf may not appear to be your stereotypical southern rapper, with his countless tattoos, long hair and skater steez, but the Alabama native is busy creating a buzz nonetheless. He released his first mixtape, Trunk Muzik, earlier this year, and signed to Interscope Records just last week. We decided to give him a break from the topic of music when we brought him into DrJays.com’s NYC office, and got him to model pieces from ZOO YORK. He also answered a few style questions for us, like what he finds hot on the ladies, and his favorite brand right now. Check out the Q&A, as well as more shots of Yelawolf rocking ZOO YORK: Kiki: What is one trend you will never be caught in? Yelawolf: “Skinny jeans.” Kiki: How did I know you would say that? Yelawolf: (Laughs) Kiki: What are a few of your favorite brands right now? Yelawolf: The Hundreds—they’re making some dope sh*t. And Orisue. Kiki: Who do you consider a style icon? Yelawolf: Gipp from Goodie Mob Kiki: What’s your favorite sneaker of all time? There’s a shoe from Walmart. it’s a classic Alabama sneaker with two Velcro straps. The way the kids wear them there is fresh, with the straps open, paired with a fresh white tee and jeans. Kiki: What’s one look you can’t resist on the ladies? Yelawolf: Sneakers and panties. Cop the Incredible Varsity, Immergruen Full Zip Fleece and Fairfax Avenue Woven on DrJays.com, along with more fresh gear from ZOO YORK:  Incredible Varsity by ZOO YORK Immergruen Full Zip Fleece by ZOO YORK Fairfax Avenue Woven

Q The Kid / Jermaine Dupri’s Haiti Dedication

Q The Kid, one of So So Def’s lyrical prodigies, has crafted a song called “Save Me,” an ode to those still reeling from the tragic earthquake in Haiti. While Haiti isn’t a top story in the news, the nation still needs support in vast ways. That makes this song right on time.

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50 Cent’s Associate Ordered To Pay For Beating Woman At Mansion

(AllHipHop News) A woman who was beaten by an associate of 50 Cent’s at his Connecticut mansion won a judgment yesterday (April 8) in court.Shana Chin, 24, claimed that Dwayne McKenzie, a member of 50 Cent’s entourage who lives in the mansion, beat her during a Memorial Day party in 2008. McKenzie and Chin had been dating since 2007, but the relationship went sour when she found out McKenzie was allegedly cheating on her. A fight between the two took place in McKenzie’s bedroom in on Memorial Day in May of 2008 and McKenzie allegedly chocked and slapped Chin. A Waterbury Superior Court ruled in favor of Chin after the judge presiding over the case ruled that there was enough evidence to support Chin’s claims of assault. McKenzie has been ordered to pay $30,000 and has already taken a violence education program. McKenzie is a member of 50 Cent’s entourage who has had several encounters with police in Connecticut. In August of 2007, he was arrested for firing  a gun at a man who attempted to steal his chain outside of a Hartford nightclub. McKenzie was rearrested in October of 2007, after he allegedly pistol-whipped a promoter, after the man failed to announce an after party taking place at 50 Cent’s mansion. In August of 2009, he was arrested again for allegedly brawling with a woman who refused to give him oral sex at the mansion. During her testimony, Chin made the shocking allegations that McKenzie was the culprit who firebombed 50 Cent’s mansion Dix Hills, Long Island mansion in May of 2008.No one was been arrested for the fire, which police have already deemed suspicious.