“Eat You Alive”
“Eat You Alive”
“Hear My Cry”
“You Don’t Really Want War”
“Main Event”
“Stimulus Intro”
(AllHipHop News) Dr. Dre has filed a lawsuit against Death Row Records, the legendary record label he co-founded with Suge Knight.
Dre, born Andre Young, filed a federal lawsuit against the company that purchased Death Row out of bankruptcy, WideAwake-Death Row LLC.
According to the lawsuit, Dr. Dre has not seen any royalties from his groundbreaking hit album The Chronic since 1996, the year he left the label due to a strained relationship with Knight.
Death Row Records was put up for sale, when Knight lost a $107 million dollars default judgment to Michael and Lydia Harris.
The Harris claimed they invested $1 million dollars, but were cut out of profits by Knight.
WideAwake-Death Row Records LLC purchased the storied gangsta rap label and all of its assets for $18 million dollars during a sale in 2008.
Dre claims the new owners, who have issued releases and reissues by Snoop Dogg and Kurupt, are selling digital, remastered copies of The Chronic and The Chronic Re-Lit, both without his permission.
Ownership of the label is still in question.
In November of 2009, Laura Lavi, who claims to be the sole CEO of Wideawake-Death Row LLC., accused co-owners New Solutions Financials of diverting funds and assets illegally.
“King Of The Pyrex (Remix)”
“Carry Out (Remix)”
“Scared Money (Remix)”
“Layed Out”
“Suicypher”
“Lean”
“Fly With Me”
“Who You Pose To Be”
“Profilin (Remix)”
“Miss Chocolate”
Antonio Lopez
Mourin is known to fans, critics, haters and spectators as Tito Lopez. Lopez
has used clever word play and tech savvy marketing techniques to flood Hip-Hop
sites and blogs with something refreshing since 2007. His quick wit is evident
in his flow. Tito released and
pushed his very first individual mixtape the New Print, his version of
Jay-Zs The Blueprint.As a part of his patented revamp series, he
overhauls classic albums to his solitary style. In 2008, he came back with
three mixtapes- The Best of Tito Lopez Vol. 1, Impatiently Waiting and Me,
a reworking of Commons classic
album Be.
A few short years later and the style
is still just as raw the only thing that has changed is the number of plays. Consistency
plus skill has proven to be a successful formula for Lopez whose fan base has
grown immensely to the point where he has a faithful audience that shows him
the love that keeps him both grounded humble.
MUSIC:Tito Lopez “Drop The Mic”Tito Lopez “The Wait Is Over Freestyle”
AllHipHop.com: Is Tito Lopez your real
name?
Tito Lopez: Sort of. My birth name is
Antonio Lopez Mouring. I’ve always been called “Tony” for short and
“Tito” has always been my nickname off that since I was a baby. So
when I was coming up with a rap name, I knew I wanted something close to home.
If I had a dope name like “Kanye West” or something, I would go with
the full birth name. I knew I was gonna be “Tito” something. Too many
“Lil’s” and “Youngs” out there so I scratched that, and
just went with my middle name for the last part. Had a nice ring to it. And it
keeps women wondering whether I’m Black, or Spanish, or BOTH! LOL
AllHipHop.com: With the music industry being as over saturated as it is, what do u feel u have to offer that’s different?Tito Lopez: Real rap. I don’t mean to be some kind of rebel, but I definitely stand alone. The majority of everything and everyone I see in the music business is fake. That’s why I’m not a fan of very many artists. There are some I respect, but not many. I’ve dealt with fake promoters, fake thugs, fake bosses, and just all around fake rappers. What you’re getting from me everytime you push the play button, is a real flesh and blood human with exceptional microphone skills.
AllHipHop.com: Do you feel as if Real
Rap is enough to make you a breakout artist?
Tito Lopez: That used to be good
enough. I grew up in a time when the rap game was like the NBA. You HAD to have
skills. You couldn’t just fake your way through it. Now everybody’s copying the
next man, no originality, everybody’s just clones. I’m truly a humble dude, but
Im better than damn near everyone out, and I’m working hard to show it. I say,
Talent doesn’t mean you deserve anything, hard work is the key.
AllHipHop.com: How do u describe your
style?
Tito Lopez: Incredible! Lol I mean
honestly, I try not to have a style. As far as lyrically, I’m rapping about my
life. So until I die, I’ll never run out of material. Flow wise, I got so many
I can’t keep count. And I’m constantly adding to my arsenal. I sometimes call
myself “THE GAME’S COMMENTATOR”. The Hip-Hop John Madden! I say that because I’m pointing out all of the
pros and cons I see around me. If somebody takes offense to something I
say…so be it. I call ’em how I see ’em. I will say my voice plays a major
part in my sound. I’ve heard lots of people say I have a great
“rapper” voice. I’d like to be one of those guys who you know were
born to do this, as soon as you first listen. That’s what they used to say
about Snoop and Biggie. On the mic is where I’m most comfortable, so listening
to me you’ll be comfortable. Just soak it all in.
AllHipHop.com: How do u feel about to
state of the Rap game?
Tito Lopez: I feel like the game is
exactly where it needs to be. I mean I do point out that most of it is fake,
and I’m not a fan of most dudes, but that just makes it easier for me to stand
out, and I really can’t blame most of these artists because they don’t know any
better. I’m glad to see a young dude get his bread, cuz I want mine. If
anybody’s gonna blame anybody, blame the executives behind the scenes. These
artists are just like Tobacco. It takes the machine to turn them into
cigarettes that can kill you. I’m not really a complainer, so I just let my
music speak for itself. I can show you better than I can tell you. I think
people put to much on the “state of the rap game”, and don’t do s###
to change it. If you don’t like it, or you think it’s missing something, bring
it to the table. If you can’t do that, then shut the f### up about it. If you
ain’t part of the solution, you’re part of the problem.
AllHipHop.com: Who were your biggest
musical influences growing up?
Tito Lopez: The Dungeon Family first off is who influenced me the most. I
listened to EVERYTHING, but their style and tradition is something I try to
carry on today. They were just smart, revolutionary, street dudes. They weren’t
dumb thugs, and they weren’t all high and mighty. They told you about the
problem, but still made it relatable to anybody in any hood. That’s me.
Musically period, however, I grew up loving Nirvana, my Mom’s favorite rapper is Biggie so he was played non-stop. Lauryn Hilli think is the bar and standard for alot of things. I’m
real eclectic. From the biggest, grammy-winning artist, to the most underground
DJ Screw mixtape, I’ve heard it all. And i try to fit it all in there. It’s
kind of hard to fit 23 years on this Earth into EVERY verse I spit, but I’m
trying. Lol
AllHipHop.com: What role does the Internet
play in your music hustle?
Tito Lopez: It is my main hustle. I’m
about to take it to the next level and start hitting the shows and club circuit
more, but it wouldn’t make any sense to do that without a fan base. And the Internet
is how I built up my fan base. It’s the reason you’re even interviewing me
right now. Anytime a website posts my music, I’m thankful, because it’s
somebody’s first time hearing me, and I know i just made a new supporter. I’
don’t like to use the word “FAN” too much. Over the last 2 years,
Ive just been dropping mixtape after mixtape on different websites, and the
buzz has just been growing. People are responding great. I’ve from one of the
smallest cities around, so if it wasn’t for the Internet, I wouldn’t be able to
be as visible to alot of big places. Hate it or love it, the Internet has been
around for the longest now and its where people are.
AllHipHop.com: What aspects of your
character set u apart from the typical rapper stereotype?
Tito Lopez: Individuality. I’m a normal
cat, with abnormal skills. EVERY…SINGLE…RAPPER that comes out now and days
is portraying this Superthug ass image, and everybody just runs with it.
Before a n#### even drops his debut album, he got 100 million in the bank, 18
Phantoms, f###### the baddest b######, selling the most dope, and killing other
n##### on the daily. GET REAL! And I mean that literally. It’s just not
possible for everybody to have that life, and whatever the trend is, n##### is
gon follow. After Jeezy, everbody
was a D-boy. After Wayne, everybody
wanted to be eccentric. Now that Drake is
out, everybody’s gonnawanna be romantic and s###. Just be you. And if you ain’t
good enough, sit your ass down. You weren’t meant to do this. I loved rappers
like Eminem and DMX, because they talked about how they weren’t perfect, ya dig? Everybody
got flaws. Everybody dresses up when they get a record deal wit sunglasses at
night, a rented car, fake money, etc. This s### is really just a big ass
carnival show, and it ain’t just the South, it’s EVERYWHERE! Some people say
the South is winning, but in my opinion, we ALL losing. I’m just gon spit about
my life and what I go through, and I’m gonna do it in the dopest possible way.
If you don’t wanna hear that, cut the damn song off. I don’t give a f###. Once
I get on a magazine cover, or they read this interview, or see my on T.V., then
people will wanna rock with me. It’s bandwagon s###, but hey…that’s how it
goes.AllHipHop.com: With the music industry
being as over saturated as it is, what do u feel u have to offer that’s
different?
Tito Lopez: Real rap. I don’t mean to
be some kind of rebel, but I definitely stand alone. The majority of everything
and everyone I see in the music business is fake. That’s why I’m not a fan of
very many artists. There are some I respect, but not many. I’ve dealt with fake
promoters, fake thugs, fake bosses, and just all around fake rappers. What
you’re getting from me everytime you push the play button, is a real flesh and
blood human with exceptional microphone skills.
AllHipHop.com: Do you feel as if Real
Rap is enough to make you a breakout artist?
Tito Lopez: That used to be good
enough. I grew up in a time when the rap game was like the NBA. You HAD to have
skills. You couldn’t just fake your way through it. Now everybody’s copying the
next man, no originality, everybody’s just clones. I’m truly a humble dude, but
Im better than damn near everyone out, and I’m working hard to show it. I say,
Talent doesn’t mean you deserve anything, hard work is the key.
AllHipHop.com: How do u describe your
style?
Tito Lopez: Incredible! Lol I mean
honestly, I try not to have a style. As far as lyrically, I’m rapping about my
life. So until I die, I’ll never run out of material. Flow wise, I got so many
I can’t keep count. And I’m constantly adding to my arsenal. I sometimes call
myself “THE GAME’S COMMENTATOR”. The Hip-Hop John Madden! I say that because I’m pointing out all of the
pros and cons I see around me. If somebody takes offense to something I
say…so be it. I call ’em how I see ’em. I will say my voice plays a major
part in my sound. I’ve heard lots of people say I have a great
“rapper” voice. I’d like to be one of those guys who you know were
born to do this, as soon as you first listen. That’s what they used to say
about Snoop and Biggie. On the mic is where I’m most comfortable, so listening
to me you’ll be comfortable. Just soak it all in.
AllHipHop.com: How do u feel about to
state of the Rap game?
Tito Lopez: I feel like the game is
exactly where it needs to be. I mean I do point out that most of it is fake,
and I’m not a fan of most dudes, but that just makes it easier for me to stand
out, and I really can’t blame most of these artists because they don’t know any
better. I’m glad to see a young dude get his bread, cuz I want mine. If
anybody’s gonna blame anybody, blame the executives behind the scenes. These
artists are just like Tobacco. It takes the machine to turn them into
cigarettes that can kill you. I’m not really a complainer, so I just let my
music speak for itself. I can show you better than I can tell you. I think
people put to much on the “state of the rap game”, and don’t do s###
to change it. If you don’t like it, or you think it’s missing something, bring
it to the table. If you can’t do that, then shut the f### up about it. If you
ain’t part of the solution, you’re part of the problem.
AllHipHop.com: Who were your biggest
musical influences growing up?
Tito Lopez: The Dungeon Family first off is who influenced me the most. I
listened to EVERYTHING, but their style and tradition is something I try to
carry on today. They were just smart, revolutionary, street dudes. They weren’t
dumb thugs, and they weren’t all high and mighty. They told you about the
problem, but still made it relatable to anybody in any hood. That’s me.
Musically period, however, I grew up loving Nirvana, my Mom’s favorite rapper is Biggie so he was played non-stop. Lauryn Hilli think is the bar and standard for alot of things. I’m
real eclectic. From the biggest, grammy-winning artist, to the most underground
DJ Screw mixtape, I’ve heard it all. And i try to fit it all in there. It’s
kind of hard to fit 23 years on this Earth into EVERY verse I spit, but I’m
trying. Lol.
AllHipHop.com: What role does the Internet
play in your music hustle?
Tito Lopez: It is my main hustle. I’m
about to take it to the next level and start hitting the shows and club circuit
more, but it wouldn’t make any sense to do that without a fan base. And the Internet
is how I built up my fan base. It’s the reason you’re even interviewing me
right now. Anytime a website posts my music, I’m thankful, because it’s
somebody’s first time hearing me, and I know i just made a new supporter. I’
don’t like to use the word “FAN” too much. Over the last 2 years,
Ive just been dropping mixtape after mixtape on different websites, and the
buzz has just been growing. People are responding great. I’ve from one of the
smallest cities around, so if it wasn’t for the Internet, I wouldn’t be able to
be as visible to a lot of big places. Hate it or love it, the Internet has been
around for the longest now and its where people are.
AllHipHop.com: What aspects of your
character set u apart from the typical rapper stereotype?
Tito Lopez: Individuality. I’m a normal
cat, with abnormal skills. EVERY…SINGLE…RAPPER that comes out now and days
is portraying this Superthug ass image, and everybody just runs with it.
Before a n#### even drops his debut album, he got 100 million in the bank, 18
Phantoms, f###### the baddest b######, selling the most dope, and killing other
n##### on the daily. GET REAL! And I mean that literally. It’s just not
possible for everybody to have that life, and whatever the trend is, n##### is
gon follow. After Jeezy, everbody
was a D-boy. After Wayne, everybody
wanted to be eccentric. Now that Drake is
out, everybody’s gonnawanna be romantic and s###. Just be you. And if you ain’t
good enough, sit your ass down. You weren’t meant to do this. I loved rappers
like Eminem and DMX, because they talked about how they weren’t perfect, ya dig? Everybody
got flaws. Everybody dresses up when they get a record deal wit sunglasses at
night, a rented car, fake money, etc. This s### is really just a big ass
carnival show, and it ain’t just the South, it’s EVERYWHERE! Some people say
the South is winning, but in my opinion, we ALL losing. I’m just gon spit about
my life and what I go through, and I’m gonna do it in the dopest possible way.
If you don’t wanna hear that, cut the damn song off. I don’t give a f###. Once
I get on a magazine cover, or they read this interview, or see my on T.V., then
people will wanna rock with me. It’s bandwagon s###, but hey…that’s how it
goes.
Visit Tito Lopez athttp://www.myspace.com/therealtitolopez
Collectively nudged by the
inherent diversity and surge of thought which permeates the Bay, the
Souls Of Mischief will always reverberate their love for Hip-Hop. This
message is also heard, when theyre collaborating amongst the larger
collective, Hieroglyphics. Each of the Souls members (Opio, Phesto,
A-Plus and Tajai) are accomplished MCs; yet, its their genuine friendships
which supersedes the music, that has helped the group to remain intact
throughout the years. Defying any regional boundaries, their depth of
lyricism is their passport to worldwide acclaim; the globe stamps its
approval. Formed in the early 90s, the SOM have built a solid
foundation that can withstand todays Hip-Hop aftershocks. Life
is ever changing and the art of survival within Hip-Hop comes from lyrically
evolving; we bring that to our art, contends Opio. Souls
Of Mischief: Montezumas Revenge is one of the many things that
Tajai and Opio discuss in this exclusive interview.
AllHipHop.com:
The Bay boasts an array of MCs. Theres everyone from E-40, to San
Quinn, to Ras Ceylon, to The Frontline; where do Souls Of Mischief figure
into todays Bay scene and the overall portrait of Hip-Hop?
Tajai: We have the same
place that weve always had. As far as the Bay area, [its] between
us and Too Short [who] exposed
the Bay area to more people than any other group out there. Thats
not to get into a pissing contest or a chest-beating contest with anybody;
but, we brought the Bay area to the entire planet. When we [first] came
out, a lot of times cats were not checking for what came out of the
Bay…SOM, we brought Bay area real Rap to the entire world and we still
do. Theres nobody in the Bay who can tour like us We really blazed
a path as the Hieroglyphics. We wouldnt even be an underground tour
circuit of 100 to 200 shows every year that you can spot and you can
rock at all over the world.
So, I dont want to concentrate
it as a Bay thang; because, were universal artists. You can ask anybody
including MCs from Cali on the West coast, or whoever you ask who has
real lyrics, SOM or Hieroglyphics will show up in their top rappers.
Its not just all, Theyre good to be out of the Bay; or, theyre
lyrical to be from the Bay. They aint rapping about the Bay. Weve
never been pigeon-holed as Bay-area-rappers; because, we have a universal
sound. We grew up on everything from Too Short to Rakim
AllHipHop.com:
Success sometimes leads to complacency; what circumstances led to the
creation of SOM: Montezumas Revenge?
Opio:
SOM, weve been together [for so long and] we tour so much that I
dont even think that we realized that we were on a recording hiatus
until we made this record. The opportunity to come back like that with
Prince Paul to us that was like something that was worth picking up
the pen. The people that support us expect a lot from SOM and Hieroglyphics;
we had to come up with something. We were like, this has to be the
dopest s### ever; it can be wack or subpar! Prince Paul is great;
hes such a cornerstone of what we try to do in terms of being creative,
being different, and being avant-garde.
Prince Paul, he laid the foundation
for us to explore those concepts, you know, he is the grand master.
He is the teacher. To sit there and work with him on equal footing is
an honor. It was a challenge; but, SOM, we endure those particular types
of situations. We enjoy those types of situations; because, we [exceed]
the challenge. It really gets our creative juices flowing. Its enjoyable,
as far as, us being together, and working on a record with a guy that
weve mutually admired and have studied for so many years. I mean,
he [Prince Paul] has contributed to so many great albums. The key to
motivation and the key to staying active is to be creative like that.
The activity right there was crazy. We were excited about it! I aint
really felt that kind of excitement going into a record in a long time.
AllHipHop.com:
Bet, so it was rejuvenating; thats beautiful. Whats the secret
to creating a track which boasts resonating lyricism and hypnotic production?
Tajai:
Man, I think it starts with the beat, you know. The beat of it will
bring it out of you. You might have a concept for a song; but, youre
not just going to write a whole song without hearing the beat that youre
going to rock it to Its really finding a balance between fighting
a track and rolling with the track. A lot of people go hard on the South,
they dis the South; but, the cats in the South ride tracks better
than all rappers right now. They can out balance them and that starts
with the beat. A lot of dudes who consider themselves lyrical get into
a war with the track rather than riding it. They end up crashing. You
cant fight the beat; because, the beat is what is driving it. But,
you also want to be able to show your skills. Its kinda like surfing.
Have you ever seen a surfer wiping out; because, of the wrong technique
on the wave? Youre a surfer on the wave and the wave is the track.
If you hit it wrong youre going to wipe out. Thats kinda like
the needed balance between those two. You want to use the track as a
background for you to display your skills without attacking the track
and wiping out.
AllHipHop.com:
Is SOM: Montezumas Revenge time capsule material?
Tajai:
Really, I think the album is a time capsule. How can I explain iteverything
is disposable right now. We got little kids who were raised up on Red
Bull and hot chips and liquor store food. Theyre throwing processed
cheese on top of the hot chips and throwing some beef jerky in it and
theyre acting like thats a full complete meal; thats the same
with this Rap. I think our record, in general, is a time capsule. Were
still young. There are people who are out there from Outkast to Pharrell
to Kanyethem dudes are our age or older. Theyre from an era and
were from an era where Hip-Hop had vegetables and complete protein.
It had really good stuff to help you grow as a person and to help your
brain grow. We got all these kids that are in school who cant pay
attention; because, theyre eating garbage every single morning and
that is the exact same thing it is I dont want to blame Hip-Hop
like Hip-Hop is wack. There are a lot of young dudes who grow up on
that good stuff. And we are that same thing.
Our album is a time capsule.
I didnt mean to hijack the question like that; but, I meanHonestly,
you got a group of dudes whos still young, whos still rocking
shows everywhere, whos still in the mix and still in the scene [because]
we grew up on good nutritious real Rap, like KRS [One], Rakim, [Big
Daddy] Kane, Scarface, you know, Cubeand [we] are able to spar. We
can still hop into the ring with all these youngsters who put out one
record and sold a billion Ringtones and think theyre the greatest
rapper alive. So, I think our record is a time capsule. If you listen
to that record youre gonna be like Oh, this is True School.
It aint Old School, that I think why its doing so well. For the
young ones theyre like, Oh, this is dope; this is different.
The Old School dudes are like, This is dope! Its different from
whats out now; but, I understand the vein that its coming from.
AllHipHop.com:
So, this is true school?
Tajai: True school,
it aint old school; its just classical. Were sort of the last
classically trained Rap artists out there, you know what Im saying?
Its like, the way a musician looks at musicLike all these dudes
do is pick up a synthesizer and auto-tune and all of a sudden theyre
an R&B Lothario. Though you cant deny it, you cant take
away from the music; theres a lot of good music coming out by guys
who makes beats on computers and makes beats in beat machines. Thats
the same thing with guys who grew up and didnt listen to Earth, Wind
& Fire, who didnt listen to Stevie Wonder or Curtis Mayfield;
but, they are still phenomenal rappers. We grew up in a world where
Hip-Hop wasnt even the main music; we had a Earth, Wind, & Fire,
and Kool & The Gang, and Curtis Mayfield and Prince and Tower of
Power. We had all the Rock stuff and we had real rappers who were
really spitting knowledge and lyricism. Thats our classical training
in this field. Im not going to blast Hip-Hop; because, its all
across the board.
We were lucky enough to
be born in the year where were old enough to understand the depth
of what the older dudes was kicking; but, were young enough to be
different from them and not want to do what they did. Thats kinda,
you know, what makes us this true school thing. Theres young rappers
and old rappers that are still doing it all over the world, man. Most
of the good stuff aint even getting exposure. But, when we go to
these different countries and go to different parts of the nation and
listen to the openers and stuff, its a lot of raw rappers. Hip-Hop
is alive and well, its just that whats on the radio is mainly
like elevator Rap and copies of copies of copies of copies of copies,
you know.
AllHipHop.com: [erupts
with laughter] HA! Elevator rap, I love it! I wanted to touch on the
age disparity within Hip-Hop. Some of our MCs are maturing in age and
some of our MCs are straight out the womb. Is there a mutual respect
between these groups?
Opio: Historically,
with anything you look at theres always a battle between old and
new. Theres a new way of thinking verses the old way of thinking.
I think that that dialogue that happens between the two groups is healthy
for change in music. So, you need critiques, you need to have records
that kinda set people straight. And also, you have to have a revolutionary
spirit where youre willing to do different things that you may have
felt that before you wasnt capable of. Youre just a newer, better,
more improved generation; because, youre building off the foundation
that they laid. Its always healthy to have that dialogue between
old and new. I think that inevitably that the new is going to overwhelm
the old. To all my favorite young rappers coming up, if you dont
listen to these older generals whove been through the war; youll
moan a lot. They can tell you the ins and outs of whats going on,
you know what Im saying?
I always look beyond just Hip-Hop;
but, just black music in general. We have to study the history of black
music and youll have a lot more respect for the OG rappers. The competitive
nature of Hip-Hop lends itself to like, Im going to destroy this
guys career; or, Im going to demolish this cat. You know, which
is cool; because, it keeps people on their toes. But, if youre studying
black music, you know, you cant destroy the blues, you cant destroy
Chuck Berry, you cant kill that with Rap. Were an extension of
their energy. Its been an issue for if you are a young lion thats
gonna go hard. But, you have to understand that these other young lions
came before you. So, the power of black music and the history of black
musicI think Hip-Hop needs to start analyzing the history of black
music, more so than only just Rap. If we give respect to all these other
cats, Muddy Watersif were taught more about that then we would
see our place in music. We would see how Melle Mel fits into that and
how Run-DMC fits into it that legacy. Hopefully, Hieroglyphics fits
into that legacy as well.
AllHipHop.com:
I want to thank you guys for sharing your time with me, is there anything
else for the public?
Opio:
We just want to thank everyone out there thats been down with Souls
of Mischief
for all these years. People
really dont see us coming out on every mainstream outlet; yet, still
somehow we just managed being relevant after all these years. Thats
just because the people that have supported us actually stood tall and
rode for us. It really cant be just us in order for us to be successful.
So, everybody out there whos supported us, I just want to say thank
you. Definitely, go cop that Montezumas Revenge. SOM and Prince
Paul coming together, thats historic right there. If you love true
school Hip-Hop, thats the perfect example right there. Be on the
lookout for the new solo projects that we got
RAEKWON, METH, GHOSTFACE PARTY WITH CAPONE-N-NOREAGA!
You know AllHipHop will be in the place to be! Here are CNN and Raekwon talking about it and the information is below the video!
video platformvideo managementvideo solutionsfree video player
video platformvideo managementvideo solutionsfree video player
On Thursday, February 18th at New York’s Club Imerial, real Hip Hop aligns, as Raekwon, Method Man and Ghostface host the signing celebration of Hip Hop legends Capone and Noreaga’s signing to Ice H20 Records.
Shade 45’s Angela Yee and Power 105’s DJ Envy will also be on deck to help celebrate the birthday of Ice H20 CEO Kay Woods
Special Invited Guests Include: Styles P, Jadakiss, Beanie Segal, Freeway, Red Cafe, Ice T and CoCo and Many More
Club Imperial – 17 West 19th Street, NY NY
Here are the flyers!
“Searchin”