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Black Milk: A Black Star

In today’s####-or-miss Hip-Hop landscape, most rappers can’t afford risk-taking or lengthy departures from their prevailing formulaic forte. Detroit-reared indie beatsmith Black Milk isn’t too concerned with staying in one lane with his raw sonic signature having more layers than Kwame Kilpatrick has court cases. Establishing his trademark for an impressive laundry list, producing gutter anthems for cats like GZA, Busta Rhymes and Pharoahe Monch, Black Milk has significantly grown as both producer and lyricist from his days in the trio BR Gunna. After his soul-filled 2007 release Popular Demand, he has taken things a step further with his latest offering Tronic, via Fat Beats Records.Employing features like rising YouTube star Colin Munroe and legendary DJ Premier, Black Milk proves he can incorporate any style to his versatile creations that coined nearly all of elZhi’s The Preface and much of Slum Village’s Detroit Deli (A Taste of Detroit). Whether it’s east coast, west coast or dirty south, Black Milk has no trouble adding his own flare to anything. Nevertheless, what he really wants is to use his rhythms and drum patterns to boost the 313, becoming not just a forerunner for Motor City Hip-Hop, but Hip-Hop, period.   AllHipHop.com: In BR Gunna with Fat Ray he was usually one of the most vocal MC’s when you were together. How is it now that you are the primary lyricist shifting the light on yourself along with being the producer? Black Milk:  Even though we went our separate ways on the BR Gunna thing, Ray and I always stay in contact with each other. We’re cool, that’s my family, and whatever Ray needs I got him, whether it’s beats or whatever. That’s neither here nor there, I have got to do my thing so I can get my entrance into the game. I felt like that BR Gunna thing wasn’t really working out, we need to try something new. If the solo thing wouldn’t have worked out, I would’ve tried something new, I would have tried to go a different avenue. So far, the solo thing has been cool, so far, things have been working out pretty good. But definitely, I’m going to go back and reach out and work with artists I was working with in the beginning trying to get them as much exposure as I get right now. That’s my mindset.AllHipHop.com: On your latest album, Tronic, what’s different about this album than your previous work?Black Milk: I feel like Tronic is my best work yet out of all the projects I have put out over the past couple of years. It’s just a whole new direction from all of those projects. It’s like all those sounds on those projects all into one album but with a new twist to it. It’s a futuristic twist but still has the soul, and grimy drum beats. With the new sound the production has stepped up, rhymes stepped up, I’m actually a little more personal on this album letting people know how I feel about what’s going on in the music industry. How I feel about what is going on in my life in general as a whole. I still have my up-tempo tracks, crazy soul tracks, it’s just a variety of different music on one album and the album is still solid, everything is cohesive. I tried to stay away from the soul chops and soul loops because Popular Demand was so soul heavy. With this new one, I wanted to take a different approach and use a different formula, with the beats, song concepts and with the beats and tempo, all of that. I only have one song that’s a soul chop on this album and basically, everything else is a futuristic, synth-heavy, bounce rhythm to the tracks. It is real musical, I used a lot of instrumentation for this album. Give The Drummer Sum – Black MilkAllHipHop.com: You have often said you are a producer first and MC second. Why is this when your lyrical skills have advanced just as much as the production? Black Milk: That’s just saying I have more of a love for producing and making the music side of it instead of the MC side of it. If I had to pick between the two I would have to pick the production side and producing other artists. One of the main reasons I rhyme is because I can, I do it well, I got to let people know. I’d be stupid to hold that back. But another reason is it gives me a chance to perform and travel, go to different cities and countries and do shows for people and actually hear my s**t bang in the club and see people wild out to it. AllHipHop.com: How do you feel you have grown overall as an artist on Tronic? Black Milk: The way I listen to music now is totally different than the way I listen to music two or three years ago and when I was doing beats then. I guess you could say I’m somewhat of a perfectionist when I create music nowadays, because I try to make everything as perfect as I can. Back then, I probably just threw a track together and it was dope, then I’m going to rhyme on it and let it go whether it has imperfections in the track or not. Now I listen to everything. With this one I would be making a beat, leave it alone, come back to it two or three hours later and if the beat doesn’t sound crazy to me in the first two to four bars while I’m playing it, I will erase it. That was my creative process for this album, like it had to be undeniable or I wasn’t using it.AllHipHop.com: How did a track like “The Matrix” come together with Pharaohe Monch, Sean Price and DJ Premier?Black Milk: That was dope, it’s always good to have a lyricist of Pharoahe Monch’s stature, and everybody respects Pharoahe. He is on the list of one of the dopest MC’s  to ever do it. I knew before I even went in to record the new album, I wanted Pharoahe to be a part of it and be on one of the songs. I hit him up and told him we needed him on the album and I got a track and sent it out to him and he did his thing and killed it. I got Sean Price on it and he killed it. And at the last minute we got DJ Premier on the hook for the cuts and scratches, I sent it out to him and he got back to me a day later and asked me what the title of the track is. At first, I wasn’t going to tell him, because I just wanted him to put some cuts and scratches on it. Then I decided to tell him, “Yo, it’s called “The Matrix.” The very next day he sent the track back to me. S*** was crazy how he found the Jay-Z sample saying the matrix on it and found it in that short amount of time and killed that hook for me. He sent it back to me a classic Hip-Hop record.The Matrix (Ft. Pharoahe Monch, Sean Price, & DJ Premier) – Black MilkAllHipHop.com: The chemistry on “Losing Out” with Royce Da 5’9” is definitely one of the craziest on the album. How did that track come together? Do you really feel like people are losing out on Detroit?Black Milk: No, I wouldn’t say that people are losing out. That really wasn’t the concept of the song, like if you’re not listening to my music or if you’re not up on Black Milk or Royce Da 5’9” then you don’t know what you’re missing or you’re wack. The concept was basically saying let’s talk about all the s**t us as Detroit artists go through and rhyme extra hard as artists to be heard, to put our music out here and create a fan-base that will support our music. It’s a different grind for us because we’re not from a major city, like LA or New York. We don’t have certain things here in Detroit, like out there in those cities. It might be easier for those certain artists to get on where they could probably walk to a label somewhere in New York or Cali and try to politic with different people in the music industry, that’s not how it is in Detroit. We got to work extra hard here and make sure, our music is extra crazy. Then hopefully be heard by people in the music game and get that exposure that a major label artist would that lives in those cities. That’s why we’re always dropping music and always putting out s**t, trying to keep the buzz going and growing at the same time.

Katt Williams Arrested On Gun Charge In New York

Comedian Katt Williams was arrested in New York City early Thursday morning (November 6) along with six other individuals, hours before he was scheduled to perform at Carnegie Hall, the New York City Police Department informed AllHipHop.com today (November 7).

 

The Ohio-born funny man and his entourage were taken into custody around 1:45 am, after an investigation of two vehicles yielded a total of three fire arms.

 

According to NYPD Public Information officer Lieutenant John Grimpel, police officers observed two parked vehicles on the corner of West 28th Street and Broadway in the late night hours, one of which was a Cadillac Escalade with no license plate.

 

That prompted the patrolling officers to investigate the vehicles.

 

Upon inspecting the two vehicles, police uncovered a .40 caliber Smith and Wesson handgun and a 9mm Taurus in the Escalade.

 

An additional handgun, a .45 caliber Glock, was discovered in the second vehicle, described by Grimpel as a Mercedes-Benz “party van.”

 

The 37-year-old comedian, born Micah S. Katt Williams, was arrested alongside three men and three women.

 

Williams was charged with criminal possession of a handgun and taken to Manhattan Criminal Court, as were his co-defendants Steven Echols, 38, Larry Tolbert, 30, Marcus Clinton, 32.

 

Also taken into custody were Darnishia Gross and Victoria Meza, both 22, and 32-year-old Lena Smith, who provided authorities with the same address as Williams.

 

At press time, a request for an update on the crew’s arrest status from the Manhattan District Attorney’s office was unavailable.

 

Coincidentally, Williams was arrested on similar charges in Los Angeles two years ago today.

 

The self-proclaimed pimp made headlines on November 7, 2006 after a stolen handgun was discovered in his suitcase during a security check at Los Angeles International Airport.

 

Williams was released on bail and eventually made his scheduled appearance at Carnegie Hall.

The Last Word: Usher and Beyonce Talk Obamatics, TLC Returns Individually, and Akon Hustles With Lionel Richie

How’s life, everybody? Five days gone and history made with

Barack Obama capturing the US presidency as the first African-American

Commander-in-Chief. Was there anything bigger than this? Am I the only one that

saw Jesse Jackson cry after Obama’s victory speech? Stay tuned for an

interesting four years.

 

Condolences go out to former Motown Records president and

CEO Jheryl Busby, who died Tuesday (Nov. 4) and Obama’s grandmother, Madelyn

Dunham, who passed away the day before her grandson won the election. But not

without putting her vote in for him before leaving this world via an absentee

ballot that will be counted.

 

Shout out to President-Elect Barack Obama for being living

proof that anything is truly possible, everybody that took time out to make

their voice heard by voting, and the sounding boards for doing their part for

the cause.

 

And so with change (“Yes we did!”) comes…the Last Word for

the week ending Nov. 7, 2008.

 

1. Usher and Beyonce Weigh in On Obama Presidency

 

With a clear victory over John McCain under his belt and a

predominately-Democratic Senate to work with, life is good for Barack Obama.

World leaders and the general public have made their joy known as they wait for

the President-Elect’s inauguration on Jan. 20. And celebrities are no different

as Usher reveled in the moment by calling Obama’s historical victory

“incredible.”

 

“This will go down in history, in Black history for all of

the sacrifices that the great Joseph Lowery and Martin Luther King made; this

actually pays off for their sacrifice. The great Rosa Parks… So many people

sacrificed for us to have a voice,” the singer told Access Hollywood’s Billy Bush. “I’m proud to be an American right

now,” Usher added.

 

The moment also wasn’t lost on Beyonce, who got emotional

over Obama. “I fell asleep crying and smiling at the same time. I woke up with

mascara running and a smile on my face!” she told The Associated Press as she postponed an Election Night appearance in

Japan to remain stateside for the election results. And with the Presidency,

Obama inherited a willing volunteer in Miss Knowles.

 

“I’m there. I can’t wait. I feel like all of us, we’re ready

to do whatever we have to do. Whatever they want – if they need me to

volunteer, they need me to sing, I’m there, and I’m ready,” Beyonce said.

 

I’m cool with all these entertainers being happy for Barack,

but the one person I haven’t heard from is Obama girl. The work that went into

that “I Got a Crush on Obama” video just can’t be ignored. I’m sure many folks

took notice of the Chicago Senator once his player card was revealed.

 

Where are you Obama girl? Stand up for yourself. Give credit

where credit is due!

 

2. TLC Members Prepare for their Solo Close-Ups

 

Although it’s been a while since we’ve heard from TLC

members Chili and T-Boz, the women have kept themselves busy with music

projects. Chili is preparing to release her debut solo album. But after the

project’s original release date in August was scrapped for an October, Chili’s

rep tells Entertainment Weekly “Her solo

album project has been moved back.”

 

“We should have a second single out before the first of the

year,” the rep said without mentioning a solid timeframe for the album to hit

stores.

 

What first single?! Is it me or did that song come and go

real quick?

 

While we try to leave a light on for that Chili album, T-Boz

is hard at work on her solo project. But like her groupmate, no date has come

out as far as when that album will be released.

 

In the meantime, Lisa “Left Eye” Lopes is coming to the

rescue as the late entertainer’s family has partnered with Mass Appeal

Entertainment to forge ahead with the release of a compilation of Lopes’

unreleased solo material. The album, titled EYE-Legacy, will include collaborations with Tupac Shakur

(“Legendary”) and Boyz II Men’s Wanya Morris (“Tampered With”).

 

Look for EYE-Legacy

to hit stores on Jan. 27.

 

3. Halle Berry Comes Clean About Body Role Model;

Exercises Nudity Demons

 

As if she needed somebody to look up to in terms of her

body. But Halle Berry does have a role model she admires that fully enjoys what

God has blessed her with.

 

So who is Halle’s body image role model? The answer may come

as a bit of a surprise.

 

“Kate Winslet is always naked, sitting on a toilet, running

buck-naked. She’s free,” Berry told Elle

magazine. “I want to be the kind of actress who can really be comfortable with

my body like that.”

 

Winslet’s influence seems to be working as Halle managed to

work through her “real demons” about on-screen nudity when she flashed her

breasts at Hugh Jackman in the film Swordfish.

 

“I knew it was the Halle Berry breast scene and I knew it

was gratuitous and I knew what I was getting out of it,” recalled the actress,

who credited the experience for setting her up to do Monster’s Ball and its infamous sex scene with Billy Bob Thornton.

 

“Usually when I’m scared of something, that means I have to

walk right into the flame,” Berry shared. For Monster’s Ball director Marc Forster, the sex scene triggered a

unique reaction during filming.

 

“It was the only time in my life as a director that I

suddenly got shivers over me,” he said. “I felt like I was watching these two

people almost like a voyeur, like I was witnessing real life.”

 

4. Akon Hustles With Lionel Richie; Goes Euro for New

Album

 

Akon is a busy man. Hit albums and collaborations with

everyone that’s anyone in music provide a lot of job security for the guy who

was once locked up.

 

So I guess it shouldn’t be surprising that he’s working with

‘80s hitmaker Lionel Richie. According to Billboard, Akon and Ne-Yo are writing songs for Richie’s

forthcoming album Just Go. Other

people on board for the project include the-Dream, Christopher “Tricky”

Stewart, Stargate and Johnta Austin.

 

Just Go, which

includes the just released single “Good Morning,” arrives in stores on Feb. 17.

 

And if you’re wondering if Akon has time left for himself,

the answer is yes. The crooner is working on his upcoming album Freedom, which is slated for a Dec. 2 release. Those

expecting the usual Konvict sound will be in for a change, Akon revealed as he

alluded to bringing “bringing the whole Euro-club sound. That’s where we’re

headed with it.”

 

Look for Akon to embark on a 10-to-12 city promotional tour

a week prior to the release of Freedom

in addition to an official concert tour in February.

 

Think that’s enough work for Akon? Not quite as the vocalist

prepares to launch his Konvict clothing line in February and an upscale apparel

line called Aliaune, in the fall of 2009. Akon is currently working with a

watchmaker out of Switzerland to design two exclusive watches. The first one

will be called the Marinello while the other watch, which is currently unnamed,

will be a wrist watch/phone combo.

 

With all these these things, it seem like Akon is trying to

be the ‘08/’09 version of Hustleman. Anything to make a dollar.

 

5.  Joss

Stone Gets Political With New Song; Shares the Real Definition of Beauty

 

Whether your candidate won the Presidential race or not, you

can’t knock seeing folks express a desire to get involved. Case in point: Joss

Stone, who became inspired by all the election talk as she performed her new

song “Governmentalist” during a sold-out concert for the voter registration

group known as HeadCount.

 

Media sources report the tune was written in response to

criticism Stone received from a U.K. government official after speaking against

poor medical care of Iraq War veterans. Look for “Governmentalist” to appear on

the 21-year-old singer’s upcoming album, which she described as being “very,

very raw.”

 

And while Joss uses her power of celebrity for good, she’s

also letting people know what her meaning of beautiful is. The vocalist

recently broke down her definition while talking about, “Love Has Made You

Beautiful,” a song she donated to the Hard Rock Café London’s “Imagine There’s

No Hunger” campaign.  The track,

which Stone wrote when she was 15, is included on a CD promoting the campaign.

 

“I think that as a young girl when you’re growing up you

think, ‘I want to look like this and I want to be loved.’ You read these

magazines and you see these pictures and they’re not real…And you get upset

with yourself for not looking like that,” Stone told People. “But [this song] is about the things that you do

with yourself and your life that make you beautiful. If you do something good

for the world, you’re a beautiful person. It’s not about the hair and the

makeup. That’s all bulls—.”

 

6. Samuel Jackson Remembers fellow Soul Man Bernie Mac

 

It hasn’t been too long since Bernie Mac died, but the

comedian’s presence has been sorely missed. Memories of Mac will once again be

triggered with the release of his last film Soul Men.

 

Mac stars alongside Samuel L. Jackson as former bandmates

who reunite to travel cross-country to perform at a memorial concert for their

deceased lead singer, who is played by John Legend. News of the comedian’s

death came as a shock to Jackson, who mentioned how “weird” it is that Mac

didn’t see his latest and final film. Nevertheless, Jackson feels Soul Men

encompasses everything people loved about his friend.

 

“If you had to pick a perfect way to be remembered for an

artist, especially a guy like Bernie – the joy that this film has in it,

and the kind of love and adoration that people had for him, and the kind of joy

he brought people is evident in this film,” Jackson shared with CNN. “[The

audience] will discover that he can do things that they didn’t know he could do

like sing, dance and carry this dramatic arc.”

 

Soul Men arrives in

theaters today. Be sure to stick around for a dedication to Mac and the late

Isaac Hayes that appear at the end of the film. Footage from the dedication

includes Mac doing an impromptu stand up routine for movie extras as well as an

interview featuring him talking about his career.

 

“It’s a, you know, perfect way to say goodbye to somebody

that we all know and love,” Jackson said about his collaboration with Mac.

 

R.I.P. Bernie. Know that your work will always keep us

laughing and smiling with everything you did on the big and small screen.

 

 

In Other Words…

 

*  If you are

looking for Keri Hilson to release her debut album this year, think again. The

Zone 4/Mosley Music Group/Interscope release, titled In a Perfect World, was originally scheduled to hit stores this summer,

but got pushed back to the end of the year. Media sources are saying the album

is now slated for an early 2009 release. If it does see the light of day,

expect to find appearances from Lil Wayne and Timbaland, who also doubles as

one of the producers on the project with Polow Da Don, Roy Hamilton, Royal

Court Danja Handz and Tank.Return The Favor – Keri Hilson Feat. Timbaland

 

* I should’ve known it was too good to be true. Just as soon

as I mentioned that the Jackson 5 would reunite in 2009, Michael backs out.

 

“My brothers and sisters have my full love and support, and

we’ve certainly shared many great experiences, but at this time I have no plans

to record or tour with them,” the King of Pop said in a statement. “I am now in

the studio developing new and exciting projects that I look forward to sharing

with my fans in concert soon.”

 

Where is Joe Jackson when you need him to lay the strap

down? You know Randy and Tito can only do so much.

Roy Jones: On Calzaghe, Hopkins, and His Legacy

Is he one of the greatest boxers to ever lace up gloves who wiped out all the boxers in his weightclass or is he a fraud who wasted prodigious talent taking safe fights with mandatory challengers?That’s the central question surrounding how history will view the career of Roy Jones.  Unquestionably supreme in talent and skill, Jones stands at age 39 on the precipace of a career defining match Saturday when he steps into the ring with undefeated Joe Calzaghe, who himself is looking to cement legendary statusAs we reach the end of the hype and the buildup to this event rises, AllHipHop got some of Roy’s time to check his on not only on this fight but a potential bout with fellow ageless marvel Bernard Hopkins, his own legacy, and his future in boxing.  Whatever you do, don’t call it a comeback.

AllHipHop.com:

Calzaghe has stated he feels he has a point to prove after the criticism of his

bout with Hopkins, and plans to showcase his boxing skills against you. Since

this strategy could cut down on his volume punching, how does that benefit your

style?

 

Roy Jones:

He needs to change his style to beat me.  He’s said that and I’m expecting

it.  Joe knows he has to step up his game if he has any chance to win this

fight.  I’ll know after the first round if he’s going to come right

at me or if he’s going to try to fight differently, but it’s hard to

change the way you fight if that’s what you’ve always done and been

comfortable with.  

 

AllHipHip.com: It’s

taken years for you to rebound in the public’s mind from the Tarver and Johnson

losses. Although you’ve stated all the pressure is on Calzaghe to maintain his

perfect record, what about the pressure for you to punctuate the end of your

legacy with another career-defining win?

 

Roy Jones:

It’s not up to me where I am among the legends in boxing.  Only God will

determine where my place is among the great boxers who have come before

me.  All I know is that this is the first fight since John Ruiz that I

feel like the ol’ Roy Jones.  I lost 25 pounds of muscle coming down to

fight Tarver and Johnson.  That takes a toll on your body and your energy

level.  If Joe is the best pound-for-pound fighter in the world right now,

then where I am in the mix will truly be defined and signal that I am back.

 

AllHipHop.com:

Once again Hopkins and you are now starting to speak on the possibility of a

rematch if you win on November 8th. What changes do you have to see

from Hopkins at the negotiation table to have this fight not fall through like

it did in 2002 and 2006?

 

Roy Jones:

He has to really want to make the fight.  Look, it’s not been a problem on

my end that Hopkins and I haven’t done the rematch.  I said bring me an

offer and he hasn’t done that.  Joe Calzaghe and I made the fight by

texting each other.  He invited me over to England and we made the

fight.  No one else was involved, just him and me.  If Bernard is

serious about wanting a rematch, then he needs to do the same.  Meet with

me.  Don’t sent promoters or representatives or throw out bogus,

ridiculous offers.  He needs to tell Oscar (De La Hoya, his

promoter) to sit this one out and we’ll talk.

 

AllHipHop.com:

Best case scenario let’s say you defeat Calzaghe and Hopkins in your next two

fights. Assess the remaining challenges in your weight classes in guys like

Chad Dawson, Glen Johnson, and Antonio Tarver.

 

Roy Jones:

That’s looking pretty far ahead and right now I just want to concentrate on

Joe.  I’ll say two things about what’s ahead.  One, if I beat Joe,

I’m sure he won’t go into retirement.  He’ll want a rematch and I owe him

that.  We can do it over in Cardiff if he wants.  Two, this is not my

last fight.  I’ll keep going as long as I still can, so anyone else is

definitely on the table.  I can’t say when I’ll quit.  Hell, I might

just keep going and going and going, like the Energizer bunny.

 

AllHipHop.com: Joe has said you’ve posted some good wins

after the KO losses but are still past your prime years. What are the biggest

adjustments you’ve made in your style to get you to this point of being one

fight away from returning to the top of the pound for pound lists?

Roy Jones:

In my mind, I’m already there.  Like I said, it takes an adjustment, both

in my mind and body to come back down to light heavyweight.  Keep in mind,

there’s only one person alive on this earth who won the middleweight crown,

went up and claimed the heavyweight title and then came back to win the light

heavyweight title and you’re looking at him.  I feel better now than I

have in years.  I’m completely focused on winning this fight where I

wasn’t before.  I guarantee you a victory and I am back.

Roy Jones – AllHipHop

The Foreign Exchange: Leave It All Behind (Album Review)

 

 

Your jeans are getting slimmer, and you finally caved in and bought a pair of Wallabies because your girl convinced you that you can’t wear Dunks ALL the time, so why not change up your listening game and listen to some grown man ish?

 

If you’re looking for a different flex and want to bump something that you AND your date can chill to, look no further than Leave It All Behind (Hard Boiled); the latest collaborative project from Little Brother’s Phonte and Dutch producer Nicolay.          

 

Hot on the heels of their critically acclaimed 2004 debut Connected, the duo continue to bring the laid-back, mature vibes which prove to be a refreshing listen and act as an aural break from the mixtape static saturating your eardrums.

 

Album opener “Daykeeper” let’s the listener know where they’re headed on this disc, as Phonte employs his more than respectable singing talents along with support from female crooner Muhsinah. The spacey sound effects and two-step beat in this airy gem is reminiscent of Jill Scott.

           

“All Or Nothing / Coming Home To You” is one of the few times Phonte actually raps on this album. Phonte airs out his boo and his unconditional love for her over some nu-funk and p###-flick synthesizers: “You don’t have to live through such extremes / I understand my baby and just what she means / Even if we fight and call each other some names / It’s not the end of the world / It’s just part of the game.” Other standout tracks include “Valediction” and the title track “Leave It All Behind”.

 

The only thing that works against this otherwise solid project is the limited subject matter (girls, relationships, etc.) and the lack of emceeing on the part of Phonte. Fans familiar with the Exchange’s debut will be happy with this effort; however the Little Brother loyal may be slightly disappointed with the lack of lyrics and the electronic-leaning production.

 

If you’re looking for the right background music to compliment that special night with a special someone, then look no further to Leave It All Behind. Now picking up the Sauvignon, learning how to cook and sealing the deal? That’s up to you player.

 

The Foreign Exhange Featuring Muhsinah

“Daykeeper”

 

The Foreign Exhange Featuring Darien Brockington

“Take Off The Blues”

Thursday Night Football: Swing State Slugfest

The

winds of Change

have not only affected our political

front but our sports front as well. The NBA and NHL are in full effect. College Football is

winding down. The Men’s

and Women’s

College Basketball season is right round the corner and the MLB

always has the “Hot Stove” burning.

 

So

far, in the NFL,

change has definitely had an impact on the season.Winners have turned

to losers and losers can be forgotten. Teams who were once  dominant will probably be watching the playoffs at

home instead of being on the field. The changes just don’t

stop there.

 

Week

10 marks the beginning of the NFL’s flexible schedule.

Thankfully, for us, this Sunday’s match-ups don’t need any flexible changing.

Secondly, the Thursday

Night Games on the NFL Network kick off this week. 

 

With

the Thursday

Night Games, comes the Thursday Throwdown here on ALLHipHop. For the next six weeks,

we’ll look at the Thursday Night match-ups individually as well as the Game

of the Week Poll and other fun stuff. So without further ado, let’s get

into the games.

 

Get

Interactive:

Many

of us don’t have the Dish Network, so we won’t be able to see the Thursday

Night on the television. Nevertheless, thanks to modern technology, you can see

the game on your computer. Just click here

and you can follow the game as if it was on television. In addition, we’ve set

up a live chat room for not only tonight’s game in the Cheap Seats,

but for the remainder of the season. The AHH

NFL and CFB Live Chat

is up and

running and you can stop in and chat about tonight’s game or any

other game this season, next season, or any season. Let the live chat begin.

ALLHipHop’s NFL

Game of the Week for Week 11

Poll Answers

Thursday,

11/06/08, 8:15pm, NFL Network

Denver Broncos (4-4) at Cleveland

Browns (3-5) 

Cleveland Browns Stadium, Cleveland,

OH

My Pick: Broncos

 

This

week, a change took place.  A fresh face

came to the center of our attention. Oh, you thought I was talking about President

Elect Barack Obama. Nah, we already know the importance of his

change, I’m talking about Brady Quinn.

 

That’s

right, the Cleveland Browns made

a switch-a-roo this week and decided to bench QB Derek

Anderson and start Brady Quinn.

Now, I would agree if the move was needed because of poor play on Anderson’s behalf.

However, you can’t place all of the blame on Anderson.

 

The

Browns are ranked 28th in total offense. They’re ranked 29th

in receiving, that’s due to all of the dropped passes, and 28th in

rushing, that’s due to a crappy O-line. Their defense is ranked 24th

overall in the league and 28th against the rush. Oddly enough, the

Browns are ranked 13th against the pass.

 

Therefore,

I don’t think a QB switch is the answer. There are more holes in that team

besides the QB position that need fixing.

 

The

Broncos are having an identity crisis. One paper, they look like contenders, but

on the field, the Broncos have lost three of their last four games. The Broncos

have the fourth best passing offense the 18th best rushing offense

in the league. Although their offense is ranked third in the NFL, their defense

is ranked 29th overall. The Broncos are 27th against the

pass and 25th against the run.

 

In

their defense, the Broncos have taken some big hits for an injury standpoint on

defense, so it’s somewhat understandable why they have underachieved on the

defensive side of the ball. 

 

Although

the Broncos are going through some issues on the defensive side of the ball,

they’re still a better team than the Browns. There’s no stability at the QB position

for the Browns now, and the defense has been terrible as of late despite a big win

against the Jacksonville Jaguars from two weeks

ago.

 

Despite

all of the issues the Broncos are going through, I believe that the Broncos

will come into the Dawg Pound tonight and

remind Browns’ fans that even without John Elway,

they can still “Drive”

their way to victory.

 

Teams with Bye

weeks: Dallas Cowboys, Tampa Bay

Buccaneers, Washington Redskins, Cincinnati

Bengals

 

You

can check out new and past posts on the Out of Bounds blog at:

Outofbounds-therowdyone.blogspot.com

NWA Founder MC Ren Plots Return, Shuns Major Labels

After a 10-year hiatus, NWA founding member MC Ren has confirmed plans to release his fifth studio album exclusively through the Internet, the rapper told AllHipHop.com.

 

Although appearing on projects from Paris and Public Enemy throughout 2006, Ren has since remained quiet, primarily due to being fed up with the state of the music industry.

 

Now fueled by a commitment to his loyal fans, Ren began crafting the early stages of a new album just a few short months ago.

 

“I just wanted to get back in it for my fans that love me and love the s**t that I do,” Ren told AllHipHop.com. “What I do is for them so I’m putting this album together called RenIncarnated. I’m going to put it out on the Internet for them.”

 

While some labels would welcome marketing a new LP from a name emcee like Ren, the West Coast veteran is adamant about keeping industry hands away from his art.

 

This marks a drastic change for Ren, who through NWA and his own solo career has sold millions of records for independents and major labels in the late 80s and early 90s.

 

“No. F**k them! F**k those labels,” Ren spat. “The only way I’ll deal with a label is if they break me hella off and I have the space to do what I do. But all of that politicking and ass kissing? Naw, I ain’t f**king with them or that….I could write a book on all my experiences [with labels].”

 

A 20 year veteran, MC Ren along with NWA bandmates Ice Cube, DJ Yella, Dr. Dre, and the late Eazy-E, revolutionized Hip-Hop music with the seminal gangsta rap releases Straight Outta Compton (1988), 100 Miles and Runnin’ (1990), and Niggaz4Life (1991).

 

The rapper doubts he will ever return to releasing music in the traditional manner and will instead turn to the Internet to spread his music virally, similar to the way early NWA records became popular by word-of-mouth.

 

“With the Internet I don’t need a label to do any of that stuff,” MC Ren stated. “With the Internet it’s so easy to put s**t out. F**k labels, that’s why everybody is doing their stuff on the Internet, it’s big! Why f**k with these bulls**t labels when you can do it yourself and cut all them out? Those labels just want to take and take and take. F**k that!”

 

At press time, MC Ren’s RenIncarnated does not have a tentative release date.

Album Preview: Common’s “Universal Mind Control”

As Common plays “Universal Mind Control,” the opener to album of the same name, he can’t help but pop-lock a little bit as he mouths the words along with the track. By his own admission, Common’s records have never been known as club bangers but that’s definitely about to change. While attending his shows’ after-parties last year, he noticed a distinct pattern while everyone celebrated.

 

“My own DJ wasn’t playing none of my songs and I realized I needed something for people to rock in the clubs,” he explains. It’s almost as if Common only recently noticed that he had a certain image that the rest of us assumed he was cultivating intentionally. Never content to sit back and do the expected, he began work on the Invincible Summer EP that eventually grew into this full album.

 

While much of Universal Mind Control is comprised of dance records, don’t think that Common is somehow compromising himself. He still injects his own high-minded take on music into each track and, with the help of The Neptunes and Mr. DJ.

 

“We wanted to take the music to the future and do things that I had never done before and they had never done before,” he tells the small group at New York’s Legacy Studios. Mission accomplished: even for a production team known for diversity, UMC breaks new ground.

 

 

“Universal Mind Control”

Produced By The Neptunes

The Afrika Bambaataa inspired single featuring Pharrell that sets the tone for what’s to come. No big changes from what we’re already heard.

 

“Punch Drunk Love”

Produced By The Neptunes

A laid back swing where Comm talks to a lady giving him “the eye.” Kanye heard it and insisted on getting on the hook so some changes were made and the original featuring Pharrell became the remix. That other version is likely to appear as a bonus track.

 

“Make My Day”

Produce By Mr. DJ

A little bounce mixed in with So-Cal top-down music with a touch of Outkast. Cee-Lo assists on this hook, who Common says he’d like to work with on every album.

 

“Sex 4 Sugar”

Produced By The Neptunes

Common ties on a little Jungle Brothers on top of a thumping beat and marching-band snares. Common’s talking to a stripper on this one and it’s definitely not about going to college.

 

“Announcement”

Produced By The Neptunes

Another single featuring Pharrell, who came to the studio with his verse already on this joint. “We just wanted to make a tribute to Biggie in our own way,” Common says of the track, which flips “Dreams” into 2008.

 

“Gladiator”

Produced By The Neptunes

Anyone who would still accuse him of being granola or going hipster will have their mouths shut for them by “Gladiator”; a ridiculously hard auditory assault. Common jokes that he tried to mix a little Ghostface into the Rza influenced beat (“You know how Ghostface will come on the hook like ‘yeah n****, what!’”); a definite favorite in the room.

 

“Changes”

Produced By Mr. DJ

Again, Common hasn’t entirely abandoned inspirational themes and imagines that this track could be something for Barack Obama to play on inauguration day. Mr. DJ layers sounds to create a bright visual for him to speak on and at the end, Common’s eleven year old daughter steps in to drop a little poetry.

 

“Inhale”

Produced By The Neptunes

Common says this one “Is just good Hip-Hop. I don’t really have a big explanation for it.” Probably the most prototypical Neptunes beat with Chad even joining in to scratch in a sample of Tribe’s “Sucka N****.”

 

“What A World”

Produced By The Neptunes

Common breaks down the typical conventions of structure to tell the story of his life on a funk inspired track. D.A. from Chester French passionately sings the hook over Max’s guitar riffs and a N.E.R.D. meets Blondie flavored arrangement.

 

“Everywhere (Runaway)”

Produced Mr. DJ

Believe it or not, if Common formed a band with Pat Benatar or Stevie Nicks, this is probably what they’d come up with and it turns out a lot better than you’d assume. Probably the most deliberately 80’s song, it absolutely accomplishes the goal of delivering something unexpected.

 

 

                                 Verdict:

 

While this record is decidedly not another attempt at Electric Circus, it is a more expansive take on Common than you’re probably used to. Hollywood is paying Common’s bills quite nicely these days, freeing him to truly make music for the love. With his musical career experiencing a second renaissance and Hip-Hop opening up to a more broad take on the art, it’s perfect time for him to branch out and he takes full advantage. Don’t let it slip by in the crowded December schedule.

AHH Stray News: Brothers Kurupt & Roscoe Prep Debut As Duo

Dogg Pound group members and brothers Kurupt and Roscoe will drop their first album together as a duo next week. The album is titled The Frank and Jess Story, a nod to the infamous brothers and American outlaws Frank and Jesse James. The Philadelphia born, Los Angeles siblings have landed features by Too $hort, The Outlawz, Kurupt’s wife Gail Gotti, Daz Dillinger and others. The Frank and Jess Story is set for release on November 11, 2008 on High Powered Entertainment. The album’s first single is “Break It Down Like” featuring Too $hort.

Cassidy Links With Carmelo Anthony’s New Label For Next LP

NBA superstar Carmelo Anthony has inked a deal with Philadelphia rapper Cassidy, who is planning to release a new album on Anthony’s Krossover Entertainment.

 

Along with Cassidy’s upcoming album, Krossover Entertainment will release Berg’s debut album tentatively titled Language Arts.

 

Berg‘s debut will feature rappers like Rick Ross, Cool & Dre, Jadakiss, Gorilla Zoe, Raheem Devaughn and Berg’s Runnin Mates family, which also features label mate Cassidy.

 

“Krossover Entertainment is positioned to experience immediate growth in the mainstream entertainment industry by assembling a high powered team of management professionals and industry tastemakers,” Anthony told AllHipHop.com about the long-term vision for the label.

 

As Cassidy prepares his debut release for Anthony’s Krossover Entertainment, Eastside, Atlanta rapper Berg aka Diego Ca$h will be the first artist released on Anthony’s fledgling imprint.

 

Berg recently released a mix tape titled 800 Bodies, which showcases his alter ego.

 

“This mix tape shows the transformation of Berg into Diego Ca$h, and displays my lyrical growth and dedication to [the] genre of music that raised me into a rapper,” added Berg.

 

The news comes as Anthony’s team the Denver Nuggets start get off to a slow start for the 2008-09 NBA season.

 

The Nuggets, who are 1-3, recently traded guard Allen Iverson, for The Detroit Pistons’ Antonio McDyess and center Cheikh Samb.

 

Billups, who is a Denver native, is expected to debut tomorrow (November 6) during a home game against Dallas.

Charles Hamilton: Sonically Inclined

Dubbed one of the leaders of the new school, Harlem’s own Charles Hamilton has been receiving industry attention and critical-acclaim since first coming onto the scene in 2007. Known as a triple threat with credits including rapping, producing and occasionally singing, the 20 year-old Interscope Records signee has been compared to mega-artists such as, Kanye West and quickly become known for his love of all things Sonic The Hedgehog related. Releasing a variety of mixtapes, including Charles Hamilton: Outside Looking In hosted by DJ Green Lantern and Crash Landed hosted by DJ Skee, Charles is back with his latest EP, via DJ Skee, It’s Charles Hamilton, a mixtape available for free to the masses. Embarking on a three-month online tour known as, “The Hamiltonization Process,” the releases are an effort to reach close to two million unique listeners, as opposed to conventional touring.Sitting in the fully equipped recording studio of the Fredrick Douglass Academy in Harlem, we spoke with Charles Hamilton for some real talk on music, the industry, hate, spirituality and of course, Sonic.AllHipHop.com: You’ve said some of your past influences have been rock inspired, how’d you get started off becoming an MC?Charles Hamilton: I don’t remember how I got started, honestly. I just been really doin’ music my whole life. I started off playing the piano when I was young. My mother can tell you a story about me playing the piano, but I’ve always been into music. There was never a starting point. There wasn’t a day when I said, “I’m gonna grow up and be a musician.” I always looked at myself as a musician and whatever career I was gonna be in – I was still gonna be a musician. It’s just the older I got, the more I developed an ear or an appreciation for not just music, but sound, in general.I think I was twelve or thirteen, when I first got started trying to write serious raps. I was writing poetry and writing girls love notes and making them rhyme. They’d be like, “Oh, that’s cute,” and throw the s**t out. But after I heard Em[inem’s] first album, I was like, “Yo!,” cause I had a lot that I was going through, I was like, “I could really say some s**t. I could be less vulgar.” I ain’t gonna lie, I had a whole notebook full of just some pretty f**ked up s**t. But I felt like that was a way I could articulate what I had to say and kind of be accepted too. I was always like the gothic kid, not the goth, but the outcast kid. I always listened to more rock than Hip-Hop, anyway. So, I was the kid that was coming to school with like Powerman 5000 and Marilyn Manson in my walkman. Everybody else was listening to Hov and I respected them for what they did, but their music didn’t speak to me as much as Nine Inch Nails, Marilyn Manson, Powerman, Nirvana. But when I heard Em, I was like, “Oh, I can bridge the gap.” Then I started looking at where I was at, in terms of my social situation. Then I started to be able to appreciate what Jay was saying. What X was sayin’. AllHipHop.com: What made you start producing your beats?Charles Hamilton: I don’t know. I really don’t. The keyboard here and the MP – I started off. Well, not just in school. I started off with a Yamaha PSR225 back home and I used to have to play the whole beat out. The entire beat I had to play and afteraI while I just thought there has to be a better way to do this. So, then I got [into] the MPC [and] I started making 4-bar loops and playing the keys over it. Cause I wasn’t trying to make beats for rapping, I was always trying to make beats for other musicians to jump into. Then when I started writing, I was like, “Ok, I like that melody in that song from 1968. How can I make it my own? Matter of fact, I like the title of that song and I like what they were sayin’. Let me take some words from that.” I was always a fan more of sample beats than like original beats, cause there’s a certain soul to it. That’s when I started digging into crates and finding the craziest samples. Then, cause I was always on my Sonic sh*t, this is not a new thing, I was like, “Yo, if I had all the sounds to Sonic The Hedgehog – it’ll be over.” Cause I identify with it so much, it’s like I had to be able to do something with this. Then I went into Fruity Loops on the computer, so I could [get] MP3’s legally and do my thing with it. It was just natural progression. AllHipHop.com: At one point you were homeless and slept in this studio that we’re currently in at Fredrick Douglass Academy?Charles Hamilton: Yea, F.D.A. – That couch in there, [points to couch] that couch was my bed and this chair…like I used to… I don’t want to say sleep, but go into trances. I would be mixing a record and I won’t remember how I mixed it until the next day and I’ll go, “Oh, yea, I did mix this record. Now let me mix it again cause I was half asleep.” This was home. But let me also make this clear—because somebody approached me about it the other day—being homeless meant I did not have a steady location. Somebody came to me and said, “Well, you was dating my daughter and you was sleeping on my couch.” I’m like, “Ok, right. So, thank you for that. I don’t know what you expect me to say.” Because at the same time, I got put out of there because her boyfriend didn’t like me being there. So, at the end of the day I still really had nowhere to go. At the end of the day, a lesson that I learned through the whole thing, is that people do things and it’s wack. They do things just so they can get that little bit of recognition from you. Like, “Yea, I gave Charles five dollars. Hey, Charles, remember that five dollars I gave you? Now you got X amount of dollars from the deal… Can I get 500?” Are you serious? Like I really owe you that? And sometimes people tell you when you’re in a bad position, “Oh, don’t worry about it. Its nothin’.” I did it out of love. And then when you’re in a position to pay them back – even if I wanted to give my ex’s mom a $1000, just out of appreciation, just the fact that you threw that in my face without a congratulations. It was, “Hey, I read this article and you said this.” I can’t really get a congratulations? I can’t exactly show you how much I appreciate that? I did appreciate the fact that I was able to stay there. It’s crazy, Man. AllHipHop.com: Before signing to Interscope there was a bidding war between some labels, like Def Jam, that wanted to sign you. How did that process go down after shopping around your demo?Charles Hamilton: Well, the funny thing is, I never really had a demo, like a set [of] songs we’d take to labels. I always had completed projects and my lawyer—shout-out to my lawyer, shout-out to The Hamilton Administration—they all were like, “This kid has finished products, he just needs to get into a big studio so he can mix the record over and needs to sound able for the mainstream consumers sonically.” So, a lot of labels were interested. But at the same time, they also were like, “Well, how are we going to work with this kid and market him?” This, that and the third. So, everybody was so busy pulling their hair out trying to figure out what they were going to do. And we’re all like, “Put him a in a position where he can does what he needs to do musically and he’ll be fine.” And while everybody was trying to package it, the only person that seemed to get it was Jimmy [Iovine]. Jimmy was like, “Is that what you do? You just do music? Cool, here’s the resources.” And I appreciate that because he understands that all I want to do is make music. And as much as I love this room and this studio, Chung King [Studios] has some awesome equipment. So, being able to work in Chung King with a 64-track mixing board and a professional, Grammy award-winning engineer, or going to Record Plant in LA, I learn a lot of stuff. It’s a learning process and it’s also helping the music grow stronger.  Whereas, people can hear something the first time and say, “Oh, that’s going to be a hit,” I’d rather something you listened to, something you not be sure [of] and then you listen to it again, and then listen to it again and ask your friend, “How you feel about this song?” In the meantime, you just listened to it fifteen times, before you went to that person.  The art of good music. Honestly, when you heard [Michael Jackson’s] Off The Wall, you wanted to vibe with it, you just wasn’t sure. Like, “What is this? This album is great.” And people already loved Michael, but it was like, “What is this? This is new.” So, they had to listen to it over and over again to the point where it was just stuck. It was just the perfect music and that’s really what I want to focus on—making the perfect music. So that if my first album is just straight Hip-Hop, no singing on the hooks or nothin’, just straight up like DJ Premier  sounding’ beats, my next album could be a completely different genre of music. And that would be respected. Jimmy understands that and respects that, so I have a lot of faith from big people and that helped me get faith in myself. So, that bidding war helped me like myself a little bit more. AllHipHop.com: Who do you consider to be your fanbase?Charles Hamilton: Music lovers. People that are into experimental stuff. My ideal fanbase would be people that like listen to Beck and Radiohead. Fans of music music. Not just like, “Yea, the lyrics are great, the beats are great.” The overall sound of something. So, anybody that can appreciate the entire sound, I think would be the fanbase. AllHipHop.com: It’s safe to say that you’re not just the average Sega Genesis Sonic The Hedgehog fan and have a spiritual perspective on the concept. Can you elaborate on that?Charles Hamilton: Aight, before I touch on that – Let’s just say, the way Jewish people get tight when people laugh at Judaism, the way Christians get tight, the way Buddhists get tight, I get tight when people make jokes on…I call it Super Sonic Philosophy. Cause this is literally how I been living my life. So with that said—I just put this on my blog too—with the song, “HI, Hater” and people embracing hate, nah. Because I would never ever ever make a bagel joke about a Jewish person or make a Nazi joke, so you shouldn’t really laugh at my beliefs in something. You can call me crazy if you want, but I’m not worshipping a video game. I’m just living my life a certain way. Now, Sonic means sound and hedgehogs bury themselves underground. I’m Sonic The Hedgehog because I bury myself in the sound. As you can see, I lived here [in the studio]. I believe that God is a woman and pink is the color of life. Pink because pink is the color of the inside of a woman’s womb.  It took God, a woman, to create man to enter a woman in order to create life and it comes full circle, like a Sonic The Hedgehog loop. As long as you stay in a positive zone, you can always beat the game. No matter what the game is—the game of life, this industry, the game of corporate whatever. Everything is a game as long as your having fun doing it. But there’s always little robots that are in your way. And they are robots, because that’s all your doing, just programmed to hurt me. And I’m Sonic, so I can either stand there and let you attack me or I can run from you and hit the spikes. [Or] I can run from you, hit the spikes and lose all that I have. I can fall into a pit and die or I can just go to the end of the zone and free minds.AllHipHop.com: You’ve received a large amount of support from your online fanbase. How do you address any of the negative responses online?Charles Hamilton: I’m learning how to… Ok, I just sent somebody an email from [REDACTED]. Ok, you put it out there so obviously you wanted people to know it. So here’s your ten minutes of fame. He said, “This dude is a total gimmick and his music can’t stand up, which is why he [has] his whole philosophy.” Listen, my music is mere conversation for me. I just played you a record. I felt that beat and felt like writing about it. Every song I do, I felt like doing it. I was never told to make a certain kind of song. I wasn’t told to do whatever with Sonic. I just put it all together.A lot of people just go online and… I don’t want to say my music is flawless, because I already know if I had even more resources, I could make flawless music. And that I stand by, but it’s unbelievable some of the stuff people say. It hurts cause I’m not bringing hate to nobody. I’m trying to come into the game with as least hate as possible. Because I could say some wack s**t about a whole whole laundry list of people. But I don’t do that. I have a blog for that, where I can state my opinions and its my blog. But when people go and post comments. The most ridiculous s**t… it makes me reevaluate how I approach people. I don’t understand why there’s hate coming in my direction. I be seeing some of the same names that hate on me [on sites] and then they’ll send me a message on Myspace like, “I love your music.” I accept their friend requests. What can I say? I’m in a better position then them and that’s not me being conceited. Went from homeless here, my ex-girlfriend’s crib, park benches, train stations to the Palazzo in L.A., to my own crib in New York.AllHipHop.com: Your website, IAmNotCharlesHamilton.com and blog have gotten a lot of attention. Did Interscope ever have any hesitations with you being candid with your fans? Charles Hamilton: The website is IAmNotCharlesHamilton.com and the blog is Shining Shadows/Electric Fire and I showed Jimmy the blog and other people at Interscope and they loved it. And I’m candid because what the f**k am I gonna talk about? My kicks? No, [I’ll show] how I got my wisdom tooth pulled out and it hurt. My face was numb and I recorded a freestyle a couple hours later. And that’s it. My life revolves around music, so here’s the my life part; my blog. Of course, there’s interviews and so forth, but I’d rather directly interact with my fans.AllHipHop.com: Then would you say having fans is one of best parts of being a 20 year old with a record deal?Charles Hamilton: I’d say the best part is that I got a bed I can sleep in and can shower and s**t. That’s the best of being a 20 year old with a record deal. Maybe I’m wrong for wanting to be everybody’s friend, who knows, but I want to just relax, just chill and do music. Have people buy the music, so that Interscope can say, “We like Charles Hamilton even more now. He’s generating revenue.” So that when the time comes; when I might go my own way or might stay at label, I could still be in a good rapport. If you want to support the real, support the real. Cause I really need the support to keep a good rapport at the label. Most artists are gonna say, “Cop my album, cop my album.” But they’re not gonna say what it really is. If you don’t cop an artist’s album, they in trouble with the label and everyone knows that. So don’t try to put up a front, because fans know. You not out here because you want to be our friend, you out here cause of this. Well, let me put it out there. I need to do this, but I’d rather just chill with y’all. That’s it.AllHipHop.com: Tell me about the online tour, “The Hamiltonization Process.”Charles Hamilton: Basically, different Hip-Hop sites are [getting] exclusive content, different themed mixtapes, maybe interviews, behind the scenes and each website gets something totally different. I plan on giving instrumentals away. Just hear it. You know what I mean? I got a mixtape where I listen to Donuts. Shouts to J. Dilla, rest in peace. And I reflipped some of his beats and the concept is like Dilla pretty much haunted me one night when I was high and said, “Dude, you gotta eat these Donuts and be a stronger dude.” Translation, you’ve  gotta make music better. It’s almost like my calling is from Dilla, but obviously it wasn’t. I got a mixtape, [with] my co-producer Sha-leik. We got a production team called The Faculty and I’m showing off The Faculty beats.I have a producer from LA named Woody. Shout-out to Woody. Pause. He has a joint called “Toy Story” on the new DJ Skee mixtape and he laced me with some retardation. Obviously, there’s the Sonic themed mixtape where there is no theme. I’m just destroying every Sonic beat I’ve made. I love the Sonic Zones and stuff and I have every Sonic Zone known to man and I’ve been getting requests for the joints. I been getting the Starlight Zone, people requesting me to do that — Casino Night. It’s gonna be fun. I can do this forever.

EXCLUSIVE: Ludacris Explains Controversial Obama Song

With President-elect Barack Obama’s historic election run now complete, Atlanta rap star Ludacris is finally breaking his silence on Obama’s marked criticism of his July dedication song.

 

On the track entitled “Politics As Usual” taken from DJ Drama’s Gangsta Grillz: The Preview, Ludacris professed his full support for Obama.

 

That support was overshadowed by controversial lyrics that labeled President Obama’s former Democrat rival Hillary Clinton as a “b**ch,” and alluded to Republican John McCain as being close to disability.

 

Ludacris also took aim at George W. Bush, calling the 43rd President of the United States “mentally handicapped.”

 

“The song was my artistic expression and was meant to get people who weren’t involved in the political process involved,” Ludacris reasoned to AllHipHop.com. “Being as though it was the first mixtape to reach the United States government was a bit overwhelming.”

 

Obama, who in 2006 first met with Ludacris privately to discuss community activism and Hip-Hop’s role in it, was not understanding of Luda’s vitriolic words and publicly condemned the track.

 

“Rap lyrics today too often perpetuate misogyny, materialism, and degrading images that he (Obama) doesn’t want his daughters or any children exposed to,” Obama’s campaign released in a statement. “This song is not only outrageously offensive to Senator Clinton, Reverend Jackson, Senator McCain, and President Bush, it is offensive to all of us who are trying to raise our children with values we hold dear. While Ludacris is a talented individual he should be ashamed of these lyrics.”

 

Although Ludacris has since met with Obama, he declined to elaborate on what their discussion entailed.

 

Instead, the Atlanta star revealed he put his pride aside for the greater good of Obama’s campaign to prevent any possible damaging distractions, as previously seen with Reverend Jeremiah Wright.

 

“What myself and the president spoke about is confidential, but I took it upon myself to not speak on the song because I did not want to further distract either candidate in dealing with the ancillary issues they had to face in order to become the next president of this country,” Ludacris explained. “Now that Barack has won, I can honestly say that we are all fortunate to witness a period in America’s history when we rose to our best.”

 

Through this experience, Ludacris felt that he learned how much can be accomplished when people focus on common ground in lieu of highlighting disagreements.

 

“We stood up and acknowledged that America’s true power is when people come together and focus on our possibilities rather than our differences,” he proudly stated. “Obama’s focus is to bring this country together and move it forward as one united nation. I believe in him and what he stands for and wish him success!”

 

Ludacris’ is also finalizing his sixth solo album Theater of the Mind, due in stores November 25.

 

The album features collaborations with Nas, Jay-Z, Common, Spike Lee, Chris Rock, Lil Wayne, Rick Ross, The Game, and Ving Rhames.

Preview: Common’s Universal Mind Control

As Common plays “Universal Mind Control,” the opener to his Dec. 9 album of the same name, he can’t help but pop-lock a little bit as he mouths the words along with the track. By his own admission, Common’s records have never been known as club bangers but that’s definitely about to change. While attending his live shows’ after-parties last year, he noticed a distinct pattern while everyone celebrated.”My own DJ wasn’t playing none of my songs and I realized I needed something for people to rock in the clubs,” he explains to the small group of media folk assembled at New York City’s Legacy Studios. It’s almost as if Common only recently noticed that he had a certain image that the rest of us assumed he was cultivating intentionally. Never content to sit back and do the expected, in early 2008 he began work on the Invincible Summer EP that eventually grew into this full album, Universal Mind Control.While much of Universal Mind Control is comprised of dance records, don’t think that Common is somehow compromising himself. He still injects his own high-minded take on music into each track and, with the help of The Neptunes and Mr. DJ of OutKast infamy, conducts experiments on sound.”We wanted to take the music to the future and do things that I had never done before and they had never done before,” asserts Common. Mission accomplished: even for a production team known for diversity, UMC breaks new ground. 1. Universal Mind Control (p###. The Neptunes) – The Afrika Bambaataa inspired single featuring Pharrell that sets the tone for what’s to come. No big changes from what we’ve already heard.2. Punch Drunk Love (p###. The Neptunes) – A laid back swing where Com talks to a lady giving him “the eye.” Kanye heard it and insisted on getting on the hook so some changes were made and the original featuring Pharrell became the remix. That other version is likely to appear as a bonus track.3. Make My Day (p###. Mr. DJ) – A little bounce mixed in with So-Cal top-down music with a touch of Outkast. Cee-Lo assists on this hook, who Common says he’d like to work with on every album.  4. Sex 4 Sugar (p###. The Neptunes) – Common ties on a little Jungle Brothers on top of a thumping beat and marching-band snares. Common’s talking to a stripper on this one and it’s definitely not about going to college. 5. Announcement (p###. The Neptunes) – Another single featuring Pharrell, who according to Common came to the studio with his verse already on the track. “We just wanted to make a tribute to Biggie in our own way,” Common says of the track, which flips the late Frank White’s “Dreams” into 2008.Announcement – Common6. Gladiator (p###. The Neptunes) – Anyone who would still accuse him of being granola or going hipster will have their mouths shut after listening to “Gladiator,” a ridiculously hard auditory assault. Common jokes that he tried to mix a little Ghostface in to the RZA influenced beat (“You know how Ghostface will come on the hook like, “Yeah n*gga, what!’”). A definite favorite of the critics assembled in the room.7. Changes (p###. Mr. DJ) – Again, Common hasn’t entirely abandoned inspirational themes and imagines that this track could be something for Barack Obama to play on inauguration day. [Ed. Note: Common played this before Obama was President Elect] Mr. DJ layers sounds to create a bright visual for him to speak on and at the end, Common’s eleven year old daughter steps in to drop a little poetry.  Changes – Common8. Inhale (p###. The Neptunes) – Common says this one is “just good Hip-Hop. I don’t really have a big explanation for it.” Probably the most prototypical Neptunes beat with Chad even joining in to scratch in a sample of Tribe’s “Sucka N***a.”9. What a World (p###. The Neptunes) – Common breaks down the typical conventions of structure to tell the story of his life on a Funk inspired track. D.A. from Chester French passionately sings the hook over Max’s guitar riffs and a N.E.R.D.-meets-Blondie flavored arrangement. 10. Everywhere (Runaway) (p###. Mr. DJ) – Believe it or not, if Common formed a band with Pat Benatar or Stevie Nicks, this is probably what they’d come up with and it turns out a lot better than you’d assume. Probably the most deliberately 80’s song and absolutely accomplishes the goal of delivering something unexpected.THE VERDICTWhile this record is decidedly not another attempt at the critically panned Electric Circus, it is a more expansive take on Common than you’re probably used to. Hollywood is paying Common’s bills quite nicely these days, freeing him to truly make music for the love. With his musical career experiencing a second Renaissance and Hip-Hop opening up to a more broad take on the art, it’s perfect time for him to branch out, and he takes full advantage. Don’t let Universal Mind Control slip by in the sure to be crowded December schedule.

T-Pain: Lord of the Ringz

Over the years, we’ve seen Hip-Hop artists wear some unique attire, but it’s still a little surprising to see T-Pain show up to our interview in a foot-tall yellow top hat. Sure, there’s the new album, the cameos and the rise Auto-Tune to discuss, but first and foremost, we had to ask: is there some special store where he gets those outlandish hats or does he have to get them made?T-Pain chuckles as he explains that he’s got a special tailor overseas who makes his trademark headgear – he doesn’t want to see every dude on the street mimicking his signature look. It’s no wonder he goes through such lengths to protect his style because the jaunty hats have become more than just a piece of his image; they’ve truly become a symbol of T-Pain’s career. He got into the game by carving out his own custom-fit lane instead of following in someone else’s. Teddy may have seemed a little too far left for some at first, but now, T-Pain is on so many songs that he’s even on songs he’s not on. Every hot rapper in the game is using Auto-Tune to “put some T-Pain” on their verses. Suddenly, singers who once hid their use of Auto-Tune to clean up their vocals are openly using it as much as possible. It might be hard to picture kids trading in their New Eras for Technicolor top hats, but it wouldn’t be the first time that T-Pain has sparked an unexpected trend overnight. At the same time, he’s still the subject of his fair share of divisive conversation. He’s well aware of his doubters though, and if anything, he’s energized by them. “People want to see confidence. If Kanye wasn’t as cocky as he is people wouldn’t even mess with him. People wouldn’t believe in Jay-Z at all if Jay-Z wasn’t cocky. If Wayne and these n***as didn’t have that swagger like they’ve got, wouldn’t nobody mess with them,” he points out. In just four years, T-Pain has gone from sleeping in the back of an ’81 Cutlass to effectually changing the game. He’s come too far to worry about detractors and he’s confident that he’ll eventually bring them around anyway. “People ain’t gonna believe in you until they see that you believe in yourself, so if you quit because somebody sayin’ something, then that’s what you believe so why should I believe in you?”On the verge of the release of his third album Thr33 Ringz, we talk to T-Pain about haters, imitators and of course, those rumors of a T-Wayne album. He’s so anxious to discuss his vision that his handlers won’t let him have a swivel chair because he can’t sit still. They encourage him to be brief and stay on schedule; instead, he throws them out of the room so he can keep talking. We were there to listen:AllHipHop.com Alternatives: We’re all familiar with the work you’ve been doing for the past year for other artists. Now that it’s time for you to release your own record, is it harder to come up with new ideas since you’ve given so many away?T-Pain: Damn. [laughs] Nah, nah, nah. You know I come up with ideas all the time, not so much because I’m an innovative person but I look at it like, every 30 minutes in somebody’s life is a different situation happening. The way I do it is I just write about real life situations; that’s why people can relate to my songs so much. Every 30 minutes it’s a new situation so why not write about all those? You got infinite songs instead of trying to make up “I love you” songs or a gangsta song. If you a gangsta then you should really easily write a gangsta song, if you really in love you should be able to write a love song in five minutes… it’s real life. If you ain’t feeling good that day, talk about not feeling good. I’m pretty sure somebody else in the world is not feeling good. It’s very simple to come up with a topic.AHHA: Now by that same token we’ve seen a whole lot of other artists try to emulate the T-Pain sound over the last little while. Do you feel like it dilutes what you’re trying to do when you hear the Kanye West or Jay-Z imitating you?T-Pain: Not at all, not at all. For the most part, people just identify it as “The T-Pain style.” I have no problem with it, and now I’ma bout to see if I can strike this deal with these Auto-Tune people. On the next series of Auto-Tune, they actually have the T-Pain preset. I’m gonna have my own Auto-Tune.AHHA: So do we have an actual name for the T-Pain sound yet or are we just gonna stick to “The T-Pain Sound?”T-Pain: It’s the T-Pain preset, that’s what it’s gonna be, that’s what it is now. Every time you buy that you bring money to my pocket so go on, keep using it.AHHA: Is there some other kind of innovation or other style that you’re gonna be able to bring? Obviously, you did big things for Auto-Tune but…T-Pain: Right…I just think that after awhile, everybody else is gonna have to stop. It’s just gonna get weird, you know what I‘m saying? People are gonna forever say “oh, you did the T-Pain thing on that” and they’re never gonna give you your own credit even though people should. Like, it’s still your song, I didn’t create the effect, I just used it a lot. That’s just something that people are gonna have to deal with, man. It ain’t my problem. I have no problem if people wanna keep using it but just out of respect for yourself just stop. [laughs]AHHA: So when it gets to that point that everybody else has played out the T-Pain sound where does that leave you?T-Pain: I’ma keep going ‘cause can’t nobody do it [like me]. It’s like, Teddy Riley can’t do it better than Roger Troutman, I can’t do it better than Teddy Riley and I’ma make sure can’t nobody do it better than me.AHHA: You coming from Tallahassee with a Florida State, a notorious party school, and Florida A&M with it’s famously show-stealing marching band. Did that influence the over-the-top style and this big showmanship you have?T-Pain: No, I’ve never gotten into any of that. I think it was just the seeing the response to songs that were like that before I got signed. I’d see the difference between the regular love songs and the regular party songs to the over the top songs. Just like the difference in the response of (excuse my language) instead of saying “sex,” saying “f**k,” [instead of] “v#####,” it’s “p***y.” The response was a little different; when you go over the top you get more attention.AHHA: That’s definitely a big risk though. I mean, we’ve got you here with the big yellow top-hat, the glasses and the whole persona. A lot of people in Hip-Hop wouldn’t be able to get away with it. What made T-Pain wake up and say “you know what, I’m gonna go in this direction?”T-Pain: The reason that people can’t pull it off is because maybe they’re afraid of what somebody would say or what their fans would say. If [The] Game wore this, his fans would be like “damn.” It could red one and all [laughs]. Just red and have blood on the side, you know what I’’m sayin? Hard. Tear drop on this side, a butterfly right on the other and a super hard top-hat but his fans would be like “you [supposed to be] a G.” The only thing that would allow him to be accepted as doing that would be to keep doing it through all that. The only thing that got me accepted as doing Auto- Tune and making the songs I’m making is I just kept doing it through all the hating and not caring about what the people were saying. I didn’t get in this game to contour to everybody else. I didn’t get signed because I can make songs that people wouldn’t say anything about. I got signed because I made different kind of music and they saw that none of that other talk affected me. [Jive president] Barry Weiss can’t tell me how to make a song right now and he respects that. He knows that I’m the only person on the label besides R. Kelly that’s gonna come at him like that anf that’s why he signed me. I’ve been different from the jump. AHHA: For that same reason, you’ve certainly helped a lot of people make hits over the last little while. Now that it’s come time to make your album, a lot of people kind of owe you a favor. How do you sort that all out when you’re in the studio?T-Pain: All that is a phone call like “yo, I’m about to send you this song, there’s an open third verse, do your thang.” A lot of them records I did, I did them for free. I don’t necessarily need you for my project, I’ma put you on one of my artist’s songs and my artist is gonna get a push from you. I’ma need some kind of favor. It may be something as small as next time we’re in the same city, come to my show and hit the stage with me. You gotta look at things for the future man. That’s about all I do is look to the future.AHHA: Right, so who else speaking of which is going to be on the album?T-Pain: You know we got Wayne. We got Ludacris on the second single (“Chopped and Screwed”). We got [Rick] Ross of course…we just couldn’t help it. We got Young Cash, Kanye is on there, Chris Brown, Tay Dizm…AHHA: Are you handling all the production on your own?T-Pain: Yeah, I did 100% of the production again as with the first two albums. I just keep doing it until people recognize I’m a producer instead of just the guy that’s just doing everybody’s hooks, a lot of people don’t know yet.AHHA: So we already talked about the potential deal that’s going on with the Auto-Tune and we know you’ve got the Oakley glasses coming out. What else is next? As someone who’s kind of a character, it gives you a lot of potential to create a T-Pain brand.T-Pain: I’m trying to get into shoes now. I’m trying to make shoes called Teddy Bears – it’s a weird concept. I’m coming out with a casual line of shoes that’re gonna be called Teddy Grahams; it’s so stupid and so fly. That’s just how risky you gotta be man… they ain’t even gonna cost that much. Like, [Pharrell’s] Ice Cream thing was real risky. What dude’s gonna wear pink and purple shoes with black in the back with an insane ice cream cone on the front of it and they’re $200? Only rich dudes is gonna wear these things, that’s who’s gonna wear them.AHHA: You already have a huge fan base, but what would you tell those people who might say, “I don’t know if I can listen to a whole T-Pain album?” T-Pain: I mean it’s a very different album. It ain’t just straight liquor and strippers. I got a song, “Keep Going,” which is about my kids and the struggle of the family with no Auto-Tune on it. I’ve got “Thr33 Ringz” which is sort of of an aggressive rap song. I’ve got a couple of stacks and I’m doing a little money bragging but that’s cool. Some people may not be into that and I understand. I just gotta show it off before I go broke. It’s different concepts on there, man. I don’t want nobody to think it’s just ‘gon be all strippers and alcohol – that’s just what I like the most. AHHA: So how does your family life go with your hobby of strippers and alcohol?T-Pain: [grinning] Yeah, yeah, yeah. I mean my wife goes to strip clubs with me. She drinks with me all the time – she’s also a halfway alcoholic so she knows what shes doing. She ain’t gay or nothing but she just happens to think a girl looks nice in see through heels. That’s just what we do. A lot of people ask me that because it’s so expected that the female wouldn’t be okay with me and strippers, but I done seen enough Cinnamons and Destinys to not even worry about it. Me and my wife just watch’em, flying sausagin’ these hoes.AHHA: Flying sausaging? T-Pain: [chuckles] That’s right, y’all are from New York.AHHA: Um, can you explain what that means?T-Pain: It’s a down south thing. You know how dudes make it rain? It’s making it rain, but all that money, you ball it up with a rubber band and throw it at one person.AHHA: Ohhhhh, okay.T-Pain: You don’t hit her in the face or nothing. When she’s bent over, you just try to aim it right. It hurts so bad too.AHHA: It’s a bale of money though…T-Pain: It’s just a rubber band and some paper, so it’s regular stuff. My wife is real good at it too.AHHA: So in a swag contest between you and Andre 3000 who do you think would win?T-Pain: Andre. Definitely. I don’t give a damn who you are, you ain’t touching Andre. That man got more swag than the guy who invented the word swag. He’s just too different man, he’s so far ahead no one’s gonna catch up.AHHA: Are we gonna see a collabo?T-Pain: I don’t even think he’d wanna do one with me. I think he’s just that far ahead to where but there’s no need for him to.AHHA: Yeah but you never thought that you would’ve got on something like the “Walk it Out” remix and he killed that.T-Pain: Actually, that was a favor for one of his cousins. I was trying to figure it out ‘cause the dude was like “I’m the one that got Andre on the ‘Throw Some D’s’ remix and ‘Walk it Out’ track” and I was like “how’d that happen?” He was like “well I ’m his cousin so…”AHHA: Now at this point in time if you weren’t here doing this where do you think you’d be?T-Pain: Uhh, still sleeping in my car, yeah.AHHA: That’s how you were before you got on?T-Pain: Sleeping in the back of an ’81 Cutlass with a 350 Chevy motor.AHHA: Wow. How long ago was that?T-Pain: This was….it’s ’08 so four years ago. That was a huge part of [my drive] – it’s all about just keeping the grind going. You gotta take it, ain’t nobody gonna give it to you. There’s too many other people that’ve been working for their piece so what makes you anymore special?AHHA: So we have to ask… T- Wayne; what’s up?T-Pain: That’s going down. Heavily. We’ve already got like, 25 songs. It’s going down.AHHA: Because a lot of people say “I’ve got a group coming out with so-and-so” and then…T-Pain: Nah, this is happening. I just got off the phone with him.AHHA: When?T-Pain: After my album drops. Could be the beginning of next year, like January/February. Unless… Timbaland gets involved. Then it’s gonna be six record labels getting involved trying to work it out. AHHA: So your telling us that there’s a possibility that Timbaland might get involved?T-Pain: [grinning] Yeah… yeah.AHHA: Anybody else gonna be involved?T-Pain: I asked Pharrell… he said he might see what’s up.AHHA: Who else do you want to see get involved in the project.T-Pain: Kanye.AHHA: That’s gonna be an expensive album.T-Pain: Big time! I mean, we ain’t really tryin’ to make it into an album. If it just falls into a bunch of leaks or if it falls into a mixtape [that’s fine]… if anything, we ain’t making no goals [for the date] because if we really gotta do it as an album and all those labels gotta work together, it’ll come out like, two years from now, nahm’sayin? There’s really no goals… we might just take the songs we’ve got like “here you go, world.” T-Wayne project, right up. For free. Check out how T-Pain freaks: https://allhiphop.com/stories/multimedia__video/archive/2008/11/05/20665238.aspx