homepage

Blitz The Ambassador: Brave New Rapper

Blitz The Ambassador has traveled many miles to get to this point. The Ghanaian-born, Brooklyn residing Hip-Hop artist is a testament in hope, patience and belief in one’s self. Amazingly, he has been on course for with artists like Fela Kuti, KRS-1 and Big Daddy Kane as his influences with a sound that resembles a hungrier version of The Roots. While he’s new to many, he’s been here steadily refining and redefining his craft. With a six-piece live band called “The Embassy Ensemble”, is busting his way into a new decade on his own terms…onward and upward.

AllHipHop.com: How many years have you been rapping? Many don’t realize how long you have endured. We recall you from when you used Press-a-Demo back in the day.

Blitz The Ambassador: Yeah, it feels like forever. I’ve been though many phases in my career from riding Greyhound buses to going overseas to rock crowds. I believe all that hard work eventually paid off. Most people are probably seeing my video on MTV and asking…where the hell did he come from? Well, it took a real long time to get here and I plan on staying for a while.

AllHipHop.com: How have you evolved as an artist?

Blitz The Ambassador: As an artist, my evolution has been amazing. I mean, my new album is probably the farthest any one has pushed Hip-Hop musically in a while. I worked with a full string orchestra, a Horn ensemble and a mass choir. I think the last time anyone did that was Kanye West on College Dropout. That’s how much I have evolved from just rhyming over samples to creating original compositions that will someday be sampled.

AllHipHop.com: The album incorporates a lot of live instrumentation. How does that augment the Blitz experience?

Blitz The Ambassador: I don’t think anyone can fully grasp what I am doing musically unless you have seen me and my band live. My mission is to bring back the live show, which has been a missing element in Hip-Hop for a while. I believe the only way to do that is with live instruments and that’s why me and my band (The Mighty Embassy Ensemble) are able to rock everywhere, from colleges to festivals to local hood venues. We always make it an experience.

Blitz The Ambassador – “Breath”

video platformvideo managementvideo solutionsfree video player

AllHipHop.com: What do you hate about Hip-Hop these days?

Blitz The Ambassador: I have only one basic beef with the Hip-Hop today…..To be honest, I don’t care about lyrical content and production because all that s### is relative. I just want artist to earn their stripes like they did back in the day, before the co-signer. I feel like most new artist shine off the next mans clout. Its become a who you know hustle instead of what you know.

AllHipHop.com: What do you love about Hip-Hop?

Blitz The Ambassador: Man where do I start?….I love the fact that we are back to survival of the fittest. Its not a secret anymore, the so-called industry is grinding to a halt. Artist control their destiny now. I also love all the different styles and sounds that are growing regionally without mainstream attention. But overall I love the fact that live instruments in Hip-Hop is becoming a standard thing. I think Jay-Z made it cool when he linked with the Roots to do unplugged. Thats a good example for the youth coming up.

AllHipHop.com: You recently opened for Big Daddy Kane in Brooklyn and Nas at Hunter College in New York. How have these and other high-profile show helped?

Blitz The Ambassador: Sharing the stage with legends is always a humbling experience, I mean I had these cats on my wall growing up. I just bumped into Chuck D the other day and he was telling me how much he enjoyed my album and I’m like damn….this this really happening? Yeah I learn a lot from watching these cats do their thing, but more importantly, to be accepted by their audience as the next torchbearer is something special.

AllHipHop.com: Do you think you could rock a Gucci Mane crowd?

Blitz The Ambassador: I’ll rock any crowd that has a pulse…..I don’t see the difference. From Gucci Mane to Coldplay, we bring that raw authentic energy.

AllHipHop.com: Can you speak on your name?

Blitz The Ambassador: Blitz the Ambassador is a combination of two ideas….first everyone knows a Blitz is a sudden unexpected attack. That’s how my style creeps up on you. As an Ambassador, I represent a lot of things. From my people back in Africa to the global world of Hip-Hop. I think it’s about time someone represented Hip-Hop as a world-wide phenom.

AllHipHop.com:  Can you talk about being African? How do you or other African view Americans?

Blitz The Ambassador: Being African is the core of my being. Everything from my earliest musical influences, which include Fela Kuti and Hugh Masekela to the food and culture. I believe that all people, especially Black people originate from Africa. I never fell for the divide and conquer strategy. We are all one. Africans, Americans, Caribbeans..One people.

AllHipHop.com: You don’t seem to have any co-signs, but can you tell us who you are affiliated with in the game, if anybody?

Blitz The Ambassador: No, I don’t believe in co-signs. I represent me and my team, The Embassy MVMT. I am have lose affiliations with a few people, like the Refugee Camp, shouts to Jerry Wonder and Wyclef. I have always admired what they have been able to do coming from Haiti and their story as immigrants inspire me.

AllHipHop.com: The music game is grimy. What’s been your worst experience?

Blitz The Ambassador: Well, so far I have been lucky enough to avoid the b####### so I can’t say I have been jerked by the industry. One thing though that happened lately was after building my brand and logo for almost three years, some major label artist (who shall remain nameless) just jacked my boombox head concept for their video. It turned out real lame anyway and everyone knew he bit my concept but that was some grimey s**t.

AllHipHop.com: What has been your finest moment?

Blitz The Ambassador: So far I have to say rocking over 5,000 people at Prospect Park Brooklyn opening for one my idols, Big Daddy Kane. That is a night I am going to remember forever. Brooklyn is my adopted home so it was something special.

AllHipHop.com: Speak on your new album and why it’s worth buying in a recession.

Blitz The Ambassador: Stereotype is worth every dime just for the subject matter. I think there are few albums today that capture the state of society, from economic issues to political issues. This album is definitely a snap-shot of today. As an artist, I consider myself a documentarian and Stereotype is proof.

AllHipHop.com: Any final words?

Find me online, twitter.com/BlitzAmbassador or just google me, you are bound to find something. Also look out for me and the Mighty Embassy Ensemble coming to a city, college, festival, near you. Peace.

Police Accuse Boosie Of Offering Bribe

Police in Baton Rogue have accused rapper Lil Boosie of offering a bribe to an officer who arrested him on marijuana and gun charges.

 

During a pre-trial hearing yesterday (August 24), State District Judge Chip Moore refused to suppress statements Boosie made, which could effect the outcome of his trial on the charges, which takes place September 28.

 

Deputy Nicholas Locicero testified that he and another officer in an unmarked unit stopped Boosie’s 2007 Dodge Challenger, after they noticed the rapper submerged in a could of smoke.

 

They found the rapper smoking a cigar filled with marijuana and he was also in possession of a large amount of cash.

 

Once Boosie was stopped he allegedly said to the officer “This is Boosie. How much do you want?”

 

The officer found a gun in Boosie’s vehicle, in addition to a bag of marijuana, which fell off of his lap as he exited the Challenger.

 

Boosie’s lawyers have argued that since he was not given a field test, he may have been intoxicated when he made the statements to arresting officer.

 

Lil Boosie, born Torrence Hatch, is charged with his third charge of possession of marijuana which could land him up to 20 years in prison, while he faces a mandatory minimum of five years for the gun charge.

 

Lil Boosie is scheduled to stand trial September 28.

Floyd Mayweather Cleared in Skating Rink Shooting

Boxer Floyd Mayweather was cleared late last night (August 24) in a criminal investigation involving a shooting incident at a Las Vegas skating rink.

 

The altercation occurred at the Crystal Palace Skating, when two unidentified men became involved in a shouting match.

 

According to police, one of the men then fired seven shots, and several witnesses claimed that Mayweather’s Rolls Royce was present and involved in the crime.

 

The suspect, known only as “O.C.,” is an alleged associate of Mayweather and authorities immediately issued a search warrant for the boxer’s home.

 

Mayweather cooperated with the police, and it was then established that the returning pugilist was not a suspect as the home search did not yield the gun or any incriminating evidence.

 

According to representatives from Mayweather’s camp, the fighter was simply present at the skating rink because of a weekly recreation ritual of taking his children there on Sundays.

 

After resolving the matter, Floyd Mayweather made an appearance last night as guest host of WWE’s Monday Night Raw entertainment program.

 

He assisted wrestlers Mark Henry and MVP in defeating champions The Big Show and Chris Jericho in a non-title tag team match.

 

At press time, Mayweather will make his long-awaited return to the ring on September 19 against lightweight champion Juan Manuel Marquez.

Police Find Heroin, Weed Cash In Jadakiss-leased Apt.

Police have raided an apartment leased to rapper Jadakiss and seized 5 grams of heroin, 6.5 pounds of marijuana and $40,000 cash from the Yonkers New York residence, say published reports.

 

According to sources, Jadakiss was not at the home at the time of the raid and he is not wanted by police.

 

The cash and drugs were found in a Van der Donck Street apartment and the police executed a search warrant after an incident on Friday. The police said they saw an individual in a car that smelled like marijuana. They arrested 25-year-old Alberto Lajara and charged him with fifth degree criminal possession of marijuana and disorderly conduct.

 A passenger, Gabriel R. Henriquez, 39, attempted to allude police and was subsequently charged with felonious second-degree criminal possession of marijuana and second-degree assault as well as second-degree obstructing governmental administration, a misdemeanor.

 

After the Friday encounter, the police searched Jadakiss’ apartment, where they found the illegal substances. The case remains open.

 

Jadakiss was unavailable for comment at press time.

 

C-Murder Juror Admits To “Brutal Pressure” To Vote Guilty

“Brutal” pressure to deliver a guilty verdict for No Limit rapper Corey “C-Murder” Miller could possibly work in favor of the recently imprisoned entertainer.

 

Despite casting the deciding vote twice in Miller’s much publicized murder trial, Mary Jacob now admits that she was not entirely convinced the 38-year rapper was guilty of killing Steve Thomas in the now-closed Platinum Club on Jan. 12, 2002.

 

According to reports, Thomas, 16, was shot through his heart while being stomped by a group of men during an event at the nightspot. A 10-2 verdict, the minimum required by state law for a second-degree murder conviction, was delivered on August 12 to seal Miller’s fate.

 

The rapper was sentenced to serve a mandatory life sentence in prison on August 14. Jacob’s decision to change her vote from innocent to guilty came after witnessing the emotional breakdown of a young juror who she felt was pressured by other jurors to side with those who believed Miller was at fault.

 

“This thing had to come to an end for this girl’s health, her sanity,” Jacob told The Times-Picayune about the 20-year-old Xavier University student who voted for the rapper’s innocence. “I believe what happened to Steve Thomas on the floor of the Platinum Club happened to her verbally. “I was more worried about this little girl than I was about Corey Miller,” added Jacobs, who still believes that prosecutors did not prove their case “beyond a reasonable doubt.”

 

“Corey Miller will survive whatever happens to him,” she said.

 

As jurors deliberated over the case, Jacobs noticed the physical toll the situation took on the student. The group was firmly split 9-3 in favor of conviction on their second day of deliberation.

 

However, the student’s condition ultimately swayed Jacob’s opinion as she chose the quickest way to end the young woman’s ordeal.

 

“They literally made this 20-year-old girl so violently ill,” Jacob said. “She was shaking so bad. She ran into the bathroom. She was throwing her guts up. She couldn’t function anymore. That’s when I decided, the judge don’t want to listen to me, doesn’t want to listen to us? I told them, ‘You want him to be guilty? He’s guilty, now let’s get the hell out of here.”’

 

At this time, no comment was made by Miller’s family, his former attorney, Ron Rakosky or the Jefferson Parish district attorney’s office on Monday (Aug. 24) regarding the latest on the Miller/Thomas murder case.

 

 video platformvideo managementvideo solutionsfree video player

Jay-Z Reveals Sept. 11 Benefit Concert Details

Jay-Z will play a benefit concert at Madison Square Garden on September 11, to help raise money for the New York Police and Fire Widows’ and Children’s Benefit Fund.

 

Fans who don’t make the actual show can watch the special live, as cable channel Fuse will air the concert “Fuse Presents: Jay-Z Live from Madison Square Garden: Answer The Call.”

 

The special will air on the same day as the release of Jay-Z’s highly anticipated album The Blueprint 3.

 

“This charity and concert encompass the true spirit of New York City,” Jay-Z told AllHipHop.com in a statement. “We are asking everyone to ‘answer the call’ and support and honor the families of those that lost their lives in the line of duty. There was true camaraderie and resiliency that this city showed the world in 2001, and we continue that today by taking care of our own.”

 

The New York Police and Fire Widows’ and Children’s Benefit Fund has distributed over $114 million to the families of police and firefighters who have lost their lives in the line of duty.

 

“On behalf of New York Police and Fire Widows’ and Children’s Benefit Fund’s Board of Directors and the families of our fallen heroes, we are truly grateful for Jay-Z’s choice to support our charity and ‘answering the call’,” added Stephen J. Dannhauser, president and CEO of the New York Police and Fire Widows’ and Children’s Benefit Fund.

 

The concert is underwritten by Absolut, Live Nation and Jay-Z himself.

 

“Fuse Presents Jay-Z Live from Madison Square Garden: Answer the Call” will air live on September 11 at 9:00 PM.

“Thug Queen” Sues Bone Thugs For $22.5 Million

The “Thug Queen” associated with rap group Bone Thugs-N-Harmony is suing the group for $22.5 million dollars, claiming that she was never paid royalties for his contributions to a 1998 album by the group.

 

Kamilha Greer filed the lawsuit against Mo Thug Records, Bone Thugs-N-Harmony and Ruthless Records in the Cuyahoga County Court in Ohio.

 

Greer claims that she wrote Mo Thugs Family Scripture Chapter II: Family Reunion, which was released in May of 1998.

 

Greer claims she contributed lyrics to the songs “Mighty Mighty Warrior,” “The Queen” “Otherside/Outro” and “Ghetto Cowboys,” which was the album’s lead single, that also struck #1 on the U.S. rap charts.

 

Greer, who also appeared in the “Ghetto Cowboys” video, claims she has not received any royalties for her contributions to Mo Thugs Family Scripture, which has sold over 1 million copies.

 

Greer is seeking $2.5 million dollars on multiple counts, including Breach of Contract, Conversion, Negligence, Fraud, Breach of Fiduciary Duty.

 

The total amount Greer seeks is consequential and compensatory damages of $20,000 million and quantum merit relief in the amount of at least $2.5 million dollars plus attorney fees and court costs.

 

Greer is represented by one Jazmine Greer, of Cleveland, Ohio.

EXCLUSIVE: Raekwon Debuts ‘House of Daggers’ Video

With just two weeks left until the release of his highly anticipated Only Built 4 Cuban Linx, Vol. 2, Raekwon debuts the album’s fist official video today (August 24).

 

IceH20 Entertainment has offered AllHipHop.com an exclusive first look at the clip for the posse cut “House of Flying Daggers,” featuring Inspectah Deck, Ghostface Killah, and Method Man.

 

The J. Dilla- produced track, named after the 2004 cult-classic martial arts film, was released online on July 31 as the last of several authorized leaks from the album.

 

Just last week, Rae raised the anticipation level by releasing an animated teaser for the video, illustrated by 1000styles.

 

Now, with the video’s official release fans can be assured that there would be no more delays until OB4CL2 hits stores.

 

“Just want y’all to know, we counting the days down with y’all,” Raekwon told AllHipHop.com over the weekend. “Shout out to everyone that’s been supporting the records we’ve been leaking. It means a lot to me, it means a lot to the crew. All I recommend is to have a strong system, have a clear quality system and it’s gonna work out for you.”

 

Only Built 4 Cuban Linx II has been nearly half a decade in the making.

 

Back in 2005, six years since the release of his classic debut Only Built 4 Cuban Linx, Raekwon announced that he was working on a second volume.

 

The album, which was originally executive produced by Busta Rhymes, was reportedly complete in January 2006, with RZA added as a second executive producer. Still the project did not see the light of day. In 2007, Raekwon explained that he was determined to set the release up properly.

 

“I did a lot of hard work on this record,” Raekwon said during an interview. “And I refuse to throw it out and people be like, ‘Yo Rae, I ain’t know your s**t was out.’ Nah, I can’t afford that to happen no more. That happened to me on The Lex Diamond Story. That happened to me on Immobilarity. I’m not going for it on this one.”

 

Despite having lost the support of Aftermath/Interscope Records, as well as executive producers Busta Rhymes and Dr. Dre, OB4CL2’s independent release has garnered a great deal of fan and media support.

 

The 21-track album features production by Pete Rock, Marley Marl, Dr. Dre, and longtime Wu-Tang collaborator Scram Jones, and appearances by Beanie Sigel, Lyfe Jennings, Jadakiss, and Styles P.

 

The album also features contributions by six of the surviving original members of the Wu-Tang Clan: GZA, Ghostface Killah, Inspectah Deck, Method Man, Masta Killa, and of course, production by RZA.

 

 video platformvideo managementvideo solutionsfree video player

Australians Allow Ja Rule Entry Into Country

Queens, New York rapper Ja Rule has been given permission to perform in Australia at an event next weekend, after a dispute with Australian immigration officials.

 

Australian officials announced their decision to allow the rapper to perform today (August 24).

 

Immigration officials came to the conclusion that Ja Rule is not a threat to national security, and finally cleared his visa.

 

Last month Ja Rule was forced to cancel a scheduled performance in Sydney on July 31 because he wasn’t able to get his visa cleared.

 

Australia has been known to impose strict regulations on who they allow to perform in the country, and have banned numerous politicians and celebrities who don’t fit the country’s moral character guidelines.

 

Speculation about Ja Rule’s visa being held up in Australia stems a 2007 incident, in which Rule was arrested for illegal gun possession.

 

However no official explanation for the hold up has been given, which was considered strange due to the fact that the rapper was previously allowed to perform in the country twice since.

 

Ja Rule will be performing in an event at Luna Park on Saturday, August 29.

AHH Stray News: Black August, Talib, Lil Wayne & 50, G-Unit Employee Busted

Rapper Sadat X will headline the 12th Annual Hip-Hop Project this Sunday in New York. Sadat, a founding member of legendary rap group Brand Nubian, will be joined by special guests that include DJ Bobbito Garcia, DJ Beverly Bond, A-Alikes, Rebel Diaz, Blitz the Ambassador and Shadia Mansour. Black August was started by the Malcolm X Grassroots Movement in 1998, to spread awareness about U.S. political prisoners incarcerated worldwide. This year’s event takes place at BB Kings on Sunday (August 30), starting at 8:00 PM.

 

Talib Kweli, MC Lyte, DJ Premier and DJ Reborn will be featured as part of “A Labor Day Weekend Explosion” taking place in Brooklyn over Labor Day weekend at Sputnik. On Friday, September 4, MC Lyte will headline a show, will rapper Talib Kweli will grace the stage on Saturday (September 5). “We know that people typically bolt out of town during the Labor Day Weekend. But we also know, especially given the state of the economy, that many will be stuck in town looking for something to do. We’re excited to be able give music fans affordable options for a live show during the holiday weekend,” said event organizer, Vic Black. Tickets for the show start at $18.

 

Lil Wayne and 50 Cent will be the subject behind the newly re-launched Behind the Music series that will air on VH1. The re-tooled series will premiere on September 10 with a look at the life of Lil Wayne. The special will discuss Wayne’s childhood upbringing and his road to became one of the most sought after artists in the world. Other Hip-Hop artists that will be spotlighted include T.I. (October 8) and 50 Cent (October 13). VH1’s Behind The Music featuring Lil Wayne will air September 10 at 10:00 PM ET.

 

Police arrested an employee of 50 Cent’s last week, after a woman accused the man and a woman of assaulting her on the rapper’s property. Police received a 911 call from a distraught woman last Sunday (August 16), claming Dwayne McKenzie, 28, and Michelle Kryzykowski, 21, assaulted her on the property. The woman said she was struck over the head with an unknown object, before she managed to pepper-spray the assailants and get away. The woman had a head injury and other lacerations, according to police. McKenzie was arrested last Thursday, while Kryzykowski turned herself in the same day. McKenzie was also arrested in 2007 for carrying a weapon and again in May of 2008 for striking a woman he had been dating with a belt on 50 Cent’s property.

Should The Hip-Hop Community Go On A Month-Long Fast?

Should The Hip-Hop Community Go On A Month-Long Fast?

“May God deliver us from the curse of carelessness, from the thoughtless ill-considered deed. The deliberate evil of the world, we know is great, but how much of fortitude and strength and faith could we have to cure this and put it down, if only we were rid of the sickening discouraging mass of thoughtless careless acts in men who know and mean better. … God give us vision and thought. Amen.”

 

—Du Bois, W.E.B. Prayers for Dark People. Amherst: University of Massachusetts Press, 1980, p. 50.

 

We have a lot to atone for. Turn on BET or your favorite tri-state radio station and dare argue differently. The videos are vicious, the songs are sickening. At this point, the solution might not be as simple as some—including yours truly—have proposed in times past. It might not be enough anymore to call for boycotts of radio and TV stations, to call for greater responsibility in the marketing departments, to call for accountability from artists. It appears to me that, at this critical stage, we have transcended the physical into the spiritual.

 

I’m afraid that, as a community, as enablers of the filth and fungus that is commercial Hip-Hop, we have wronged not only man and woman, but God, as well. I’m afraid that there comes a time when evil takes upon a new form of vehemence, in which, like burnt offering, it rises to the heavens, creating a repugnant sensation that arouses the ire of God. And that time, like scriptural narratives of old (“The Plagues of Egypt,” “Sodom and Gomorrah,” “The Flood of Noah”) might be upon us.

 

Atheists, Agnostics, bear with me.

 

In the religious world, fasting is regarded a salient tool of self-correction when the body, mind, and spirit is out of sync with life’s purpose. Fasting, as a result of deprivation and diligence, works to keep at bay the recklessness and recalcitrance leading the believer down the slope of self-destruction, replacing it with meekness and morality.

 

Incidentally, 1 billion Muslims around the world just commenced an annual month-long fast a couple of days ago, traditionally known as Ramadan, to attain the highest level of spirituality—“God-consciousness.” But the practice of fasting isn’t indigenous to Islam. All three Abrahamic religious traditions have at their core the belief that sacrifice, especially of the flesh, is a great remediation in time of excessiveness.

 

On September 21st, members of the Jewish faith would be fasting in remembrance of Gedaliah ben Achikam, governor of the First Jewish Commonwealth in the Holy Land, who, according to reports, was assassinated in 423 BCE. 6 days later, most Jews would observe Yom Kippur, “Day of Atonement,” a 25-hour fast to purge all sin and shame the previous year might have accumulated.

 

My Judeo-Christian background introduced me early on to the gifts of fasting. I was required, then, to fast as regularly as possible. As with most other things in life, I hated being forced to do it, then, but can’t stop doing it, now. I found out that it sharpens the mind, diminishes distractions, and amplifies self-control—essential tools to survive in this spiritually bankrupt world of ours.

 

* * *

 

With the mounting opposition of oppression levied against underprivileged families, many social activists have begun announcing personal fasts to solve some of the problems currently confronting our community.

 

Rev. Father Michael Pfleger, senior pastor of St. Sabina, located in the South Side of Chicago, called for a fast earlier this year, and flew the national flag above his church upside down, to raise consciousness about the horrifically high rate of teen shootings and deaths Chicago has produced in the last 8 months.

 

Rev. Marcia Dyson, religious scholar and affiliate of Georgetown University’s Center for Social Justice, Research, Teaching and Service, also recently rallied a coalition to fast for the humanitarian crisis Haiti has been long-subdued by, and to pray for peace in her hometown of Chicago.

 

Civil rights hero and renowned comedian Dick Gregory announced in March his decision to fast until the end of the nation’s economic crisis. “Not since the days of The Civil Rights Movement have I ever seen such fear and anger in the people I meet,” he said at the time. “Except now, it’s all Americans. We have to take the lead and create humanity where none exists.” (As one who, in 1971, commenced a legendary 3 years fast from solid food, Dick Gregory knows the power of fasting.) His fast, which was to consist of “four days of just liquids, two days of just water and one day of nothing at all but the air that I breath,” is meant to address the “total lack of simple humanity that has destroyed this nation’s heart and soul,” and the “humanity and dignity of the American people who are suffering from this tragic economic distress.”

 

Earlier this month, Dick Gregory vowed a fast of nothing but water to mourn and uncover the mysterious death of his dear friend, Michael Jackson.

 

And in March of this year, Hip-Hop entrepreneur Diddy and New Orleans-raised MC Jay Electronica completed a 48-hour “spiritual fast” to ensure both mind and spirit is “ready to go to the next level.” As the fast—which I, in solidarity, observed—comes to an end, “all our dreams are gonna come true,” Diddy said, “but it’s time to get focused.”

 

* * *

 

The Hip-Hop community is in much need of self-reflection, and a month-long fast can be the catalyst. We must become critically concerned with the three Ms that I believe are threatening to tear down this great wall of cultural contribution: Message, Media, and Market.

 

MESSAGE: This machine of materialism has made millionaires of project-bound young Black men, but it has also convinced many others that life is about the glorification of drug violence, the domination of women, and the exhibition of personal wealth.

 

It’s hard, in 2009, to pin down the exact message Hip-Hop is offering to young people, and who specifically is being addressed. To the left we have back-pack, underground artists who spend too much time preoccupied with the minstrelsy of mainstream Hip-Hop. And to the right stands a gang-full of commercial coons who have no shame or regret in performing skits right out of Spike Lee’s frighteningly brilliant 2000 flick, Bamboozled.

 

Young Hip-Hop fans, of all stripes, are being exposed to buffoonery and bellicosity, materialism and misogyny, pain and pleasure, propagated by artists who should know better, and who, in fact, know better, but are too weak-willed to protest the orders of their employers.

 

MEDIA: The present state of Hip-Hop media is regrettable. The days of intellectuals, cultural critics, and music scholars are all but over. Now begins an age of pseudo-journalists and half-witted bloggers, who’ve convinced themselves that a column consists of 400 words and two paragraphs.

 

At a time when every site is lobbying for the same artist, and every magazine—if not already folded—is struggling to make ends meet, it might make some degree of sense that the level of creativity takes a hit, but not that creativity, itself, is altogether stifled, stunted, and shot to death. Such is the case today.

 

Those who take this culture seriously enough to demand from it deepness and richness can’t be more disappointed with the Hip-Hop media state the new millennium ushered in. We now live in a copy and paste world—a world where research is abolished and anything is printable; a world where the aim is to shock and awe; a world where writers are too timid to rock the boat or, if need be, sink it!

 

Hip-Hop websites are growing by the numbers, but true, profound Hip-Hop journalists are diminishing at an ever greater rate. The websites are now nothing more than props and posters for the propaganda label executives desire printed about their artists—regardless of musical skill, vocal stamina, or lyrical strength.

 

Everyone has a blog, but not enough brains to match them. The Harry Allens, Greg Tates, Aliya S. Kings, Nelson Georges, Elizabeth Mendez Berrys, S.H. Fernando, Jrs., Dream Hamptons, and Michael Eric Dysons of yesterday are being rummaged, to make room for skilless and witless non-writers with no width or wisdom.

 

Columnists have grown too cozy, too comfortable, with the current onslaught of coonery, to chastise Hip-Hop artists for their culpability and complicity in the castration of their community. They fear for their jobs, for their security, if they speak up against the grain. They don’t want to be black-listed, black-balled, or, for that matter, blacked-out for doing, as Spike Lee might put it, the right thing.

 

The truth, then, takes flesh in forms, to flip Ralph Waldo Emerson’s words, that don’t threaten the market of Hip-Hop—consumers and executives.

 

MARKET: The buying public, disproportionately White, sees no wrong in soliciting social death from Black artists. MCs with message and meaning are passed by for 21st century coons. Mainstream fans have made known their preference for less threatening, less assertive, less controversial artists. The dime-a-dozen theory is officially in effect.

 

Executives can chill in big skyscraper offices, cool and calm, assured fully well that their mission is being carried out by a generation of zombies who know not the responsibility they bear in promoting promiscuity to a new, innocent generation of children.

 

He who controls the market controls the minds of the customers. And never before has this theory yielded greater efficiency.

 

* * *

We have a lot to atone for. Turn on BET or your favorite tri-state radio station and dare argue differently. The videos are vicious, the songs are sickening. I’m afraid that, as a community, as enablers of the filth and fungus that is commercial Hip-Hop, we have wronged not only man and woman, but God, as well.

Tolu Olorunda is a cultural critic and a columnist for BlackCommentator.com. He can be reached at To***********@***il.com.

Lawyer Calls For Hip-Hop “Morality Clause” In Contracts

Lauren Raysor, the attorney responsible for prosecuting rapper Remy Ma, has called a press conference today (August 24) New York challenging record labels to curb the violence in Hip-Hop culture.

 

Raysor will use the press conference to request that all labels create a morality clause in their contracts, which means an artist’s deal would be terminated for any acts seen as objectionable to society.

 

Two years ago, Raysor represented Makeda Barnes-Joseph against her former close friend Remy Ma (Reminisce Smith).

 

Remy was sentenced to 8 years in prison on assault, illegal weapon possession, and attempted coercion after shooting Joseph in the abdomen.

 

According to a representative for Raysor, the “morality clause” concept would not be a device to target Hip-Hop artists, but a contract item to ensure all musicians consider the career ramifications for any violent acts.

 

“Lauren P. Raysor is asking all record companies to insert a ‘morality clause’ in their contracts with all artists, not just rap and Hip-Hop artists, as a way to show them there are consequences for their actions,” the spokesman said.

 

Accompanying Raysor will be Nicole Bailey, principal of the Learning Tree Multi-Cultural School.

 

At press time, attorney Raysor also plans to present an extensive timeline displaying all the major violent confrontations pertaining to Hip-Hop artists