Original hosts Free and AJ returned to the stage this evening to give a proper farewell to BETs groundbreaking show”106 & Park.” Hitting the airwaves in 2000, the countdown became a launching pad for a variety of artists and celebrities alike, as they turned to the show to stay in touch with a younger generation.
After deciding to pull the show in favor of a digital only format, the network officially closed a chapter which has included Big Tigger, Terrence J, Rocsi Diaz, Julissa, Bow Wow, Miss Mykie and more.
Formally closing out the show, the final video aired was Chris Brown’s “Deuces.”
Take a look at some of the images from the last episode.
Athlete-turned-actor Anthony Kelley is set to make his big screen debut in forthcoming motion picture The Gambler. Kelley’s first entry into the movie-making business has inspired the 22-year-old Los Angeles native to officially change his life path.
“I was pursuing a career in basketball, and I was at a crossroads. I was trying to go overseas, but that’s very hard,” Kelley tells AllHipHop.com. “So when I landed this role, I fell in love with acting. I decided I might as well just continue pursuing this career.”
Kelley jumped into his new passion with full force. While working on the Rupert Wyatt-directed movie he made it a point to absorb as much information from all the veterans on set as he could. The crime drama also features an all-star cast including Mark Wahlberg, John Goodman, Michael K. Williams, Jessica Lange, and Brie Larson.
“It was great working with the cast. At first I was a bit insecure, because this is my first film,” explains Kelley. “I’m a bit of a perfectionist, and I wanted to make sure everything was perfect, so after every take I would ask the cast and crew members, ‘How was it?’ Everybody was telling me it was good and just giving me their input. So it was great working on this film.”
In a revealing discussion, Nicki Minaj sat down with journalist Elliot Wilson for another installment of WatchLoud’s CRWN interview series. The Pinkprint artist revealed her thoughts on motherhood, her legacy in the game, the Lil Wayne/Birdman rift and more.
California based event company Live Nation Entertainment has announced that they will require a large stake in C3 Presents, Austin’s independent concert promotion company responsible for annual events including Lollapalooza, Austin City Limitsand more.
Though the terms of the acquisition have not been revealed, Live Nation (which is the largest of it’s kind in the industry,) will hold a majority stake in C3.
C3 founders Charles Attal, Charlie Jones and Charlie Walker have released the following statement:
“We are excited to join Live Nation and become a part of their global family, while continuing to grow our festivals within a culture of entrepreneurship that will empower our team to keep improving these festivals and the fan experience.”
While there are over 23 states which currently allow the use of marijuana for recreational or medicinal purpose, the drug remains banned on a national level, which has put many states at odds with federal authorities.
Now a provision has been added to the recently approved $1.1 trillion Congressional Spending bill, which will prevent the Justice Department from pursuing states that have already approved marijuana for medicinal use; this is the first time that Congress has ever sided against prosecutor in the ongoing battle over legalization.
Drug policy reformist Bill Piper advised the Los Angeles Times, “The war on medical marijuana is now over. Now the fight moves on to legalization of all marijuana.”
(AllHipHop News) The arrest of Bobby Shmurda has been one of the biggest rap related news stories of the week. The “Hot N***a” performer being charged with gun possession and conspiracy in New York has garnered a lot of opinions from people associated with the Hip Hop community.
Shmurda’s label representative Sha Money of Epic Records issued a statement, Maybach Music Group rapper Meek Mill chastised the public for making fun of the Brooklyn native, and now James “Jimmy Henchman” Rosemond is offering his thoughts on the matter. The incarcerated former artist manager reached out exclusively to AllHipHop.com to address the 20-year-old entertainer’s latest run-in with the law.
“With everything happening with Bobby Shmurda there’s a need for a rap expert on deck, because the culture is under attack,” Rosemond tells AllHipHop.com. “If they can use 50’s lyrics against me as an executive to prove murder then we all in trouble.”
Earlier this month, Rosemond was convicted of hiring a gunman in the murder plot that left G-Unit associate Lowell “Lodi Mack” Fletcher dead in 2009. The killing was allegedly connected to the street war between 50 Cent’s G-Unit and Rosemond’s crew.
According to reports, Shmurda previously stated he felt New York City police were targeting him. Earlier this year, he was arrested for another gun possession charge, and later arrested again for smoking weed in public. In October, Shmurda even taunted the NYPD in an Instagram post. He wrote, “So da bum ass cops locked me up yesterday Fa some bulls**t made me miss.”
Just when you thought getting shot multiple times would soften Suge up, here are new rumors about the former Death Row Don.
The Los Angeles Times has published a report that Suge is extorting a Los Vegas Night Club owner, Sam Nazarian. Suge has yet to comment, but the allegations are pretty hefty. Peep what they stated:
The board’s routine vetting of Nazarian, who applied for a gaming license, has now thrown his Vegas plans into disarray. Investigators unearthed recent cocaine use — along with about $3 million in payments to a felon with convictions for drug possession and money laundering. Some of the money was paid to a convicted racketeer and Death Row Records founder Suge Knight.
The payments included $90,000 to Knight and $83,000 to Hai Waknine, the convicted racketeer — both of whom, Nazarian told the board, were working with Armstrong.
Waknine served five years in federal prison after pleading guilty to one count of racketeering in connection with a money-laundering scheme linked to Israeli organized crime. Waknine could not be reached for comment.
“So roughly $3 million in monies … were paid either to Mr. Armstrong or to others, I guess it would be fair to say, in connection with Mr. Armstrong?” board member Johnson asked Nazarian during the hearing.
“It would be fair to say,” Nazarian answered
Knight declined to comment. But a business associate, entertainment producer Mark Blankenship, called the charges of extortion “a form of profiling and racism.
Our own DJ Hustle is on the turntables giving you the Eric Bellinger Music Mix. DJ Hustle is blending and mixing the hottest new music in hip hop on AllHipHop.com. Listen to DJ Hustle as he is slapping the hits from the streets. Weekly mixes will be posted for your weekly enjoyment. Let DJ Hustle know what you want the hear on Twitter or Instagram. We take music to the next level. Stream & tracklist below.
Tracklist:
1) Eric Bellinger ft Problem – Say no
2) Eric Bellinger ft Chris Brown – Do it
3) Eric Bellinger ft Problem – I don’t want her
4) Eric Bellinger ft 2 Chainz – Focused on you
5) DJ Mustard ft Fabolous and Eric Bellinger- 4 Digits
6) Abrina ft Eric Bellinger- Actin UP
7) Jinsu ft Eric Bellinger – Out with the old
8) Mase ft Eric Bellinger – Nothing
9) Game ft Problem, Too Short, AV & Eric Bellinger – Or Nah
10) Emcee N.I.C.E ft DBI – My Cali Lean
DMV native and Rich Boy Lifestyle’s own Don Panama unveils the colorful visual to his latest record titled ‘Poison’. His forthcoming album, Hallelujah is slated for release at the top during the first quarter of 2015.
Lightshow drops off his new mixtape hosted by DJ Khaled titled “The Way I See It.” Packed with some awesome music and hard-knocking production, Lightshow wraps up 2014 strong. Give the project a listen here.
Delaware native Prentice has been making his bones since entering the music scene back in 2009. Since then he has been featured on platforms such as Shade 45 and DJ Kay Slay’s show. Today he unveils the visual for “How Im Living”.
Gangsta Grillz releases a special edition mixtape with Kevin Gates dubbed Luca Brasi 2. The project is the follow up to The Luca Brasi Story. The Louisiana artist has quickly become one of the media’s favorite southern newcoming rqppers over the past few years and this follow up project shines light on just exactly what this Young Money managed artist has in store for the rap game in 2015. While this is mostly Kevin Gates solo, the project has features from his fellow rappers from “The Boot” Curren$y, Master P. Aside from the features production from hit makers Jahlil Beats, S1, Cy Fyre, Nard & B and more appear on this gem.
Though her stint as a talk show host is over, Queen Latifah isn’t done dominating the small screen.
The pioneer femcee will be portraying blues legend Bessie Smith in the HBO film BESSIE, set to debut in 2015. Bessie Smith dominated the 1920s with songs like “Backwater Blues” and “Downhearted Blues,” which sold over 800,000 units. Smith also worked with jazz icon Louis Armstrong and dished out hits like “Cold in Hand Blues” and “I Ain’t Gonna Play No Second Fiddle.” Smith was deemed the Empress of Blues and was one of the highest paid performers of her time.
Besides being the film’s star, Latifah also hopped on board as an executive producer. The movie has an all-star line up of co-stars like Mo’ Nique, Mike Epps, Charles S. Dutton, Tika Sumpter, Michael Kenneth Williams and Khandi Alexander.
The flick is based off of a screenplay written by the film’s director Dee Rees, Bettina Gilois and Christopher Cleveland.
DJ Scream hosts the latest mixtape from Project Pat – Cheez N Dope 3. The tape features Rick Ross, Juicy J, Young Scooter, King Ray and more. With tracks like, “Flexington,” “Imma Get Me Some” ft Juicy J and Rick Ross, “Kitchen” ft Shy Glizzy and Cash Out, this project is a must listen.
This song is for the traps, the hoods and the streets that know about getting that cheez and its a nice gift from the Memphis Hip-Hop legend that continues to show that he has what it takes to make quality southern street music.
Brooklyn based artist L.atasha A.lcindor releases her single “Go Off (A Prelude to (R)evolution)” (Produced by Philly native Bmbu) where she raps about the gentrification of New York City, police brutality, gang violence, genocide and the need for revolution.
The release is a part of her “Fantastic Planet, Flow of the Unconscious” series which she describes as a sonic and visual walk into her album. It’s a viewing of herself, the world, and beyond. Every two weeks she will be injecting the planet with new music, new videos or new footage of her life and its making.
Wale has decided to surprise his fans and drop a mixtape next week to hold them over until the Album About Nothing drops in 2015.
With very short notice, the DC spitter has announced that he will be dropping a new mixtape, Festivus, on Dec. 23rd. He named this new project after an episode from his beloved Seinfield where the cast celebrates a secular parodied holiday named Festivus, which is on Dec. 23rd, that is an alternative to the commercialized nature of Christmas.
In the minute trailer, Wale flips through channels while in the studio and contemplates on his next move as he peeps that his contemporaries Nicki Minaj and J. Cole have just dropped new projects.
Festivus will be solely produced by A-Trak, whose worked with Jay Z, Danny Brown, Kanye West and many more.
No track list or album art has been unveiled yet, but watch the trailer below.
Back in 2010, the man we know as the rising hip-hop star New Regime, was critically wounded in a shooting. The near-fatal bullet struck Crestwood native entertainer in the face causing him to be temporarily blind for months.
The visual for “Vibe Wit A G” was created to give fans and critics alike an inside look into what transpired and how life has changed for him tremendously following the aforementioned events. The track, which serves as the introductory cut for his latest body of work Million Dollar Regiment, was produced by Kino Beats (Young Jeezy, Wiz Khalifia, Juelz Santana, Ace Hood).
Filmed on location in the Hampton Roads area of Virginia by LVCHLD, “Vibe wit a G” is Regime’s directorial debut. Watch the new video above and download M.D.R.here.
To celebrate the release of her third studio album The Pinkprint, Nicki Minaj has been invading the small screen, appearing on shows like Saturday Night Live, The View, The Real and Sportscenter. Last night (Dec.18), the Young Money femcee made her way to TNT’s Inside The NBA to kick it with Shaquille O’Neal, Kenny Smith, Ernie Johnson and Grant Hill. During her visit, she, Ernie and NBA vets kicked some freestyles for a ‘TNT cypher’.
The views expressed inside this editorial aren’t necessarily the views of AllHipHop.com or its employees.
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I don’t do Kwaanza, I just don’t. I never have, and the very thought of it evokes some difficult memories and feelings for me. It’s not the holiday’s religious trappings or its Afro-syncretic fusion of Jewish menorahs, Swahili words, Kemetic, Christian and other rituals. I understand people do have a perfect human right to adopt or make up the cultural and religious practices that suit them. Rastafarianism, Voudon and Candomblé all borrow from multiple traditions, as does Islam from Judaism and Christianity, and Christianity from Judaism, Greek and Roman sources, and so on. So I have no quarrel whatsoever with those who celebrate and find value in Kwaanza.
But for many of us who took part in or were simply aware of the Black Panther Party in the late 60s and early 70s, the Kwaanza holiday is inseparable from the career and persona of its inventor, Ron Karenga, now a tenured professor in California. Back in the day, Karenga headed up an organization called US. As a tool of COINTELPRO, the federal counterintelligence program directed at movement organizations, Karenga’s US organization murdered 2 leading members of the Black Panther Party in Los Angeles, Alprentice “Bunchy” Carter and John Huggins, and 2 more in San Diego, Sylvester Bell and John Savage. To my knowledge, Mr. Karenga has never expressed the faintest remorse or regret for these murders, or for his part in furthering the nefarious aims of federal and local police agencies in their assault upon the movement of those times. Karenga was later convicted along with his wife, of kidnapping and torturing two women in his own organization, a crime for which he served 4 years in prison, and one of which he still claims to be innocent. Some of Karenga’s close and credible associates however, like former US chair Wesley Kabaila, maintain Karenga was not only responsible for those women’s torture, but that it was part of an ongoing pattern over the years.
“I’m a feminist,” Kiilu Nyasha, a former Black Panther in New Haven CT told Black Agenda Report. “How can I honor a holiday made up by a man who tortures women in his own organization?”
She’s got a point. Just now, Spelman College is suspending its Bill and Camille Cosby endowed professorship, folks are hiding or throwing away their old Bill Cosby albums and places are covering up the Bill Cosby plaques inside the very buildings built with Cosby money. It’s their very imperfect way, if not of sympathizing with Bill’s long hidden victims, of at least disassociating themselves and their works from Cosby’s apparent crimes. It’s a reasonable precaution. After all, what would we think of charities and institutions who’d taken Cos’s money and loudly celebrated his generosity but couldn’t be bothered with the slightest acknowledgement of his victims?
What rankles many of us about the annual hoopla around Kwaanza, and what should disturb those engaged in building today’s movements against injustice and oppression is that the elderly Mr. Karenga, much like Bill Cosby before his fall is enjoying an ill-deserved and unrepentant victory lap. To this day he has utterly evaded any accountability for his part in the murders of Carter, Huggins, Savage and Bell. For us, what others call “Kwaanza” has become a time to remember and celebrate the contributions of the freedom fighters whom Karenga’s US organization murdered.
“I worked with John Huggins, I knew John Huggins personally,” continued Kiilu Nyasha. “He was a beautiful young brother, only 21 or 22. John left an infant daughter less than a month old. He stood in defense of our people’s right to be free.”
Pretty much everybody knew Alprentice “Bunchy” Carter. “He had a real track record,” said former LA Panther Harold Welton. “Before helping organize the Southern California chapter of the Black Panther Party, he was known to many as ‘the mayor’ of Los Angeles, and as an accomplished poet and vocal stylist. Earlier, he was part of the Slausons, a Los Angeles street organization originally formed to defend its neighborhood against local white gangs, one of which was called the ‘S#### Hunters.’ Influenced by the movement of those times, Bunchy attempted to politicize the Slausons, splitting off a formation which called themselves ‘Renegade Slausons,’ before coming into, really helping organize the Black Panther Party in Los Angeles.”
In those times, one of the highest priorities of government was to prevent the street-level, spontaneously formed organizations in every black neighborhood from becoming political. Organizing inroads with this aim were a key reason in why Chicago Panther leader Fred Hampton was targeted and murdered, also by COINTELPRO. But while widely respected by those organizations, Chicago’s Fred Hampton was an outsider to the street tribes, appealing to them from the outside. California’s Bunchy Carter on the other hand, was an insider among those tribes, presumably a high priority target of COINTELPRO. Bunchy was less than 30 years old.
“Even now after all these years, if Karenga would come forward and admit what he did, and begin in his final years to apologize, and ask forgiveness, to somehow begin to atone for the murder and the torture and the other stuff,” Harold Welton told Black Agenda Report, “we’d have to begin figuring out how to respond in the right spirit. People do sometimes change, and come in from the cold. But he’s saving us the trouble. He’s arrogant and unrepentant, and even looked up to by a generation of young folks who know little or nothing about the man or his history.”
In his mid or late 70s, the unrepentant Karenga is now celebrated by figures like the establishment’s designated dean of “black history” Henry Louis Gates, who put him up as an authority on the struggles of the 1960s, including the Black Panther Party in one episode of his PBS show “The African Americans: Many Rivers To Cross.” Karenga is regarded as mentor to Temple University’s shameless redbaiting professor Molefi Asante, who justified his underhanded firing of Philly’s Dr. Anthony Monteiro with accusations that Monteiro was a “tool of communist apparatchiks.” Karenga pens a regular column in the Los Angeles Sentinel in which he absurdly claims his own organization was targeted by COINTELPRO just as the Black Panther Party was, instead of acting as the instrument of COINTELPRO.
The way many of us see it, people who celebrate Kwaanza and are getting something out of it should hold that high. We’re happy for them. It’s true enough that Kwaanza is now bigger than the crimes of its founder, and will outlive him. But that doesn’t mean Karenga’s crimes never happened or that they should be forgotten. Someone has to hold high the legacies and the work of John Huggins and Sylvester Bell, of John Savage and of Bunchy Carter. Somebody has to remember who they were, what they lived and served for. Somebody has to recall why they died and at whose hands. While you’re celebrating Kwaanza some of us will be doing that.
Bruce A. Dixon is managing editor at Black Agenda Report, and was a rank and file member of the Black Panther Party in Chicago in 1969 and 1970. He lives and works in Marietta GA, where he serves on the state committee of the GA Green Party. Bruce can be reached via this site’s contact page, or at bruce.dixon(at)blackagendareport.com.