Quelle Chris Feels His Quality Music Is Working, Even Without The Fame

(AllHipHop Features) “Sometimes I be feeling like don’t nobody love me,” is the opening line of the title track to Quelle Chris’ latest solo project Ghost At The Finish Line. Despite releasing several projects in the last few years that were well-received by music critics and a core fan base, Quelle has not attained the level of attention that is probably deserving of a producer/emcee of his talent.

Understandably, the Detroit native acknowledges that lack of recognition is something that crosses his mind, but Quelle believes his artistic voice is of the highest caliber regardless.

“Yeah, it bothers me. I can’t say it doesn’t bother me, but at the same time I’m good. I’m going to keep moving up. That’s all I can do,” says Quelle. “I’m always going to have something good waiting when people are ready. I get respect from a lot of these cats. I know what I got is great, so I’m just chilling.”

Ghost At The Finish Line was seen as great by many listeners. The self-reflective tone of tracks like “Loop Dreams” reveal Quelle’s passionate desire to achieve success at this rap thing, while humorous songs like “Super F**k”  display he still doesn’t take himself too seriously. It all comes together for what the emcee calls “conversationalist music.”

“[My music’s] more an exchange between two people. Rather than feeling you’re just getting a song, you actually feel like you’re in the moment of the music,” explains Quelle.

As 2013’s Ghost still gathers steam, Quelle is also helping build momentum for his new team at Mello Music Group; the label home to Oddisee, Apollo Brown, L’Orange & Stik Figa, Has-Lo, and Dudley Perkins.

The collective just released their compilation albums Mandala Vol. 1, Polysonic Flow and Mandala Vol. 2, Today’s Mathematic. Vol 1 includes the Quelle-produced instrumental track “Euclidian Geometry,” his solo rap track “Going Swell,” and his appearance on the posse cuts “Money Shot” and “Supreme Codeine.”

“I wanted to be with something that I could grow with. It’s not somewhere I feel pressured about how I make my music or what I want to make,” Quelle states about his reasoning for signing with Mello. “I can be free to make whatever I want, but at the same time we’re growing together. That and all the billions of dollars I be making.”

As a collective of “underground artists,” Quelle and the rest of Mello Music Group are viewed as residing on the opposite end of the Hip Hop spectrum to the rappers who live comfortably on corporate radio. Even though Quelle may be considered more reflective of the essence of a true emcee, he has no problem calling out self-aggrandizing rap artists. He is also a target of his own comedic shots. A prime example is his cut “Rappin’ Ass” featuring Denmark Vessey.

“Denmark wrote the song initially. He got the beat from [House] Shoes, wrote the song, and sent it to me. I was like I got to get in on this,” Quelle says. “There is st that cats do that’s a little suspect, but at the same time there’s a lot of st that either I do or have done. I’m a rappin’ ass na too, so you can’t make fun of other nas if you can’t really point out s**t in yourself. We’re kind of talking about ourselves. We’re rappin’ass n****as.”

Quelle has opinions about the direction of Hip Hop in general as well. According to the Crown Nation affiliate, the culture is becoming a victim of its own popularity, but like other musical art forms, Hip Hop will survive some of the absurdity that has consumed it in his eyes.

“When a medium becomes really popular, people just start [trying to] out doing each other, and then you reach some sort of pinnacle of ridiculousness,” says Quelle. “Then somebody comes out with something that kind of topples it – that’s building it up from the bottom again. You see that happen within a lot of genres.”

Though he has a vision of where Hip Hop is headed, Quelle Chris is mostly concerned with crafting the best quality products for himself, his Mello Music Group brethren, and the other outside artists he collaborates with. If his genre-bending “conversationalist music” is never appreciated by the greater society, Quelle ultimately seems content with just creating work that illustrates who he is an artist.

“If I make something that’s extremely deep-rooted Hip Hop, Jazz, electronic st, something that’s a little bit more silly where I’m not trying to be extra lyrical, or whatever the fk I want to do, you can say whatever. It’s not going to make any difference to me. What I’m doing is working for me.”

[ALSO READ: DMV Hip Hop Artist Oddisee Breaks Out The Box]

Follow Quelle Chris on Twitter @QuelleChris and on Instagram @QuelleChrisT

Stream/Purchase Ghost At The Finish Line below.

Alternative Vid Pick: Zendaya "My Baby"

Zendaya dropped a new visual for her hit single “My Baby” on Monday, produced by Bobby Brackins and Nic-Nac

 The video, directed by Stephen Garnett, features the 17-year-old beauty playfully singing into the camera while showing off her fun fashion sense with several sexy outfit changes. 

 Zendaya’s “My Baby” track, which also got the Hip-Hop treatment from Ty Dolla $ign, Bobby Brackins and Iamsu!, is from her self-titled debut album now available on iTunes.

Hip-Hop Rumors: Kim Kardashian Wants North West on Her Show But Kanye Isn't Having it

This one isn’t very surprising if it’s true.

Word is, Kim Kardashian is being pressured to feature her daughter, North West, on Keeping up With the Kardashians because the show’s ratings are plummeting. According to Radar Online, Kim thinks her daughter is ready to join the family business but Kanye has forbidden it thus far, even if it means the end of the show.

Ryan Seacrest, who produces the Kardashian reality shows for E!,  is said to have personally reached out to Kim and asked her to consider allowing North on the show for limited periods of time.

“Kim really wants to put North on the show…” Radar’s source explains. “Viewers and fans of the show want to see Kim interact with her daughter, and how she is as a mother.”

“Kim has always been an open book with her fans,” the source continues, “but once Kanye came on the scene, that all changed. Kanye shuts Kim down whenever she brings it up.”

The source says that Kanye, on the flipside, thinks that reality TV is tacky and doesn’t want North on
display. Kim is said to have persuaded Kanye to allow their wedding to be televised as a compromise but her charm might not work when it comes to the baby.

Get To Know…Singer/Songwriter Levina Lye

Sometimes, a cover song will hit so hard that people forget it was done before, like the incomparable Whitney Houston’s top selling single of all time “I Will Always Love You.” For Bronx native, singer/song-writer, Levina Lye the art of her song covers are rooted in her soul. When the cover of The Weeknd’s single “Wicked Games” was banned in Germany and from mobile devices, #teamlevinalye  unleashed it on the world’s largest social network , Facebook. The steamy girl on girl video featuring Playboy Live’s Honey Lynn has reached over 130,000 Facebook members and continues to be well received by industry executives and the general public.  Conquering heartfelt renditions of hits by chart busters like Rhianna, Adele and The Weekend, coupled with provocatively vulnerable videos  this burgeoning songstress has captured audiences with her ability to make popular music her own.

The 22-year-old Puerto Rican/African American  beauty attended Catholic school in New York when her parents uprooted from the Bronx and the tranquility of life upstate is where she nurtured her natural ability and discovered her love for poetry and music.  Music gave way to an artistry that would help her get in tune with the emotions of transitioning from adolescence to womanhood grappling with loneliness, fear, hope and peace. With her upcoming EP “Pieces of Me” Levina Lye  gives you the most intimate pieces of her life through her music and the feelings are paramount in every delicately maneuvered octave scaled by the vocalist. The single “Fade Away” is currently available and Levina Lye has a conversation about all the pieces of her.

AllHipHop: How old were you when you started writing?

Levina Lye: I actually started writing poems at 15 and when I turned 16 I was like oh shoot I can write songs.

As a singer/songwriter why did you decide to start remaking cover songs to release?

Initially, I did put out original music but no one would really give me the time of day because my former management didn’t really know how to market it. My new project manager and me then sat down and said how can we make people know who I am in a way that’s familiar to them. So we decided to do covers and I started picking cover songs that pertained directly to what I was going through or feeling so that’s why they came out so passionate. They’re other peoples songs, but it’s the way I felt.

What I loved about the Rihanna song was your passion and vulnerability gave it a different feel from Rihanna’s rendition of “Love the Way You Lie”. How do you develop your interpretation to make it your own?

I really focus on the lyrics. I really focus on the words they wanted portrayed because sometimes artists don’t really write for themselves so it’s harder to try to tap into that emotion.  I truly understood what that artist meant so it was easier for me to just go in and say boom bam, this is mine now. This is Rihanna’s song but this is my version of it and sometimes people like the rendition better than the original.

With respect to The Weeknd’s cover of “Wicked Games,” I read about how important it is to you that people live their truths and in that video, your truth is told in your performance to a female lover. What made you choose to do the video in that way?

Well I really like the song and the message of the song. I truthfully didn’t want to take anything away from what The Weeknd was saying. I thought how can I switch this in a way that I can do it because he was talking about a girl. I said let’s have a girl in the video. Let’s truly show what this song is really about because beyond all the sex appeal and all that stuff there really was a deeper message. The message is about how people use things like sex, drugs and alcohol to escape which kind of ties into my single “Fade Away”. I guess I’m just a deep thinker, everything I do there’s a message behind it if you really pay attention. There’s more than just sex, drugs and pretty girls.

So when we hear your own music, who will we find out you really are?

I’m human and by that I mean I go through hurt and pain. I have my struggles. People have to sit down with me and help me understand things sometimes and all that good stuff. My music speaks a lot about who I am. My EP “Pieces of Me” will pretty much define me.

Tell me about the single “Fade Away”.

“Fade Away” is about any type of escape that anyone uses. Life is hard and sometimes you do need that drink after work or that friend’s shoulder to cry on, or something else. That is what “Fade Away” is about. It’s a feel good song for whatever you do to make yourself feel better.

How did you get into music at this level?

I met Be N Original, my wonderful project manager, who changed my life. He’s definitely someone who has been on my team and in my corner from day one and without him my team wouldn’t be a team.

To be so young you seem wise beyond your years what or whom do you attribute that?

Well, I pay attention to life. I pay attention to the things other people go through and I watch the struggle from that. There’s always room to grow from watching other people even though it’s sad, it’s still a learning experience.

In the current landscape of female entertainers what do you look to contribute to the world of music?

I feel like I’m going to be one of those artists who helps bring back the true essence of music and what it means to feel. When you sit down and listen to a body of work and actually think and dwell on it and tap in to some type of emotion that hasn’t been tapped into for a while, that’s really what I want to do is be a person to inspire for the better.

Apollo Theater Raises $10 Million For New Programming To Celebrate 80th Anniversary

(AllHipHop News) For 80 years, 253 West 125th Street between Adam Clayton Powell Jr. Boulevard and Frederick Douglass Boulevard in Harlem, New York has been the home of one of the most highly acclaimed proponents of Black art. In celebration of their 80th anniversary, the legendary Apollo Theater will be developing new programming with the help of public crowdfunding.

The Apollo Theater has already raised $10 million of its $20 million goal. Some of the original programming international tour of Apollo Theater production, James Brown: Get on the Good Foot, a contest for amateur singers to create Theater’s Signature Program theme song amongst a variety of others.

One in particular is the Apollo Theater’s Annual Spring Gala, which is scheduled to be held on June 10th. The event, hosted by Wayne Brady, will celebrate the the Theater’s 80th birthday and feature performances from Smokey Robinson, The Isley Brothers, Natalie Cole and many others.

Originally built in 1913-1914 as a whites-only establishment named the Hurtig & Seamon’s New Burlesque Theater, the Apollo Theater has been a consistent hub for African American art.

The public is encourage to donate at the Apollo Theater Support Page.

Hip-Hop's Response To The 2014 State of the Union Address

chuck_creekmurI almost didn’t write this response.

I’ve had several rounds of disappointment with the United States since Barack Obama has taken office as president.

I’ve realized, when I watch these State of the Union speeches, all I’m really looking for is a nugget or two that I or my people can relate to. Last year, I was excited when the president used the word “poor” to describe actual impoverished people, as opposed to some colloquialism like “people aspiring to be middle class.” In 2012, it was “nation building” and in 2011 he dropped a simple, ubiquitous phrase: “We do big things.” This year, the president directly recognized “young men of color” as a part of a upcoming initiative. Loved it! (Yes, we still long for “America” to recognize our plight.)

Specifically though, Obama said:

“I’m reaching out to some of America’s leading foundations and corporations on a new initiative to help more young men of color facing tough odds stay on track and reach their full potential,” he said in remarks on efforts to offer hands-on training, give colleges incentives to offer better value and ensure that “no middle-class kid is priced out of a college education.”

That felt great…like a piece of a piece of a steak after you’ve had decades of hotdogs. Or if you are healthy, salad that has not been genetically modified or sprayed by pesticides.

But, Obama gave no specifics on this ambitious plan. Anxiously, I await the details so it can help my constituents, my friends and my young relatives.

Speeches don’t build nations.

ALSO READ: The Hip-Hop Response To The 2013 State Of The Union Address

They also don’t create scientists, astronauts, technologists, entrepreneurs or teachers, all of which are needed in Black and Brown communities.

Recently, a good friend of mine told me I need to be more positive about the strides that we’ve made, and specifically referenced my own accomplishments. And, I believe there is some truth to what she said, but I never, ever stop striving to be better. And, for my people, I expect the same. It has been difficult to relinquish certain facts that have become self-evident. These facts have varying degrees of importance depending your walk of life. A lot of people – regardless of color/creed – simply don’t care about poverty, AIDS rates,  prison industrial complexes, privatized school systems, ignorance and a litany of other ailments that run rampant like rabid dogs looking to claim another victim.

And it continues.

We’ve seen the rise of a new, covert and despicable forms of racism. We have witnessed the middle class pretend such systemic prejudice no longer exists (passive racism). I’m talking food deserts, walking while Black (Stop-N-Frisk), and environmental forms of discrimination. We’ve watched the economic gains of African Americans be eroded away like the Jersey Shore. We live in an era where Black love is romanticized Jay Z and Beyonce. (If I see another meme that says, “This could be us…” I might release a blood-curdling scream.) And we see that people of color out-index every screwed up situation you can imagine. Hell, we even watched Kendrick Lamar fail to garner a simple Grammy. Sometimes, its the small things we’re looking for – the proverbial moral victory. But then, these small things represent bigger conundrums. Were you listening when Chicago rap artist Chief Keef express a desire to increase the murder rate with his next album?

Honestly, and perhaps pathetically, people of color don’t always have a lot of time to consider the bigger pictures gradually being painted. We still have drone strikes and gross violations of privacy. Voter suppression efforts exist. We have increased mass shootings and gun violence, which president Obama addressed. Our young girls are victims of sexual assault in ways most people cannot fathom and they must contend with the gender inequality that pollutes society.

“We grind from the bottom just to make it to the bottom.”

– Freeway on Beanie Sigel’s “Got Nowhere”

When its all said and done, how did we advance our lives and the lives of those around us? What did we do to make the world better for our kids and our children’s children? I know it sounds cliche, but its real. We, the hustlers of the world, run on a never-ending “Hamster Wheel of Fortune,” seemingly running in place en route to a mythical pot of gold. We juggle our various lives like a Ringling Brothers act, managing careers, personal necessities, and whatever relationships we can muster. And for what? Did you fundamentally change the thinking of a kid in your global neighborhood (which now extends well beyond the walls of your physical location)? I say this to the richest mogul – have you fundamentally changed somebody’s thinking for the better?

I’ll let you think on that if you’re still reading.

“Opportunity is who we are and the defining project of our generation is to restore that promise.

– President Obama

I’m not necessarily disappointed in President Obama, if you misunderstood my opening salvo. I fully comprehend that he’s the president of the United States and not the president of what I love dearly. I have a daughter, a niece, a couple god sons and a nation of millions that I serve through AllHipHop, special interests and even social media. Not caring is not an option. Obama’s 2014 State of the Union address had more coded language for African Americans and the poor than those in the past. Perhaps that’s what one White House worker meant when he warned me to wait until Obama didn’t have to concern himself with reelection. Maybe.

I certainly don’t expect anything wild like Mumia getting pardoned or reparations.  The point is, these responses to to SOTU have increasingly specified that we look inward for strength, validation and leadership. We get mad when _______________ (fill in the blank with any number of names) gets ________________ (fill in the blank with any number of injustices), but we have no proactive, sweeping agenda or unified plan to address matters. There are deep pockets of resistance that address Detroit’s dire circumstance, gun violence in Chicago and other issues that were not included in the president’s speech. And on the flip side, we’re down with education as a means to sustained change, among other progressive movements.

Finally, I’m glad I took the time to write this piece, regardless. When running a marathon you get tired, questioning “why?,” “who cares?,” or “what difference does this action make?” But, somewhere along the way, you ignore the plain, deepen your focus and hit your stride.  Understanding the art of inches in the midst of adversity is paramount. Slow motion is better than none.

I’m convinced – despite brief bouts with pessimism – we’ll get there, as soon as extreme patience marries extreme action.

WTF News: Man Asks Live in Ex-Wife to be His Housekeeper

A businessman who continued living with his former wife after they divorced asked her if she would be his housekeeper after he moved another woman into the home. She obviously went off on him.

Via the Telegraph:

The man could not understand why his former wife became “so aggressive” when he informed her of the new arrangements, the court heard.

On Wednesday Mr Justice Bodey ruled that she was entitled to nearly half of her former husband’s £13.6 million fortune.

The Family Division of the High Court, heard that the couple, who cannot be named and are from London, married in the late 1970s and divorced in the 1990s.

The judge said they treated the divorce as “just a piece of paper” and carried on living together.

Welp, there goes that. If you’re going to make a break go all the way.