Knife Work: Ne-Yo Collaborator/Rapper Jinsu Dices His Competition on "The Triumph"

With a co-sign from Ne-Yo and top notch production from Jahlil Beats (Rick Ross, Lil Wayne), Rhode Island-bred rapper, Jinsu, has the industry paying attention.

While preparing for his first huge New York City gig as an act in the MTV Jams “Closer To Our Dreams” tour featuring TYGA, Kirko Bangz and Iggy Azalea, Jinsu granted us access to a behind the scenes look at how he arrived to this point.

See what motivates this 19-year-old to “let the haters hate”, hear his thoughts on being the first rapper from Rhode Island, and why his recently released The Triumph is more than just a mixtape.

AllHipHop.com: Listened to The Triumph, and I can’t tell where you’re from.

Jinsu: I’m originally from the East Coast. I lived out in New York for like five and a half years. I’m originally from Rhode Island.

AllHipHop.com: Could you possibly be the first rapper from Rhode Island?

Jinsu: Possibly. I think so. [laughter]

AllHipHop.com: Is this your first official mixtape?

Jinsu: This is my second mixtape. The first one was called It’s Been Said. This is my second one – The Triumph – and it’s hosted by Jahlil Beats. I put that out September 4.

AllHipHop.com: You call it The Triumph. Maybe this might’ve been your way of saying, “I’m here!”?

Jinsu: A statement. Getting pass all the BS in the industry and the personal stuff I was going through from before I dropped my last mixtape. Basically telling them I’m done with all that, I’m here now. Foot’s in the door. It’s time to just make great music and keep it up.

AllHipHop.com: When was that moment when you really started to take this stuff serious?

Jinsu: I always took this music thing serious, I just felt like I was so underrated. Being a young artist, coming from a state I come from, the way I was around music, I wasn’t getting a lot of recognition that I deserve. I felt like teaming up with another hot producer, one of the youngest in the game right now, would let them know that I got some head honchos around me. This was the perfect mixtape to do, and perfect timing to drop it.

AllHipHop.com: How did you end up on the “Closer to Our Dreams” tour with Tyga and Iggy Azealea?

Jinsu: That was actually though my managers. They set that up. That was out of love, with the buzz of the mixtape, so it was the perfect tour to hop on. It’s a lot of fresh young artists. Me, Tyga, Kirko Bangs, Iggy Azelea, Sterling Simms. Plus, it’s the crowd I’m catering to, as far as age wise.

AllHipHop.com: Are you nervous about tonight’s show? I mean, it is New New York City.

Jinsu: Definitely not. I don’t even think they know how excited I am. I performed out here when I first got started. I was on a school tour, maybe three years ago. Performing on tour and on the road – this is my first time.

AllHipHop.com: You linked up with singer Ne-Yo on “Let Em’ Be Mad”. How’d Jinsu get Ne-Yo to drop a hook and verse on his album?

Jinsu: A friend of mine, we were going back and forth networking, and we reached out [to Ne-Yo] to do a little skit for my last mixtape. My last mixtape was supposed to have an intro with different artists and celebrity friends that I knew – through voicemail. So when we talked to Ne-Yo and asked if he could do a drop, he said, “Yeah, I’ll do it!” and sent it back in like a day. It was real fast. I was like “Wow, that was love.”

We took the extra mile when I started working on my newer project The Triumph, and I had some tracks. I told my team we should holler at Ne-Yo, see if we can get him on a track. Trying is worth the effort. The worst thing somebody can say is no. We reached out with a couple of tracks, and he just fell in love with one. He did a hook to it. I think he was in London at the time; he sent it back in two or three days, with a hook and a verse added to it. I was like “Oh, this crazy!”, the concept is dope. The concept was let the haters hate. They can do whatever they want to do, they just want to be where you’re at. That’s what I was going through at the time. Did it, and next thing you know, we got a banger: “Let Em’ Be Mad”.

AllHipHop.com: What are you looking forward to most?

Jinsu: Going on that stage and having a good time. The crowd, and giving them the energy they can feed off of. If you go up there boring, it’s going to be a boring show. You gotta make sure y’all have fun together. Plus, my dad is in town. I always keep it cool. I listen to certain type of music. Lots of people tend to get nervous, I just relax. I go on with my regular day and just work magic. That’s all.

AllHipHop.com: What’s next for Jinsu?

Jinsu: I’m writing for other artists, shouting to a few labels, and maybe even hopping on another tour soon. Just working things out and staying busy.

Download Jinsu’s The Triumph here.

The Great Rap Debate: Can Real Hip-Hop Still Move the Crowd?

“Some of you been tryin’ to write rhymes for years/but weak ideas irritate my ears“ – “Move The Crowd” -Eric B and Rakim

Recently, The People’s Broadcasting Service sponsored the first Hip Hop Nation presidential debate between candidates “B. Serious” and “Roger Ratchet”. When the moderator asked B. Serious for his thoughts on violence in rap, the artist gave an eloquent analysis on the exploitation of self hatred and stereotypes by the industry. However, when the moderator asked Roger Ratchet, the rapper angrily accused him of dissin’ him with a trick question, and had his goons give the poor dude a vicious beat-down, thus ending the debate…

Following the first presidential debate between President Barack Obama and Mitt Romney, many commentators said that the Prez took an L because he didn’t go hard enough. They argued that he didn’t use his arsenal of intellectual weapons to drop bombs on the challenger. However, the same can be said about those who rep real Hip-Hop when dealing with those who promote ratchet rap.

The art of debating is a time honored tradition as, historically, many of the issues facing civilizations have been settled by verbal confrontations. The course of history has been changed by events like the debates over whether the world was flat or round centuries ago, and more importantly, the 21st century debate over whether Kanye West’s Graduation CD would outsell 50 Cent’s Curtis.

Thanks to YouTube, some great debates have been preserved, such as Stokely Carmichael (Kwame Ture) and George Lincoln Rockwell’s “Black Power vs. White Power” debate, Dr. Frances Cress Welsing ‘s challenge of Dr. William Shockley’s racial inferiority myth, or the classic debate between Dr. John Henrik Clarke and company and Dr. Mary Lefkowitz’s crew over the validity of Afrocentricity.

Hip-Hop’s version of debating came in the form of rap battles, as you couldn’t call yourself a real “MC” “ (Master of Ceremony”) if you couldn’t move the crowd. Some of the classic battles were Busy B vs. Kool Mo Dee and the Cold Crush Brothers vs. Dr. Rock and the Force MDs.

But as the days of lyrics are gone, so are the days of battlin’. Today, battles are decided by gunshots or juvenile fisticuffs at Hip-Hop Award Shows. And for many, instead of elevating the consciousness of the audience, “moving the crowd” means seeing how fast people run for the exit when a fight breaks out in the club.

Although, there have been hundreds of discussions about Hip-Hop over the years, there has rarely been a confrontation between those who are really trying to save the culture and those who are determined to destroy it.

For the most part, Hip-Hop “debates” have tended to be scripted. Back in the heyday of “gangsta rap” it was easy for a Death Row artist to diss an elderly C. Delores Tucker, as the industry was glad to promote the idea that if you opposed murda music, then you were an old fogey and out of touch with the younger generation.

Even when challenged by senior citizens, the gangsta rappers rarely debated themselves, instead they relied on “Hip-Hop intellectuals” to serve as their mouthpieces, while they sat back and said “um…yeah…what he said…”

But today, even the people who used to pump NWA 24/7 hate rap music . Also we’re obviously not dealing with a generational but an intellectual gap, as the days of the teen rap video programs have been replaced by Hip-Hop reality shows about the everyday lives of rappers who are about six weeks short of a middle age crisis.

Unfortunately, the average supporter of ratchet rap is walking around with a confident swagga, while the fan of real Hip-Hop is walking around with a “Kick Me, I’m Conscious” sign taped to his back.

It’s time for those who want to bring back real Hip-Hop to either go hard or go home!

Currently, there is a controversy over whether “real Hip-Hop “ is represented best by the lyricism of legendary lyricists or the low level, lackluster, lethargic nonsense that dominates the airwaves. Therefore, the question must be posed, “can Hip-Hop still move the crowd not just physically, but mentally and spiritually?

Those who appreciate real Hip-Hop must stand up for truth and stop accepting the big lie that people like wallowing in the cesspool of ignorance.

I believe that the masses are ready for change, and if it ever came down to a debate between those who want a return to powerful lyrics that touch the soul and those who love the minstrel music, the lyric lovers would win – hands down. But those who want to save Hip-Hop need to quit goin’ out like suckas and get ready to rumble!

Sadly, there will always be those who insist on trying to find “beauty in the hideous,” like Talib Kweli said on the Black Star CD back in the day.

For those nincompoops who defend the nonsense, the challenge is there. There are folks like me who ain’t afraid to stand up for truth and won’t back down, because we understand that the battle is not for a trophy or some award, but for the minds of our children.

However, like EPMD said on “You Gots To Chill”:

“If you think about battlin’ you better come prepared/come with your shield and your armored gear…”

TRUTH Minista Paul Scott’s weekly column is “This Ain’t Hip Hop,” a column for intelligent Hip Hop headz.

For more information on the No Warning Shots Fired Lecture Series, contact in**@*****************ed.com, go to NoWarningShotsFired.com, or follow on Twitter (@truthminista).

Dungeon Family Reunited?: Big Boi and Company Join Rejuvenated A3C Lineup

(AllHipHop News) Since 2005, the A3C (All Three Coasts) Festival in Atlanta, Georgia has featured up-and-coming names in Hip-Hop music. The jam-packed live performance schedule of over 200 artists spotlights a bevy of emerging artists, legendary rhymesayers, and industry insiders.

This year, A3C is expanding to include dozens of panels, along with the first A3C Film Festival presented by Atlanta Film Festival and WonderRoot. The screening will feature the premier of Devin the Dude’s new film, Highway, as well a number of Hip-Hop oriented short films.

With a 2012 performance lineup that includes Raekwon, Tech N9ne, Twista, Nipsey Hussle, Devin the Dude, Slum Village, Gunplay, Freeway, and GZA (performing his Liquid Swords album) this year proves to be one of the biggest of the festival’s annual showings yet.

As part of the BET Music Matters Series, A3C 2012 will feature a performance by Big Boi, which is scheduled to include a reunion of the Dungeon Family to help kick off the weekend on October 11.

“We couldn’t be more excited about partnering with BET and bringing one of our favorite Atlanta artists of all time, Big Boi!” Mike Walbert, Artist Director of A3C posted on the official online announcement.

The Dungeon Family is widely-considered to be a foundational influence on the Atlanta Hip-Hop music scene, spawning artists, producers, and classic albums since the early ’90s. The collective features a dozen different acts; however, the exact performers for have not yet been confirmed.

Performers featured include Daytona, Skyzoo, Kris Kasanova, and Phil Ade, who will kick off the official A3C weekend on Thursday, October 11 at 8PM at Terminal West in Atlanta.

The Dungeon Family Showcase is Friday, Oct 12 at 7 at Star Bar in Atlanta and will feature Cool Breeze, Slimm Calhoun, Big Rube, Witchdoctor, and Sleepy Brown.

Tickets to the BET Music Matters performance by Big Boi are only available with the purchase of a three-day festival pass. For more information, visit the official A3C website.

EXCLUSIVE: Lawsuit Against Sean "Diddy" Combs Over Empress Perfume Dismissed

(AllHipHop News) A lawsuit against Sean “Diddy” Comb over the use of the name Empress has officially been dismissed.

Empress Haircare Products filed a lawsuit against Diddy and his Sean John Clothing Company in January 2012.

The original lawsuit claimed that representatives for Sean John approached Empress Haircare Products, in an attempt to clear a trademark for the Empress Line of perfume Diddy hoped to market.

But Empress Haircare Products refused to grant Sean John the rights to use the name Empress and according to the original lawsuit, Diddy and company went ahead and used the name anyway, even though a trademark for the name already on file.

On October 3, Empress Haircare Products’ lawsuit against Sean John Clothing Company was dismissed with prejudice.

A lawsuit dismissed with prejudice, is usually not allowed to be retried, which could allow Sean John to use the Empress without interference.

Calls to lawyers on both sides for a more detailed explanation were not returned as of press time.