[ahh_audio src=/8-16-12/Dunson-Weapon.mp3]
[ahh_audio src=/8-16-12/Dunson-Weapon.mp3]
[ahh_audio src=/8-16-12/Tiptoe-LikeBigMeechWasHome.mp3]
(AllHipHop News) Producer/rapper Pharrell Williams has launched his latest creative venture, a custom YouTube channel for his i am OTHER brand, in partnership with Google.
Pharrell’s channel is designed to engage users, while introducing i am OTHER’s original content to viewers. The channel is launching with original series’ like Boy Genius Report with tech guru Jonathan Geller, Awkward Black Girl by Issa Rae and a series by music journalist Nardwaur.
The programming on the i am OTHER channel focuses on music, culture, fashion and the arts, while encouraging individuality through different forms of expression.
“The idea for i am OTHER really came from the fans,” Pharrell Williams said in a statement. “They often say I inspired them to think outside the box and I wanted to establish a creative collective which represents that same philosophy,” says Williams. “I believe individuality is the new wealth and I am dedicated to creating and supporting projects that encourage originality.”
Check out Pharrell’s new YouTube channel i am OTHER by clicking here.
(AllHipHop News) Lil Wayne and DJ Drama were to deliver the highly anticipated Dedication 4 mixtape yesterday (August 15), but the project has been pushed back until further notice for a good cause.
The Young Money mogul didn’t want to interfere with the release of 2 Chainz’s Based On A T.R.U. Story album which was released on same day.
“I know I was supposed to drop that mix tape and all that, all that. But listen, my homeboy 2Chainz just dropped his album yesterday,” Lil Wayne said in a viral video. “That’s my real, real, real, real good homeboy right there and I refuse to put any attention on me when he spotlight – everybody’s eyes, everybody’s attention, everybody’s focus – should be on my n***a 2Chainz album Based On A T.R.U. Story. So therefore, I ain’t giving you Dedication 4 yet.”
Mack Maine delivered the news to fans via Twitter yesterday.
“Dedication 4 will not drop today….we will announce the new date soon…(Dodges bullets). Announcement and something special will be delivered by@LilTunechi today….#stayTUNEd.”
Lil Wayne said he would likely give the Dedication mixtape in a week or so. The full video is below.
Although Jay-Z has influenced the Brooklyn Nets on everything from the team’s logo to the uniforms, and even on what music to play in the arena, according to a new article in the New York Times, Jigga’s only owns less than one percent of the team. The actual amount of his percentage is one fifteenth of one percent. So how much is this in dollars and cents? The team itself is worth $300 million, so what’s one fifteenth of one percent? Well, one percent of $300 million is $3 million, so you get the picture…it’s not really that much when you figure Jay-Z is on the cusp of being a Billionaire. But does it really matter? Jay-Z has a remarkable amount of pull and control of the team.
UPDATE: THANKS TO M-11 FOR DOING THE MATH FOR US. JAY-Z’S FULL STAKE IN THE TEAM IS $200,000.
So with this new revelation, do you think Jay-Z should stop saying that he “owns the Nets” in his music, since he definitely doesn’t? You can read the full New York Times article here.
Email me your rumors at Sy***********@***il.com
GET INTERACTIVE WITH ALLHIPHOP.COM!
Follow us on Twitter! Like us on Facebook!
Email Sydney Lace rumors: Sy***********@***il.com
(AllHipHop News) Jay-Z has teamed with Hollywood power players Ron Howard and Brian Glazer, who will film the rap mogul’s upcoming Made In America Festival, which will take place over Labor Day weekend.
Ron Howard has shot films like “Apollo 13,” “A Beautiful Mind,” and The Da Vinci Code.”, while Brian Glazer is an industry veteran responsible for blockbusters like “The Nutty Professor,” “The Invisible Man,” “Backdraft” and others.
In addition to Ron Howard and Brian Glaser, Jay-Z, along with longtime business associate Steve Stoute, will serve as c0-producers.
“The festival showcases 20 pre-eminent artists that speak to the new generation. I am producing the film with Steve Stoute and Jay. Ron [Howard] is directing. It is going to be born through Jay-Z’s perspective . . . how he puts the event together,” Brian Glaser told The New York Post. “Jay stayed the king for a very long time . . . I can’t even begin to explain how he is capable of remaining relevant. He is a phenom, like a musical Michael Jordan.”
A number of popular acts, like Drake, Rick Ross, Odd Future and Pearl Jam are performing, but the highlight of the Made In America Festival is the highly anticipated reunion of Hip-Hop legends, Run-DMC, who will give their first performance in over 10 years, as the event.
The Made in America Festival is slated to take place on September 1-2 on The Parkway, in Philadelphia.
Twelve years after his debut album, Sean Paul still knows how to get a party started (and keep it going) on his latest effort Tomahawk Technique (Atlantic Records).
Sean Paul doesn’t drop an album every year, but when he does release a studio effort, you know it’s ready for replay – and that’s what one listen to his fifth studio album Tomahawk Technique lets you know.
Last night at the Darby in New York City, Sean Paul previewed his new album, which has already been released internationally, to a group of industry tastemakers, of whom were in good spirits mostly due to Paul’s live set. The singer performed favorites like “Get Busy” and his latest on “Hold On”.
Also in the building (and in VIP) was record producer Irv Gotti, 105.1 New York radio host Angela Yee, and a host of familiar faces celebrating the release of this dancehall record.
On Tomahawk Technique, Paul relinquishes his old techniques, with the addition of Euro-pop high tempo dance tracks that immediately produce a fist pump from any listener. Though Paul has found strength in a more energized sound, he remains true to what got it all started from his debut Stage One when “Deport Them” first hit the radio and made American audiences pay attention to this Jamaican don.
On “Hold On”, the song used to personally inspire Jamaican Olympic sprinter Usain Bolt, Sean Paul keeps the grooves coming. He performed “Hold On” live on this night, while giving over 50 direct onlookers a treat as they shook and moved to the beat. They can thank the complimentary Voli Light Lemonade for assisting people with the loosen up.
Tomahawk Technique will see a September 2012 release.
Earlier this week, we told you how the G.O.O.D. Music compilation album, Cruel Summer, was getting pushed back yet again due to four more features. We hear that one of those features has been tough to get and has been the main reason behind the push back. What feature is that you ask? Well, it’s none other than Yasiin Bey aka Mos Def.
The album will now be released on September 18 and not September 4. Do you think the Mos Def feature is worth the wait?
Email me your rumors at Sy***********@***il.com
GET INTERACTIVE WITH ALLHIPHOP.COM!
Follow us on Twitter! Like us on Facebook!
Email Sydney Lace rumors: Sy***********@***il.com
Happy Thursday, my Talented and Tenacious!
Welcome to a new day! Today’s Daily Word is dedicated to getting out of your comfort zone! Every morning as I get myself ready for the day, I always listen to some type of inspirational music to pump me up… One of my new favorites is “Go Get It” by Mary Mary. In the song, one of the Mary’s is heard saying…. “It’s alright to crawl before you walk, it’s alright to walk before you run, but if you wanna get what you never got, gotta do something that you never done..”.
This line resonates with me every time I hear it because it’s the absolute truth! If you keep doing what you’ve always done, you’ll keep getting what you’ve always gotten! The only way to live the life you truly want to live is to get comfortable being uncomfortable!
Stop Thinking and Living in the Box! The box is about standard, mediocrity, normal, regular!! Get out of that box and live beyond in the land of extraordinary…. Don’t be afraid of discomfort… As T.Harv Eker once said: “Nobody ever died of discomfort, yet living in the name of comfort has killed more ideas, opportunities, actions, and growth than everything else combined. Comfort kills!”
-Ash’Cash
“Life begins at the end of your comfort zone.” -Neale Donald Walsch
“If you put yourself in a position where you have to stretch outside your comfort zone, then you are forced to expand your consciousness.” -Les Brown
“Simply pushing harder within the old boundaries will not do.” -Karl Weick
“We shall have no better conditions in the future if we are satisfied with all those which we have at present.” -Thomas Edison
“To the degree we’re not living our dreams, our comfort zone has more control of us than we have over ourselves.” -Peter McWilliams
“Move out of your comfort zone. You can only grow if you are willing to feel awkward and uncomfortable when you try something new.” -Brian Tracy
“Don’t get too comfortable with who you are at any given time – you may miss the opportunity to become who you want to be.” -Jon Bon Jovi
“Be willing to be uncomfortable. Be comfortable being uncomfortable. It may get tough, but it’s a small price to pay for living a dream.” -Peter McWilliams
“Persist in stepping outside your boundaries & you greatly expand those boundaries.” -Ralph Marston
TO HEAR THE AUDIO VERSION OF THE DAILY WORD – CLICK HERE.
Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.
Editor’s Note: AllHipHop.com is all about the Wild, Wild West! This month, we’re profiling the prolific impact that the country’s left-hand side has had on Hip-Hop music and culture. There’s something distinctly different and wonderful about West Coast rap and the characters who have held it down over the years.
In recent years, a dramatic change has taken place – the sound is not softer, but zanier; the symbolism, less thug and more Thelonius Monk meets Hendrix; the style channels Pharcyde and not feuding. We examine the gangster to hipster, West Coast revolution:
In the eyes of most Hip-Hop fans across the world, New York has always rightfully claimed to be the birthplace of Hip-Hop. But over the years, as more and more research has been done on the origins of Hip-Hop culture, questions still remain about whether or not there was a simultaneous movement taking place on the West Coast as well.
From breakdancing, to clothing, to graffiti, to the music, Hip-Hop had undoubtedly spread to the West Coast’s urban areas in the same amoeba like fashion seen on the East Coast in the 1980s. But, of all the movements in Hip-Hop from then to now, the West Coast’s Gangsta Rap movement had arguably one of the biggest impacts on our country’s psyche. With movies like Boyz n the Hood and Menace II Society displaying the gang violence seen in South Central L.A., suburban America was forced to see the struggle and tragedy that lower income families were dealing with on a regular basis. Not only did waring gangs like the Bloods and the Crips become real, but the stories that rappers professed in their songs became tangible for White America and, in short – it scared them.
Menace II Society – Car Scene
It was also right around this time that the War on Drugs became a focal point of the Reagan administration and shortly thereafter, the now late Rodney King was assaulted by Los Angeles police officers who were later acquitted of their charges. The riots of 1992 would follow and, in retrospect, are symbolic of the turmoil that was taking place in ‘hoods all across America. Subject to police brutality, corruption, and the abuse of power often exercised at the expense of minority youths, low income households were given a voice by gangsta rap. Wanted or not, gangsta rap was a voice for those impoverished and overlooked by governments, police, and politicians that had the power to change urban communities, but that failed to represent their needs. America failed at providing a sustainable environment for urban minorities.
But how did the West Coast G-Funk sound and Gangsta Rap transition into modern day Cali artists like Nipsey Hussle, TDE (Ab-Soul, Jay Rock Kendrick Lamar and Schoolboy Q), Dom Kennedy, Pac D##, The New Boyz, Cali Swag District, Kid Ink, Crooked I, Strong Arm Steady and others? Ask around, and you will know that over time, the West Coast Gangsta Rap movement subsided in the wake to ‘Pac’s passing, and in came the new wave that became some of Hip-Hop’s most popular artists. As we look at those issues, we should also look at a few of artists that were pivotal in the West Coast movement, and how they impacted the sound and culture of West Coast music.
We start with Ice-T, widely regarded as the OG father of Gangsta Rap. Everyone has been digging his new movie, The Art of Rap, so shout out to the OG, for still being relevant with acting and his reality TV show. What better place to start than with Ice-T? Long before his love for the voluptuous Coco, Ice-T broke onto the scene with a ruthless disdain for crooked cops, a street edge that is still unmatched in today’s music, and real eye for what was happening in the streets. From pimpin’ to selling dope, to gang life, Ice-T knew about it all, growing up in the Crenshaw area of South Central.
Perhaps Ice-T conveyed it best in the break out song, “6 in the Mornin,” often called one of the first gangsta rap songs. The track has a great deal of controversy surrounding it, as East Coast rapper Schooly D also came out with a Gangsta Rap song during that era called “P.S.K. (Park Side Killas)”, and it had a similar feel. Ice-T has denied any claims that he bit off the Schooly D song, saying he was merely influenced by the record. What about “Colors”, though? Don’t be a “mark ass-b*tch” – you better go listen to that real sh*t if you don’t know enough about this Ice-T. Check out T’s demeanor when he interviewed with Arsenio back in the day. You can tell, T was on a mission and his raps were riddled with political jargon relevant to the streets.
Ice-T On “The Arsenio Hall Show”
In and around the same time, NWA (N##### With Attitude) was building its buzz, and eventually released Straight Outta Compton in 1988. NWA is largely credited with establishing the West Coast’s gangsta rap movement with the general public. Led by Ice Cube and Eazy E, these guys let the world know what the gangsta rap movement was about and basically predicted the 1992 riots in a way of sorts by describing the life they lived everyday in Compton and South Central L.A.
NWA was able to be a voice for the streets; unfortunately, the group was unable to remain with its original members as Ice Cube split from the group after disputes regarding publishing and song writing credits. The group would never be the same, and some years later, Eazy E would succumb to AIDS. Nevertheless, NWA will be remembered in Hip-Hop forever for the LA Kings and LA Raiders gear, dressed in all black, with no shortage of attitude.
Compton’s Most Wanted – “Def Wish II”
From there we have to look at the DJ Quik and MC Eiht beef, and while it may seem weird to see these two names side by side for their collaborative role in the development of the gangsta rap movement, their beef and its role in the gangsta rap movement is crucial. These dudes had it out for each other for a long time, and members of their crews even took the beef off wax as the lyrics spilled into the street.
Real beef – not the Common and Drake beef – for all you youngsters out there, and it was raw, uncut, USDA beef, that both artists would barely escape. It should be noted that this beef is highly symbolic of the war between the Bloods and the Crips that was really at its peak at the same time as gangsta rap. The role of gangs in Hip-Hop cannot be overlooked, and there is no better clear cut case of the Blood and Crip beef as with DJ Quik and MC Eiht drama. This sh*t was not a movie.
DJ Quik – “Dollars And Sense”
Shortly thereafter, Death Row’s movement was busy founding the G-Funk era of production and sound. Consisting of Dr. Dre, 2Pac, Snoop Doggy Dogg (now Snoop Lion), DPG and other major West Coast artists like Nate Dogg and Warren G, the G-Funk Era was the undisputed sound of the West by the mid 1990s. Sampling Parliament Funkadelic and other classic funk groups of the 1970s, with DJ Quik, Warren G., and Dr. Dre on the beats, some of the greatest Hip-Hop artists and songs of all time were born under the Death Row roof. The Chronic, Doggystyle, Dogg Food… we’ll let you continue. This was truly the “Golden Era” of West Coast of Hip-Hop, but selling millions upon millions of records came with blood as stories of life behind the scenes at Death Row are gruesome at best.
And while these West Coast legends may not exist as a group in their grand form seen in the mid 1990s, their impact on Cali Hip-Hop, and Hip-Hop as a whole, can never be forgotten. Each artist collaborated with the others over the years, so their sounds were largely influenced by one another and as whole had great similarities. But the corruption and violent nature of Death Row could only last for so long, and eventually as most do, the empire dissolved – Dr. Dre left, Snoop left, and 2Pac was violently murdered in Las Vegas, Nevada.
2Pac – “California Love”
Tupac Uncensored And Uncut Prison Interview
It seems like ‘Pac had two different lives. One was the compassionate and caring side, the other was the outspoken son of a Black Panther who was deemed a menace to society. Most of the time though, 2Pac was treated as a menace by authorities and members of society that didn’t understand his Thug Life movement. Blamed for his role in the corruption of America’s youth, in and out of the law’s hands, ‘Pac was always a target of police. But what was his impact on the gangsta movement of the 1990s?
We would be remiss not to mention that ‘Pac had some part in culturing some of the more violent individuals, and as such, he had his hand in bettering our communities, contrary to the stereotypes associated with the gangsta rap movement. Could 2Pac’s music have been a turning point in the gangsta rap movement, due to the commercialization of his music and his iconic stature? Was his refined nature and ability to act, the beginning of the end for gangsta rap music on the West Coast? One man don’t stop the show, but the passing of ‘Pac undoubtedly took the wind out the West Coast’s sails and sales.
Cypress Hill – “How I Could Just Kill a Man”
Also during this early-to-mid-1990s era was the growth of the Latino rap group Cypress Hill and the humorous tunes of the Pharcyde. We cannot continue without mentioning these two groups, as Cypress Hill’s growth across the country spawned early smoke movements displaying Hip-Hop’s affinity for herb smoke. The Pharcyde also clearly enjoyed their share of herb as well, as their melodic and hypnotic tunes found on the hits “Drop”, “Passin’ Me By”, and “Runnin'”, gained mainstream attention. If you don’t know just start from their first album, Bizarre Ride II the Pharcyde, and get back to us when you catch up, then check out Plain Rap.
The Pharcyde – “Drop”
After Death Row crumbled, the West Coast definitely had a lull, as attention moved to the South and to the East Coast. But while Hip-Hop tried to clean up its act and recover from the coastal beef, what would follow in the West was a host of artists deemed “underground” that would experience relative success on the Internet and with live shows worldwide, especially in Europe. From Dilated Peoples, to Alchemist, to Murs and the Living Legends, to Jurassic 5, to the Cali Agents, to People Under the Stairs and others, Cali artists were largely in the shadows of the now blossoming East Coast and Dirty South and forced “underground.”
Dilated Peoples & Guru – “Worst Comes To Worst”
Jurassic 5 – “Quality Control”
But, Cali was still active as the song once said, and thus entered Dr. Dre’s Aftermath and the ascendance of Snoop to his modern day iconic status, carrying the torch for the West Coast and releasing a string of successful hits and albums. The Chronic 2001…we don’t need to even say anything more about one of the most influential, post-2000 Hip-Hop albums. Eventually, Dre would sign Eminem and 50 Cent, who would eventually sign Game, and the rest is history, as we all remember the “G-Unot” beef of the mid-2000s. It’s important for us to not forget Em’s role in the whole West Coast movement, despite the fact that he was from Detroit. Without Em, where would Dr. Dre be today? Would Game have gotten his big break with 50 Cent? Interesting to ponder.
Dr. Dre – “Still D.R.E.” ft. Snoop Dogg
Eminem, Dr. Dre – “Forgot About Dre” (Explicit) ft. Hittman
Now over the past five to 10 years, we have seen the rise of a new school of artists looking to break onto the scene. Who could forget the “jerk movement” and the “Teach Me How to Dougie” movement (RIP M-Bone) that evolved with the youth wearing tight jeans and bright colors? Dancing in ways that Hip-Hop fans had never thought were possible and taking from gang related dances like the C-walk, Cali’s “jerk” and “dougie” movements started a new lane for Cali artists looking to connect with the youth.
Kendrick Lamar – “Swimming Pools (Drank)” (Clean)
But TDE’s crew (Kendrick Lamar, Jay Rock, Schoolboy Q, and Ab-Soul) Pac D##, Nipsey Hussle, Dom Kennedy, and Kid Ink are a far cry from the jerk movement. How did this new hipster movement develop? From jerking to herb smokin’ hippies, how does that happen?
One thing that we can say is that all of the aforementioned acts built their buzz online, by doing shows and by developing their own movements in their own backyard. By tending to their own garden as the South, Texas and East Coast reigned supreme, the West Coast was steadily stacking its talent – until it overflowed. Now the Left Coast has over a dozen up and coming talents that are breaking on to the mainstream and into the hearts and mind of Hip-Hop fans worldwide.
Dom Kennedy – “My Type of Party”
Last year, Nipsey performed in Japan for adoring fans at sold out shows on the TMC (The Marathon Continues) Tour, while Kendrick made his way to the mainstream by making a DJ Khaled record on the Kiss the Ring project. Let’s not forget about Kendrick and TDE being Dr. Dre’s newest signees, as we approach the looming release of Detox… if that ever comes out. Dom’s Yellow Album seems to have classic written all over it, and Kid Ink is making his way around the world yet again with a tour of Europe at the end of August. All we can do is watch in amazement, as once again the stars are aligned for the West Coast.
Nipsey Hussle – “They Know” (Official Video)
Pac D## – “Posted”
BONUS: Pac D## Talk Musical Expression and Examine Lil B’s “I’m Gay”
Come back for more ‘Caaaaaalifornia Love’ this month on AllHipHop.com!
Not everyone is celebrating the success of rapper Rick Ross and is this album God Forgives, I Don’t.
Freeway Ricky Ross has an ongoing legal dispute with rapper Rick Ross, over the usage of his birth name, and Freeway Rick claims is the illegal usage of his image.
Rapper Rick Ross landed a high-profile cover of Rolling Stone this week, just as his album God Forgives, I Don’t hit #1 on the Billboard pop charts.
Freeway Ricky Ross issued a detailed response to AllHipHop.com in response to the Rolling Stone interview:
The answers by Rozay to being a correctional officer in this Rolling Stone article were BS, this is scripted to make it look like he had some struggle. No one tells you to go be a correctional officer before all the other jobs that build our community such as a Carpenter, Mechanic or Preacher.
They especially wont say it when their son just got convicted for a long sentence behind unfair drug laws. They tell you get a job , and don’t do crime. They don’t say “William my son is in jail for 20 years for a nonviolent offense, save yourself and go become his guard be a correctional officer.” William never sold drugs, so the whole idea he had to wash his hands is never cleared up. Why would you wash your hands for somebody else selling drugs, that you happened to know. Rozay needs to read Michelle Alexander’s book New Jim Crow to understand why that’s the case, and his real place in the crack epidemic. He also never tells us a name for this created friend. This is a disrespect to everyone who actually lived the game, people are serving 20 years all because they had to for survival and this guy is using my life and name this way.
Also there’s no record of him playing football at Carol City according to school staff, and he keeps talking about being popular from that as well with Rolling Stone so how can we believe anything in the interview?
News update: We are sending out deposition request early next week for Sean “Puff Daddy” Combs, Lyor Cohen Vice Chairman and Chairman and CEO of Warner and Todd Moscowitz, CEO Warner Brothers Records.
“The companies cannot wait to develop artist so they try to Fast Forward their talent,” Lyor Cohen said in an interview. 
We believe this “fast forward” approach is what happened in the case with my name and William “Rozay” Roberts. There was an understanding of the value of my name, because of multiple millions being pushed globally, by all major news outlets to cover the Iran Contra and Crack epidemic and my involvement as Rick Ross. These music executives recognized it and set up to steal that value, because I had a life sentence and refused to include me in the process. I believe our kids need to see more than the glamor of my life, they need to see the cost too.
This is different from the case of Jay-Z/Jaz-O or 50 Cent/50 Cent for two fundamental reasons.
First – This is my birth name, it is not a nick name. As a result, what Rozay UMG/Warner did was when Rozay came out, they created confusion to the point that people thought I was a rapper giving automatic authenticity to William’s presentation of my life. That is not what happened with 50 cent or Jaz-O. These were understood as nicknames and no one actually thought Curtis was 50 Cent the robber, or Jay-Z was Jaz-O. People thought William was actually me, and his first single only solidified that was his intent by talking about all the pieces in the “Dark Alliance.” Manuel Noriega is a major player in the Iran-Contra Scandal. It’s undisputed, when Rozay said “I know Pablo, Noriega, the real Noriega. He owe me a hundred favors.” That is a direct correlation to my life. In an era where people will search your background, they looked and searched and thought he had lived my life and he gained support. I am 100% confident that if he had started off as a rapper and named himself William Roberts, and rapped about being a correctional officer, he would have never been successful.
Second: My name, unlike many others, is global. It was not just recognized on a normal neighborhood level. For the good and bad of it, I am one of the largest to have been in the drug business. When you look up Drug lord on Wikipedia it goes Manuel Noriega, Pablo Escobar then me Rick Ross. This scale of brand is entirely different than other examples, where the artist such as Sean Carter or Curtis Jackson had to create global consumer recognition. The name Rick Ross already had global recognition, unlike the prior examples. When I got out I met with the top execs in Hollywood within a week of leaving prison because of my story and my life.
I did not need Roberts, UMG or Warner to use my name to get recognized, but he needed my name to be successful to authenticate him telling my story. My story is one of the most powerful stories of the modern black era, and needs to be told not just from the glamorous side, but also the side that deals with with the cost of being the real deal dope man. It’s really hard for someone who never lived it to tell you those cost. You learn them when you lose a close friend to the game, or when you’re in a cell for 20 plus-hours, with a life sentence.
(AllHipHop News) Rick Ross’ new interview/cover with Rolling Stone magazine could be used against him in an upcoming court case, over the battle for his stage name.
Freeway Ricky Ross, a legendary reformed Los Angeles drug kingpin, has an upcoming court date against Warner Brothers over a lawsuit that claims the label stole his image.
Rick Ross claimed that his main reason for becoming a correctional officer was because a lifelong friend went to prison, prompting the rapper to take up the job.
“This was my best friend, who I ate peanut-butter-and-jelly sandwiches with, and pork and beans with, my buddy, my partner, my number-one dude,” Rick Ross told Rolling Stone. “Suddenly I’m talking to him over federal phone calls. Hearing the way it was building, I knew I couldn’t take nothing for granted. My homey’s father was a huge influence on my life, too . . . He was the one who was like, ‘Yo, go get a job somewhere, man. Go be a fireman. Or go be a f###### corrections officer. Just go sit down somewhere.”
Freeway Ricky Ross spoke to AllHipHop.com about the interview and questioned Rick Ross’ authenticity once again.
“The answers in this Rolling Stone article were BS, this is scripted to make it look like he had some struggle,” Freeway Ricky Ross told AllHipHop.com. “No one tells you to go be a correctional officer before all the other jobs that build our community, especially not when their son just got convicted for a long sentence.”
Although Freeway Ricky has lost two earlier court rulings and was recently ordered to pay a portion of Rick Ross’ legal bills, he was granted an appeal against Warner Brothers and will be deposing its executives Sean “Diddy” Combs, Todd Moscowitz and Lyor Cohen, over the next 30 days.
Freeway Ricky Ross’ lawsuit claims that the record label stole his image and is using it to profit and make millions, via the rapper Rick Ross, born William Leonard Roberts II.
“There was an understanding of the value of my name because of multiple millions being pushed globally by all major news outlets to cover the Iran Contra and Crack epidemic and my involvement as Rick Ross,” Freeway Ricky Ross told AllHipHop.com. “These music executives recognized it and set up to steal that value, because I had a life sentence and refused to include me in the process. I believe our kids need to see more than the glamor of my life, they need to see the cost too.”
Click here to read Freeway Ricky Ross’ full response to Rick Ross’ Rolling Stone cover interview.
It looks like Kendrick Lamar’s friendship with Lady GaGa has flourished into a working relationship. Gaga took to her Twitter today and tweeted that she and Lamar have collaborated on a record called, “Partynauseous”. According to Gaga, the record will be on Kendrick’s upcoming album, good kid, m.A.A.d city, which is set to drop on October 2. Check out Gaga’s tweet below:
The track is set to be released on September 6. With a title like “Partynauseous”, what do you expect it to sound like?
It’s been a long time since we heard a rapper from Virginia, and according to Wale, Rick Ross, DJ Khaled, and Rich Kleiman, Black Cobain is next up from the commonwealth state. Currently signed to The Board Administration, which was also in charge of producing and marketing Wale’s More About Nothing, Eleven One Eleven Theory, and Ambition, Black Cobain got his first shot and stamp from Wale when he appeared on the track “Who Don’t.”
The stamp has been a gift and curse for the Virginia rapper, who is often characterized as “living in the shadow” of Wale, or for lack of better words from some writers, Wale’s “sidekick.” Since 2010, Black Cobain has released four projects, including his latest Cheers, toured around the world, performed live with Mark Ronson at the Royal Ballad in London, and made national TV appearances. We sit down with Black as he opens up to us about his relationship with Wale, being characterized, touring, collaborating with Pusha T, the his new mixtape Cheers, and more.
AllHipHop.com: Glad to catch up with you. You so busy!
Black Cobain: That’s a good thing. I love it; everybody trying get they hands on me.
AllHipHop.com: Where are you now?
Black Cobain: I’m in Virginia.
AllHipHop.com: What are you doing in Virginia ?
Black Cobain : I’m chilling right now, doing my Twitter thing, just finish hitting a jay, about to eat some Popeye’s [laughter].
AllHipHop.com: Weren’t you in ATL, too?
Black Cobain: I was in Atlanta doing the Greg Street show . Then I went in the studio and started working on my next project.
AllHipHop.com: Already?
Black Cobain: Yeah. Oh yeah, we probably got like 8 or 10 songs already for another project.
AllHipHop.com: Are you signed?
Black Cobain: No I’m not signed yet. We taking meetings in July. I’m not really concerned with getting signed; I just want to keep making good music and building my fanbase.
AllHipHop.com: Did Wale actually sign you to The Board Administration?
Black Cobain : No, it was Legreg Harrison.
AllHipHop.com: Your relationship with Wale is…?
Black Cobain: We cool. Actually, when I was in the “A”, we were in the studio together and kinda co-produced a song that’s going be on his next album. I try to talk him once a week. I know he’s busy, man.
AllHipHop.com: So he’s more like a brother ?
Black Cobain: Right now, with what I am trying do and what he’s trying do with his career, he’s more like someone I can look to when I have a question about the industry, when I want to take an angle on a song, or have a problem with my girl. He’s good with sh*t like that. I can always reach out to him, and he always hits me back.
AllHipHop.com: You get a lot of comparison with Wale; how does that make you feel?
Black Cobain: Right now, I think they slowed down from what they used to be, and that’s makes me feel good, so I can see we going in the right direction.
AllHipHop.com: Why do you think they compare you?
Black Cobain: I just think it’s a part of the affiliation. I feel like when Drake came out they said he sound like Wayne, but until they seen him without Wayne, it didn’t become real to people. That’s the type of thing I’m doing right now, with trying be around my friends and have everybody I grow up, with opposed to just being around Wale. He supports that. We talked about that when we were on tour. So now, it’s just coming to fruition.
AllHipHop.com: On your new mixtape Cheers, you’ve got a line where you said, “If Ralph is Jordan/ I’m cool with Scottie Pippen.” You received a lot of backlash for saying that in a few reviews I read. Are you cool with being Scottie Pippen? Can you explain that line?
Black Cobain : I think people kind of took that as Scottie Pippen just sat back and was the shadow of Jordan. People don’t realize that without Scottie Pippen, Jordan wouldn’t have those f*cking rings. My man got as many rings as Jordan. My man got his on place in history. He’s top 50 in the greatest NBA players of all time. He’s a part of the dream team. He has his on legacy. So if you don’t understand that line, you’re a idiot.
AllHipHop.com: Didn’t you just come off tour with Wale?
Black Cobain: Yes.
AllHipHop.com: Is this your first tour?
Black Cobain : Yeah, it was my first tour. I finished a leg of a tour a year before, but it didn’t really have a name. I was just doing spot dates, like 15 cities and we had a tour bus, but it’s nothing like a worldwide tour. I been on the road before, though.
AllHipHop.com: How did the Mark Ronson and Royal Ballad come about?
Black Cobain: That was Rich Kleiman reaching out to G, ’cause I guess Wale couldn’t fill all the dates. So they believed I could go over there and learn the music. I did, and I built the relationship with Mark Ronson and a couple other people who will probably come to light in about a year. That was just a great opportunity. Thanks to Rick Kleiman, Wale, and G for giving me that opportunity.
AllHipHop.com: How was the experience?
Black Cobain: It was dope. I enjoyed myself. I learned a lot about the culture; I soaked it up. They were paying me out there, so I was really enjoying myself going to clubs, bars, going to see Buckingham Palace. It was just a great experience.
AllHipHop.com: Did it open you up musically?
Black Cobain: Yeah, it did. I was working with a live a band. I was rapping on songs that were composed by Mark Ronson and Andrew Wyatt. Like, I don’t think people understand how amazing that is. They love me as rapper. I can email them now, and they’ll respond right back to me. That’s a good place to be, especially as an unsigned artist.
AllHipHop.com: You have had a lot of good looks as an unsigned artist, including performing at BET Rip The Runway. Do you feel like performing on BET was a milestone?
Black Cobain: Absolutely. To be on national TV, that was definitely amazing. I definitely received a lot of love for it.
AllHipHop.com: You said earlier you don’t really care about being signed. Why?
Black Cobain : I appreciate the struggle and the grind. I appreciate what we doing right now. I’m not in dying need to get signed. I think if we build enough steam, we going to be good. I just rather have the labels come to me.
AllHipHop.com: You said build enough steam; let’s talk about your fanbase. Being from Virginia , what does Virginia mean to you?
Black Cobain : I think it’s a prestigious place. We gave to the game a lot of successful artists. I just want to be another one added to the list. From producers to rappers to singers, I just think people overlook the talent here.
AllHipHop.com: Since you came out you been representing Virginia hard, not a lot of rappers have been outspoken about Virginia. Do you feel now, since you came, that other artists are stepping to the plate?
Black Cobain : Yeah. You remember how it was when I came out. I was one of the few representing Virginia. Now its like 30,000 Virginia rappers, and I think I’m one of the pioneers who made it accessible, to making it cool to be from Virginia. I feel good about that.
AllHipHop.com: You recently released a vlog with you and Pusha T at his birthday party. Are we going see a collab? What’s the relationship there?
Black Cobain : You definitely going see a collab. He’s the big homie. He’s kinda giving me advice , coaching me and telling me what he has been through. I just listen ’cause he’s been in the game for years. He’s doing his thing with G.O.O.D. music. We just real cool; we homies.
AllHipHop.com: So you got the new mixtape out – Cheers? You went from Now or Never to Young Gifted & Black. How did you to get Cheers?
Black Cobain : I got to Cheers just being on the “Ambition” tour. Really just having a good time and really just enjoying the fact that I was on a worldwide tour – 53 cities, on a tour bus and really living my dream. We was drinking every night. It was fun, like this was what it was about. I have ‘ambition’ tattooed on my hand because it a part of my life I will never forget. So I just felt at that time of my life it was Cheers. Every night, we was toasting to fact that we was young, Black, on tour living our dreams, making music, and wooing thousands of fans every night. It just complimented it when I went to London to work with Mark Ronson. That’s how they greet each other, and that’s how they say ‘Thank You.’ So it just all tied in together, so I thought it was the perfect title for where I was at in my life.
AllHipHop.com: What does this project mean to you?
Black Cobain : I love the whole project. The recording process for this project was so awesome and epic. We didn’t tape any of it, but we have the memory of it. Every day, every moment was special to me. So every record has some value to it. One my favorite records that I really love on there is “Penalty of Leadership”.
AllHipHop.com: Why?
Black Cobain : I just felt like it was definitely the timing of the record. When I wrote it, I was really going through these emotions. I know people say that a lot, but I was really feeling these emotions. The way that it came out is how I felt. It was like the perfect words. I don’t think I ever wrote a song like that.
AllHipHop.com: You often say ‘Cobizzy’ on a lot of records? Who is Cobizzy?
Black Cobain : Who Cobizzy? You mean when I say “Cobizzy, what’s happening” [singing]. Yeah, that’s like the alter ego of Black. I don’t want to be boring [laughter].
AllHipHop.com: You got a lot of mixed reviews on this tape. A lot of the writers felt you missed substance on this tape as you had on previous tapes? How do you feel about those reviews?
Black Cobain : I don’t know; I don’t really feel anything. I feel like you can’t please everybody all the time. So I feel like it is what it is. If you a fan, you going to keep supporting. Then you might hear the music you once loved or what you think I should be rapping. Music changes every day. I’m not going make the same music. That’s just stupid, that’s boring, that’s wack, that’s not a challenge. Like, I’m going make different music. If that’s not the one for you, listen to Young, Gifted and Black ’til I make the records you love.
AllHipHop.com: Do you think this one of you best?
Black Cobain : Yes. Absolutely.
AllHipHop.com: What’s next for you?
Black Cobain : I got the OMD video out, and when y’all see where we releasing it at, y’all going love it. Then we got Spillionaire video. Then I am back to A to work on some record, me and Tiara Thomas are getting back in the studio on her project. Sallie Mae coming soon. Fatz Da Big Fella Heart of King is in the streets. We just working.
AllHipHop.com: Cool. Well is there anything else ?
Black Cobain : I can’t wait for this AllHipHop interview to come out. I love those guys. Follow me on Twitter @blackcobain and download the mixtape at www.theboardadministration.com.
Currently, Black Cobain can be seen on Meek Mill’s “Dreams and Nightmares” tour.
Follow Black Cobain on Twitter (@BlackCobain).
(AllHipHop News) According to documents filed in New York’s Manhattan Supreme Court, Entertainment Enterprises Ltd. has filed suit for $16 million in damages resulting from the fight involving Chris Brown and Drake.
In a recent article in the New York Post detailing the suit, Entertainment Enterprises Ltd. states that both Chris Brown and Drake “shared a grudge against the other arising out of their romantic relationships with the same woman,” Rihanna, and when they “crossed paths,” they “began to fight violently with each other.”
The suit also states that, “each arrived with his own small army of bodyguards, ‘security’ personnel, employees, friends and other members of their entourage, consisting of at least 15 heavily built men trained and/or experienced in hand-to-hand and weapons combat.”
Both entourages are said to have “fashioned deadly weapons out of whatever materials they could find, including glasses, alcohol bottles and furniture, thereby circumventing the nightclubs’ extensive efforts to ensure a safe environment.”
As well, the article states that Entertainment Enterprises is filing suit because it owns the trademark on the Greenhouse name outside of New York, and that it had negotiated a $4 million deal to license the name in place until the melee ruined negotiations.
Neither Drake nor Chris Brown has been formally charged in the incident, but the suit is officially being filed for”gross negligence,” “ultrahazardous activity,” and “intentional illegal acts.”
More news as details emerge.
[ahh_audio src=/8-15-12/ChiefKeefftSluttyBoyz-ShowMoney.mp3]
(AllHipHop News) Toronto, Canada based poet, MC, and singer K’naan is releasing a new children’s book entitled When I Get Older: The Story Behind Wavin’ Flag.
When I Get Older tells the the story of K’naan, who was born in Somalia and escaped the outbreak of the Somali Civil war in 1991.
The book talks about the challenges K’naan faced adjusting to life in a new country after his family moved to New York, and then Toronto, Canada, as they sought asylum from war-stricken Somalia.
Tundra Books will be releasing the triumphant story in Canada and the United States on September 25 in hardcover and as and e-book. The story shows how music became a way for K’naan to connect with his past, with his classmates, and eventually with millions of people around the world.
In addition, the 32-page book comes in full-color with illustrations that include a brief history of the Somali conflict. The book also comes with the lyrics and the sheet music for “Wavin’ Flag”, K’naan’s #1 hit song.
“I think of empathy as a muscle in the soul, which develops through the nutrition we provide for it. The stories we hear as children can be that nutrition. I wanted to write a children’s story that reflects the new immigrant’s sense of family and identity, which can sometimes be lost in translation. In this book, the main character is “Wavin’ Flag”, a song whose ownership has been long claimed by children all over the world,” K’naan explained of his children’s book.
Born Keinan Abdi Warsame, K’naan got his break when he performed a spoken word piece before the United Nations High Commissioner for Refugees in 1999.
A member of the audience, the singer Youssou N’Dour, was so impressed that he asked K’naan to take part in an album and tour, and since then, K’naan has performed in more than 86 countries and has received many honors, including three Juno Awards and the BBC Radio 3 Award for World Music.
During the Vancouver Olympics, K’naan also worked with other Canadian musicians and artists under the name Young Artists for Haiti to produce a charity version of “Wavin’ Flag” for victims in Haiti.
The song was used during the FIFA 2010 World Cup as a theme song. To date, there are 22 versions of the song that have reached #1 status in 19 countries.
K’naan’s highly anticipated third album, Country, God or the Girl, will be released this fall.
[ahh_audio src=/8-15-12/Gunplay-TakeThis.mp3]
[ahh_audio src=/8-15-12/JDEra-PopThatRemix.mp3]
[ahh_audio src=/8-15-12/YPftRaekwon-YouKnowMe.mp3]