(AllHipHop News) Chicago continues to generate Hip Hop talent at a striking rate. Up next is a producer-rapper partnership that is ready to battle for their spot in the limelight.
26-year-old production mind IKON connected with fellow Windy City native Femdot for the new single “3ft No Pressure.”
The PVTSTCK in-house producer’s soundscape provides an ideal canvas for the brassy bars spit by the 20-year-old emcee.
“Fem has this mature aggressive rap style that I’ve always been a fan of and I needed to match that with the production,” says IKON. “As soon as I played the track, he threw up the rap hands and the rest was history.”
Listeners can discover more of Femdot’s rap style by checking out his recent thr(we) EP.
IKON also has a verified SoundCloud page full of original tunes and remixes, including 2015’s Private Stock. Be on the lookout for the forthcoming project Auragami as well.
(AllHipHop News) A decade ago Rick Ross formally introduced himself as a rapper on the rise with his debut studio album Port Of Miami.
The Maybach Music Group boss is celebrating the collection’s diamond anniversary with a special concert event set to stream live on Tidal.
Rozay’s Port of Miami was released on August 8, 2006. The LP debuted at #1 on the Billboard 200 album chart and featured contributions from Akon, Jay Z, Young Jeezy, Lil Wayne, and more.
Rick Ross is the latest Hip Hop act to stream a live concert on Tidal. Previously, Jay, Wayne, Jeezy, Kanye West, T.I., Ms. Lauryn Hill, and others have broadcast exclusive events via the artist-owned platform.
Both Tidal members and nonmembers will be able to view Ross run through hits like “Push It” and “Hustlin” from the actual Port of Miami in Florida on August 29 at 8:30pm ET.
(AllHipHop News) Drake ended his four-night run at New York City’s Madison Square Garden by taking another shot at Hot 97.
Drizzy and the radio station – DJ Funkmaster Flex in particular – have been sending disses at each other for several days.
At last night’s show, the OVO Sound leader suggested his “Summer Sixteen Tour” is a better representation of NYC than Hot’s highly publicized annual Summer Jam concert.
“Shout out to everybody tonight that touched this stage. It was a lot of people,” Drake told the crowd. “This was the real Summer Jam. What have they done for New York lately? I don’t know, but this is the real Summer Jam.”
Several surprise guests made appearances at MSG. J. Cole, Dipset, Fat Joe, Remy Ma, and T.I. all performed during the show.
Watch footage from Drake and Future’s “Summer Sixteen Tour” stop at Madison Square Garden below.
“This was the real Summer Jam. What have they done for New York lately? I don’t know.” – Drake pic.twitter.com/DKnogzhmAk
Legendary rapper Lil’ Bow Wow recently took to Twitter and Instagram to announce once again that he is retiring from rap with his last album that will be executively produced by Snoop Dogg. It seems like no one needed the announcement and no one cared as the rapper and actor was immediately roasted relentlessly.
Bow has sold millions of records, won a few awards, put out 7 studio albums, and he’s finally hanging up that microphone.
Shad Moss’ announcement certainly caused him to take another “L” soon after the one he took for saying he can’t relate to black issues or the struggle of black ancestors because he’s mixed.
Although you may have to see Bow Wow host a few more awards show carpets, appear in random movies, and beef with his reality star exes on social media, you will never have to hear the man rap again! Check out some of the funny moments from the Bow Wow roast session below.
"Retirement only means that it is time for a new adventure" over 10 million sold. This the last one. THANK YOU pic.twitter.com/XnWldHxYrB
(AllHipHop News) The saying goes, “The enemy of my enemy is my friend.”
The message of that expression may be partially behind Drake posting a picture of him with Charlamagne Tha God to his Instagram page. Charlamagne added his own photo from the final night of “The Summer Sixteen Tour” at Madison Square Garden as well.
Over the last week, Drake has been feuding with Hot 97 and Funkmaster Flex. Hot is a longtime rival of fellow New York City radio station Power 105, and Charlamagne has spent years making fun of Flex.
According to DJ Envy, last night was the first time Drake and Charlamagne met in person.
They also had a rocky relationship at one time, because Drizzy was a regular target of CTG’s jokes.
The testy situation between Drake and Charlamagne was first addressed in a positive manner when the Toronto performer mentioned the radio host on “Back To Back.”
(AllHipHop News) Fugees alum and proud Haiti representative Wyclef Jean is currently gearing up top release a new EP September 30 entitled J’overt.
The soon to be released EP finds the inspiration in its name from the official start of Carnival in the eastern Carribean.
“Every day when I wake up, I go into the studio and record,” Wyclef told AllHipHop.com in a statement. “There’s always a guitar and a piano nearby. I’m always writing, that’s my survival. I don’t go to a therapist. My therapy is when I pick up my guitar and sing.””
Along with Jean’s latest single “Hendrix,” the crooner has dropped a Spanglish version of the track “Hendrix (Spanglish Remix)” along with the track “My Girl,”leading up to the release of his J’ouvert EP.
“This speaks to the neighborhood I grew up in and how it didn’t look like much,” Wyclef said of “Hendrix” which features 18-year-old newcomer, Farina.
“The devil, or the streets, offered drugs and cartel and I chose music,” Wyclef continued. “Some homies chose the NBA, or we would see people like Shaq who are from Newark and see how they made it out the danger zone.”
Wyclef is also expected to drop the album Carnival III: Road To Clerification next summer, with features expected from Afrojack, Avicii, and Emeli Sande.
Check out the track list for Wyclef’s J’overt EP, due for a September 30 release below.
TRACKLIST
1. “Party Started” 2. “Holding on the Edge” 3. “For a Man” 4. “Wonderful” 5. “Camels to Ferraris”
Months later Bankroll’s longtime friend No Plug admitted he was involved in the shooting at Street Execs studio which caused the death of Bankroll.
No Plug has insisted the incident was the result of him trying to defend himself. 2016 XXL Freshman class member 21 Savage even backed up Plug’s claim in a sit-down at The Breakfast Club last week.
Bankroll Fresh’s Cousin Street Money Boochie has now conducted his own interview with GRIP Magazine.
“We all grown. It don’t take a rocket scientist to figure out it’s lies being told,” said Boochie.
He added, “Y’all know who Bankroll Fresh is… That’s just like if you see Jeezy with a gun in his hand and you’re like, ‘Jeezy’s trying to kill me.’ You know damn well this man got sh-t going on, family to feed. He ain’t got time to waste his life over yours.”
According to No Plug, Bankroll came to the studio the night of the shooting with the intent of confronting him over past issues between the two rappers. They reportedly got into a physical altercation inside the building.
At one point a shootout began outside the facility. Plug alleged it was Bankroll that fired first.
New reports suggest the Fulton County District Attorney’s office is still considering pressing charges against No Plug. His recent Q&A with VladTV may play a part in the D.A’s investigation.
(AllHipHop News) Atlanta MC Killer Mike has made himself a name as an artist who is very adamant on addressing the social ills in the Black community, and now he’s urging NBA legend and owner of Jordan shoe wear brand Michael Jordan to do the same.
Killer Mike, born Michael Render, isssued an Instagram post and challenge to Jordan to invest his profits from the Jordan brand into a black owned bank.
“We know that with your example other Players will follow.I’m sure Jim Brown, Kareem & Bill Russell will agree. Love ya man. U truly were/are the greatest,” stated Mike in the post encouraging Jordan to invest his money directly into the community.
Jordan made headlines July 25 after the icon donated $1 million a piece to the NAACP Legal Defense Fund and the International Association of Chiefs of Police’s Institute for Community-Police Relations due to his concerns of growing tension among minority citizens and law enforcement across the nation.
Although the donations were of good intentions they drew much criticism, as many felt that Jordan was riding the fence to keep his image intact as opposed to displaying an interest in the ills of the black community directly.
Taking the initiative to support black owned banks is nothing new to Mike, as the MC recently started an account at Citizen’s Trust Bank in Atlanta, along with Young Thug, Young Dolph, T.I., and others.
Check out Mike’s Instagram post aimed at the legendary, influential Jordan below.
(AllHipHop News) Hip-Hop mogul P.Diddy has expanded his brand even further by curating the soundtrack for WWE 2K17 as the executive producer.
The WWE 2K17 video game franchise is to be released on the Playstation 3 and 4 systems and Xbox One and Xbox 360 on October 11.
The eclectic soundtrack features a vast array of genres ranging from rap to EDM to metal.
Featured on the soundtrack are current Hip-Hop hits, such as French Montana and Kodak Black’s “Lockjaw” along with throwbacks like Diddy’s 2001 “Bad Boy For Life” featuring Black Rob and Mark Curry.
In addition, Black Sabbath’s classic cut “Paranoid” also makes the list to really mix things up.
In a statement concerning the soundtrack Diddy said that he “mixed some of my favorites with some of the best new acts in the game today to create something really special.”
Diddy is slated to make an appearance on WWE’s Monday Night Raw tonight (August 8), which is set to air at 8p.m. EST on the USA Network. The festivities will be taking place at the Honda Center in Anaheim, California.
Check out some artwork and the tracklist for the WWE 2K17 soundtrack below.
TRACKLIST
1.Action Bronson & Joey Bada$$ (feat. Rico Love), “What About The Rest Of Us” 2. Anderson .Paak, “Come Down” 3. Andy Black, “We Don’t Have To Dance” 4. Axwell Λ Ingrosso, “This Time” 5. Black Sabbath, “Paranoid” 6. Bring Me The Horizon, “Run” 7. FIDLAR, “Drone” 8. French Montana (feat. Kodak Black), “Lockjaw” 9. iSHi (feat. French Montana, Wale, & Raekwon), “We Run” 10. Diddy, Black Rob & Mark Curry, “Bad Boy For Life” 11. Travis Barker & Yelawolf, “Out of Control” 12. Twenty One Pilots, “Ride” 13. Yellow Claw (feat. Lil Eddie), “We Made It”
Master P recently explained that the affluent have to stay strapped even in Hollywood because there are so many fake accountants, fake financial advisors, strippers that say they are models and actresses etc. He also says there are still a lot of haters in Hollywood as well, so he chooses to stay to himself.
Master P went on to say that even professional athletes will come to other entertainers trying to get investments, but they want to invest in something like weed. Master P says,
“If I wanted to be a dope dealer, I could’ve stayed in the projects. My motivation to get out.”
P says he’s going to create a show called ‘The Real Hollywood’ where he will be exposing the fake and the phony people. He wants to teach people how to invest their money and make the right choices.
Master P says DJ Khaled has nothing on him as he is really about to give people the blueprint to the game. We’ll be on the lookout for Master P dropping this knowledge.
(AllHipHop News) Kanye West isn’t the only rap star who will flirt with a political career, as rapper Akinyele plans to run for the position of Mayor of Miami Beach.
The rapper is serious about his bid to run just in time for the upcoming August 30 primary elections for Mayor, which occurs every two years.
“There’s no one here to represent us,” Akinyele said. “We are trying to integrate history right now. [I’m not saying the Mayor isn’t doing a great job now, but this Mayor might not be the Mayor forever,” Akinyele said.
Akinyele’s bid for Mayor of Miami Beach comes as a response to the backlash over his plans to open his KOD/VLive establishment on the lower portion of glitzy Ocean Drive.
He opened the first King of Diamonds in Florida in Miami Gardens, in 2008.
The new KOD/VLive establishment is right on Ocean Drive and in walking distance from popular destinations like Wet Willies and The Clevelander.
Akinyele’s new establishment is a soul food restaurant/club. It is also reportedly the first black owned business on that famous part of the strip.
The news of KOD/VLive p##### off the local residents, who protested the business’ opening on South Beach, claiming the influx of rappers, athletes and celebrities to KOD/VLive will undoubtedly compound the area’s woes.
Philip Levine, the current Mayor of Miami Beach, claimed the opening would only add to a growing tax bill for police officers to patrol that area of the strip, which has seen a spike in crime over the past few years.
“I feel like this is just a modern-day lynching that’s happening here, and that’s the elephant in the room,” Akinyele told the Miami Herald shortly after the dispute erupted. “We’re just a black-owned establishment, and that’s what they can’t come to the realization with.”
Akinyele, who is known for the club anthem “Put It In Your Mouth” and his verse on Main Source’s “Live At The Barbeque,” will officially open the club this month, after securing all the needed permits.
Akinyele hopes to unseat Mayor Levine from office in 2017, when his term is up.
The entire ordeal is being chronicled in a series titled “The King Of South Beach.” Check out Episode 4, where Akinyele announces he is running for Mayor of Miami Beach.
‘Power’s’ creator Courtney Kemp recently p##### off 50 Cent by running Sunday’s episode with a clip that included a frontal shot of 50’s penis!
50 took to social media to unleash a pretty harsh rant on Kemp as he called her a b-tch and told her to kiss his a-s. 50 also seemed pretty upset because he said his aunt couldn’t tune in to watch the episode, and that cut wasn’t in the first 3 edits. 50 spazzed out telling Kemp and Starz,
“Nah y’all got me f**** up!”
Many began to wonder if 50 felt so strongly about it, why was the scene filmed in the first place. Kemp says 50 signed his waiver like everyone else, and knew what time it was. Is 50 pulling a Taylor Swift-like publicity stunt? LOL
(AllHipHop News) Lawyers for Brooklyn rapper Troy Ave hosted a press conference today (August 8) in front of Irving Plaza, where a lawsuit against the concert venue was announced in relation to a shooting that left one man dead and several others injured.
Troy’s attorneys Scott Leemon, John Stella and Marc Albert announced the filing of a lawsuit against Irving Plaza, Live Nation Concerts Inc. and Live Nation Worldwide.
Scott Leemon blasted the defendants for putting Troy Ave, born Roland Collins, at risk by allowing a weapon inside of the venue.
“This morning, we have filed a lawsuit against Irving Plaza and Live Nation on behalf of Troy Ave for the lack of security they provided the night of the incident,” Scott Leemon told AllHipHop.com. “Troy did not bring the gun into the venue and if the security had done their job none of the injuries, including Troy getting shot would have occurred. The venue had a duty to protect Troy, as an invited performer, and they failed him miserably.”
Someone opened fire during a fight between Troy Ave and people believed to be associated with popular podcaster Taxstone, during a dispute in a green room.
Authorities are still trying to determine who pulled the trigger in the fatal shooting, which took the life of Troy’s friend Ronald “Banga” McPhatter.
Troy Ave is the only person facing charges in the shootout. He is accused of attempted second degree murder and four counts criminal possession of a weapon.
(AllHipHop Features) For the past three seasons, Siya has been one of the prominent women highlighted on the unscripted television program Sisterhood Of Hip Hop.
But be wary of simply labeling the Bedford–Stuyvesant bred performer as a “reality star.” Siya prefers the word emcee is connected to her name.
Besides releasing rap projects such as Better Late Than Never and What Never Happened, the Brooklynite also has a studio album titled Siya vs. Siya currently in the works.
Actress will soon be added to Siya’s résumé as well. She is set to appear in the forthcoming film Deuces as part of a star-studded cast that includes Larenz Tate and Meagan Good.
Music, movies and more is on the way for Siya. Meanwhile, cable viewers and Hip Hop followers can continue to catch the spitter on the Tip “T.I.” Harris led Sisterhood Of Hip Hop series.
“All I can be is grateful for him to be the executive producer of our TV show and to have faith in female emcees,” says Siya about the Grammy-winning rapper turned television insider.
In a recent phone conversation, I asked Siya about her small screen work, her motion picture debut as well as other topics related to the protégé of R&B heavyweight Tank.
Season 3 of the show has started again. Has the platform been beneficial for your career?
It definitely has. Reality TV is all about how you use it to your ability. Everything you do is recorded, so it’s about how you conduct yourself. I’ve been as honest as possible with my fans about my personal life, my music, and my struggles. That’s what’s made me so relatable and a music idol to the youth.
Like you said, you’ve been very open about your relationships on the show. Reality TV has a history of damaging couples. How have you managed to keep the spotlight of television from having a negative effect on the people around you?
Again, it’s all about how you conduct yourself – on camera and off camera. I’m a reflection of those around me, and the people around me are a reflection of me whether they’re my friends, my partners, or my family. If we’re gonna ride, we’re gonna ride out together. We’re just gonna have to hold each other down through it all, and that’s exactly what we do.
The tone of the show is not the same as some of the other reality TV programs. It seems to focus more on your lives and careers. Do you feel like the direction of the show has an effect – I don’t want to say on your image, because like you said, you’re being yourself – but the way you’re portrayed to the world?
The way I’m portrayed to the world is exactly how I’m allowing them to portray me. They can’t edit something negatively if there’s nothing negative to edit. I’m a positive person in general. I’m all about female empowerment, being true to who I am, and being true to the audience.
I always tell people that. They say, “This TV stuff is fake.” I’m like, “Nah, it’s these other shows that be fake because they be doing the most.” They gotta edit them up and make them look a certain way. What you see is what you get with our show.
You talked about being a positive role model for women. You’ve also been outspoken as an advocate for the LGBT community. What has been the reaction from some of your fans for stepping into that role?
It’s been amazing. For one, we need that. We need more outspoken people to represent what we represent as far as the LGBT community. It’s always been hard being myself, being afraid to be myself.
I feel like for me to be able to pass the baton down and give other people strength to be themselves or come out of the closet, that means a lot. I feel like there should be more people like me in the music industry who spoke up.
There are starting to be a lot of people that don’t care what other people think and starting to voice who they truly are. We need that. We need to be the voice for people who can’t be the voice for themselves.
Do you think it’s harder for a man to come out in Hip Hop than it is for a woman?
Absolutely, it’s been like that for years and it’s gonna continue to be like that, unfortunately. You have to understand, it’s a straight man’s fantasy to be with a lesbian woman or to see two women. Even with the way I dress, I still get hit on by a lot of guys in the industry, because I’m “a challenge.”
For dudes, it’s so frowned upon. It hurts me to see them end up hurt because they can’t truly be themselves. There are some guys now that are on that wave of “F-ck it. I’m gonna do what I want to do and be who I am.” People like Miles [Brock], Milan [Christopher], Fly Young Red, and the list goes on. There’s a bunch of openly gay guys that are doing what they wanna do, and I personally love it.
You’re working on your debut studio album. What can listeners expect on Siya vs. Siya?
Siya Vs Siya is exactly what it sounds like. It’s me versus myself. It’s two sides of the album. It’s the side where I cater to the women – I sing and rap on records. Then it’s the side where I cater to the streets and the mainstream side of the music business. I give them that raw Hip Hop, street records, and club records.
It’s exactly what I’ve been battling with for years. I know the type of music I want to create. It’s not necessarily the music that these kids care about. I’m a lyricist, and I’m not okay with dumbing down my music for the sake of selling records or being on the radio.
Is being a mainstream artist your goal? Or would you be content with having a strong fan base, but maybe a smaller fan base?
I’m already a “mainstream artist” in a sense. I’m all over the radio on a single with Chris Brown, Tank, and Sage the Gemini called “#BDay.” I’m not only in America but on the radio on many countries overseas. I’m on a television show that reaches millions of people all across the world. I’m a household name.
As far as my fan base, it’s not just America. I’m talking about other countries. Countries that I never even heard of know Siya. [laughs] It’s crazy and it’s extremely humbling. I’m okay if I’m not on your favorite radio station in your city at this very moment.
Speaking of that record, at the beginning of your verse you reference 50 Cent’s “In Da Club.” Obviously, it connects to the theme of the song. But was 50 also a musical influence for you?
50 Cent was definitely an influence for me. I’m dropping a record called “New York.” I’m literally going back to my roots of what Hip Hop felt like to me when I was growing up. I’m talking that Brooklyn sh-t.
At the beginning of the record, it’s a sample of 50 Cent going, “Yeah.” It’s minor, but to me, it was a big deal. He’s always been that cat that said what he wanted to say and did what he wanted to do. I’ve always admired that even though he’s from Queens and I’m from Brooklyn.
It’s the same way I respected the lyricism of Big L, Jay Z, Biggie Smalls, Big Pun, and DMX. I’m a real Hip Hop head. I wasn’t raised on this Hip Hop that’s going on now that these kids love. I’m from the core of Hip Hop.
Being a lyrical rapper, what is it like being signed to an R&B artist? Tank has been in the industry and he knows the game. But what is that dynamic like?
It’s a weird dynamic. [laughs] Tank is an amazing human being. He’s like a father figure to me. He’s always been down for me no matter what and he’s given me the creative freedom that I’ve always wanted.
He brags about me to everybody because he believes in me that much. Honestly, I’ve never hit any bumps in the road because he’s an R&B singer. If anything, I’ve learned so much from him because he has that talent and he’s been in the game for so many years.
I’m signed to a man that’s extremely talented and who can make the same exact calls that a rapper can. So what’s the difference?
You’re moving into the acting realm. Can you talk about your role in Deuces?
Deuces is an amazing film directed by Jamal Hill. He did Brotherly Love. My movie is about a dude who’s been in the drug game for so many years. He’s sick of it and wants to get out. I’m part of his personal crew.
It’s me, Larenz Tate, Meagan Good, Lance Gross, Rick Gonzalez, Rotimi, La La Anthony, and a few others. It was my first acting experience. Larenz Tate really took me under his wing and taught me so much. It was an awesome experience.
Have you gotten the acting bug now? Can we look to see you in more films and TV shows?
Yes, I do have the acting bug now. [laughs] I’ve been doing auditions. I’m actually going to sit down with the production company that did Sisterhood Of Hip Hop and talk to them about ideas for other shows. I want to tap into executive producing as well.
Finally, when can we expect the album. Have you decided which quarter it may be arriving?
I was shooting for August, but now we’re going to shoot for the end of August or early September. Let it bubble through the third quarter that way when the first quarter comes around we’ll get them calls how we’re supposed to get them calls.
(AllHipHop News) Snoop Dogg and Martha Stewart are working together as hosts for a new show called “Martha and Snoop’s Dinner Party,” which will air on VH1.
Each week, the pair’s worlds will collide as they invite different guests over for cocktails, drinking and open conversation.
“My homegirl, Martha and I have a special bond that goes back. We’re gonna be cooking, drinking and having a good time with our exclusive friends,” Snoop Dogg said. “Can’t wait for you to see how we roll together!”
The with Snoop Dogg and Martha Stewart comes on the heels of their appearance together on the revamped version of ABC’s “100,000 Pyramid.”
Although Snoop has appeared on Martha Stewart’s talk show and they both teamed up to roast Justin Bieber for Comedy Central, this is the first time the pair have worked together.
“At our dinner party, we will exemplify America’s fascination with food, entertaining and celebrity. ‘Martha & Snoop’s Dinner Party’ will redesign the traditional food competition shows in a new, different and very funny way,” said Stewart.
The famous rapper’s Merry Jane company is launching the show in tandem with 495 Productions and Sequential Brands group.
“Martha and Snoop’s Dinner Party” is slated to debut this fall.
That’s how long the great Sean Price has been gone. It took me a long time to come to grips with that. For months after he passed I just pretended he was overseas on tour & that was the reason I wasn’t talking to him. I just sorta ignored the fact that he wasn’t sending me any retarded emails or saying any slick s### to me on social media.
Sometimes I’ll say something about him on Twitter & his wife Bernadette ( who has access to his social media ) will retweet it from his account. Seeing “Gray Hulk Retweeted your Tweet” & the “@SeanPrice” handle always makes me grin.
I miss that guy.
He was a crazy muthafucka.
Ruck kept you laughing, he was funny as f###.
He was “Eddie Murphy in the 80’s” funny. He could get mad pretty quick tho.
0 to 1000 in .02 seconds. That would be funny too.
People that didn’t know him would be shook, & that would make the s### even funnier.
When Ruck passed I did a three part tribute to him on AllHipHop.com and detailed how we met & told a few stories.
On this day, the first anniversary of his death, I was gonna post a sappy letter to him, just telling him what’s been going on & that we miss him, blah blah.
F### that.
I realized that s### would be more about me & some other folks ya’ll could give less than a f### about. So I figured if it ain’t broke don’t fix it, I’ll tell another quick Sean Price story. I told this story before on Instagram but it was the Reader’s Digest abridged version.
This is the whole s###. I’ll call this one:
“CONSPIRACY TO COMMIT MURDER ON THE AUTOBAHN” or “DOG, YOU’RE TRIPPING.”
This s### is extra stupid, but it shows how Ruck could be furious & still hilarious at the same time.
It was 2007, on the THREE THE HARD WAY tour, featuring Sean Price, Guilty Simpson, & Black Milk, pre-Random Axe.
We were some-f######-where in Germany & we had an early lobby call so we could head to the next city. It was about 6 or 7 am when everybody started to come down to the lobby, dragging their bags & their feet.
I was already down there with our tour manager, Nils, this young German dude. I was sprawled on a chair, still drunk from the show the night before. We got up, went outside to the parking lot & started throwing luggage in the rear of the van. After Black’s slow-ass came straggling to the vehicle we were ready to go.
Nils was driving, I was in the passenger seat, Ruck & Rustee Juxx ( Ruck’s ‘hypeman’ ) were directly behind me with Guilty & Black Milk having the last two rows of seats to themselves. I popped in our advance bootleg copy of JayZ’s “American Gangster” CD & we were off.
Everybody was lethargic, but after a while everyone started waking up a little & talking s### as usual. This was 07 so somebody said “PAUSE” in the middle or at the end of every sentence. We ‘PAUSED’ the s### out of each other constantly. It was like a spoken punctuation.
You know what “PAUSE” is right? It’s used as a disclaimer when someone unwittingly says something that can be construed as h######### s###. Like if somebody says, “NAW, I AINT HIP TO THAT. FILL ME IN” or “DUMARS USE TO BE ALL OVER JORDAN. HIS ‘D’ WAS RIDICULOUS”.
That type of s### would get a “PAUSE.”
I know.
Juvenile as f###.
This is the type of environment this debacle takes place in.
First you gotta understand that English isn’t Nils first language & he doesn’t really understand all the nuances of it. He kind of just mimicked or repeated what we said without fully grasping what we meant. Ok, the scene is set. We were talking s### & Ruck said something benign like “I’M HUNGRY”.
Nils jumped on it.
This was his chance.
“PAWS!”, he yelled.
“Hehe, PAWS!”
He looked around at everyone in the van, kind of looking for approval. We got sort of quiet. We weren’t trying to be rude to Nils but to make that statement pauseworthy was a reach.
Suddenly Ruck leaned forward from the seat behind me. “Yo son, can u drive this van?”
I looked over at the driver seat, looked at the steering wheel, shift selector, pedals, etc. It was a normal set up. I didn’t know what Ruck had in mind but sure, I could drive the van.
“Yup”, I replied, curious as to why he asked me that.
“Good”, he said. “I’m gonna kill this n***a Nils, & we’re gonna dump his body on the side of the road. You can drive us to the next venue.”
Nils was white as a ghost. I kinda looked at Nils & shrugged. Then I turned around & looked at Ruck, searching his face for a hint of a smile or something that would tell me he was bullshitting. There was none. I realized that Sean Price was serious as f###.
“Dog, you’re tripping.” I said.
I mean, first of all we were in f###### Germany, I had no idea where we were going. Plus we were on the f###### Autobahn & cars were going past us at 200 f###### miles per hour. Oh yeah, & we aren’t gonna f###### kill Nils.
I cited all of these reasons to Ruck as to why his plan was a bad f###### idea. He finally relented but he growled at Nils, “YOU BETTER SHUT THE F### UP!”
Nils lived but he used minimal words the rest of the tour, especially around Sean Price. I think he loosened up later in the run but he didn’t get that f###### loose again. Ruck damn near rendered that man a mute.
Only Sean P could make a murder plot funny as f###.
(Funny in retrospect only, because this s### wasn’t that funny when it was happening. )
On Friday (August 5), I journeyed to Baltimore for a vigil that Korryn Gaines classmates, family and friends put together for her outside of the high school she attended.
It took a lot of soul searching and mental flip flopping for me to go because I honestly was not sure if I was in an emotional or spiritual place to handle being in this space.
We have just recently started to talk about PTSD and community trauma in the Black community as it relates to the nonstop cycle of police, state, media and day to day anti-black violence. It is nearly impossible to escape it.
Our timelines are bombarded with reports of it, our eyes are exposed to uncensored accounts in their realest forms and our thoughts are saturated with the lasting effects of it. That said, I have finally reached a point where I can and have to admit my spirit is tired, overwhelmed and often times on the edge of tears.
I am tired of seeing hashtags, tired of being up in the middle of the night to develop communications strategies and tired of inquiries about the same damn thing. But this is our reality and Korryn Gaines has been a particularly hard reality for me to grasp and deal with.
Korryn’s spirit shines through so bright on all of her pictures and post.
https://instagram.com/p/BI0pF3SDt9x/
None of what is being said matches or correlates with this Korryn. NOTHING about the story we are being told adds up. NONE of it makes sense. Since when do police come knocking and go this hard for failure to appear for moving violations?
What transpired that a man would leave his girlfriend or partner in the house alone to face the intruding police and only take one child? How do you compromise the life of a 5-year-old child?
Why would you delete all of her social media?
As a Black person living in today’s society, we know Black people everywhere are clear about one thing, “The police will kill your Black ass.”
So for those trying to tell me this loving mother decided to just go rogue on the police and for those who say just comply, we have seen clear documented examples with Charles Kinsey and Philando Castille that complying does not guarantee your life will be spared.
There are so many unanswered questions and so much pain because we know the answers and truth when finally exposed will sting deep and hard.
There is so much pain that I want to escape and avoid at the mere thought that the police killed this woman and shot her son.
Yet just the day before in Virginia, police allowed a 7-hour standoff to take place with a White man who shot at officers and barricaded himself in his house. He was not shot.
The word stand off was not used but instead was referred to as a barricade situation. He was not even identified by name and nothing about his past or prior history was mentioned in the news.
So when I think of Korryn, I know her death was not the result of her actions.
https://instagram.com/p/BIsc71MjFyK/
I know she was fighting until the last moment to make sure her truth was told and I pray her truth emerges piece by piece to reveal the narrative.
Last night at the vigil it was beautiful to see the community come together on their own accord and gather people outside of the high school Korryn attended and graduated from.
I am happy that this was the way in which people chose to gather vs marching and screaming on this particular night, not because those things are not needed or because I frown on them, but because sometimes we need to create space where we can gather and remember one’s humanity and allow ourselves to sit with that.
We need spaces where we can come together in love to stand and hold each other energetically in our collective grief and mourning. In addition to the yelling, chanting and screaming we need to be able to hold spiritual space and we need to be able to tell stories that give story and humanity to hashtags.
It was absolutely beautiful to see candles laid out in the shape of a crown above Korryn’s name, which was also spelled out in candles. That small act and choice to put a crown on top of her name spoke volumes to her awareness of her being a queen.
We heard stories from her high school classmate who she used to joke with and the nicknames she used to call him as he talked about her vivacious spirit. The fact that her classmates found each other and stepped forward was a testimony to the friend and person she was.
The hardest part to endure was hearing Korryn’s family give their testimonies about what happened and to hear them talk about her. The air felt so thick with grief, our sadness, our hurt and our loss. I felt it all around me and in me, in the pit of my stomach, in my chest and in my throat as I listened to her father passionately talking about his baby girl as he paced back and forth.
Her father talked in depth about the lead problem in Baltimore (It has been reported Korryn had raised levels of lead from paint in previous residences and had an outstanding lawsuit surrounding it) and talked about the many ills of the system that he often talked to his daughter about. He father talked about the anguish of not being able to speak to his daughter at the scene and other details that began to paint a scene to provide a background for what happened that morning as seen by those outside.
Korryn’s cousin spoke about arriving on the scene after having spoke to Korryn on Facebook while he was still at work. When he arrived police greeted him by name and aggressively searched him.
Though hard to take in at times, I was thankful to be able to hear these family stories first hand uncut and unedited with no media filter or reporter between them or the crowd, just their words and accounts. It was like someone sporadically dropping pieces of a half empty puzzle you have been handed.
https://instagram.com/p/BI0we3lDUmv/
In addition to friends and family, poets and spoken word artists fed our souls with their words that articulated so much of what we felt. They got the the crowd fired up and took us to church with their pieces that spoke to the trauma we feel when we see police officer and imposed systematic violence.
We were further moved as mothers of other young people murdered by the Baltimore Police Department shared their stories and said the names of their children.
It got really real when one of the mothers asked that all the mothers present come forward and about 10 women who have lost their children to police violence or other forms of gun violence came forward and stood as one.
They reminded Korryn’s mother that they would be there for her and would extend their full sisterhood to her because they are all members of club none of them asked to be a part of but were forced into by circumstance and tragedy.
By this point I sat on the ground in solemn reflection as night had now fallen looking around at the people gathered listening to the organizers urge people to be in this for the long haul and asking us to tell people to our right left that we are their sister or brother.
In my mind I thought this is what community organizing looks like!! So often we think it happens one particular way or in a certain structure manner but it happens every time every day people step forward and decide to gather the community and do something.
A young brother from BYP 100 closed the evening out with a powerful chant lifting up Korryn’s name and just as the family was about to release balloons, a middle aged Black man in a full suit felt the need to get on the mic. He felt the need to pontificate on how in these police cases, people did not deserve the death penalty, saying people should have been captured.
The language and belief was so problematic that I involuntarily began responding. In my mind I could not understand why he
Felt lt it was his duty to add on when young people had already such a beautiful job closing out the evening
How he could bring himself to use the word captured as if the people he was referring to were runaway slaves or animals.
Furthermore, based on all the videos of Korryn speaking out against the system, how he could feel this was the least bit appropriate or in line with her beliefs since this evening was to raise up her spirit. Well, he was a reminder for us of distractions, or the very mindset, thought and disruptions we are sometimes dealing with in our own family, in our community and online with people.
https://instagram.com/p/BI0uos3Ab4F/
The man, who said he was an activist who goes wherever tragedies are, saying he had been to Flint over 20 times, then completely overstepped his boundaries and was quickly reminded that this movement ain’t your daddy’s civil rights movement.
He proceeded to say, “Let me say something to Black women. The safest place for a Black woman is in the arms of a Black man.”
The immediate boo’s started and only got louder as he tried to continue his statement as if any part of it was okay.
For anyone who may be confused as he was as to why it was an issue, I will help you out.
It is patriarchal, sexist and homophobic. It portrays women as weak feeble beings who should just be in the arms of a man.
It is disrespectful to all women and especially disrespectful considering Korryn was very vocal and not some quiet women in some man’s arms.
This is not a rejection of Black men’s love, embrace, protection or care, it is instead an assertion that:
It will not keep us safe from state violence
A reminder that sometimes it his very arms that are beating us or inflicting the violence.
Remember he was saying this when Korryn’s own man fled the house and left her to face the police without him. Furthermore it does not take into consideration that some of us may not feel safe in a man’s arms due to rape, molestation or incest that the majority of women have experienced.
It also discounts that fact women can provide a safe space for each other. Additionally it reinforces a heterosexual norm
Thank goodness for the persistence of the crowd to boo until members of the community took the mic from him. Additional gratitude to one of the brothas who had spoke earlier who got back on the mic and asked everyone to please strike the last comments and reminded everyone, “The safest place for a Black woman is in her Black body.”
I end with this brotha’s statement as a note for all those who criticize Korryn and lash out with their judgmental nasty words saying she compromising her and her son’s safety making her responsible for her own death.
I ask people to please hold their comments until the story is revealed.
I ask people to continue to say Korryn’s name so the police, the media and the state will know we will not let this story fade to black and to remind them we will not be satisfied with their partial illogical accounts.
I ask that you also continue to say the names of all the women murdered by police so we will continuously be reminded this is not a Black men’s issue but a Black people’s issue. I ask that you continue to affirm that All Black Lives Matter not just with your words but with your daily actions. I ask these things in the name of Korryn Gaines, Sandra Bland, Malissa Williams, Tanisha Anderson, Miriam Carey and Darnisha Harris.
(AllHipHop News) Kanye West has shouted out Michael Jackson on songs such as “Slow Jamz” and “Knock You Down,” and now the hitmaker has surpassed the King of Pop on a list of Billboard Hot 100 hits.
The publication reports West’s guest appearance on Schoolboy Q’s “THat Part” gives the G.O.O.D. Music founder his 40th Top 40 single.
Kanye leaped over MJ (39) and The Four Seasons frontman Frankie Valli (39) on the list of Top 40 hits by male artists.
The Life Of Pablo album creator moved into the Top 10 on the tally.
He joined Jay Z (45), Drake (53), and Lil Wayne (69) as the only Hip Hop acts in the Top 10 males list.
The all-time leader is Elvis Presley with 80 Top 40 entries.
Drake and Rihanna recently tied Jackson with respective Billboard chart milestones as well.