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DJ EFN Ft. Fashawn, Kurupt & King Tee – "Selfish (K-Def Remix)"

Miami’s mixtape king, DJ EFN, returns with the K-Def remix of “Selfish” featuring Fashawn, Kurupt & King Tee, which was premiered by The Source—and also accompanied by a Q&A with Miami’s mixtape king. The “Selfish” remix is taken from DJ EFN Presents: The K-Def Remixes via Redefinition Records.

Kim & Kanye Threesome Sex Tape Leaks

Photo via Kim Kardashian’s Instagram

Wellll Kanye West’s laptop was stolen. Some trifflin’ thief has hit the jackpot. Allegedly a man is selling a sextape – which shows Kim Kardashian, Kanye, and a blonde woman, engaged in some threesome sex. MediaTakeOut.com allegedly spoke to a person who claims that they may have accidentally came upon Kanye West’s personal laptop. Allegedly the individual has hacked onto the computer and is trying to sell the data piece by piece. It has been said that the tape is graphic and that photoshopped Kim K body is not present lol as she has a little pouch. Let’s hope its better thank the Kim K & Ray J tape.

Jonezen Sounds Off On Hip-Hop

Music has a way of stirring up a buzz in general. Rapper Jonezen seems to be stirred up and actually fires shots towards Azalea Banks and Amber Rose in a candid sit down to find out what’s on this rapper’s ind and how he expresses it in his music. What’s good Jonezen? You have gotten some comparisons to Eminem. For folks who are not familiar with you, give them a little background as to who you are. Yea man those Em comparisons have been crazy to me. Like I’ve said before I’m not trying to be the next Em, I’m just trying to do me but I’m honored to have my name mentioned with his. He’s one of the best to ever do it. As for who I am – I’m from Detroit, been living in Cali for the past 10 years. I suppose like the new record says – I’m just doin’ my thang! I just toured with Bone Thugs, my record “Tear The Club Up’ ft. Gucci Mane and Natalia Damini has done really well getting air play on MTV Jams, ranking #2 on VH1.com and 4 on MTV.com. It’s gotten major FM spins all over the country and been in rotation on SiriusXM’s Hip Hop Nation show. I’ve won the L.A. Music Awards the past two years in a row for Hip Hop Artist of the Year. That’s a brief overview for ya. https://www.youtube.com/watch?v=nGuZvcc5BJc In the song “Doin’ My Thang” (Shots Fired) you take shots at rapper Azealia Banks and Amber Rose. Tell us what is the point you are trying to get across with the song.  Haha. Man, with Azealia the bully needed to get picked on. That girl is always running her mouth about something and for whatever reason people seem to give a f### and I can’t figure out why. And Amber just one of those broads that’s on some “Ima f### rappers and get famous”. Like Kanye said in his interview with Power 105 in New York “If it wasn’t for me there wouldn’t be an Amber Rose”. And that’s real. In my opinion both of those two are just wack. No disrespect to Kanye or Wiz.   Azealia Banks is known to fight back at those who take shots at her, are you prepared for that? S### man let her. If she wants to start popping off back at me she’s bout to regret it. I’ll eat that little girl up man. My s### is @jonezenmusic …GET AT ME. I’m ready. Overall, what is your opinion on the State of Hip Hop and if you could change one thing, what would it be? I’m down with the state of hip hop right now. There’s stuff I like and stuff I don’t. But that’s how it’s always going to be. Just because I’m hating on a few people with wack music and come-ups doesn’t mean I’m mad at the game in general. It’s a good time to be an artist. There’s lots of opportunity you just have to learn about the business and figure out what your hustle is. That being said this s### is expensive. That’s what I would change. You need a huge budget to make a dent and impact. I’m super fortunate I’ve been linked up with a label and team that puts their money where their mouth is and pushes me how they do. That’s extremely rare. But my hustle is what got me there. If you don’t have that you need that YouTube gimmick or something similar. That Soulja Boy video. That Trinidad James s### if you want to crack. Either that or you build a fan base slow and steady, which I’ve done, but I think 99% of the time you stay underground. Which is fine. You can make a good living doing that if you do it right. But underground isn’t where I want to be. Any final words for the people. Thank you to AllHipHop.com for the interview. Shout out to my label Concore Entertainment and my manager Charve The Don. All my supporters…I See you. Props to the ones who ride with me and support what I’m doing. Grab that new record for free on my soundcloud page. “Tear The Club Up” is out on iTunes, my mixtape The Party Ain’t Over vol 1 is a free download on Datpiff. Get at me on those socials! It’s all @jonezenmusic. We’re looking forward to a big 2015. #ThePartyAintOver

Guess Who Stole The Show At The LA Between The Sheets Tour Stop?

Photo via Chris Brown’s Instagram

Well LA Between The Sheets Tour concert goers certainly expected to be wowed by Chris Brown and Trey Songz, however someone under 4 feet stole the show..Chris Brown’s nephew!!! Chris Brown brought out his nephew and Kevin Hart to help him and Tyga perform “Loyal”. Brown’s nephew stole the show murdering each and every popular dance and Chris Brown’s signature moves. The little one even took the mic to wrap up the song after Tyga’s verse. Kevin Hart even jokingly confronted the kid backstage telling him not to steal his shine. Nicki Minaj joined Trey onstage for “Touchin’ Lovin’” and “Bottoms Up,” while Big Sean hit the crowd with “IDFWU.” Miguel hit the stage, and Snoop Dogg kept it so west coast by performing performances of “Drop It Like Its Hot”. Check out the videos below.

KAE Hock – "1738 (Part One)"

heck out the latest visual from 1738! This track is called 1738 Part One and is the first song on the 1738 Album! Double time madness over a jazzy tune! 1738 will be available on April 17th! Look for KAE Hock on the Breeding Ground soon!

HEATER OF THE DAY – Jarren Benton – "You Don't Know Me"

Funk Volume’s Jarren Benton releases the latest video from the opening track to his Slow Motion EP, “You Don’t Know Me” feat. Hemi. The performance-based Patrick Lawler and Cameron Alexander-directed visuals features the Atlanta-based MC as he bullies a Kato-produced track that serves as a callous warning to not underestimate him as your typical rapper.

Miz MAF – "1st Infantry"

Following the success of his previously-released tracks, “Gotta Get It” and the Freeway-assisted “That White,” the Philadelphia rhyme slayer has strategically chosen “1st Infantry” as the next single off his LP, Behold A Pale Horse. He picked the song because he wanted to provide listeners with a better sense of his character and identity.

“This is the first song on the album, so as always I had to go hard and give them me overall to start the album off right,” the rapper explains. “I take you on a ride through my life on this one, letting you know where I come from and where I’m going. There’s a line for everyone in this, from the fans to the music industry and especially the streets that I represent daily.”

He also gave “1st Infantry” the video treatment.

Directed by Peter Parker, the clip features Miz MAF and his crew walking around in some of Philly’s grimiest spots, as well as holding court in an abandoned warehouse. The fierce track and its visual also serve as a tribute to the rap culture stylings of the late 80s and early 90s.

Saga ft Roc Marci – "City Streets" (p###. by Marco Polo)

The “City Streets” are both a blessing and a curse: the former for birthing some of Hip-Hop’s most notable figures and giving us an insight into what it takes to get by, while the latter has unfortunately trapped those who have become addicted to the fast life. Meet Brooklyn upstart emcee, Saga, an artist that has managed to seamlessly blend both worlds.

Influenced by Brooklyn’s finest, the up and comer makes use of his rhyming fundamentals and lyrical dexterity to elevate himself to become one of the borough’s formidable acts of the contemporary era. For the haters and biters out there, let “City Streets” be proof of Saga’s dedication to self mastery. Trading verses with Roc Marciano, over a criminally minded Marco Polo backdrop, only adds to the allure as to what he has to offer. “City Streets” is the first track taken from Saga’s forthcoming EP, From Out of the Shadows, which is produced entirely by Marco Polo. Stay tuned for more leaks and visuals to follow from this upcoming collaborative effort!

Gunfire At Lil Wayne’s Mansion – Or Was It?

UPDATE: This turned out to be a non-event and a prank call.

A gunfight at Lil Wayne’s Miami mansion left four people hurt, according to reports.

The rapper wasn’t at home when it went down.

Reports say that a call came in on the non-emergency line with the police and notified them that the people had been shot inside the home of the well-regarded rapper.

Other reports have said that no emergency vehicles were dispatched, nor were there any victim registered.

A few days ago, a suspicious looking person was flagged after being seen outside of the residence.

FRESH HEAT – Korleon (KOJ) Releases New Track "Dope Game (Running Rap)" [P### by Big K.R.I.T.]

Korleon (KOJ) aka the King of Jackson is back again with some Mississippi twang. Featuring a lit Big K.R.I.T. produced track, Korleon finds himself rapping over a souled out southern-playalistic pimptastic beat that only K.R.I.T. could compose. Its two of Mississippi’s finest coming down in something clean, def worth a good spin!

Arizona Fetti "Privilege" ft. Young Buck (P### by Black Metaphor)

Bred in South Side Chicago and Hampton Roads, VA Arizona Fetti has been rapping and making moves in the streets since his late teens. While the origins of his name have nothing to do with where he is from, he is now residing in Atlanta, GA and thriving in the constanstly bubbling rap scene of ATL. Since arriving in ATL, Arizona Fetti has developed quite a resume having performed songs with Doe B, LEP Bogus Boys, Lex Lugar and Young Buck.

Along with many other popular acts that circulate the VA and Atlanta studio scene Arizona Fetti is preparing to release songs throughout the summer. With a host of features lined up, Arizona Fetti is starting things off with G-Unit affiliate Young Buck who is featured a track called “Privilege” To hear Privilege check below and listen up via Soundcloud.

Z-Ro – "Sweet James" (produced by Flaco Da Great)

Houston rapper Z-Ro aka the Mo City Don drops his track “Sweet James” getting the assist on production form Flaco da Great, who has produced for a host of artist over the course of his career. Look for this on Z-Ro’s “Melting the Crown” effort.

E-40 "Choices (Yup)" [P###. by Poly Boy]

40 water returns with his track “Choices (Yup).” If you haven’t tried his new brand of alcohol and you’re over 21 it’s def a nice d### that mimics the New Orleans’s drinks fo Mardi Gras. Check out this Heavy On The Grind Entertainment presented track, E-40 “Choices (Yup),” produced by Poly Boy.

Do You Want College Or A Kilo?

“Before ever dreaming of earning a college degree, I dreamed of one day copping a ki (kilo of cocaine)” or at least, being fronted one. Those incredulous words you just read are both harsh realities for many and derivatives of a rap song. Which shouldn’t be so far unimaginable especially sense rap is just a reflection of the community, the origin of the genre. The actual rap lyrics referenced are from Rick Ross and goes as follows, “he wanted him a degree, but got him a ki.” However, when I first heard the song, my interpretation, as it applied to me and many I know, was quite opposite. And as glaring as that may sound to some, what’s sadder is the fact that there were millions of young black boys growing up when I did and like I did who felt the exact same way as I did. As a matter of fact, what may be even more heartbreaking and glaring is, that flawed, but honest sentiment of mine from thirty years ago may be more applicable and relevant today amongst our youth. And we wonder why the prison population is thoroughly overrepresented by people of color, especially black males. But it’s not coincidental at all.

If it was thirty years ago, John Legend’s Oscar acceptance speech comments made a couple of weeks ago about the number of black men under correctional control being greater than the total number of black male slaves in 1850 could have honestly been disputed. Because prior to 1985, America’s prison system wasn’t dominated by people of color, as it is today. Instead our prison system population on both the state and federal levels were mostly comprised by whites. Reports suggests that the numbers of white prisoners from 1970 to 1984 were as high as 60 percent of the total prison population. But something, not so “coincidental” as it may seem occurred between 1985 and 1995, around the time I had kingpin aspirations and the time I was scheduled to graduate from college. An American civil war was waged mainly on poor black people, disguised under the pseudonym as the “War on Drugs.” Well in all actuality, the “War on Drugs” was started in the ‘70s led by then president Nixon, but President Reagan in the ‘80s was at the helm when the prison population numbers skyrocketed due mainly to nonviolent drug related crimes. And it’s obvious who were impacted the most.
I was twelve in 1985. Beginning the seventh grade. Slick as ever, all in my mind. I had three notebooks that I carried daily. One notebook was full of school work, another was a book full of Run-DMC rhymes that I was memorizing and the third book was full of a list of things that I was going to purchase when I became a big time drug dealer within that year. This was during the time in the ‘80s when older hustlers were starting to recruit juveniles to sell drugs for them because the penalty for getting caught was far less criminally punishable for the child than the adult. Oftentimes the child would be released to the custody of a parent, whereas the adult would be prosecuted to the fullest extent of the law. Seemed like a risk worth taking to me. So, like the title of Rick Ross single Neighborhood Drug Dealer, I aspired to be.

I totally disregarded the fact that drugs and drug dealers were the detriment to our communities and families by helping to perpetuate hopelessness through marred lenses and by personally assisting in the dismantlement of the black family, even their own. I was too young and uninformed at the time to understand the game even though I was personally being affected by it. I tried to ignore my own father’s heroin addiction and how his substance abuse issues had personally devastated and traumatized me, my mother and the rest of our family. I surmised that he was weak for falling victim to a substance and allowing it to derail and defeat him as a man. I concluded that I didn’t want to be like him, as a man. Rather I celebrated and elevated drug dealers as men I’d aspire to be like. And apparently I wasn’t the only one.

You see, it was easier for me, at the time, to reason that being a kingpin was more attainable than earning a college degree. I hadn’t known anyone who’d graduated from college personally. And I didn’t personally know any drug kingpins as a child. But unfortunately, the presence of common drug dealers were rampant in and throughout my neighborhood. Plus, I was sold on the commercialization and glamorization of the imagery of gangsters, hustlers and others who thumbed their noses at the system and appeared to be winning. I was ignorant. But not necessarily due solely to my own choosing.

This was done systematically. I was personally targeted. And that’s not conspiracy theorist cliché. Naw, that’s the actual truth. Either way I was destined to become a statistic. Graduate college?

Statistic. Become a criminal? Statistic. Truth be told it was much easier for me to succumb to the societal ills that plagued my community and became the nemesis for so many other black men. I wasn’t supposed to make it. Well let me recant that statement. I wasn’t supposed to make it unscathed. And I didn’t make it unscathed. I was severely impacted. I just happened to avoid incarceration (knock on wood). Mobb Deep said it in 1995, “there’s a war going on outside, no man is safe from.” None of us were safe then, nor now. And we have the evidence to support that claim. Just look at the jails.

Dee Boi – "Hard To Kill" (Feat. Caskey) [P###. By The Avengerz]

Dee Boi’s long-awaited 10 Toes Down mixtape, executive produced by The Colleagues it out now and we today we feature one of the stand out tracks. Check out Caskey featured song with The Avengerz on the beat. Dee Boi is a vet rapper and he’s enlisted the help of some heavy hitters down in Florida’s panhandle. Check it out… Woop, Caskey, Mojo, The Colleagues, K.E., The Averngerz, Yung Ladd, Ton Hitz and more. Stream & download here via Live Mixtapes: http://indy.livemixtapes.com/mixtapes/32891/dee-boi-10-toes-down.html