This one started with the people over there at the Breakfast Club, by way of Bossip. But the fact is, Keyshia Dior is doing the rounds these days. Not literally but she sure is getting a lot of attention. Basically, Yo did an interview and he admitted that he was smashing Keyshia Dior, but apparently wasn’t informed that she was with Gucci. So, when he did find out, it made some sense that Gucci would have an issue.
Gucci and Yo Gotti need to stop and just for a group called “Yo Gucci.”
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.
Illseed, Out.
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(AllHipHop News) Kanye West gave Sway his first TV and today (November 26th) gave him one of hist angriest interviews of all time. During an interview on Shade45, Sway questioned Kanye’s tactics of entering the fashion world and Kanye let loose a barrage of inflammatory comments aimed at Sway’s former clothing line, knowledge of the fashion industry and more.
After ranting “you ain’t got the answers, Sway”, Kanye eventually articulated his frustration with Sway’s question regarding why Kanye doesn’t empower himself instead of tearing down companies:
This industry of what I’m trying ot get into. Ain’t nobody never broke down. Ain’t nobody broke down. We all slaves, I ain’t trying to disrespect you on your show. […] Y’all ain’t experience nothing but a moment out of the movie out of Glory. Back in the days, the slaves had enough money they could buy their own freedom. We slaves to Nike. We slaves to Benz. We slaves to public perception.
Check out a fan-recorded video of Kanye West and Sway Calloway’s heated exchange below:
(AllHipHop News) Red Bull Music Academy is celebrating its 15th anniversary with a coffee table book containing conversations between 36 of the most influential, accomplished and burgeoning musical acts in the world. The book, For The Record also includes candid and in-depth conversations between major Hip Hop Just Blaze, Erykah Badu and upstarts The Underachievers.
Just Blaze is paired with legendary Motown arranger, Paul Riser for his conversation in For The Record. An overview of their talk reveals that for Just Blaze’s “What We Do” beat off Freeway’s Philadelphia Freeway sampled a song Riser arranged; Creative Sources “I Just Can’t See Myself Without You”.
For The Record goes on sale today in the U.S. for $39.95 in specialty bookstores, music shops and in the Gestalten online shop.
This is not the first time Just Blaze and Erykah Badu have participated in talks with Red Bull Music Academy. Check out Erykah Badu speak on meeting and her relationship with, J. Dilla:
(AllHipHop News) Ten years before 50 Cent’s Get Rich or Die Trying redefined the commercial success ceiling for new rappers, Snoop Dogg’s 1993 Doggystyle album was the benchmark. In a recent interview with Rolling Stone, the Death Row Records kingpin Suge Knight spoke on the creation of the album, his relationship with Snoop in 2013 and reveals a story about how Def Jam tried to lure Snoop to the East.
A month before Snoop Dogg released his first single as a solo artist, “What’s My Name” he was arrested for the murder of Ethiopian immigrant Philip Woldemariam. According to Knight, at the time of Snoop’s September 1993 arrest, only one song had been recorded for Doggystyle and Interscope Records(specifically Jimmy Iovine) were hesitant to assist the unheralded MC. Suge himself even believed Snoop was going to jail:
Everybody thought he was going to go. A few times in court they asked him to stand up, and Snoop would actually get weak in the knees and fall back down. It was a lot of pressure. But it was still good to be able to come through and pull that off for him because it opened it up a bunch of doors and showed the world a different side of rap music.
The trial for the 1993 murder case did not take place until November of 1995, in which time Snoop Dogg had sold over 4 million records and became the hottest rapper in Hip Hop. Knight reveals that Lyor Cohen and Russell Simmons tried to lure Snoop Dogg to Def Jam, before Suge says he had to “literally smash them”:
They figured if they could work it out with Snoop, they could work it out with Jimmy [Iovine], and where that leave me? So then that’s when people turned around and said, ‘Oh, Death Row m########## is some f*cked up motherfuckas, and Suge Knight’s an aggressive mothaf*cka.’ Because somebody had to put their foot so far up Russell’s a*s he thought he was in the hot tub with the guys he usually be with. [Laughs.]
In a 2006 Rolling Stone interview, Snoop claimed Suge attempted to get him murdered while the Death Row boss was in jail serving a nine year bid for a 1997 probation violation. Seven years later and Suge explains that his and Snoop’s relationship has taken a turn for the better:
My relationship with him is where it’s supposed to be. It’s respectful on both ends. I could never turn around and say I hate this mothaf*cka, because he’s a part of my life and I’m a part of his life. There was times starting this business with Death Row that some people were scared to go out of town, scared to go to New York. I’d come grab him, we’d go straight to the airport, just me and him, no entourage, not one person with us. We’d get our room, we’d go hang out, we’d be everywhere. We would go there, post up, enjoy the city, respect the city, and that went so far.
Check out the full interview here.
(AllHipHop News) New York emcee Skyzoo is set to drop his next project titled An Ode To Reasonable Doubt. The EP is an homage to fellow Brooklynite Jay Z’s classic debut album. To further honor the Roc Nation boss Sky is releasing AOTRD on Jigga’s birthday December 4th. He revealed the date on Twitter.
[ALSO CHECK OUT: Watch DJ Evil Dee’s Cypher Featuring Talib Kweli, Joey Bada$$, Buckshot, Skyzoo & More]
December 4th. Get ready. #AOTRD pic.twitter.com/zCcqKFhBCk
— Skyzoo (@skyzoo) November 25, 2013
An Ode To Reasonable Doubt will be the follow-up to Skyzoo’s previous 2013 mixtape The Penny Freestyle Series Part II. He dropped his last studio album A Dream Deferred on The Faculty/Duck Down Records in 2012.
[ALSO CHECK OUT: Mixtape Download: Skyzoo [#BGA] – The Penny Freestyle Series]
Watch Skyzoo’s video for “Spike Lee Was My Hero” featuring Talib Kweli off A Dream Deferred below.
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The views and opinions expressed herein are those of the author and do not necessarily reflect the views of AllHipHop.com
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“The large majority of the Negroes who have put on the finishing touches of our best colleges are all but worthless in the development of their people.”
Carter G. Woodson, Harvard trained historian and creator of Black History Month.
Due to the importance of depicting Black Americans as a permanent underclass in the function of capitalism in this country, people outside the Black community are generally oblivious to the existence of the class distinctions that have wreaked havoc among Blacks from the earliest points of American history.
When contemplating the sophistication of the oppression required to keep Blacks collectively in check and totally unable to topple the system built on their subjugation, the importance of the Black collaborator to maintaining this same economic system becomes more obvious. One of the most effective ways to ensure that collaboration has been creating classes of Blacks who through either their proximity to the White power structure, skills attained navigating that morally bankrupt system, or educational attainment, maintained such a desire to excel in the very paradigm that was destroying their brothers and sisters in race that they would act in ways intentionally, or often unintentionally, that sabotaged the very well being of other Blacks who had not obtained their class distinction. The irony of this reality is that usually those Blacks who are blessed with the skills to be the most effective collaborators to Black subjugation are the ones who have been largely controlling Black political discourse for over a century.
One may ask what makes this particularly distinctive in the case of the Black community since the elite, or upper classes, of every society are the ones who control their respective political discourse. The answer to that question lies in the very problem caused by the initial public perception that all Blacks function as one community in some greater “underclass minority.” Since broader society makes no distinction as to the various levels of Black American class structure, the notion of an elite segment within the Black community acting to the detriment of the larger segment becomes lost. Hence, when MSNBC has Black Phds discussing the plight of the Black poor and Obama’s policies relative to them, most Americans take that Black person as an authentic representative of Black aspiration without realizing that particular Black Phds’ desire is vested in better serving the presidential administration that is generally damaging the Black community, as opposed to actually representing the interests of the Black poor. Hence, the class dynamics of the Black community, working behind the shadows of America’s racist social structure, allows an educated cadre of Blacks to work their best at assuring the viability of the White power structure, while being chosen as the legitimate representatives of the Black poor and working class that are being destroyed by that same power structure.
These dynamics are particularly damaging to the larger Black community when the face of the White power structure vested in Black subjugation is a charming tall Black man with a beautiful wife, who fulfills all the vapid, aspirational, self serving desires and fantasies, of those well trained Black collaborators. This is the reality of the Obama age.
From the beginning, the Black poor and working class were sold a bill of goods in this president based on credentials appealing to the Black petite-bourgeois. The Ivy League education and sterling credentials through the liberal foundation world of Chicago had no real resonance to poor Blacks living in a world of de-industrializion, neo-liberal privatization, and mass incarceration. But because those credentials were given light through the prism of the pedigreed Blacks who make up the same vacuous circles of “Public Intellectuals,” Talk Show Celebrities, and the Black Misleadership class, the Black poor and working class were pitched, top down, an image of the new Black savior who was the “the one” Black people had been waiting for. Hence, the craven petite bourgeois Black professional desire to both validate their presence in the hostile White working world, and vindicate all the abuses they received in that world, would be consummated in an Obama presidency. Meanwhile, the Black working class and poor were conned into buying the hustle. Obama’s presidency comes to life as the creation of Madison avenue marketing, Wall Street Financing, and Ivy league propaganda. The Grass roots bona fides of this president as“community organizer” were completely exaggerated if not concocted to dupe the Black working class and poor. Meanwhile, pimping out symbolism of a noble Black Freedom Struggle to dupe the Black poor into supporting a Black elite political fantasy was key to electing Wall Street’s Perfect Manchurian Candidate. This when the demographic browning of America and the limits of finance capitalism required Blacks neutralized to ensure wealth transfer upward.
In the end, both the Black poor and the Black elite have been left with nothing but “Yes We Can” buttons and worthless empty symbolism. At the same time the Voting Rights Act has been gutted, the Black/White wealth gap increases, Black unemployment continues unabated, and now Historically Black Colleges and Universities are being eviscerated by the same “one;” Barack Obama, Black people supported with over 95% of their vote. This is how the age old trajectory of the Black Educated elite controlling the political reality of the Black community has ended: with the largest abyss of Black socio-political status since the death of Dr. King. Hope and change indeed.
(AllHipHop News) A lot of people in the Hip Hop community have been waiting to see what would happen when Kanye West and Charlamagne Tha God finally met face-to-face. The Breakfast Club host had been referring to Ye as “Kanye Kardashian,” been continuously critical of his latest album Yeezus, and had been calling the Chitown emcee out for his animosity toward corporations.
[ALSO READ: Kanye West Speaks On Confederate Flag, Fashion & President Obama Calling Him A “Jacka**”]
Kanye finally stopped by Power 105 to address Charlamagne’s criticism. He also talks about fashion, his “love-hate” relationship with the paparazzi, the Roc-A-Fella breakup, the “Bound 2” video, the difference between Black wealth and Jewish wealth, and more.
[ALSO READ: Kanye West Says He’s Dropping Nike For Adidas]
Watch the full 40-minute interview below.
(AllHipHop News) As Chief Keef is still dealing with issues in one child support case, the 18-year-old just found out he is also the dad of another 10-month baby. A DNA paternity test confirms that the “I Don’t Like” rapper fathered the child, and a judge has ordered him to pay $2,500 a month and an additional $25,000 for back child support.
[ALSO READ: Chief Keef Says He Has Grown Up (VIDEO)]
Keef had just paid off $11,000 in a separate child support case where he owed a total of $20,900. He is currently in court-ordered rehab for testing positive for marijuana.
[ALSO READ: Chief Keef Partially Pays Off Back Child Support To Avoid Arrest]
(AllHipHop News) Lupe Fiasco promised he would offer something new for his fans on the “Tetsuo and Youth Preview Tour,” but some of those fans left one of his recent shows unsatisfied. The Chicago rapper cut his Salt Lake City set short after a fan in the crowd hit him with a tomato.
[ALSO CHECK OUT: Lupe Fiasco Debuts New Song “Drizzy’s Law” (VIDEO)]
The Salt Lake Tribune reports the incident was sparked when a concert goer in the balcony at The Depot threw the fruit at the stage causing Lupe to stop performing and respond to the suspected offender.
“I’m gonna finish the show, but if there’ more people like that I need them the f**k out of here,” said Lupe. “I know what she looks like – fat, white b***h. Find her.”
Apparently, Lupe then requested that the entire balcony be cleared out causing fans in that area to shout they were not leaving. The Depot’s staff attempted to empty the balcony, but a few attendees were still on the upper lever several minutes so later Lupe walked off the stage. The Depot’s manager later revealed that the show was actually near the end before Lupe stormed off.
While some of the people in attendance supported Lupe on Twitter others felt offended by his choice of words directed at a women in the crowd. Lupe responded on Twitter:
[ALSO READ: Stalley Joins Lupe Fiasco’s “Tetsuo and Youth Preview Tour”]
Watch portions of the incident in the video below.
(AllHipHop News) Philadelphia native Meek Mill is preparing to give back to his hometown with the first annual “A Dreamchaser’s Thanksgiving.” The two-day turkey give away will help feed 600 families in Philly.
[ALSO READ: Philly Natives Meek Mill & Dion Waiters Announce Dream Chasers Sports and Entertainment Youth Summit]
“Philly raised me and made me into the man I am today, so to do the first annual ‘A Dreamchaser’s Thanksgiving,’ was an obvious thing to do,” said Meek. “I’m blessed to be in a position where I can make sure that as many people as possible have a meal on Thanksgiving, so that they can be with their loved ones to enjoy the holiday.”
Local organizations Youth Working Together, Town Watch, and Unity In the Community will receive the turkeys. Meek will be on hand at the site. Philadelphia’s mayor Michael N##### and other city officials are scheduled to appear as well.
“I applaud Meek Mill for taking the initiative to give back to his home town,” said Mayor N#####. “Gathering together with family and friends around a shared meal is one of the most important aspects of the holiday season. It is important to give thanks for all that we have, and I am proud that one of Philadelphia’s own is donating his time and resources to make sure families in our city can do just that.”
“A Dreamchaser’s Thanksgiving” will take place November 26th and November 27th. Check out the locations/times below.
[ALSO READ: Schoolly D, Major Figgas & AllHipHop Among Honorees At 2013 Philly Hip Hop Awards]
Tuesday, November 26th
Martin Luther King Jr. Adult Center
5:00-7:00PM
2101-35 Cecil B Moore Avenue
Philadelphia, PA 19121
Tuesday, November 26th
Hank Gathers Recreation Center
6:00-8:00PM
2501-19 W. Diamond Street
Philadelphia, PA 19121
Wednesday, November 27th
Vare Recreation Center
4:00-6:00PM
2600 Morris Street
Philadelphia, PA 19145
(AllHipHop News) “Hold up, I ain’t trying to stunt, man, but these new Yeezys jumped over the jump man,” rapped Kanye West on Cruel Summer’s “New God Flow.” While Mr. West suggested that his signature Air Yeezys show line topped the classic Air Jordans in 2012, it appears in 2013 Ye is ready to dropped Nike all together and jump over to another brand.
[ALSO READ: Zappos Creates “Sh*t Product” In Response To Kanye West Diss]
In an interview with Hot 97’s Angie Martinez, Kanye spoke on how Nike did not offer him royalties on the sale of Yeezys and as a result a deal with rival Adidas could be in the future.
“The old me without a daughter might take the Nike deal cause I just love Nike so much,” said Ye. “But the new, me with a daughter, takes the Adidas deal because I have royalties and I have to provide for my family.”
When Martinez asked if the partnership with Adidas is official Kanye suggests that whatever happens next he will become the “Tupac of product.”
“There ain’t no Tupac of rap except for Tupac,” stated Kanye. “I’m going to be the first Hip Hop designer and because of that I’mma be bigger than Walmart.”
Kanye and Nike released two versions of the Yeezys. The initial Yeezys came out in 2009 and the Yeezy II’s became available in 2012.
[ALSO READ: ADIDAS Drops Limited Edition Run-DMC Kicks & Apparel]
Watch the interview below.