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(AllHipHop News) Hip-Hop mogul Sean “Diddy” Combs plans to tackle the business world of cable TV with a new channel called Revolt.
Diddy will announce Revolt during a press conference that supposed to take place later today (February 21).
Revolt is being billed as a music and news television channel, that will incorporate elements of various social networking sites.
According to a report in the New York Times, Comcast has already picked up Revolt, which will be carried on various local cable systems.
Representatives for Revolt are also in talks with Time Warner Cable, which may also carry the new music channel.
According to the Times, Revolt could launch as early as this year.
Rating: 8 / 10
The best way to describe Yelawolf’s musical pattern as of late is to simply say “Expect the Unexpected.” Since his Shady Records release Radioactive, the Alabama native has been doing everything in his power to remain at the top of his game, including taking the unorthodox road of releasing another EP while promoting his album.
The “Slumdon Bridge” EP has him teaming with up-and-coming UK singer/songwriter Ed Sheeran to make something quite unlike anything you may have heard this year. Although the EP is only four songs, it’s well worth the download and sparks the question if they’ll work together again in the future.
To be clear, this is a collaborative effort from Yela and Ed, but that becomes obvious by the end of the second track listed. The surprise is how well they actually mesh; Yelawolf takes the lyrical route, while more often than not Sheeran provides the powerful melodies that lace the songs even while Yelawolf rhymes (during the intro to “You Don’t Know (For F**k’s Sake)”, Yelawolf even refers to him as the “Melody Man”). Sheeran even ventures into spitting a “rhyme” in the same song, but it fits well with the flow of the EP.
The best part about the project is the fact that within such a short amount of time, Yelawolf figured out a way to show off so many different styles of his lyricism. From the storytelling angle on “London Bridge” to the building rap crescendo on “You Don’t Know (For F**k’s Sake)”, to the all-out aggression on “Faces” (which was done so well it could’ve been slid on the end of “Radioactive” as a bonus cut), to the patterned flow on “Tone”, it all feels like Yelawolf from start to finish.
Aside from the somewhat obvious flaw of brevity here (you can listen to the entire EP in under 15 minutes), there’s not too much to complain about unless you’re looking for the “Hard White” sound from Yelawolf. This isn’t that type of project, but that’s not a bad thing in this case. It’s a unique project from start to finish, and it is well worth noting that Yelawolf and Ed Sheeran are talented enough to pull this off without seeming like a gimmick. It’s the most unlikeliest of teams, but it works. Here’s to hoping that we see more of them together in the future.
Huntsville, Alabama, native Jackie Chain has been doing his thing on the music scene for quite awhile. At a young age, Southern rap groups like UGK, Three 6 Mafia, and 8Ball & MJG, were what caught Jackie’s ear and led him to first fall in love with Hip-Hop. Although he loved it all, from N.W.A. to Nas, from Scarface to Pimp C, Jackie is a product of the streets and the soundtracks that played to them.
After a heavy grind and work ethic got Jackie noticed by some execs at Universal Motown, he was tasked with creating his first major label studio album, Ain’t Slept In Weeks. With a release date set for later this year on his new home, Universal Republic, Mr. Chain continues to prove that with some good ol’ fashioned music, a rabid fan base, and a catchy name, anything is possible.
AllHipHop.com recently spoke to Jackie, after the release of his new mixtape with Nich Catchdubs entitled After Hours, about life in Alabama, his relationship with Bun B and Big K.R.I.T., what the status of his album is, and where he got anointed as “Jackie Chain.”
AllHipHop.com: How you feeling, Jackie?
Jackie Chain: Feeling good, man.
AllHipHop.com: First things first, being that you and your man Yelawolf are both from Alabama, I have to know what kind of crazy sh*t you two get into when you two are together.
Jackie Chain: Oh man, it’s funny because he’s an Alabama fan and I’m an Auburn fan, and so even though we’re both from Alabama, that’s a big rivalry here, so we both get at each other about that. But it’s really just like, we’ve known each other for so long, and when we get together, it’s more just like two old homies kicking it. We just clown and joke and we get really, really, really drunk [laughter].
AllHipHop.com: What are you guys drinks of choice when you’re kicking it?
Jackie Chain: Well, I’m a beer man, I drink Coors Light, and I’ll take the occasional shot of Jaeger, but Yelawolf, man, he loves that Jack Daniels. He’s a true Alabama boy, and he gets down on that Jack, man.
AllHipHop.com: I know you two have toured together in the past, but now you’re about to hit the road and embark on your own 30-city tour. Tell me about what your fans can expect from Jackie Chain on that.
Jackie Chain: Yeah, man, they’re pretty much more so going to be college towns, and we’re just trying to hit those markets which are the same ones I hit when I was on tour with Mac Miller and Big K.R.I.T. and Freddie Gibbs, and all of them. I’m just really trying to hit the markets that show me love, you know what I’m saying? That’s a lot of the college campuses and a lot of the people that support me right now.
AllHipHop.com: Oh, that’s what’s up, man – that should be crazy. Going back in time a little bit, though, for those that don’t know you and your story, tell me a little bit about your background.
Jackie Chain: I always listened to Rap; even as far back as I can remember. Like I remember being in a Rap group in fifth grade. I always loved all types of music, though, but I grew up and started listening to Too Short, N.W.A., and once I heard groups from the South like 8Ball & MJG, I think Comin’ Out Hard was like one of the first CDs I got, and then I started getting into UGK and Three 6 Mafia.
I’m from the South. We don’t have subways, we don’t wear backpacks, we don’t have big skyscrapers. It’s just totally different from being in L.A., so when I heard rappers from the South, I could actually relate and had been to these places that they’re talking about like Memphis, Nashville, and Atlanta. Especially when the whole Dungeon Family, and Outkast, and Goodie Mob, all those cats that just made me fall in love with it all even more. To be able to see what they were actually rapping about meant a lot. I never really grew up on New York rap, because I couldn’t relate to it. Of course I listened to it, but I really first fell in love with Hip-Hop when I heard the Southern rappers, ‘cause it was just all about them being from the same place I’m from.
AllHipHop.com: Do you actually remember the first Hip-Hop album, cassette, or record that you bought for yourself?
Jackie Chain: It was actually a tape, but the first Hip-Hop thing I bought was N.W.A.’s “Hundred Miles And Runnin”.
AllHipHop.com: That’s what’s up. I have to ask, where did Jackie Chain come from? I’m going to assume that’s not your government name [laughter].
Jackie Chain: No, it’s not, and it’s funny how I got it. I did a brief stint in prison. I turned 20 and 21 in prison behind bars and that wall, and I was never really serious about the rapping, but once I got in there, that’s what we did to pass the time. We freestyled and we rapped, and I was the only Asian in the joint, so they hit me with every Asian name from Bruce Lee to Mr. Miyagi to Jackie Chan. And in Alabama, everyone’s got that Southern drawl, so Jackie Chan came out sounding like Jackie Chain.
There was this one guy, and every time he saw me, he called me Jackie Chain. So when I got out of prison, I was hanging out with a lot of my friends the street, and I ran into someone that I was locked up with, and they were like, ‘What up, Jackie Chain?’ and all my friends would get a kick out of it. And then all my friends on the street calling me Jackie Chain, and one thing led to another.
AllHipHop.com: Well, it’s definitely a catchy name, and that’s a cool story to go with it. But like you said before, you listened to and were influenced by all different types of artists and groups, but specifically 8Ball & MJG, Three 6 Mafia and UGK, and you’ve actually been able to work with a lot of them. What is that experience like, being in the studio making a song with someone you idolized when you were younger?
Jackie Chain: Oh, man, it’s crazy. I actually did a song with Bun B 10 years ago, but it was more like I wasn’t in the studio when he recorded it. I did my verse somewhere else; it wasn’t really official, you know what I’m saying?
AllHipHop.com: Yeah.
Jackie Chain: So, my first official single is with Bun B and Big K.R.I.T., and the fact that I grew up listening to these guys, and I get to meet Bun, it was so cool – ‘cause I’ve met Bun at various spots at shows and backstage, but to actually kick it with him for four or five hours in the studio was great.
It took like an hour to do the song but he stayed for like four hours, and we blew through like two ounces of kush. But listening to the music and seeing how real he was, it was really a great experience, because I’ve been around some rappers that are *ssholes, so for him to be so down-to-earth and humble and a legend as one of the greatest to ever do it, that really just meant a lot to me, man.
AllHipHop.com: For sure, man, that must have been amazing. What about the other guys?
Jackie Chain: I’ve kicked it with Juicy J and DJ Paul, and we’ve got wasted. I haven’t kicked it with MJG, but I have had a chance to hang out with 8Ball a couple of times and it’s just…I don’t get starstruck too often, but when I’m around people like that who I’m actually a true to heart fan of, it’s a beautiful feeling and I feel like I’m accomplishing something. Especially back at the crib in Huntsville, because UGK is such a big influence in Alabama that by me doing a song with Bun B, [it’s] like I made it at the crib, and people are like, ‘You’ve got a song and video with Bun B!’ It just feels good, man, ‘cause like I said, I did grow up listening to them my whole life.
AllHipHop.com: That’s crazy, and I can definitely appreciate where you’re coming from. It’s interesting, too, because I’ve never heard a person say a single, bad thing about Bun B. It’s always about how nice and humble and down to earth he is, so it’s cool to hear you say the same about him.
Jackie Chain: Yeah, man, he’s a living legend.
AllHipHop.com: As far as the song “Parked Outside” goes, you told me how you hooked up with Bun, but how did you hook up with Big K.R.I.T. for that song?
Jackie Chain: Well, I actually did about 30 dates last year with K.R.I.T., and just from being on tour and together every single day. And K.R.I.T.’s in the same boat, he’s a cool, humble guy, and he actually did the beat for “Parked Outside.” So when he sent me the beat and I heard that UGK influence and that Pimp C hook on there, I just reached out to Bun and he showed me crazy love ‘cause he liked the song and he messes with K.R.I.T. And it turns out, he was a fan of mine before I ever met him, which blew my mind that he was listening to my mixtapes and all that. So when I reached out to him it wasn’t really business, it was more just like ‘let’s do it.’
AllHipHop.com: Well, since we’re talking about the music, I want to ask you about the project you dropped recently with Nick Catchdubs from Fools Gold called After Hours. That’s definitely got more of an up-tempo, feel good, party and get f*cked up type of vibe, so how exactly did the two of you link up for this mixtape?
Jackie Chain: Well, the response has been crazy, man, and I’m a hustler by nature, so I’m trying to get all that money. I want the rave money, I want the dubstep money, I want that Hip-Hop money, I want all that. So I actually hooked up with Catchdubs through Diplo who I worked with and my A&R at Universal was good friends with Catchdubs, and when I met him he was just cool, man. He sent me some beats, and we just joked around about doing a tape and like, I’ve got a song on there called “Molly” that we shot the video for last year at SXSW, so this mixtape has been in the works for a year. Like I said, I’m trying to get all that money, so if you can cut a check and I can come to your city and roll, then let’s do it!
In March I’m dropping a mixtape strictly for the streets, though, ‘cause I’ve been getting a real good response from After Hours, but my homeboys are like, ‘Jackie man, you need to do some more street sh*t, that’s where you came from.’ So this next mixtape is strictly for the ‘hood, and everybody will love it but I’m gearing it very much toward the hood. It’s going to be like that first Jackie Chain sh*t, that pimping hoes and selling dope type sh*t.
AllHipHop.com: I hear you, man. Does that project have a name yet or are you still undecided on that?
Jackie Chain: We’re still working on the name, man, ‘cause I really want it to be – I’ve got three or four DJs that I’m working with, but I don’t know which one I’m going to work with ‘cause they’re all so – I’ve just got a lot of people that want to work with me now so I’ve got to make the best decision for this hood sh*t, so trust me, you will know about it. I’m wrapping it up now, and it’s crazy. It’s bananas.
AllHipHop.com: I’m definitely looking forward to that, and it should be good for the fans to hear the Jackie that they came up on while you still get to experiment with all the other types of music. I have to ask about the actual album, though. So what is the current status of your Universal Records debut, Ain’t Slept In Weeks?
Jackie Chain: There’s about five songs that had sample issues that we’re just having so much trouble with. As you know, I was signed to Universal Motown, but that whole situation didn’t really materialize and I didn’t know where I was going, but they ended up moving me and the whole Young Money camp and Kid Cudi and Pac D## to Universal Republic.
It’s almost like I got a new deal. We’ve still got the songs on deck, but I had to go up there and shake some hands and see what was what with my project. So right now everybody at Republic is showing me love, and everybody is interested in it. So, I think it’s just a matter of getting back up in there and chopping it up with them and seeing what’s up but it’s definitely going to drop this year.
AllHipHop.com: It sounds like a good “fresh start” for you, not to say that you need it, but it certainly can’t hurt. Who were some of the people that you got to work with on the records that haven’t had sample clearance issues?
Jackie Chain: Oh, man, well, production-wise I’ve got, of course, the Block Beattaz. I got some beats from K.R.I.T., he did a couple of joints on there for me. I actually got a crazy song on there with me, Big K.R.I.T., and Yelawolf that he did the production on, and it’s crazy! I got [Kid] Cudi on the album. I got some nice little features on Aint Slept In Weeks, and a lot of the songs with the sample issues have features on them, so I’m not sure if they’re going to get cut or what, but I’m definitely coming strong. Of course, I got Bun [B] on the album, so it’s gonna be crazy, man.
AllHipHop.com: Damn, that Yelawolf and K.R.I.T. joint sounds crazy! I can’t wait to hear that and the rest of the new music. Is there anything else you want the fans to know about?
Jackie Chain: Yeah, man, just follow me on Twitter @JackieChain74, and no I was not born in ’74, a lot of people ask me that. Just look out for me, man. I’ve got a new video about to drop for “Role Models,” and I’m just getting it. I’m trying to get it in this year, so look for me in a city near you.
AllHipHop.com: Got to ask, what does the 74 stand for then?
Jackie Chain: It’s just an organization, man. I don’t want to say it’s a gang, but it’s an nationwide organization that I’m a part of that is all about growth and development and helping each other.
AllHipHop.com: Fair enough, man, just had to ask. It was a pleasure talking to you, and I can’t wait to hear what you’ve been cooking up. Thanks for your time.
Jackie Chain: Oh, it’s all good, man. I’m a big fan of the site, so I appreciate the love.
Download Jackie Chain and Nick Catchdub’s After Hours Mixtape Here!
Follow Jackie Chain On Twitter: @JackieChain74
Rating: 8/10
Chase N. Cashe of the Surf Club has dropped his long-awaited mixtape, The Heir Up There, hosted by DJ Drama. Last year, he released his first mixtape, Gumbeaux, and began making his transition to the rap side of the game, to complement his top-notch production skills. Some of his most popular production credits to date include Drake’s “Look What You’ve Done” and Lil Wayne’s “Drop The World”. As you might expect, the production on The Heir Up There is excellent, thanks to Chase’s own efforts as well as Araab Muzik, Tha Bizness, and Hit-Boy, among others.
The opening track, “I’m The Man,” produced by Chase himself, is an early highlight on the tape with heavy-hitting bass and lots of energy from Chase behind the mic. Another self-produced standout (“Where Do We Go”) samples Coldplay’s “God Put A Smile On Your Face” throughout and has Chase digging a little deeper, rapping about his musical and life journey as well as his philosophy of keeping it trill.
Chase then shares his “Daily Routine” on the Hit-Boy and Merge produced track, rapping on the hook, “All I do is get cash and get *ss.” He goes on to elaborates further on the subjects of women and money here, which are two topics that take a prominent lyrical presence throughout the tape.
The last five tracks, beginning with the Megaman produced “S.S.D.” provide a canvas for Chase to put his alluring flow on full display. The self-produced “Show & Prove” features Chase speaking on his style: “Versace T-Shirts with the wheat Timbs and a Surf Club fitted that’s how we Trill,” while on “B.Y.O.H.” (Bring Your Own Hoes), produced by Tha Bizness, he brags about the ladies: “I’m constantly conversing with women from ‘round the globe with / accents and visas, bad b*tches and divas, stamps on the passport / gotta know how to treat ‘em.”
Chase’s bravado continues as the mixtape nears its end. On yet another self-produced track (“Don’t Worry”), he raps about the rewards he’s earned through hard work: “The club sponsored me with bottles, I’m important and sh*t / And I’m surrounded by some models we imported and sh*t.”
After a lengthy wait for The Heir Up There to drop, fans will definitely be pleased by Chase’s work as he continues to make a successful transition in becoming a multi-talented artist. The timing of the tape’s release also ended up being just right as Chase joined Drake, Kendrick Lamar, and A$AP Rocky to kick off the Club Paradise Tour this past week. Overall, The Heir Up There is an impressive effort from Chase, featuring stellar production and enough energy and braggadocio and positivity from him to carry the mixtape from start to finish.
Download The Heir Up There at ChaseNCashe.com
(AllHipHop News)bA man wanted for his role in Jimmy “Henchman” Rosemond’s drug dealing operation was apprehended over the weekend.
Authorities had been seeking Jason Williams, who went on the run in May of 2011, after an indictment was unsealed accusing Henchman and his subordinates of using Czar Entertainment as a front for a $10 million drug dealing operation.
Henchman is accused of using Czar, which managed artists like Game, Brandy and Akon, as a cover to send hundreds of kilos of cocaine in cases used for transporting music equipment to various recording studios.
The scheme then used Fedex to send the proceeds to mailbox drops in vacuum sealed bags on the West coast.
Henchman himself went on the run from May of 2011 until he was apprehended in late June of 2011, at The W in New York’s Union Square.
In October of 2011, Henchman’s brother Kesnar Rosemond was sentenced to 12 years in prison for his role in the drug dealing operation.
Jimmy “Henchman” Rosemond is currently awaiting trial on drug conspiracy and trafficking charges.
He has pleaded not guilty and faces a life sentence if convicted.
Jason Williams is currently being held without bail on cocaine distribution and drug trafficking charges.
(AllHipHop News) Baltimore, Maryland rapper Los, Diddy’s most recent signee, recently spoke with AllHipHop.com about inking with the Bad Boy roster.
Los joins are stable of artists that includes MGK, Red Cafe, French Montana, Dirty Money and Cassie.
The new talent is part of Diddy’s plan for the future of the famous Bad Boy Entertainment record label.
Los, who was signed to Bad Boy in 2005, hopes that the second time with the label will thrust him into the national spotlight, after the first deal soured due to “non-musical reasons.”
“You know I had a relationship with Puff from the past. In 2005, I was signed to Bad Boy and things didn’t work out,” Los told AllHipHop.com. “Non-musical factors affected us, and we went our separate ways, and I just continued to work and build my brand and put my own thing together. It just so happened I started to get the attention of the masses. And, we had a vested interest and he gave me a call, and we just started talking and communicating and we re-built the friendship and we just sat back and saw where it would go. It all ended up coming full circle, and here we are now, you know?”
Los recently spent time behind the scenes on MGK’s most recent visit to 106 & Park.
He also kicked off the New Year with Diddy in Miami and is fitting in nicely with the rest of the Bad Boy roster.
“MGK, French [Montana], Red [Cafe], everyone is extremely talented and cool. I definitely have plans on working with all of them. Cassie has a lot of stuff going on right now with her project she’s working on, King of Hearts,” Los told AllHipHop.com. “We are all kind of figuring out our direction as individual artists, but we come together when we can to help each other. But me, of course I’m just getting my feet wet, but we will definitely all come together.”
But everything hasn’t been easy for Los, who hails from the rough streets of “Charm City,” which was famously showcased in HBO’s The Wire.
According to Los, the climate in Baltimore is not far from the scenarios that played out on the famed, award-winning series.
“I mean, to be honest with you, it’s not far fetched, you know, ‘The Wire.’ It’s a tough place, man, it breeds people that are survivors, and it embeds the hustle and it instills strategy, and everything,” Los explained to AllHipHop.com. “Because just surviving in Baltimore is like an obstacle course, and when you go through the things that just growing up there naturally puts you through, it just prepares you for the rest of the world – if you can make it there. That’s just basically the way I can sum it up. Baltimore is like boot camp; it conditions you for life, but at the same time, you can’t let the elements go over you man and you just have to persevere.”
Los is currently hitting shows across the country in support of his project The Crown Ain’t Safe.
He also plans to drop the video for “King Los,” one of the highly touted songs on the project.
In the mean time, Los is just learning from Diddy and picking up on any advice the rap mogul/legend has to offer about life and Hip-Hop.
“He [Diddy] is just a great coach.” Los said of his mentorship with Diddy. “Of course, he has a tremendous amount of knowledge and wisdom in this game, as well as in life, and I think that he’s mastered the art of Black excellence, and the hustle. So it’s like, why would you not listen to anything that he has to say?”
By now, we’ve all heard the rumors about Rihanna’s popular “Birthday Cake” track being remixed to feature Chris Brown. The rumor is all but confirmed at this point. Well, according to Sandra Rose.com’s exclusive source, the head honchos over at Roc Nation may put the breaks on releasing the track due to all of the controversy surrounding Chris Brown’s appearance on it.
Apparently, Rihanna’s core fan base known as the “Rihanna “Navy” are not in support of the track and consider the collaboration to be “career suicide.” The track is scheduled to drop tomorrow and has the full support of both Rihanna and Chris Brown. Check out their tweets below:
In related news, Happy 24th birthday to Rihanna!
Source: Sandra Rose.com
Maybach Music’s Bang ‘Em Smurf is preparing for the release of his upcoming mixtape Black Listed, which is due in stores next month.
The mixtape is 80% finished, as Bang ‘Em Smurf awaits vocal tracks from a few artists within the Maybach Music camp.
“Everything their touching [MMG] right now is crack,” Bang ‘Em Smurf told AllHipHop.com. “They started a whole new front line so he has to get his boys poppin. That’s how they get their name out there and the buzz bigger. Ross a smart ni**a I see what he’s doing, [since] I been around the best of them.”
Bang ‘Em Smurf was once a childhood friend and member of 50 Cent’s famed G-Unit brand, but was ostracized from the group around 2003, just as new members like Game and Young Buck joined the camp.
Like both Game and Young Buck, Bang ‘Em Smurf had a nasty, public falling out with 50 Cent and his crew in 2005.
In 2008 after various legal issues, Bang Em’ Smurf was deported to Trinidad, where he eventually established a strong connection with Rick Ross, 50 Cent’s bitter rival.
Bang ‘Em Smurf addressed rumors floating around that Young Buck might join Maybach Music, after his legal issues with G-Unit are resolved.
“Buck never disrespected me and I havent disrecpected him since I been outta jail,” Bang ‘Em Smurf told AllHipHop.com. “I got love for Buck. Buck a real n#### and I’ll tell you that, cause when I was on the road with G-Unit that’s who I used to f**k with. Me and Buck did alot of things together, I didn’t feel no way cause he didn’t disrespect me.”
Bang ‘Em Smurf recently released two cuts off the Black Listed: “Fast Lane” and “This Lifetime.”
Black Listed is set for a March 13 release date.
http://www.youtube.com/watch?feature=player_embedded&v=d9n4LYLKeqQ
Follow Mikey T The Movie Star on Twitter @MTMovieStar
According to the Sunday Mirror, if you keep Yeezy waiting, be prepared to get fired! The London-based newspaper is reporting that a driver for Kanye West was dismissed after Yeezy complained about the driver being two hours late!
The Mirror is reporting that Kanye, who is in London preparing for fashion week, sent his driver out to pick up his lunch, and the driver took two hours getting back with his grub! The driver blamed his lateness on London traffic, but sources said Kanye was so upset that he refused to eat the food after the driver arrived, and later complained to the head of security who had the driver fired.
Is Kanye that “heartless?” Was Yeezy not “honored” by his driver’s lateness?! Well, according to Perez Hilton, Kanye’s people reached out to him to clear up the rumor. His camp says the story is a “complete fabrication,” and all of “Mr. West’s drivers are happily employed.”
Well, that’s good to hear! Even though, if the driver WAS two hours late, Yeezy would have been well within his rights to complain.
Source: Perez Hilton.com
Holding up a yardstick against Hip-Hop has always been monumentally difficult.
One of the best things about Rap as the relatively youngest, significant musical genre to date has been its organic development into more diverse sounds, flavors, themes, and colors than we ever considered imaginable some 30+ years ago.
Therefore, ranking greatness or hotness among rappers, producers, DJs, and the like is nearly impossible and, perhaps, annoyingly unfair. Especially to people like me, a certified Hip-Hop head who loves the culture and its many brilliant offerings.
Last night (February 19), MTV hosted its sixth installment of the “Hottest MCs In the Game,” where they survey the rap scene and attempt to place rappers in some sort of hierarchy of influence and dopeness. I say impossible. But, Rick Ross topped the list, and while some of you were surprised and some were angry, many of you were likely nodding in sheer agreement.
I learned my lesson about ranking hotness the hard way recently, as I helped to select AllHipHop.com’s Top 40 Albums of 2011 list.
2011 was an above average year for eclecticism among MCs – there was conscience and rebellion and bravado and artistry and some ratchetness, too. And, the field had also evolved beyond our imaginations to include seasoned rappers, newbies, other cultures, and even a former correctional officer such as Ricky Rozay. And, though there was next to no female presence (to my dismay), I thought it was a good list.
Ultimately, we settled on Watch The Throne as album of the year. OK. Cool. But soon after, a super-respected-in-the-industry friend of mine surveyed the list and said, “You know you’ve let down Hip-Hop, right?” His angst was with our placing The Roots’ Undun album in the number two spot, just below the gigantic pairing of Jay-Z and Kanye West.
Sheesh! Had I let down the entire culture with one decision in a ranked list? Surely, no one could argue that “The Throne” was THE force to be reckoned with last year. But then again, he had a point – The Roots have been catapulted by some of the best lyrics ever spit over unforgettable, live instrumentation consistently for like 20 years.
The decision was impossible, but ultimately, it may be The Throne’s “hotness” that won the day. And, whether we like it or not, factors like their massive marketing budget, gazillion Twitter followers, ability to tap into the youth market, and willingness to take endless shots from the critics helped out, too.
That seems to be the way of the industry in this day and age – being great and being on top don’t necessarily go hand-in-hand. Certainly Jay-Z is one of the dopest ever – but is he doper than Black Thought? Sure, Kanye West will say whatever on a track, but is he more outrageously brilliant than, say, an Immortal Technique? And yes, Rick Ross is flossing on ‘em like nobody’s business, but can he outshine Big K.R.I.T. lyrically when you’re talking about over-obsession with candy-painted cars and rims?
There are countless comparisons to be made in the industry, and frankly, those calls are a matter of taste, life experience, and plain ol’ media persuasion. And, they’re not necessarily representative of the talents of thousands of brilliant MCs that infest our local neighborhoods, or even those lucky few who make it to the limelight.
At AllHipHop.com, our early days were wise ones – it was then that we created our signature “Top 5 Rappers Dead or Alive” list to allow the industry to rank itself in terms of who is best. After all, I mentioned that ranking greatness (or hotness) is a job that no one on my side of the desk ever really wants.
So, no matter what the critics say about MTV’s list, Rick Ross (and his Maybach Music Group empire) has indelibly changed the current Rap game – from cornering the market to garnering the respect of his peers. By some standards, that makes him the “hottest MC in the game.”
But hottest compared to who?
Seandra Sims is AllHipHop.com’s Editor-At-Large. Follow her on Twitter (@seandrasims).
Having experienced life in two of the United States’ music capitols, New York and Atlanta, Diego Cash has created a style that combines the best of both regions, their sounds and influences which he calls his “language arts.” This is also the name of Diego’s upcoming album, to be released later this year on brother-in-law Carmelo Anthony’s Krossover Entertainment.This year, he is ready to let the world hear, not just an album’s worth of new material, but a star-studded mixtape that will precede it as well.
AllHipHop.com spoke to Diego while he was in the studio working on new music about his love for Hip-Hop, the almost fatal 2003 shooting, his relationships both personally and professionally with sister LaLa and her husband Carmelo, and what fans can expect when he releases his debut album, Language Arts, later this year:
AllHipHop.com: How you feeling, Diego?
Diego Cash: Good, man.
AllHipHop.com: So first things first, tell me a little about your background and the incident that we could say gave you a new lease on life.
Diego Cash: Well, I’m originally from Brooklyn, New York, and I’ve been in Atlanta about half of my life. Back in like ‘03 I was hustling and some n*ggas tried to rob me, and the whole situation just escalated to me getting shot and having a colostomy bag. I spent about 17 days in the hospital, had three surgeries, and had like three months of recovery. It was just a whole long, drawn out thing.
“My Birthday” – Diego Cash
AllHipHop.com: How did your sister deal with what had happened to you?
Diego Cash: Well, after that, my sister LaLa was up in New York doing her thing on TV, and I called her and just told her, “I’m in a rut.” It’s a real vicious cycle when you get involved in certain things, and there was still the same sh*t going on. I was still making the same movements and still doing the same thing, so I talked to my sister and knew I had to make a change. So I spoke to her, and she told me to come out to N.Y. and I moved up and lived with her for a couple of months and just refocused and worked on music and got my sh*t rolling. I put everything together to how it needed to be.
AllHipHop.com: What was the reason for the original relocation from Brooklyn to Atlanta?
Diego Cash: I mean, I was a kid when I moved out there. My mom and stepdad had broke up, and we had a little family out here so we just relocated closer to the family that was here.
AllHipHop.com: Okay, I understand. Since you did get to experience both an East Coast and Southern Hip-Hop scene, tell me a little about the differences in music in your opinion?
Diego Cash: I think personally in Atlanta and just the South period, there’s more unity when it comes to the music. People are quicker to do a record with you and sh*t. I feel like New York is real cliquey, but it’s starting to change now, especially in the last year or two. I think for the most part, for years, people in New York would only do songs with people in their clique, and in the South you don’t really see that; you can reach out to anybody.
AllHipHop.com: So can you specifically pinpoint the time in your life when you knew you wanted to be a rapper?
Diego Cash: It probably started when I heard Nas’ Illmatic. I couldn’t get enough of that. I was listening to that sh*t everyday, man, everyday.
AllHipHop.com: I guess it’s safe to say then that Nas is one of your favorite rappers, but who were some of your musical influences growing up?
Diego Cash: Well, right now I like to listen to a lot of young guys, like I listen to A$AP Rocky and love what they doing. I like Fred the Godson. I like to listen to the new blood and that new sounding music, but growing up, it was all Nas, UGK, old Master P, the whole No Limit. For me, it was different growing up, because like I said before, I spent a lot of time in New York and a lot of time down South, so my influences is strong from both regions.
AllHipHop.com: I hear you. Since you’ve been back and forth between the two regions and listened to all the different types of Hip-Hop growing up, how would you describe your specific Rap style?
Diego Cash: I think it’s different. I always said I think it’s different because I feel like my flow and my topics and my lyrics and my bars is more of a northern, East Coast rapper. But to a lot of people, I sound like I’m from the South. It’s just a funny blend; you know what I’m saying?
AllHipHop.com: Yeah, well that’s a good way to go when you want to appeal to more than one specific fan base or sound.
Diego Cash: Yeah, and I feel like with me, it’s genuine and it’s who I really am. A lot of people try to force a certain sound ‘cause of where they’re from, but it doesn’t really sound genuine.
“Made N*gga” – Diego Cash featuring Rick Ross
AllHipHop.com: Well, more specifically, since we’re talking about the music, tell me about signing a deal with Carmelo Anthony’s company, Krossover Entertainment.
Diego Cash: Well, I had been doing music for years and Melo my partner, like that’s my homeboy. We were just always cool when I was doing my own sh*t, and somebody had approached him with an artist and talked to him about starting a label and wanted him to join with them and this and that. He called me and told me that these guys wanted to do this and that, so I flew out to Denver and we all met and chopped it up. As time progressed, the deal just wasn’t working with the other people and artists, so me and Melo just stepped down and kept doing it by ourselves and that’s where we at right now.
AllHipHop.com: What role does he play in your career?
Diego Cash: He plays a big role. We talk all the time, and anytime I’m in the studio, I send him songs and we edit the videos together and go over the things we want changed, and who we want for features, we do it all together. It’s all hand in hand.
AllHipHop.com: I hear you. Now, tell me about the album, Language Arts.
Diego Cash: I just feel like my language is my art because music is art. I don’t play an instrument – my instrument is my voice, and my language, and the way I speak things and put it out there. So that’s how I got the title, Language Arts.
AllHipHop.com: I know that you’ve got some pretty big features on that album as well. Can you tell me a little bit about the collaborations and how you hooked up with some of these people?
Diego Cash: I mean, a lot of people I did work with was people that I genuinely had relationships with, that we hang out with, and I can call them on the phone when I’m in their city and what not. It’s good because the guests are different, the sound comes out different, the energy is just different then when you just send someone a song and ask them to do a verse for you. It’s always a different vibe when you’re actually with them.
AllHipHop.com: I assume you’re talking about people like Rick Ross, Cassidy, and Macy Gray. Of the collaborative records that you did do for the album, which would you say has the most “wow” factor to it?
Diego Cash: “Wow” as in “where did that come from?”
AllHipHop.com: Yeah.
Diego Cash: That Macy Gray record is definitely the one. My man out in Cali, Caviar, is a producer that was working with her out there and he’s a big fan and supporter of my music so he hit me and was telling me he wanted to get me and her together to work on something. Next thing you know, I went out there to chop it up, and we did the song together; it came out crazy. It’s called “That Thang,” and she’s damn near rapping on her verse.
AllHipHop.com: Oh really? That sounds very interesting.
Diego Cash: Yeah, man, it’s crazy.
AllHipHop.com: When does the world get to hear the album? Is there a tentative date for it to come out right now?
Diego Cash: Right now, no. I’m going to drop a mixtape probably in like the middle of March first.
AllHipHop.com: What can you tell me about that?
Diego Cash: It’s me and my man Hot Sauce; he’s a crazy producer. We did the whole mixtape together. I got [Rick] Ross on there again, I got Y.G. from Cali, I got Diamond from Crime Mob, Gorilla Zoe. That’s a lot more of me playing around with a couple of different styles so it’s just a fun tape with some different stuff. I just got the first cut of the first video we’re going to drop off of it called “My Birthday”; I had Aristotle and By Any Means do that for me in New York. I just finished watching it, that sh*t is crazy.
AllHipHop.com: Based on how the mixtape turns out, is there a chance that some of the music from there could end up on Language Arts if the response is strong enough?
Diego Cash: Oh yeah, definitely, definitely. My whole thing is that I would never say, “This is for that and that is for that,” I just feel like you have to wait and see how people react to it and see what they gravitate to.
AllHipHop.com: I get it; let the people decide.
Diego Cash: Exactly.
AllHipHop.com: Now to transition outside of music, I know you’ve made appearances on show’s like LaLa’s Full Court Wedding and The Deal. Are there any plans for you to return to television, whether it be reality or something scripted?
Diego Cash: I mean I feel like music is the greatest platform in the world, and once you do that you can do anything. So I would never rule it out. I’m not in any acting classes or anything, but whatever will happen will happen. We’re filming the third season of the show as we speak, so that’s the next thing coming.
AllHipHop.com: I have to ask, are you your sister’s favorite rapper?
Diego Cash: [laughter] I hope so! She tells me I am.
AllHipHop.com: I would assume that you two are very close. Does she play a specific role in your career or is she more of a support system?
Diego Cash: Yeah for sure. As far as the music goes, she doesn’t do too much. I really just come to her because I like a woman’s opinion on different songs and my different music. So she’s like an independent consultant [laughter].
AllHipHop.com: [laughter] I like that. Alright, Diego, thanks for your time.
Diego Cash: Thank you, man.
For more information visit www.ThisIsDiegoCash.com
Follow Diego Cash On Twitter: @DiegoCash
February is Black History Month! And, in honor of those who have paved the way and pioneered in Hip-Hop culture and beyond, AllHipHop.com pays tribute all month with its “Monuments” series.
There’s no doubt about it – Hip-Hop’s earliest influences derive from an era filled with politically-charged messages, catchy melodies, and rhythms that made your hips move and your head bop. Hip-Hop is a genre that, from the early days of Grandmaster Flash and The Furious Five, Afrika Bambaataa, Big Daddy Kane, and KRS One, to the Drakes and Big Seans of the game, has always looked to past music for inspiration on a new sound.
From the intensity of James Brown’s vocals, to the seductive delivery of Luther Vandross, Soul music found its way into Hip-Hop and was never asked to leave. AllHipHop.com takes a look back at 10 Monuments of Music who have forever impacted Hip-Hop:
Luther Vandross
Artists that have utilized the smooth tunes of Luther include DJ Jazzy Jeff and the Fresh Prince, Kanye West, Janet Jackson, Keyshia Cole, and even some of rap’s new stars like Lil Flip and Gucci Mane.
Some notable songs utilizing the sounds of Luther Vandross:
“Let Me Hold You Down” by Bow Wow featuring Omarion
“Slow Jamz” by Twista featuring Kanye West and Jamie Foxx
“So Amazing” by 50 Cent featuring Olivia
James Brown
Soul legend James Brown has been sampled by En Vogue, LL Cool J, Total, Notorious B.I.G, and the list goes on and on. According to Live Music Guide, Brown is one of the most sampled artists in music history.
Some notable songs utilizing the sounds of James Brown:
“A Man’s World” by Beanie Sigel
“How to Kill a Radio Consultant” by Public Enemy
“Insane in the Brain” by Cypress Hill
DeBarge
This legendary and former Motown group has inspired many of the most influential rappers of our time, including both The Notorious B.I.G. and Tupac. In just 10 years of music-making, this sibling group cemented their place in history. Their style includes R&B, soul, funk, and even gospel.
Some notable songs utilizing the sounds of DeBarge:
“I Aint Mad At Ya” by Tupac
“Problems” by AZ
“One More Chance” by Notorious B.I.G
Marvin Gaye
A definite staple in Motown and Soul music history, Gaye proved to be a forced to be reckoned with when he released music that touched on politics and the war on drugs in his hit “What’s Goin’ On”. And, we can’t forget the sexually charged hits like “Sexual Healing” and “Let’s Get It On”.
Some notable songs utilizing the sounds of Marvin Gaye:
“Music” by Erick Sermon
“Love Is…” by Common
“N*ggaz Done Started Something” by DMX featuring The Lox and Mase
Mary J. Blige
Though she’s young compared to the rest of this list, Mary J. Blige has influenced the likes of rapper The Game, The Notorious B.I.G., and The Fugees.
Some notable songs utilizing the sounds of Mary J. Blige:
“Nuttin’ But Love” by Heavy D & the Boyz
“Down” by Juelz Santana
“Don’t Need Your Love” by The Game
The Isley Brothers
This Grammy-award winning band of brothers (and one brother-in-law), has been heard all over Hip-Hop. From the sounds of one of Notorious B.I.G.’s biggest singles, “Big Poppa,” to playing roles in R. Kelly videos, the Isleys can’t lose.
Some notable songs utilizing the sounds of The Isley Brothers:
“Jenifa Taught Me (Derwin’s Revenge)” by De La Soul
“A Night Off” by Drake featuring Lloyd
“Summer Breeze: Sex Room” by Ludacris featuring Trey Songz
The Last Poets
Popularly known as the earlier influencers of what would later become Hip-Hop, this spoken word and musician collective has inspired much of what we hear on the radio. In 2004, the Kanye West-produced song “The Corner”, featured the poets.
Some notable songs utilizing the sounds of The Last Poets:
“Party and Bullsh*t” by The Notorious B.I.G.
“Rebirth of Slick (Cool Like Dat)” by Digable Planets
“The Corner” by Clipse and Re-up Gang
Aretha Franklin
Often referred to as the “Queen of Soul,” Aretha Franklin is the winner of 20 Grammys and a slew of other awards that have applauded her talent. For that reason, Hip-hoppers have borrowed her sounds to create masterpieces.
Some notable songs utilizing the sounds of Aretha Franklin:
“In My Lifetime” by Jay-Z
“Ms. Fat Booty” by Mos Def
“No Respect” by Kool Moe De
Rick James
Known for his wild lifestyle, Rick James was the Grammy-nominated Funk/Soul musician of the late 1970s and ’80s. James made a resurgence in public spotlight when he appeared in the now famous sketch on Dave Chapelle’s “Chapelle’s Show” before his passing. Jay-Z, Yelawolf, Chamillionaire, and Three Six Mafia are among the artists that have taken inspiration from James’ music.
Some notable songs utilizing the sounds of Rick James:
“Kingdom Come” by Jay-Z
“Jane” by EPMD
“Outta My System” by Bow Wow featuring T-Pain
Chaka Khan
A 10-time Grammy Award winning artist, Khan’s music can still be heard in commercials, films and of course, in many of today’s hottest Hip-Hop production.
Some notable songs utilizing the sounds of Chaka Khan:
“Ain’t Nobody” by LL Cool J
“Comin’ Out Hard” by 8Ball & MJG
“Through The Wire” by Kanye West
These are just a few of the many, many “Monuments” who have impacted Hip-Hop. Comment and tell us some of your own favorites!
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