Welcome to the greatest week of your life! Today marks the beginning of the day you decide which way you want your life to go. Being mediocre or being extraordinary is all a choice! Choosing the former shows lack of persistence, faith, and determination. Choosing the latter clearly shows your commitment to life and all it has to offer!
As we set forth on our journey, let’s remember the rose that grew from concrete! The rose who was told that it was too difficult to break-through, and that it should stop trying… The rose who was too stubborn to even listen to such foolishness, and because of this stubbornness, winds up blossoming into a beautiful flower. The rose that knows that the key to success is relentless persistence and a commitment to keep going no matter what!
Be the Rose!! Be Persistent! Know, Believe, and Understand that absolutely nothing can stand in your way, if you really want what you say you do!! You are Great! You are the creator of your destiny! Make your fate beautiful, and live the life you deserve!! It’s Always too Early to Quit!!!!!!!!!!
-Ash’Cash
“If you do not have persistence then no amount of education, talent or genius can make up for it.” -Stephen Richards
“Don’t ever give up, give in or stop trying. If you find yourself succumbing to one of the above, brush yourself off and start where you left off.” -Richelle E. Goodrich
“If you wish to be out front, then act as if you were behind.” -Lao Tzu
“No matter how much falls on us, we must keep plowing ahead. That’s the only way to keep the roads clear.” -Greg Kincaind
“Persistence overcomes resistance.” -Chris Lighty
“Persistence is the twin sister of excellence. One is a matter of quality; the other, a matter of time.” -Unknown
“If at first you don’t succeed, get a bigger hammer.” -Alan Lewis
“Do it badly; do it slowly; do it fearfully; do it any way you have to, but do it.” -Steve Chandler
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Ash’Cash is a Business Consultant, Motivational Speaker, Financial Expert and the author of Mind Right, Money Right: 10 Laws of Financial Freedom. For more information, please visit his website, www.IamAshCash.com.
“A million names on walls engraved in plaques/ Those who went back received penalties for their acts” – “Triumph”, Wu-Tang Clan
For years, Hip-Hop’s hottest rapper, the Boss, had made millions of dollars hustlin’ his misogynistic, minstrel murder music off as Hip-Hop. When people would accuse him of promoting the genocide of the Black community, he would, arrogantly, laugh them off and say they were just hatin’. Then one day, suddenly, things changed. At every radio station, he was confronted by local artists for not reppin’ real Hip-Hop. Angry crowds started gathering at his concerts, throwing eggs at his tour bus. Even at strip clubs, the strippers threw his money back in his face, and yelled, “Keep your blood money!” Dumbfounded, his record label launched a massive PR campaign to win back his fans, but the message from the community was clear..
“God Forgives, We don’t…”
Although, Rick Ross’s new CD, God Forgives, I Don’t, isn’t’ scheduled to drop until the end of the month, the streets are already buzzin’ with anticipation. The title reflects the “revenge is a dish best served cold” swagga that you have to develop to deal with anyone who dares diss you.
Maybe, that’s not such a bad attitude to have, especially against those who continuously disrespect your culture and jeopardize the lives of your children.
It has been said that Black people are the most forgiving people on the planet. You can steal our land, put us in chains, call our women “nappy headed hoes,” and Grandma will still find it in her heart to invite you to Sunday dinner after church.
I’m not sure if that makes us saints or suckas.
Hip-Hop has also been very forgiving. Rap artists can give people ‘hood passes for calling us the N-word. They can act like clowns on Nickelodeon kids shows, make pop records with Justin Bieber and Katy Perry, and still keep their street cred. Rappers can even be exposed as being former correctional officers and still sell millions of CDs, lyin’ about how they used to be big time drug dealers.
There is a thin line between a diehard fan and a dumb fool.
More importantly, today’s Hip-Hop artists can destroy our culture and glorify a lifestyle to our children that has already landed thousands of them dead or in prison, and they still are able to walk around every city in America without having to face the consequences of their actions.
So the question becomes, should Hip-Hop artists be forced to apologize and make amends for the damage that they have caused in the Black community?
We have to admit the reason why Hip-Hop is in the state that it’s in is based on one thing and one thing only – lack of accountability. Rappers are allowed to do whatever, whenever, to whom ever, without any fear of repercussion.
Any attempts to correct their ignorant behavior is usually met with the “who are you to tell me what to do” attitude, followed by the over used Tupac line “only God can judge me.”
Case in point was the recent confrontation between Philadelphia pastor Jomo Johnson and rapper Meek Mill on a Philly radio station. Johnson felt that Mill’s song “Amen” dissed his religion; Mill thought otherwise. Rev. Johnson had just as much right to feel offended by “Amen” as a Muslim minister being insulted by the burning of the Qu’ran or a Rabbi being outraged by someone placing a ham sandwich on the Torah.
Still, some people will argue that rappers are just entertainers expressing their First Amendment right to Freedom of Speech, and shouldn’t have to apologize to anybody for anything.
Bull!
Entertainers apologize all the time. Just not to Black folks.
There is a long list of celebrities who have had to apologize to the Jewish community, gay activists, and animal rights people, etc. When other groups feel even slightly disrespected, the result is swift and direct; bow down immediately. And even after years of grovelin’ and beggin’ for forgiveness, the final result is usually “apology not accepted!”
Just as people have called for “reparations” for the holocaust and slavery, we must call for “rap-arations” from the music industry for the damage commercial Hip-Hop has done to the Black community. They must be held accountable for the chaos they have created.
I’m not talking about just money, either. Nor am I talking about a rapper who has made a career out of songs about drug dealing going to speak at a drug rehab center. This, also, does not include a rapper who brags about smackin’ up hoes, donating band-aids to a women’s domestic abuse shelter. I’m talking about an immediate end to the madness that they promote at the expense of our future generations.
This must happen sooner than later.
Frankly, I am tired of writing about the sorry state of Hip-Hop. I’m tired of artists rappin’ about it. I’m tired of hearing people complaining about it. Like Redman said back in the day, it’s “Time 4 Sum Aksion,”
There are rules to this Hip-Hop game. But the question has always been, who has the guts to enforce the rules?
The hard, cold code of the streets must also apply to Hip-Hop. No rapper who disrespects the community should ever feel comfortable coming into any city on the planet without being stepped to.
The most frustrating part of the Hip-Hop dilemma is that this problem can be easily fixed. For example, if all the student body presidents of HBCUs (Historically Black Colleges and Universities) would get together and say “we will not invite any rapper who spreads ignorance to perform on our campus,” the problem would be solved overnight.
Unfortunately, after all the whinin’ about rap music is said and done, many of its harshest critics will sell the struggle out for an autographed T-shirt and a backstage pass.
Let’s make it perfectly clear. This is a war for the minds of our people.
And Hip-Hop ain’t gonna change unless you get off your butt and make it change.
So, it’s up to you.
Like Mr. Cheeks of the Lost Boyz once asked on “Jeeps, Lex Coups, Bimaz and Benz”:
“Is you down to go pound for pound/ toe to toe, blow for blow/ round for round?”
If not, stay off the battlefield!
TRUTH Minista Paul Scott’s weekly column is “This Ain’t Hip Hop,” a column for intelligent Hip Hop headz. He can be reached at [email protected], on his website at NoWarningShowFired.com, or on Twitter (@truthminista).
It has been said that Nas was unable to catch a victory; from the situations involving his very public split with his ex-wife, Kelis, to his daughter’s misuse of Instagram, it’s easy to interpret the building missteps as losses. However, Nas has a way of giving hope to his fans even in those times, whether it’s the announcement of his album, or his incredible outputs alongside MMG machine, Rick Ross. As more songs began to slip from Life Is Good, fans began to hope for the best and hope that Nas was “back.” After a few leaks, the entire album is upon us to dissect, and it may be one of the few times where it’s a good thing to believe the hype, as Nasir delivers in almost every way possible.
One of the gigantic knocks against Nas in the past has been his selection of beats. Some people say that it makes it easier to focus on lyrics, while others say there needs to be a mixture of both; on this album, however, there’s a happy medium that’s sure to please most. The production is mainly handled by No. I.D. and Salaam Remi (with additional assistance from Swizz Beatz, Noah “40” Shebib, J.U.S.T.I.C.E League, and more), and ranges from expansive strings and organ-driven instrumentals to tracks that seem to have time-warped from the late ’90s. But, as with almost all No I.D-influenced projects, it just works.
With that biggest knock taken care of, Nas proceeds to deliver the same lyrical personality we’ve come to know him for; original concepts permeate Life Is Good to the core.From discussing “Accident Murderers” with Rick Ross (you had to have known that Rozay was going to be here somewhere), to addressing that aforementioned Instagram incident on “Daughters”, to the issues of the world on “World’s An Addiction”, to just having a lyrical woodshed moment on “The Don”, mostly every dimension of Nas is represented, refined, and replay-ready.
(Note: the vigor extends into the bonus tracks as well, so if you plan to cop the LP, make sure to grab the deluxe version)
Nas doesn’t overload his LP with features either, as only an average amount of artists are present, but they all help the presentation as well. The Large Professor’s voice speaks to the listeners ‘trapped in the ’90s’, so to speak (“Loco-Motive”), while Anthony Hamilton accents the song perfectly with his soulful vocals (“World’s An Addiction”) and Amy Winehouse brings a pinch of nostalgia with her feature on “Cherry Wine” that’s sure to turn heads.
To be honest, there’s more than enough content here to grab attention. Whether it’s the powerful “Goodbye Love” sample from Guy in “Bye Baby”, to the eclectic but cohesive sound that runs throughout the LP, to the content that Nas never fails to deliver on, this is one of the few projects to be released in recent years that truly shows an artist improving while at the top of their game. If we weren’t too busy tallying his losses, we would’ve noticed all of the signs that showed he was plotting, most notably his stellar recent collaborations.
The result of Nas turning his recent pain into progression and piecing it all together positively is Life Is Good, a project that’s almost destined to be a contender for album of the year. For those needing a definite answer, you could say that Nas is back, but for those who are in the know, it’s more accurate to say that Nas never truly left; he’s been here the whole time. Most were just too busy watching thrones to notice.
Yo! I know you love to hate me, sucka! And I don’t mind it. THIS IS WHAT I DO. But when you GOOF M#### F**KAS start calling me gay, because I don’t want to see Madonna’s old, overused chocha – that’s where I draw the line. I don’t often read the comments, but I did on that post and I never saw so much blind hate and foolishness in my life. (Not from everybody, but a couple lonely boys were a lil’ too vocal.) So I thought I’d get you dudes all RANDY since you claimed you were so aroused over MADGE!
Here you go, jerk heads! Get your s**t off!
“Come and get it, boys!”
“Will you pick my dentures for me?”
Time for that plastic surgery!
“Call me, guys.”
Now, Madonna is a legend and an artist of incomparable stature. At 53, she should NOT be flashing her cooch to people that love to see. NUFF SAID!
Over the weekend, Chris Brown debuted his new tat and boy did he get the people talking. He had a very detailed, ferocious snake on his back, but the rattling reptile had a distinguishing mark. On the tail, where there should have been a rattler, it had a red pyramid eye. Speculators saw it and immediately said: this dude joined the dark, shadowy organization called the Illuminati!
Or did he?
People that I talked too said that dude really didn’t do anything of the sort. In fact, they said the big homey is just a wanna be. These rumors are nothing new with Chris Brown. Remember when he was red flagging a few years ago and was a purported red member? Well those rumors were never confirmed or denied. I’m not Illuminati expert, but I don’t think actual members go around and publicize their tattoo (if they even get tats!).
Thoughts?
Maybe this is how he gets his weight up in his battle with Drizzy Drake? ka-KAW!
(AllHipHop News) Jay-Z has been sued by the man that designed the Roc-A-Fella Records logo for unpaid royalties.
Dwayne Walker sued the music mogul for $7 million in a suit filed in Manhattan Federal court last week.
Former Roc-A-Fella Records head Damon “Dame” Dash and Kareem ‘Biggs’ Burke were included in the lawsuit where Walker claims he was to receive payments for designing the logo until 2015.
In the suit, he explained that he was paid $3,500 in 1995 for creating the logo design. He was then allegedly given 2% royalties for anything that carried the logo through the year 2015.
”The logo has become universally recognized as an iconic symbol of Jay-Z, one of the most successful recording artists in the history of popular music,” he said in his claim.
None of the former heads of Roc-A-Fella have commented on the suit.
Jack White’s drops the trailer for his “Freedom at 21” video, directed by legendary video and filmaker Hype Williams. Watch the full video premiere Monday July 16 through VEVO, but until then, enjoy watching the fast paced thriller of a trailer.
It looks like The Game is in need of a public makeover! He is apparently planning to film his upcoming nuptials for realty TV, according to reports. The Compton-bred rapper is expected to film his marriage to Tiffany Cambridge in a partnership with 51 Minds Entertainment, the team that brought Flavor Flav’s “Flavor of Love” to television. The show is expected to show a different side of the gritty rapper, according to TMZ. The Game recently attacked rival rapper 40 Glocc and taped the fracas. The reality show will reflect The Game as a family man that is devoted to his kids. It will also show the turbulence and “hoopla” surrounding a wedding. Sources say filming has already begun, but neither Game or the production company is saying a word.
(AllHipHop News) Grtis Ivey, the 22-year-old son of rapper Coolio, has been sentenced to nearly 4 years in jail on charges related to kidnapping and robbery.
Ivey was arrested on November 14, 2011 and charged after the beating and robbing of a resident in a Las Vegas apartment complex, TMZ reports. At that time, Ivey entered the home with a gun and a female prostitute accomplice, who helped rob the person.
Ivey agreed to a plea deal and plead guilty to a felony robbery charge and, in exchange, police dropped four additional felony charges that were levied against him.
He will serve at least 3.5 years in jail and up to 10 years, depending on the judges discretion.
Grtis Ivey is Coolio’s eldest son.
A judge will formally sentence him on September 12.
Footage/photo credit: AllHipHop.com/2012 Brooklyn Hip-Hop Festival (Brooklyn Bodega)
As you may have heard, yesterday (July 14) at the 2012 Brooklyn Hip-Hop Festival, Busta Rhymes made history to say the least.
Not only did the “friends” portion of Busta’s set include Lil Fame of M.O.P., Reek Da Villian, J. Doe, Buckshot, Smif-N-Wessun, Slick Rick, Q-Tip, and Phife Dawg, it also included the 20-years-in-the-making reunion of Leaders of the New School.
To describe Busta’s energetic and non-stop set as epic would be an understatement. In addition to our written and video recap of the day’s event, we’re proud to let you all see some some highlights from yesterday’s historic event in still form below:
Photo credit: JP DelaCuesta for AllHipHop.com/2012 Brooklyn Hip-Hop Festival (Brooklyn Bodega)
Be sure to catch up on some of AllHipHop.com’s additional BHF’12 coverage:
Although Cassidy never said anything about Meek Mill himself, the rapper did retweet several of his followers who were asking why the two rappers haven’t collaborated since Meek blew up. Cassidy reteeted – “How come when @MeekMill got put on mmg he aint do nothing wit @CASSIDY_LARSINY? They my two favorite rappers,” said the one that started it all from @illuminlester.
Meek Mill
Meek was not feeling the retweets, and he tweeted Cassidy directly writing:
“U on some clown sh*t right now. Just say it 2 my face… I’m always home… Y’all b getting beside y’all self with this send button don’t confuse this twitter wit real life… #hating.”
Meek took it back to grade school and told Cassidy to “say it to my face.” Check out what he tweeted below:
“Just say it 2 my face… I’m always home… Y’all b getting beside y’all self with this send button don’t confuse this twitter wit real life… #hating.”
I hope Cassidy can make a comeback. “Drank and My Two Step” was the ish! Anyway, Cassidy does have a new mixtape out called Apply Pressure 3. . Download it here.
Check out Meek and Cassidy spitting back to back freestyles back in 2009 when Meek was on house arrest in South Philly. Who spit the better verse?
Footage/photo credit: AllHipHop.com/2012 Brooklyn Hip-Hop Festival (Brooklyn Bodega)
Native Tongue. Leaders of the New School. Flip Mode Squad. The Conglomerate. YMCMB.
If Busta Rhymes was a basketball player, he’d be the Ray Allen of the league. A sweet shot, but prone to move on at some point.
It was his past 20+ years, however, that Busta Rhymes masterfully reassembled at the 8th Annual Brooklyn Hip-Hop Festival’s final day concert yesterday (July 14). With his longtime hype man Spliff Star at his side, the boisterous rapper pulled off a high-energy set in front of his hometown crowd of a few thousand on Pier 3 in Brooklyn.
First, there was Busta and Spliff running through some solo hits, with “Dangerous” and “Gimme Some More” setting the pace for Busta’s (still) lightning-fast, lyrical lippery. Then came the processional of collaborators: from a super-animated Lil Fame of M.O.P. on “Ante Up”, to a chained-up, swagged out Slick Rick on “Children’s Story”, to Leaders members Charlie Brown and Dinco D (wow…where have they been?) on “Case of the PTA”, and Reek Da Villian and Buckshot, too.
From backstage, a shaded-out Q-Tip, wearing all-black-everything, made a mad dash to the mic for A Tribe Called Quest’s 20-year-old banger, “Scenario”, just before the NYPD called time on the event, but right after he brought Phife to the stage (dope!). The fans recited the lyrics word-for-word, lifting them high enough so the people watching way up on the freeway above could join in, too. And it was still clear 20 years later that Busta anchored that song.
Throughout the set, the hits didn’t stop coming. And the crowd – that had been surprisingly, somewhat cool to performers during the hot day – thanked Busta well for his musical contributions.
Earlier in the day, Uncle Ralph McDaniels of Video Music Box, rapper Kosha Dillz, Brooklyn’s own DJ Esquire, and host/performer Maya Azucena kept the momentum going between sets that also included Double Dragon’s Fat Tony and Tom Cruz, with their Nigerian-inspired sounds, a set from Rhyme Calisthenics, and proclamation presentations from a few of Brooklyn’s elected officials.
Cali’s Chuuwee also brought his good-natured brand of “stoner rap” to the stage mid-day, flowing steadily for the crowd who didn’t all know him, but were feeling him just the same. The Brooklyn support was mixed with irony, considering Chuuwee’s last album was called Watching The Throne, an obvious borrow from the borough’s top dog, Jay-Z.
Not to be overlooked, in the backstage artist village, there were important faces, too – some of them monuments to the culture and the music, such as Pharrell, Jeru The Damaja, Tek and Steele from Smif N Wessun, Sadat X, Jarobi of EVITAN, and more.
Indeed, there was lots of love in the air courtesy of the organizers from Brooklyn Bodega – proof positive that Hip-Hop owes a great deal of its legacy to the County of Kings.
Be sure to catch up on some of AllHipHop.com’s additional BHF’12 coverage:
(AllHipHop News) Above The Law rapper KMG will be laid to rest in his hometown of Pomona, California at the beginning of the upcoming week. A viewing for the veteran West Coast MC will take place on Monday (July 16) from 5:00PM- 8:00PM. KMG, born Kevin Michael Gulley, will be laid to rest the following day, (July 17) at 1:00PM. Funeral services will take place at Todd Memorial Chapel, which is located at 570 North Garey Ave. in Pomona, California.
Nashville, Tennessee rapper Young Buck was sentenced to three years in prison, over weapons charges on Friday (July 13). The rapper will serve a total of 18 months for the offense. “With the judge not considering my history to subtract some time, I’m just thankful for what time I do have,” Young Buck told WSMV-TV. On July 26, a number of Young Buck’s assets will be auctioned off by the IRS, including the “Young Buck” moniker, which is owned by one of the rapper’s creditors and former label home, G-Unit Records. After he is released, Young Buck must stay off drugs and serve three years probation.
DMX was sent to the hospital this morning (July 14), after crashing his four-wheeler near his home in South Carolina. According to TMZ.com, DMX suffered a concussion, after he lost control of his four-wheeler while riding downhill. Although the rapper is expected to recover, he remains hospitalized. More information will be reported as it becomes available.