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Hip-Hop Rumors: Meek Mill Breaks The Internet?

Yesterday, Meek Mill showed what he is made of by breaking the whole internet! OK, maybe not, but his new mixtape (why are they still called “tapes” anyway?) was shutting down sites that offered it for stream or download. Dreamchasers 2 is what they call it and it did its thing. A number of very big and credible sites came to a grinding halt because they were unable to handle the bandwidth that Meek was generating.From what I have been told, the boy had over three million downloads that were accounted for in under 24 hours! That, my friends, makes Meek Milli a new sheriff on the block! He’ll be renegotiating with Ross and whatever parent label there is in no time! Philly on the rise again!

Congrats, Meek!!!!!

Oh yeah, click here to download, read about and do other stuff with regards to Dreamchasers 2.

EXCLUSIVE: Beastie Boys Sued Over Tracks On “Licensed To Ill,” “Paul’s Boutique”

(AllHipHop News) The Beastie Boys have been hit with lawsuit over four tracks, two on their landmark debut album Licensed To Ill and two from their follow-up, Paul’s Boutique.

HipHop/R&B label Tuf America filed the lawsuit against all members of the Beastie Boys on May 3, just one day before member Adam “MCA” Yauch died from cancer on May 4.

Tuf America filed the lawsuit in United States District Court for the Southern District of New York.

The lawsuit claims that the Beastie’s illegally sampled Trouble Funk’s songs “Say What” and “Drop The Bomb.”

The group is accused of using portions of Trouble Funk’s 1982 song “Drop The Bomb” on Licensed To Ill and Paul’s Boutique.

Tuf America claims the group used portions of the song on their classic 1986 song “Hold It Now Hit It,” as well as “The New Style,”  both on Licensed To Ill.

Tuf America claims The Beastie Boys used the drums on “Drop The Bomb” on their song “Car Thief” on Paul’s Boutique.

Tuf America also claims The Beastie Boys illegally sampled Trouble Funk’s 1982 song “Say What,” for their song “Shadrach,” also on Paul’s Boutique.

Tuf America said they did a thorough sound analysis of the tracks in question and concluded that the Beastie Boys illegally incorporated elements of the songs without permission.

To complicate the matter, Tuf America claims The Beasties and Capitol Records continue to profit off the album, by way of anniversary and commemorative releases of Licensed To Ill and Paul’s Boutique, which was released in 1989.

Tuf America is seeking a trial to determine the amount of punitive and exemplary damages, if any.

Capitol Records is also named as a defendant in the lawsuit, some of which can be viewed below:

 

Hip-Hop Rumors: WWE’s Chris Jericho At War With North Carolina Hip-Hop?

AYE: to those that don’t like me, shut the hell up. Corny trollers. I don’t even have a log in to respond to your wack a$$ comments. Go eat a nail sandwich with extra lead – hold the mayo, Brudda!!! I ain’t been back 24 hours and you filthy roaches can’t keep me out of your mouth. Better yet, here’s another one for you to hate!

On to the rumors! Here is one for all the people out there in North Carolina! Word on the streets is that top WWE wrestler Chris Jericho has fallen out of the graces of the Hip-Hop scene there in NC. Here is what happened per one of my main sources down there. First, here he is again in case you don’t know him (like me):

Last night, Chris Jericho was down in the N. Cakalack at a popular club, from what I heard. And, he was just doing his thing, I suppose, but got a lil’ too gassed up on how hot he is in these streets. Well, somebody took a picture of him in the club, and Chris saw them do it. After he saw it, the big guy went and snatched the phone, deleted the picture, and threw the phone across the club! Here is where it gets nameless to protect the people that may get Jericho! Little did Jericho know, but he threw the phone of a popular NC DJ! And dude took to his network and let it be known how he was treated by the WWE sensation that mistook him for a common fan! Now, from what I understand there’s goons that are out to get ol’ Chris! Furthermore, all the DJs have commanded their minions to boo Jericho, because he and others are apparently down there to perform at a WWE event. I heard the event is tonight, but I don’t know if the “boycott” is going to ramp up soon enough. We’ll see, eh?

CONTEST: AllHipHop and Justin BUA Give Away “Legends” Book In Tribute to MCA

Hip-Hop as a collective unit mourns the loss of Adam “MCA” Yauch of the Beastie Boys, one of the most iconic musical groups of all time. As a small token of our respect and adoration, AllHipHop has collaborated with artist Justin BUA to give away five signed copies of his most recent book, The Legends of Hip Hop.

MCA and the Beasties are represented in the book along with a testimonial. Five people people will be randomly selected via Twitter between Monday and Wednesday. All you have to do is tweet @AllHipHopcom and @JustinBUA your favorite line or lyric from MCA using the hashtag #MCALEGEND.

Enter as may times as you want!

For more info on BUA, you can check him out on Facebook (www.facebook.com/bua) and Twitter (@justinBUA) where he personally updates new paintings and drawings weekly. You can also reach him at www.justinbua.com, where The Legends of Hip Hop is available for purchase.

The Legends of Hip Hop Infohttp://justinbua.com/legends-of-hiphop.html
BUA bio – http://justinbua.com/bio.html

B.o.B Wants To Be The First Rapper To Perform on the Moon (Next 48 Hours Teaser #2)

B.o.B. vows to be the first rapper to perform on the moon. This is a snippet from the Next 48 Hours With B.o.B, filmed during the release week of the “Strange Clouds” album.

Lupe Fiasco’s “Food and Liquor 2” to Be Double Album; First Single Expected On May 22nd

(AllHipHop News) Grammy Award-winning artist Lupe Fiasco has announced that his next album, the highly-anticipated sequel to his 2006 debut Food & LiquorFood & Liquor 2, will also be a double album release.

While speaking to FUSE at the Beale StreetMusic Festival, which took place this past weekend in Memphis, Tennesee, Lupe revealed the news regarding Food & Liquor 2 and also suggested that fans should mark their calendars for May 22. That is the date that the rapper behind two of the most acclaimed Hip-Hop albums of the past decade, may premiere the new album’s currently untitled first single.

Lupe told FUSE, “This is my fourth album, and this is actually a part one and part two, it’s a double album. With this record, I wanted to go back to the essence of what made that record so special, the frame of mind I was in when I did Food & Liquor the first time.”

This is not the first that the public has heard of Lupe’s double album plan. At a concert in Portland, Oregon last March, Lupe announced this news, as well as the revelation that he would no longer be releasing mixtapes.

“It’s the Lupe Fiasco I want to be, without the industry constraints, without the trying to please the hardcore fans or get the new fans,” said Lupe. “It’s just what I would do for myself if nobody ever heard it. This is the kind of music I would make. It’s a masterpiece. It’s really f*cking good.”

Check out the full video interview from FUSE below:

’80s Rapper Turned Activist, Glenn “Sweety G” Toby, Pens Children’s Book

Lil’ G Faces The Brooklyn Bully

Beginning his career rhyming with the likes of Doug E. Fresh, Biz Markie, Stetsasonic, Kurtis Blow, and Run DMC, Glenn “Sweety G” Toby had a couple of modest hits in the early ’80s with the singles, “At the Place to Be” and “We Want to Get Down”.

“My first love was always music,” says Toby. “Just to feel, see, and connect with people on another level was incredible in itself.” But, eventually the rapper became an entrepreneur, specializing in marketing, management, and strategic business development. A former member of the LL Cool J management team, Toby also helps to provide the proper guidance and support for aspiring and active MCs including Saigon, Tru Life, and Q Da Kid.

Toby has also worked with over 50 NFL players. He and his business partner Alonzo Shavers provide a full scale of client services, including contract negotiations, publicity, marketing, and legal assistance. But ask Glenn Toby what he is most proud of, and it will likely be his work with The Book Bank Foundation (BBF).

In 1997, Toby founded The BBF, a non-profit organization aimed at promoting and advocating for literacy. With this mission in mind, Toby and the BBF have logged almost half a million hours of community service, helping to decrease the illiteracy rate by providing innovative ways of promoting learning, social awareness, and individual prosperity.

And, of course, a person who is focused at eradicating illiteracy would have to write a book. “We hope to inspire and develop a child’s mind to better understand the reality and challenges of the world they are living and growing in, through learning, critical thinking, and understanding life’s natural progression through a child’s view,” Toby says of his new children’s book.

With Lil’ G Faces the Brooklyn Bully, Toby tells the story of a boy, “Lil’ G,” who is homeless but possesses the ability to rap, which gets him up close to Sweety G. Sweety G then tells him about the BBF and helps “Lil’ G” and his mom get back on track to finding a home.

“Lil’ G is evidence,” says Toby, “that every child must have the right and opportunity to grow into a world that is greater than it was before they were born.”

Toby, who faced homelessness at one point in his own life, had a good perspective from which to write. Having to live on the streets, on subways, or find warmth on hotel hallway floors, he found solace in reading, as it allowed him to travel to foreign and distant places beyond his reality. “It was a frightening time for me and my siblings,” says Toby, “but it was also an enormous lesson in real character development and personal integrity.”

For more information on Glenn “Mr. Sweety G” Toby, visit www.glenntoby.com. Purchase a copy of Lil G Faces the Brooklyn Bully for a little one in your life at www.meetLilG.com.

MMG’s Meek Mill Releases Highly-Anticipated New Mixtape, “Dreamchasers 2”

(AllHipHop News) With the release of Dreamchasers 2, Maybach Music Group (MMG) artist Meek Mill has officially dropped his anticipated follow-up to last year’s Dreamchasers mixtape, with a project that boasts over 20 brand-new tracks.

Guests on Dreamchasers 2 include top industry names such as Drake, Jeremih, Big Sean, Kendrick Lamar, Rick Ross, Fabolous, French Montana, Wale, Trey Songz, 2 Chainz, and Mac Miller.

Production on the Philadelphia native’s mixtape comes from The Beat Bully, Jahlil Bats, Cardiak, Beat Billionaire, and many more.

Meek Mill’s MMG debut album, Dreams and Nightmares, is set for release on August 28, and he can currently be seen on the road as part of Drake’s “Club Paradise Tour” with fellow opening acts, 2 Chainz, Waka Flocka, and French Montana.

Tickets for the “Club Paradise Tour” are available now at Ticketmaster.com.

The full tracklisting for Dreamchasers 2  is below:

1. Intro
2. Ready Or Not
3. Amen f. Drake & Jeremih
4. Burn f. Big Sean
5. A-1 f. Kendrick Lamar
6. Used to Be f. Jordann
7. Flexin’
8. I Get It f. Travi$ Scott
9. Eryday f. Rick Ross
10. Racked Up Shawty f. Fabolous & French Montana
11. Lean Wit’ It
12. Big Dreams
13. Take You Home f. Wale & Big Sean
14. The Ride
15. Face Down f. Trey Songz, Wale & Sam Sneaker
16. Str8 Like Dat f. 2 Chainz
17. House Party (rmx) f. Fabolous, Wale & Mac Miller
18. Real
19. On My Way
20. Lights, Camera, Action

Meek Mill’s Dreamchasers 2 is available now for download.

Waka Flocka’s “Fans, Friends and Family” Include Meek Mill, Drake, B.O.B. and Trey Songz; Full Tracklist Revealed

(AllHipHop News) Warner Bros. recording artist and Brick Squad Monopoly general Waka Flocka has officially unveiled the tracklisting for his upcoming sophomore solos studio album, Triple F Life: Fans, Friends and Family.

The 15-track follow-up to last year’s Flockaveli, which produced four hit singles for the Atlanta native, is set for release on June 12

Triple F Life: Fans, Friends and Family feature appearances from Meek Mill, Drake, B.O.B. and Trey Songz.

As fans await Waka’s new album, they can catch him on the road as part of Drake’s 27-date “Club Paradise Tour”, which is currently on its second U.S. run.

This incarnation of the “Club Paradise Tour” also includes 2 Chainz, Meek Mill, and French Montana. Tickets for the “Club Paradise Tour” can be purchased at Ticketmaster.com.

Check out the full tracklisting for Triple F Life: Fans, Friends and Family below:

  1. Triple F Life Intro
  2. Let Dem Guns Blam ft. Meek Mill
  3. Round of Applause ft. Drake
  4. I Don’t Really Care ft. Trey Songz
  5. Rooster In My Rari
  6. Get Low
  7. Fist Pump ft. B.O.B.
  8. Candy Paint and Gold Te
  9. Cash
  10. Lurkin
  11. Clap
  12. U Ain’t Bout That Life
  13. Power of My Pen
  14. Flex
  15. Triple F Life Outro
  16. Flex

Waka Flocka’s Triple F Life: Fans, Friends and Family will be released on June 12.

Hip-Hop Rumors: Did The Man Use Hip-Hop To Increase Prison Populations?

(Rumors) This letter was sent to HipHopIsRead.com and I found it amazing. Read on. The writer charges that a group of music industry heavies gathered over two decades ago to use rap to increase the prison population.

Hello,

After more than 20 years, I’ve finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music, and ultimately American society. I have struggled for a long time weighing the pros and cons of making this story public as I was reluctant to implicate the individuals who were present that day. So I’ve simply decided to leave out names and all the details that may risk my personal well being and that of those who were, like me, dragged into something they weren’t ready for.

Between the late 80′s and early 90’s, I was what you may call a “decision maker” with one of the more established company in the music industry. I came from Europe in the early 80’s and quickly established myself in the business. The industry was different back then. Since technology and media weren’t accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music’s new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practices I’ve ever seen.

The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. Based on their behavior and formal appearances, they didn’t seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. 

Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn’t find anyone who had answers for us. A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the “unfamiliar” group collected the agreements from us.

Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background. I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of “decision makers”. At this point I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments…

UH-OH! READ THE REST OVER AT ILLSEED.COM!